Re: PianoPedalBracket.to-barline doesn't always work as expected

2024-04-09 Thread Aaron Hill
On 2024-04-09 2:55 pm, Maurits Lamers via LilyPond user discussion wrote: Only when the \sustainOff is placed outside of the tremolo, the bracket extends to the barline: %%% \version "2.24.0" \score {   \new Staff {     \clef bass     \time 6/8     \relative c' {   c8 b a g e c |  

PianoPedalBracket.to-barline doesn't always work as expected

2024-04-09 Thread Maurits Lamers via LilyPond user discussion
Hey all, I encountered a situation where the PianoPedalBracket setting to-barline doesn't always do what you'd expect. Given the following code, the pedal bracket is not extended to the end of the bar: %%% \version "2.24.0" \score {   \new Staff {     \clef bass     \time 6/8     \relative

Re: Lead sheets: Maj. 7 chords

2024-04-09 Thread Ivan Kuznetsov
And that was it! Thank you so much. On Tue, Apr 9, 2024 at 3:50 PM Aaron Hill wrote: > > You need to adjust the majorSevenSymbol [1]. > > [1]: > https://lilypond.org/doc/v2.25/Documentation/notation/customizing-chord-names#chord-name-major7 >

Re: Lead sheets: Maj. 7 chords

2024-04-09 Thread Aaron Hill
On 2024-04-09 1:43 pm, Ivan Kuznetsov wrote: have been creating some lead sheets in the style of the "Real Book", using the \chords{} syntax. However, I do not like the way the default notates "major 7 chords", that is, a major triad with a major seventh. The default is to use a "triangle" to

Lead sheets: Maj. 7 chords

2024-04-09 Thread Ivan Kuznetsov
have been creating some lead sheets in the style of the "Real Book", using the \chords{} syntax. However, I do not like the way the default notates "major 7 chords", that is, a major triad with a major seventh. The default is to use a "triangle" to notate such a chord (shown below in my

Re: Organ pedal marks in various styles, including pedal glides: new snippet 1184

2024-04-09 Thread Fernando Gil
This is extremely helpful, thank you so much! El mar, 9 abr 2024 a las 6:40, Rudolf Cardinal () escribió: > Dear Lilypond users with an interest in organ music, > > Lilypond's standard commands for organ pedal marks are: \lheel, \ltoe, > \rheel, \rtoe. However, there are several recognized ways

Re: Fwd: nested beaming

2024-04-09 Thread Paul Scott
It looks like I was wrong about \set subdivideBeams = ##f canceling \set subdivideBeams = ##t . It was another part in a score where it wasn't canceled affect the line I was working on. Paul On 4/9/24 9:28 AM, Paul Scott wrote: Forgot to send to list. Forwarded Message

Fwd: nested beaming

2024-04-09 Thread Paul Scott
Forgot to send to list. Forwarded Message Subject:Re: nested beaming Date: Tue, 9 Apr 2024 09:26:22 -0700 From: Paul Scott To: Carl Sorensen On 4/8/24 3:59 PM, Carl Sorensen wrote: On Mon, Apr 8, 2024 at 4:51 PM Carl Sorensen wrote: On Mon,

Re: nested beaming

2024-04-09 Thread Hans Åberg
> On 8 Apr 2024, at 18:46, Simon Albrecht wrote: > > On 08.04.24 18:22, Paul Scott wrote: >> Many years ago I could nest square brackets in Lilypond. How can I write >> this now incorrect code: >> >> a16[[ 16 16] 16[ 16 16]] i.e. two groups of 3 beamed 16th notes joined by a >> single

Organ pedal marks in various styles, including pedal glides: new snippet 1184

2024-04-09 Thread Rudolf Cardinal
Dear Lilypond users with an interest in organ music, Lilypond's standard commands for organ pedal marks are: \lheel, \ltoe, \rheel, \rtoe. However, there are several recognized ways of displaying pedal marks visually. I struggled a little to get Lilypond's organ pedal marks into a style that I