On Mon, 2004-05-10 at 18:14, Mats Bengtsson wrote:
Cc: bug-lilypond; feature request included below!
If you have one \header{...} block at the top level of the file
and another one included withing \score{...}, it seems that LilyPond
combines the settings from both these header blocks. This
Hi folks,
Thanks to the authors for a great piece of software! I'm actually able
to hold my head up when I take my arrangements to band...!
There is one thing that I would love to be able to do. The band I
arrange for has around 15 different parts. I have two separate files for
each instrument,
I just noticed that there's an article about GUI front ends to LilyPond
over a Linux Journal:
http://www.linuxjournal.com/article.php?sid=7719mode=threadorder=0
I haven't read it yet, so please no flames unless it's *really* bad!
Cameron
___
I don't know whether I'd be better off hard-coding the entire range of
notes - about three octaves or more - or specifying all the open notes
then specifying the fingering from the open note above.
This has been an interesting discussion! I hadn't thought about the
implications of hard-writing
Hi folks,
I just surfed over to the NoteEdit website, and all there is is a note
saying it had been discontinued due to the upcoming port of Finale to
Linux. Does anyone have any info about this?
Cameron
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Hi folks,
I've just downloaded Lilypond 2.3.24 (Debian Sid) from Pedro's
repository. I had a few font problems, which I fixed by upgrading to the
latest ec-fonts-mftraced, also from Pedro's site.
Now, however, when I use a global staff size less than 20 points I get
greater-than signs and
by lily has the same problems with gv and acroread.
At other staff size :
- dvi is correctly handled in xdvi
- other formats have the mess you describe.
Anybody has an idea about the source of the problem ?
Is it a debian-package problem or lily's fault ?
TIA,
Alex.
Cameron Horsburgh wrote:
Hi
Dominik Baenninger wrote:
In earlier versions of lilypond (e.g. 2.2.6) I reduced the space between
the staffs with
\score {
\set Staff.minimumVerticalExtent = #'(-1 . 1 )
\set Staff.VerticalExtent = #'(-1 . 1 )
\hornOneNotes}
From the manual of 2.4.0 I learned that
I have the following lines in a score:
#(set-global-staff-size 12)
#(set-default-paper-size legal 'landscape)
\layout {
linewidth=11.5 \in
indent=2.0 \cm
}
The documentation on the last two lines is fairly sparse, but as I
understands it, the linewidth setting governs the
old solutions.
/Mats
Cameron Horsburgh wrote:
I have the following lines in a score:
#(set-global-staff-size 12)
#(set-default-paper-size legal 'landscape)
\layout {
linewidth=11.5 \in
indent=2.0 \cm
}
The documentation on the last two lines is fairly sparse, but as I
understands
I do!
I have three main uses for LilyPond.
First, I do a little bit of transcription/arranging/composing. I've just
completed a Brass Band arrangement of `The Entertainer' which I found
on Mutopia. If anyone's interested, let me know (Lily7pond makes it look
great, but can't make it sound any
.
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, emacs replies
that it can't find the mode.
Ralph Palmer wrote:
I don't know if it's relevant or not, but I the LilyPond-mode in my
install is capitalised strangely. I have to use M-x LilyPond-mode
because M-x lilypond-mode isn't recognised.
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Blog
a} % --- None of these notes will begin at the start of
% a measure, because they're all offset by a
% beat.
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or not to put a beam between between beats one and two?
If the semiquavers came at the end of beat one it probably wouldn't
be that hard. Is this the sort of thing the 'begin' beam-limit type
was intended for?
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of four quavers covering beats one and two or beats
three and four should be beamed together.
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On Thu, Mar 19, 2009 at 06:11:09PM +, Alberto Simões wrote:
I just would like to make lilypond to shut up about those specific clashes.
Is there any way to do that?
Try \override NoteColumn #'ignore-collision = ##t
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On Thu, Mar 19, 2009 at 11:37:52PM -, Trevor Daniels wrote:
Cameron Horsburgh wrote Thursday, March 19, 2009 10:28 AM
I'm having trouble trying to modify the automatic beaming for a piece
I'm working on. This piece has many examples of this figure in 4/4
time:
a8 a a a16 a
I would
in the documentation. This is the 2.13
docs, but I'm sure it's also in the 2.12 docs.
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/The-Feta-font#The-Feta-font
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, at
least) to refer to the first position on a trombone as 'closed.' This
corresponds to 'fully open' on a valve instrument.
If this thread has proven anything, it's that brass instruments do not
make sense and their players should be treated with the utmost respect
and suspicion.
--
Cameron
? Are you using lilypond scores with lots
of text markup blocks?
If you tell us exactly what it is you're trying to do we might be able
to help more, or come up with even better ways to do your task!
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can see is if you've used notes from F major
instead of G (i.e. you've flattened your B's but not sharpened your
F's). If that's the case I don't think the tranpose function will
help.
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defnitions while
recognising the original Italian from is adjectival.
http://www.askoxford.com/concise_oed/crescendo
http://www.merriam-webster.com/dictionary/crescendo
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scores.
See if you can figure out how to fix the problems you're having, and
don't be afraid to ask us again if you get stuck!
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http
to combine it all when they're done.
Of course, these are only my opinions, but I hope they help!
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being a little bit naive?
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At Wed, 17 Jun 2009 14:24:18 +0300,
Joe Neeman joenee...@gmail.com wrote:
On Tue, Jun 16, 2009 at 3:32 PM, Cameron Horsburgh ca...@netcall.com.au
wrote:
I produce a lot of conductor's scores (with one system to a page) but
I've always found the spacing to detract a lot from
-- the
answer's in the 2.11. Try
\override DynamicTextSpanner #'dash-period = #-1.0
HTH
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can get past the GNAA trolls there were a few interesting
comments made, too. Have a look at
http://slashdot.org/article.pl?sid=04/03/13/2054227
--
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in the repository which will cause all
sorts of conflicts.
The easy answer is to use equivs -- this fools apt into thinking that
a package (or a particular version) is installed when it isn't. Check
the apt manual for more info.
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=
Cameron Horsburgh
the function
where you would like to allow page breaks.'
The second part is easy enough, but I don't see any instructions for
enabling it in the \paper block. Any clues (or am I missing something
obvious?)
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it as a bug?
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asking, but I suspect you can get what you
want by using separate \score blocks in your file.
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it does whayt
you're after.)
Hope this helps!
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off
some of the more interesting features of LilyPond. I'll produce some
printed examples, and if people start scratching their heads trying to
work out how I did something, I'll have done my job ;-).
Thanks folks,
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On Thu, Oct 16, 2008 at 10:06:12PM +1100, Cameron Horsburgh wrote:
Hi folks,
Next weekend I'll be attending a composing workshop organised by my
church. One of the sessions will cover the relevant software. It seems
the facilitator is going to be showing off Finale and Sibelius, but he
-stretch =
#ly:align-interface::calc-max-stretch
}
\context {
\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
}
\context {
\DrumStaff \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
}
}
Thanks,
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toward the end of the system.
Thanks for your help,
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On Thu, Oct 30, 2008 at 07:46:16AM +1100, Cameron Horsburgh wrote:
On Wed, Oct 29, 2008 at 05:00:17PM +0100, Mats Bengtsson wrote:
Hmm, I'm glad I'm not the only one who thinks it's strange! And it's
nothing recent either---it's been a problem since I first put the
score together, which
settings would make this much
easier!
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{a b c} do you want to get {e f g} (diatonic) or {e fis
g} (perfect)?
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''{\melody}}}
}
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On Sun, Dec 21, 2008 at 09:47:53AM -0800, Graham Percival wrote:
On Sun, Dec 21, 2008 at 11:26:16PM +1100, Cameron Horsburgh wrote:
On Sat, Dec 20, 2008 at 11:49:10PM -0800, Graham Percival wrote:
... I really don't understand this question. If you already know
how to transpose from C
On Sun, Dec 21, 2008 at 02:20:32PM -0800, Graham Percival wrote:
On Mon, Dec 22, 2008 at 07:41:35AM +1100, Cameron Horsburgh wrote:
melody = {a b c d e f g}
{ \melody \\ { \transpose c' g \melody }}
Hmm... I can see that this works. Having read the documentation so
slavishly I
LilyPond versions.
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\with { \remove
shortInstrumentName } \tromboneb } }
\layout { \context { \Score } }
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are coming home to roost...!
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On Tue, Jan 06, 2009 at 11:41:53PM +0100, Valentin Villenave wrote:
2009/1/6 Cameron Horsburgh ca...@netcall.com.au:
It gets better---as far as I recall (I can't find the link now) the
lilypond language was ispired by (and based on) the POV-Ray
langauge. The chickens are coming home
this---using \set short.InstrumentName in the appropriate \staff block
is the more idiomatic way to go. That way the definition is
*completely* removed from the content. It just seems more LilyPondish.
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{}
}
\paper{
#(set-paper-size a3 'landscape )
line-width = #370
horizontal-shift = #5
indent = #10
ragged-last-bottom = t
ragged-bottom = t
after-title-space = #0
}
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Blog: http://spiritcry.wordpress.com
On Sun, Jan 11, 2009 at 05:29:14PM +0100, John Mandereau wrote:
Cameron Horsburgh a écrit :
I'm running a 2.4 GHz P4 with 1.25 Gig of Ram. The machine is aging,
but it should be up to this challenge. I've noticed scores compile
much quicker on much lower specced machines, so I'm suspecting
On Mon, Jan 12, 2009 at 06:58:07AM +1100, Cameron Horsburgh wrote:
On Sun, Jan 11, 2009 at 05:29:14PM +0100, John Mandereau wrote:
Cameron Horsburgh a écrit :
I'm running a 2.4 GHz P4 with 1.25 Gig of Ram. The machine is aging,
but it should be up to this challenge. I've noticed scores
I'm not entirely sure what you're after here. If you simply want syntax
highlighting to be turned on by default, add the line
(global-font-lock-mode 1)
to your .emacs file. If you want a different colour scheme, you might
find what you're after in edit/customize emacs/customize group: faces...
Hi folks,
I've been experimenting with the alien package to install Lilypond on my
Debian unstable box. Being somewhat old fashioned I prefer to install my
software via dpkg/apt rather than the autopackage route!
I downloaded the RPM from the website, ran alien over it, and installed
the
Pedro Kröger wrote:
Cameron Horsburgh [EMAIL PROTECTED] writes:
Thanks for your reply.
1) Does anyone with any knowledge of the internals of Lilypond deb and
RPM packages have any idea where alien might introduce any subtle problems?
yes, it may. debian has a strict policy regarding
of reasons. Would there be any interest in sponsoring this as a
feature? Han-Wen -- how much would it cost?
Cameron Horsburgh
Bernard Hurley wrote:
A partial solution is to forget about guile, use \displayLilyMusic and
pipe lily's stdout to a file. However lily insists on creating .ps
and .pdf
Christian Ebert wrote:
* Han-Wen Nienhuys on Thursday, December 08, 2005:
andrea valle wrote:
How much for a migration to python as a sponsored feature :-)?
5 digits.
1 cent is a bit cheap ;-)
c
1 c? No, he meant one whole hand. That's still cheap, because I
expected at
when I first typeset the piece, but that's no longer
the case. I don't seem to be able to find anything in the documentation
to help me (although I can see it existed in the 2.0 series docs).
Does anyone know the 'modern' way of adjusting the lengths of my mm-rests?
Cameron Horsburgh
-BEGIN PGP
Anders Kaseorg wrote:
If I run the following simple test of dynamics through lilypond (I've
tried both 2.6.3 and 2.7.22):
\version 2.6.0
\score {
\relative c'' {
c16\p c c c c\ d e f g\f g g g g\ f e d c\p c c c c4
}
\midi {}
\layout {}
}
and play the resulting MIDI file
Balu Stefan wrote:
I've searched the archives but I couldn't find any good info source...
I have this question:
I there any way I can implement a tab stave in lilyopond? I am not sure
that's the calling for it but I will explain...
When you look/print a partiture from GP4 or PowerTab you
debian wrote:
Please,
I have just started using Lilypond (2.4.5) on a debian sarge system
and I am getting on reasonably well with the syntax.
But, the quality of my pdf files is very poor. Notes and staff lines
etc look ugly. Probably this is a font problem, but I do not know how
to
cordilow (sent by Nabble.com) wrote:
Hello,
I was wondering how to create a footer. The documentation talks about them,
but it never says how to make them. So far, I've only been able to make a
footer by using tagline in the header.
The following does not work, or compile for that
cordilow (sent by Nabble.com) wrote:
Oh,
That's awesome! About the HTML, with Lilypond-book, I mean.
Wow--that makes me happy. All you have to do is surround your lilypond file
in and then type something like lilypond-book -o thePathOfOurputPlusFileName
nameOfFile.
Of course, you
Hi folks,
I've just downloaded and installed the GNU/Linux GUB for 2.7.32-3. I've
convert-ly'ed a slightly older score (that compiled cleanly under
2.7.29) and compiled. It fails with this error:
[EMAIL PROTECTED]:~/Work_Folder/music/projects/IdaAndDot$ lilypond IdaAndDot.ly
GNU LilyPond 2.7.32
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Thomas Scharkowski wrote:
I get the same error here with 2.7.32.3 windows.
Thomas
Hi folks,
I've just downloaded and installed the GNU/Linux GUB for 2.7.32-3.
I've convert-ly'ed a slightly older score (that compiled cleanly under
2.7.29) and
Graham Percival wrote:
On 11-Feb-06, at 10:57 AM, Alan wrote:
There is probably an answer somewhere in the documentation; at the
moment,
I cannot find it. I do not know how to use midi2ly. The command line
specified
in the documentation does not work when I type it into the ly file and
Ramana Kumar wrote:
what about caching the lilypond output in such a way that small
changes to the ly code don't result in redoing all the parsing
again... i mean say if someone only adds a bar to the end maybe some
of the work wouldn't need to be redone?
i understand lilypond does some work
James Wilkinson wrote:
I have an example in which the insertion of a crescendo in the music
causes the generated MIDI file to be bad. Removing the crescendo fixes
the problem. Is this a known problem? I'm using version 2.7.17 on Windows.
A second thing: \ and \f don't work the same way in
cordilow wrote:
A long time ago, I asked how to put stanzas outside the music. Hymns often
have lots of verses and all of them aren't always included in the music
(some are just written outside of the music, to save space, without syllable
markings). Someone told me that the documentation
Gauvain Pocentek wrote:
Graham Percival wrote:
On 21-Feb-06, at 11:50 PM, Gauvain Pocentek wrote:
#(set-global-staff-size 18) doesn't work at all. Is this a bug, or is
there something I missed?
This command should go at the top level -- ie in front of your \book
command.
Thanks!
Darius Blasband wrote:
As much as I think that old scores must be used as source of inspiration
for balance, aesthetics,
etc., I think that reproducing their defects for the sake of
old-fashioned look would be odd.
Softening corners is ok. But imperfections are not warm. They are just
that:
Laura Conrad wrote:
I'm having trouble getting point-and-click to go to the column instead
of just the line. I don't think it's a lilypond problem, since I
can't get emacsclient run manually from the command line
to go anywhere but the start of the line, either. Is this a known
problem, or
Hi folks,
I have a score set out as follows:
**
\version 2.8.0
\header{
subtitle = \markup{\italic Brantwood}
title = I Know Thee Who Thou Art
poet = Albert Orsborn
composer = arr. Ray Steadman-Allen
arranger = transc. Cameron
Geoff Horton wrote:
I'm working on a piece that has two lines (soprano and alto) on the
same staff. The alto has a helf-rest where the soprano has music, and
because of the pitches in the soprano line, the alto rest is set on a
ledger line at middle C. I don't want it there; I want it sitting
Kamal wrote:
Hello,
In the following code, I need the fingering instructions to be on the
left of every note, so I use \set fingeringOrientations = #'(left).
This works fine with the first couple of notes, but afterwards, the
finger numbers begin reappearing above the note which is the
Mats Bengtsson wrote:
There shouldn't be any reason to move the engraver, just use
\set Staff.fingeringOrientations ... or
\set Score.fingeringOrientations ... to make the setting apply to all
voices in the Stave or score, respectively.
/Mats
Hmm, you're right. That was my first
Graham Percival wrote:
On 29-Mar-06, at 8:52 PM, S L Raymond wrote:
I'm incorporating musical examples into a textbook using lines like
this:
\begin{center}
\includegraphics*[viewport=62 700 550 830]{AtoG.pdf}
\end{center}
The pdf in the above example contains a single staff. When
Orm Finnendahl wrote:
Hi,
before delving into the depths of it: Has anybody got the
lilypond-mode.el working in terms of autocompletion and cursor
movement under gnu emacs?
I tried with emacs21 and emacs-gtk (Version 22) without
success. Syntax highlighting seems to work, but pressing
that a stem shared (example 3), the
falls are not typeset. This isn't simply an issue with the stem
though---the problem persists if I use whole notes.
Is this a bug in LilyPond or just the user?
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it to the end of the
subject. Surely the regexp you filter on can handle that.
Cameron Horsburgh
blog: http://spiritcry.wordpress.com
On 6 September 2010 10:14, Brett McCoy idragos...@gmail.com wrote:
On Sun, Sep 5, 2010 at 3:03 PM, Kaz Kylheku k...@kylheku.com wrote:
On Sun, 5 Sep 2010 14:22:35
Original Message
From: - Tue Apr 11 00:06:33 2006
X-Mozilla-Status: 0001
X-Mozilla-Status2: 0080
Message-ID: [EMAIL PROTECTED]
Date: Tue, 11 Apr 2006 00:06:17 +1000
From: Cameron Horsburgh [EMAIL PROTECTED]
User-Agent: Mail/News 1.5 (X11/20060228)
MIME-Version: 1.0
Jannik Jeppesen wrote:
I want to whrite a few drum march and rhythm exercises, but cant make
them look perfect...
Here is a little march, with alot of things that can be done more nicely.
can anyone set this one up in a more beautifulll manner? So the bars in
under each other, the volta
Luise Marion Frenkel wrote:
Hello,
In my Debian like Linux (actually Kurumin) installing lilypond works
fine, without complaints, but I cannot use it because my system still
finds some old version (2.4.0).
I have been using lilypond since 1.4.12 or alike, and in this system
of mine it
Luise Marion Frenkel wrote:
Thank you so much! Now it works, very well!
On Wed, 12 Apr 2006, Cameron Horsburgh wrote:
How have you installed LilyPond in the past? With apt-get or some other way?
Yes, with apt-get, usually from packages made by some Lilypond
contributors
Luise Marion Frenkel wrote:
On Thu, 13 Apr 2006, Cameron Horsburgh wrote:
I just don't know why in a root shell I get
[EMAIL PROTECTED]:~# lilypond -v
bash: /usr/bin/lilypond: No such file or directory
but it does not matter.
Hmm, it seems your system needs a bit of a clean! I'm glad
Geoff Horton wrote:
I have seen some really odd things with this, as you note. The
(undocumented, as far as I know) \alignAboveContext property fixes it,
but I have a little trouble getting that to work consistently.
Geoff
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superimpose 9/8, 8/8,
7/8.
Could you pst an example of what you're trying to do and tell us what version
of LilyPond you're using?
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/dev/random says:
Dinner not ready: (A)bort (R)etry (P)izza
http://web.netcall.com.au/horsburgh
{
\set Staff.instrument =Second
\musique
}
\new Staff{
\set Staff.instrument =Last
\musique
}
}
%
Hope this helps!
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/dev/random says:
Dinner not ready: (A)bort (R
with --verbose for a
trace.
Any ideas what I am doing wrong? Thank you for your help.
Michael
2.2.5 is quite ancient (can you upgrade?) and uses a slightly longer
syntax. Try this:
\notes{
\score{c'4 e' g'}
}
and see how you go!
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!
If you do have any problems let us know. It would also help to know
about your operating system and which version of lilypond you run, as
well as how you installed it.
Hope this helps.
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.
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better.
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Cameron Horsburgh
http://web.netcall.com.au/horsburgh
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is a cooperative effort, and the docs
are only as good as the contributions users make. Fixing problems is
far more constructive than complaining about them!
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Cameron Horsburgh
clarify things?
Phew, that's a long list! If you can get started, though, we might be
able to help you with your problem, and fix up the docs if they need
it.
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Cameron Horsburgh
week, so I'll get back to it
then. Sorry...
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Cameron Horsburgh
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.
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price tag!)
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Cameron Horsburgh
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will be glad to be your test case for
any new code.
Are the fonts maybe hosed on my machine? Is there any kind of clean up
and reinstall I should try first?
Lily itself works fine otherwise.
Thanks,
Rick
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this?
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