Is this intentional or desired? If so, is there a way to prevent this from
happening?
On Thu, Apr 25, 2024 at 10:09 PM Aaron Hill
wrote:
> On 2024-04-25 9:43 pm, Eric Benson wrote:
> > I took one of the NoteName examples from the documentation and dropped
> > a
> > \textMark in the middle of
On 2024-04-25 9:43 pm, Eric Benson wrote:
I took one of the NoteName examples from the documentation and dropped
a
\textMark in the middle of it, and there is an extra copy of that text
mark
for each NoteName staff.
This makes sense, since the \textMark command is within the \melody
music
I took one of the NoteName examples from the documentation and dropped a
\textMark in the middle of it, and there is an extra copy of that text mark
for each NoteName staff.
nntest.ly
Description: Binary data
nntest.pdf
Description: Adobe PDF document
On Thu 25 Apr 2024 at 13:36:49 (+), Schlipf, John (schlipf) wrote:
> On question:
> On Wed 24 Apr 2024 at 19:13:47 (+0200), Johannes Roeßler wrote:
> > Hey David,
> >
> > it works - but I am running into an issue with short passages.
> > I would like to stretch the choir part to the right
On Thu 25 Apr 2024 at 13:06:01 (-0700), Steve Carlock wrote:
> Thanks. I agree that the barcheck warning message is cryptic. It appears
> that this issue happens when the lyric is attached to notes that are tied
> across a measure boundary. Unfortunately I can't change the third measure
> -
It is known (and documented) that bar checks need to be used with care
within Lyrics contexts. I was thinking about this problem and wondered
if a custom engraver would be able to assist. (The actual bar checks
are implemented in an iterator, presumably because it results in faster
William,
Thanks. I agree that the barcheck warning message is cryptic. It appears
that this issue happens when the lyric is attached to notes that are tied
across a measure boundary. Unfortunately I can't change the third measure
- that motif from my simple example is used frequently in the
Thanks, that does seem to work at least in a small test case. I saved
the function off to an include file and will try it on a larger set of
lyrics later. It does seem like a bit of work to do something that
could a base lilypond feature since it would seem like background
highlighting of
On 2024-04-25 15:44, Peter Mayes wrote:
I
may be missing something in the documentation here.
I have a two-movement score for a single melodic instrument. Each
movement fits conveniently onto a single page.
I
Hi Peter,
On Thursday, 25 April 2024 09:44:56 EDT Peter Mayes wrote:
> What I want is for the second movement, on the second page, to have
> slightly increased vertical spacing between staves. (It has 32nd and
> even a few 64th notes, and just looks a little "bunched up" to my eyes.)
>
> I can
Hi Peter,
Using \bookpart? E.g.:
%%
\version "2.24"
\paper {
% ...
}
\header {
title = "Two-movement Score"
subtitle = " For A Single Melodic Instrument"
}
FirstMovement = { s1*32 }
\bookpart {
\paper {
system-system-spacing.basic-distance = 10
}
\score {
\new Staff {
On question:
On Wed 24 Apr 2024 at 19:13:47 (+0200), Johannes Roeßler wrote:
> Hey David,
>
> it works - but I am running into an issue with short passages.
> I would like to stretch the choir part to the right side,
> but when I bring in "ragged-right = ##f" then it breaks:
>
> I assume you have
I may be missing something in the documentation here.
I have a two-movement score for a single melodic instrument. Each
movement fits conveniently onto a single page.
I realise this is not a MWE, but I just wanted to specify the overall
layout of my input
\version "2.24.1"
\paper { ... }
On Thu, 2024-04-25 at 01:15 +0300, Dimitri Sykias wrote:
> Hi Jacob
> Thanks for the reply.
> When I use for ex. (Version "2.24.1”)
> \figures {
> \override FiguredBass.BassFigure.font-size = #2
> <6- 4> <6> <6- 4-> <_-> <5-> <5+ _+> < 5- _-> <6 _+> <_+> <5- _-
> >}
> accidentals are
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