Hi Harm,
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi folks,
consider the following code.
\version 2.19.13
%\version 2.16.0
add-to-script =
#(define-event-function (parser location mrkp music)(markup? ly:music?)
#{
\tweak #'stencil
Hi Harm,
On Tue, Oct 14, 2014 at 6:15 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi David,
2014-10-15 0:54 GMT+02:00 David Nalesnik david.nales...@gmail.com:
Hi Harm,
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi folks,
consider
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Why does this happen? X-offset is _never_ called in the body!
But doing this:
#(let ((message (display boo!\n))) '())
shows that what you're binding message to is evaluated.
--David
On Tue, Oct 7, 2014 at 3:11 AM, Jacques Menu imj-...@bluewin.ch wrote:
Hello David,
Thanks a lot for this solution: it works for me since I have only one bar
to span over, with LP 2.18.2 by the way.
Turns out it wasn't too hard to get the ability to span multiple bars.
I kept the same
Hi Gilberto,
On Tue, Oct 21, 2014 at 3:23 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David, this is a really wonderful job, thank you so much for sharing
it! I
am adding your function to every score of mine right now :)
David Nalesnik-2 wrote
Standard practice
On Tue, Oct 21, 2014 at 8:34 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
I do realize that these enhancements make the
difference between usability and thanks, nice toy :)
That may be true on a practical level, but I am truly thankful
On Tue, Oct 21, 2014 at 12:03 PM, David Nalesnik david.nales...@gmail.com
wrote:
Well, I could. The only thing is that number of optional variables is
limited. I suppose there could be an argument which takes an alist of
symbols and settings: '((starting-clef . bass) (short-names . #t
On Tue, Oct 21, 2014 at 9:35 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
I'm not going to venture into automating the process described in the
manual for having an ottava apply to one voice, but not the other.
That would be indeed painful
Hi Gilberto,
On Tue, Oct 21, 2014 at 4:43 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
Actually, no, it averages the ledger lines of the chord members. If the
average is above the threshold, we get an ottava. I'm welcome to better
Gilberto,
On Wed, Oct 22, 2014 at 4:39 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
This new version is really excellent! I think it handles chords wonderfully
well, and I also like the alist idea very much!
Great--good to hear!
David Nalesnik-2 wrote
The alist
Hi,
On Wed, Oct 22, 2014 at 8:59 AM, Les Editions Valmajour
p...@editions-valmajour.fr wrote:
Hi Kieren,
I thought about this option, and I found how to add a counter in the
shortInstrumentName; http://lsr.di.unimi.it/LSR/Item?id=543 (and it works
and give the perfect placement I want) but
On Wed, Oct 22, 2014 at 4:17 PM, Les Editions Valmajour
p...@editions-valmajour.fr wrote:
Thx David,
I feel it's getting close, but I'm stuck waiting for help because I don't
understand the Scheme code. :)
Thank you!
Pierre
What do you want it to do that it isn't doing, or it a problem
Hi Pierre,
On Thu, Oct 23, 2014 at 2:46 AM, Les Editions Valmajour
p...@editions-valmajour.fr wrote:
That's right, I was focused on the automation thing, but I will use it
manually for now, the piece is not so long anyway :)
Yes, the automation thing is really a shame. Unfortunately, I
Hi Kieren,
On Thu, Oct 23, 2014 at 8:31 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
I think that if you want automation your best approach would be to look
at modifying the position of BarNumber.
I thought of that at first, but rather hoped the InstrumentName
Hi all,
On Thu, Oct 23, 2014 at 9:41 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Thu, Oct 23, 2014 at 8:31 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
I think that if you want automation your best approach would be to look
at modifying the position
Hi Sam,
On Fri, Oct 24, 2014 at 5:39 PM, Samuel DA MOTA da.mota@gmail.com
wrote:
Hi,
I'm trying to write a scheme engraver and I'm blocked at some point.
I'm trying to determine if the left-neighbor of a grob is a (semi-)tie
or not.
Can someone provide some help on how to achieve
Hi Peter,
On Sat, Oct 25, 2014 at 10:41 AM, Peter Crighton petecrigh...@gmail.com
wrote:
2014-10-24 23:01 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
2014-10-24 16:54 GMT+02:00 Robin Bannister r...@dataway.ch:
So it looks like LilyPond wants to merge the rests,
but will do this only
On Sat, Oct 25, 2014 at 11:01 AM, Peter Crighton petecrigh...@gmail.com
wrote:
Thanks, David, that indeed does the trick!
I'm curious--what example was Robin's suggestion not working for? Removing
the check for 'MultiMeasureRestEvent works fine for me with multi-measure
rests.
--David
Hi again, Peter--
On Sat, Oct 25, 2014 at 11:01 AM, Peter Crighton petecrigh...@gmail.com
wrote:
2014-10-25 17:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
Hi Peter,
On Sat, Oct 25, 2014 at 10:41 AM, Peter Crighton petecrigh...@gmail.com
wrote:
I now wanted to improve
Hi Dominic,
On Sun, Oct 26, 2014 at 8:44 PM, Dominic dominicirv...@gmail.com wrote:
Minimal example:
/\version 2.19.15
\relative c' {
% === (The following two lines only for cosmetic purposes) ===
\override Glissando.minimum-length = #12
\override
Hi Gilberto,
On Mon, Oct 27, 2014 at 10:46 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
I kept the same stencil function, but I wrote a new engraver based on the
regression test scheme-text-spanner.ly.
I just want to let you know that I
On Mon, Oct 27, 2014 at 11:11 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Gilberto,
On Mon, Oct 27, 2014 at 10:46 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
If you have interest, I posted these alterations of mine in this post:
http://lilypond.1069038
Hi Dominic,
On Mon, Oct 27, 2014 at 12:50 PM, Dominic dominicirv...@gmail.com wrote:
I am a little closer to my goal. I have come up with the following music
function:
/glissIndexPadHack =
#(define-music-function
(parser location index additionalpad normalpad)
On Wed, Oct 29, 2014 at 8:04 AM, Jacques Menu imj-muz...@bluewin.ch wrote:
Hello Jayaratna,
For some reason, your messages lacks the important things
Same for me, but if you follow the link below, you should see everything:
View this message in context:
Hi,
Processing the given program test.ly (Windows 7, 64-bit)
\version 2.19.15
{
\override Stem.count-from = 1
c
}
on the command line like so
lilypond -dcheck-internal-types=#t test.ly
I expect to see a programming error like
Grob `Stem' has no interface for property `count-from'
yet
Bernhard,
On Fri, Oct 31, 2014 at 5:42 AM, Dr. Bernhard Kleine
bernhard.kle...@gmx.net wrote:
I am very astonished that a full pause in a 3/4 measure is four quarters
long. How to note then a full pause?
If I'm understanding correctly: you're wondering why a full bar rest in 3/4
is output
Hi,
On Fri, Oct 31, 2014 at 11:44 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
but, as you can see, it's limited to one beam... :(
Any help from schemers ?
You could scale the stencil. That way you wouldn't need to reconstruct the
beam from what you find in
On Fri, Oct 31, 2014 at 1:45 PM, Dr. Bernhard Kleine
bernhard.kle...@gmx.net wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Von: David Nalesnik [mailto:david.nales...@gmail.com]
Gesendet: Freitag, 31. Oktober 2014 19:35
An: Dr. Bernhard Kleine
Cc: lilypond-user
Betreff: Re
On Fri, Oct 31, 2014 at 2:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
Of course this will only produce good results with flat beams!
No, that should be OK. I was just thinking that the horizontal scaling
might cause the beam to pull away from the stems, but in the examples I've
Hi,
On Fri, Oct 31, 2014 at 2:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
You could scale the stencil.
This will break down if you have sub-beams because the entire beam is
stretched. Thankfully, the coordinates of the various beam segments are
cached, and resetting these does get
On Fri, Oct 31, 2014 at 4:25 PM, Dr. Bernhard Kleine
bernhard.kle...@gmx.net wrote:
The following shows my problem: I want to move the rest symbols:
[...]
And still have the glyph for full rest.
Bernhard
I gave you a link for this earlier in the thread. Did the snippet there
not
On Fri, Oct 31, 2014 at 6:32 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
David Nalesnik-2 wrote
The attached file is what I come up with.
Absolutely fantastic, David! Thanks really a lot, this function is
looking really great!
Glad I can help!
By the way, part of this can
Hi Joram,
On Sat, Nov 1, 2014 at 6:48 PM, Joram Berger joram.ber...@gmx.de wrote:
Yay! This is an example where \offset is useful! Try this:
\once \offset X-offset -3 DynamicText
Hi Trevor,
thanks, that's cool!
However, how can I control the Y position? Y-offset does not work:
Hi,
On Sun, Nov 2, 2014 at 6:23 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Noeck wrote Sunday, November 02, 2014 12:46 AM
That would be nice, but your example puts the f on the left of the upper
note and not centralized between the staves (I am using 2.19.15).
You're right, Joram,
On Sun, Nov 2, 2014 at 6:55 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
David, you wrote Sunday, November 02, 2014 12:44 PM
No, it's not a problem with \offset.
Substitute this for the call to \offset, and you'll see that it's
actually an issue with X-offset here:
\once
Hi again,
On Sun, Nov 2, 2014 at 7:08 AM, David Nalesnik david.nales...@gmail.com
wrote:
Offsetting arpeggio.positions is nice, I think. (Though not precise;
there is quantization which unavoidably kicks in, I think. It's still nice
for arpeggios across tiny intervals, where you don't want
Hi Urs,
I'll try to address your first problem--which is pretty tricky!
On Mon, Nov 3, 2014 at 11:06 AM, Urs Liska u...@openlilylib.org wrote:
Hi Scheme wizards, can you help me?
I have two unrelated questions regarding the attached file.
It is a very much stripped down version of a
Hi Harm,
On Tue, Nov 4, 2014 at 6:16 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi Abraham,
thanks for your reply, sounds logical.
OTOH, we have functions like 'make-bezier-sandwich-stencil', which is
used in 'make-parenthesis-stencil' and finally in
'parenthesize-stencil'
They
Hi,
On Thu, Nov 6, 2014 at 10:22 AM, Urs Liska u...@openlilylib.org wrote:
Am 06.11.2014 15:57, schrieb Alice Eldridge:
Dear Lilypond list,
We are plotting a networked score system, where each part can be updated
dynamically from a central controller. In the simplest case, this would be
Hi Chris,
On Thu, Nov 6, 2014 at 8:43 PM, Chris Trahan trahan.ch...@gmail.com wrote:
I'm new to Lilypond.
Welcome to the community!
I have a simple score that is short. It's a single staff score. I'm trying
to increase the spacing between staves but nothing I try is working. How
do I
Hi Joram,
A little off-topic, I'm afraid...
You write:
PS: This is work in progress and there is no fine tuning at all.
The positioning of staccato dots is rather irregular--note, for example, m.
70 (bottom staff) and m. 75. If this happens without any intervention on
your part, I think that
Martin,
On Fri, Nov 7, 2014 at 1:52 AM, Martin Tarenskeen m.tarensk...@gmail.com
wrote:
On Fri, 7 Nov 2014, Pierre Perol-Schneider wrote:
system-system-spacing #'padding = #20
You all know today it's allowed to use something like:
system-system-spacing.padding = #20
It's
Hi all,
Ideally, for this sort of thing there should be a special grob. This grob
could also encompass the very common piano notation that shows that a note
ought to be taken by the other hand (the bracket with one wing).
The attached file creates a basic grob, which I've called PianoBracket.
On Fri, Nov 7, 2014 at 2:19 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi all,
Ideally, for this sort of thing there should be a special grob. This grob
could also encompass the very common piano notation that shows that a note
ought to be taken by the other hand (the bracket
Hi,
On Fri, Nov 7, 2014 at 3:08 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Since it would almost certainly require (or at least benefit from)
staff-spanning capabilities (e.g., across the gap in a PianoStaff),
couldn’t this nicely combine into a grob which *encompasses*
Hi,
On Sun, Nov 9, 2014 at 2:42 PM, Federico Bruni fedel...@gmail.com wrote:
Il giorno dom 9 nov 2014 alle 20:52, Mark Stephen Mrotek
carsonm...@ca.rr.com ha scritto:
OK, I see it. I practice the piano, some Bach, and the notation seems
unusual to me (perhaps my limited experience). An
Hi,
On Sun, Nov 9, 2014 at 3:35 PM, Thomas Scharkowski tho...@scharkowski.com
wrote:
I cannot look it up in the moment, but I do not believe the flagged grace
is authentic.
This is from the Bach-Gesellschaft edition. The Schliefer is another
story!
On Sun, Nov 9, 2014 at 4:51 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Sun, Nov 9, 2014 at 3:35 PM, Thomas Scharkowski tho...@scharkowski.com
wrote:
I cannot look it up in the moment, but I do not believe the flagged grace
is authentic.
This is from the Bach
Hi Jean-Charles,
On Tue, Nov 11, 2014 at 9:00 AM, Jean-Charles Malahieude lily...@orange.fr
wrote:
Hi all,
Trying to align a syllable to acciaccaturas, I came across an extender
problem:
The extender should stop *before* the rest, not when encountering the next
acciaccatura.
The problem
On Tue, Nov 11, 2014 at 9:53 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jean-Charles,
The problem I see here is that the X-parent of the LyricText is being set
to the NoteColumn of main note rather than to the grace note. (Perhaps
that's desirable?)
This doesn't work:
\new
On Tue, Nov 11, 2014 at 10:28 AM, David Nalesnik david.nales...@gmail.com
wrote:
Ah, OK. That's the solution to Jean-Charles's problem.
Nevertheless, it seems that what he describes is a bug.
___
lilypond-user mailing list
lilypond-user@gnu.org
On Tue, Nov 11, 2014 at 10:22 AM, David Kastrup d...@gnu.org wrote:
Not much of a surprise here.
\new Staff
\new Voice = music { \grace c'8 }
\new Lyrics \with { includeGraceNotes = ##t } \lyricsto music { hi }
Ah, OK. That's the solution to Jean-Charles's problem.
--David
Hi Jay,
On Mon, Nov 17, 2014 at 6:37 AM, Jay Vara j...@diljun.com wrote:
I tried to change the tiedNoteToSkip procedure to also skip slurs. For
some reason, it does not seem to work the same way. It skips the first note
in a 3 note slur, but not the second.
No time to look at this in depth,
On Mon, Nov 17, 2014 at 7:06 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jay,
On Mon, Nov 17, 2014 at 6:37 AM, Jay Vara j...@diljun.com wrote:
I tried to change the tiedNoteToSkip procedure to also skip slurs. For
some reason, it does not seem to work the same way. It skips
On Mon, Nov 17, 2014 at 7:35 AM, David Nalesnik david.nales...@gmail.com
wrote:
Ties are from note-to-note, and apparently there was thought to be no need
of both initiating and terminating events.
It does make sense--didn't mean to suggest otherwise!
DN
Hi Ivan,
On Mon, Nov 17, 2014 at 5:38 PM, ivan.k.kuznet...@gmail.com wrote:
Mr. Nalesnik: thank you for making public your scheme code
for writing Roman Numeral/figured bass analysis:
http://comments.gmane.org/gmane.comp.gnu.lilypond.general/70354
This code has been invaluable to me
Hi Ivan,
On Mon, Nov 17, 2014 at 8:58 PM, Ivan Kuznetsov ivan.k.kuznet...@gmail.com
wrote:
Thank you; I appreciate that.
On Mon, Nov 17, 2014 at 6:04 PM, David Nalesnik
david.nales...@gmail.com wrote:
Yes--I'm pretty sure I got it to work with larger columns. I'll have to
search
Hi,
On Sun, Nov 23, 2014 at 3:31 PM, Mike Solomon m...@mikesolomon.org wrote:
On Nov 23, 2014, at 10:21 PM, Jay Vara j...@diljun.com wrote:
Given that NoteNames are really a type of lyrics, is it possible to have
a function that just takes music and returns a text string that is a lyric.
On Tue, Nov 25, 2014 at 12:42 PM, Jay Vara j...@diljun.com wrote:
This version seems to work. You are creating a list of lyric-events to be
fed to the parser rather than a string - is that the difference? Hopefully
I can understand your code within a few days.
Interestingly, b-flat is coming
On Tue, Nov 25, 2014 at 8:49 AM, Jay Vara j...@diljun.com wrote:
Trying to force the lyric in David's program to associate with the
Staff/Voice, I added a name jun to the voice and see if that worked.
[...]
In this case, the lyrics, that is the pitch numbers, did not show up at
all! Wonder
Harm,
On Tue, Nov 25, 2014 at 11:54 AM, Thomas Morley thomasmorle...@gmail.com
wrote:
attached my own attempt using Davids work and some recyceled
own codings.
Very nice!
___
lilypond-user mailing list
lilypond-user@gnu.org
Jay,
On Wed, Nov 26, 2014 at 4:10 AM, Jay Vara j...@diljun.com wrote:
Yay! That works. Not sure why the other way did not work.
I tried various ways of getting it to output to a string instead of to a
file, something like:
#(set! (jv (with-output-to-string
(lambda () #{ \displayMusic
On Thu, Nov 27, 2014 at 6:34 AM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
This chapter headed LilyPond Scheme Interfaces would be most useful to
the tyro since it would help to get information into and
out of music streams.
However it is missing from the 2.18.2 documentation which
Hi Peter,
On Thu, Nov 27, 2014 at 11:35 AM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
You are spot on David. I spend a lot of time transposing music for a
small band of amateur wind players. I use the said snippet as an include
file enharmonic.ly to tidy up the accidentals. My issue
Hi again,
On Thu, Nov 27, 2014 at 2:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
You could search the music expression for context modifications.
Try running this to see what kind of information would be accessible to you
from the music expression you'd be running \naturalizeMusic
Hi Peter,
On Tue, Dec 2, 2014 at 11:38 AM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
naturalizeMusic =
#(define-music-function (parser location m)
(ly:music?)
(naturalize m))
\version 2.18.2
% Bach Minuet from Partita No1
#(set-global-staff-size 23)
\header { title =
Hi Bill,
On Thu, Dec 18, 2014 at 6:03 PM, William Marchant wmarch...@eastlink.ca
wrote:
I am using the tilde to tie notes together to match the words. I get the
following error:
/tmp/frescobaldi-R8ynF5/tmpl9Xudz/IfTouKnewSusie.ly:13:4 http://0:
warning: unterminated tie
a4~ g2 e4 |
Hi Wim,
On Fri, Dec 19, 2014 at 10:00 AM, Wim van Dommelen m...@wimvd.nl wrote:
Hi,
I’m trying to position an arrow on the system, please see the added .PNG
for what the composer originally wrote down on paper.
Changing the Y-offset moves the object but it keeps on flipping on top or
Hi,
On Mon, Dec 22, 2014 at 8:54 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Ted,
I'm curious if this is a style that lilypond can support.
You can have the pedal line be a line drawing of Grumpy Cat if you want.
;)
In other words: yes, this is a style [of pedal
Hi Ted,
On Mon, Dec 22, 2014 at 9:16 AM, Ted Lemon mel...@fugue.com wrote:
On Dec 22, 2014, at 10:04 AM, David Nalesnik david.nales...@gmail.com
wrote:
I always thought the traditional Ped. looked a bit like an elephant...
Heh! Yes, I can see that. Or perhaps like a Snuffleupagus
Hi,
On Thu, Dec 25, 2014 at 10:01 AM, Ted Lemon mel...@fugue.com wrote:
On Dec 25, 2014, at 10:50 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
\override Arpeggio.stencil = ##f \barsSixToEight \revert
Arpeggio.stencil
This will prevent it showing up in the output, but it'll
On Thu, Dec 25, 2014 at 10:49 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi,
This will prevent it showing up in the output, but it'll still show up
in the midi, won't it?
Hmmm… I think it probably will. So maybe use tags instead? e.g. (warning:
UNTESTED CODE!):
Joel.
On Thu, Dec 25, 2014 at 12:06 PM, David Nalesnik david.nales...@gmail.com
wrote:
I can't test it with the example the OP has given, since it doesn't
compile.
Ah, I see the note about changing the language of the example on GitHub.
--David
Hi,
On Sat, Dec 27, 2014 at 2:41 PM, list_lilypond list_lilyp...@infopower.nl
wrote:
My guess is that there is not enough space between the two notes where
the glissando needs to be because the pitch modifier occupies so much
horizontal space that lilypond 'decides' that the lenght of the
Hi Simon,
On Sun, Dec 28, 2014 at 9:01 AM, Simon Albrecht simon.albre...@mail.de
wrote:
Hello,
when I start to compile the attached file, lily takes a long time for
parsing and then exits with Microsoft’s stack overflow/stack exhaustion
error code. I tested this with lily 2.19.8 and .15 and
Wim,
On Sun, Dec 28, 2014 at 11:47 AM, Shane Brandes sh...@grayskies.net wrote:
Wim,
you are missing the open [ for the groupings in the bottomstaff.
regards,
Shane
On Sun, Dec 28, 2014 at 12:32 PM, Wim van Dommelen m...@wimvd.nl wrote:
Hi,
I stumbled on a small beaming problem.
Martin,
On Sun, Dec 28, 2014 at 6:02 PM, catal...@hotmail.com catal...@hotmail.com
wrote:
Hi all,
The following code produces the desired semi-sharp but it is preceded by a
courtesy accidental. Any idea how I can get rid of it?
Thanks!
Martin
\version 2.18.0
\language italiano
Hi, and welcome to the community!
On Mon, Dec 29, 2014 at 12:16 PM, Jinsong Zhao jsz...@yeah.net wrote:
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a flat
symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
\relative c, {
\clef
Hi Jaime,
On Mon, Dec 29, 2014 at 4:50 PM, Jaime E Oliver jaime.oliv...@gmail.com
wrote:
Hi all,
Is there a way to add stems to cluster events made with something like
\makeClusters { c e8 c e8 c e8 c e8 c e8 }
so that there is a sense of the underlying rhythmic structure?
The Notation
Hi again,
On Mon, Dec 29, 2014 at 6:06 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jaime,
I'll look into lengthening it to reach the stem.
Not at all easy, I'm afraid. Are you looking for the cluster-band sort of
notation, or would individual clusters per stem suffice (like
On Mon, Dec 29, 2014 at 6:43 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi again,
On Mon, Dec 29, 2014 at 6:06 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jaime,
I'll look into lengthening it to reach the stem.
Not at all easy, I'm afraid. Are you looking
On Wed, Dec 31, 2014 at 9:12 AM, Urs Liska u...@openlilylib.org wrote:
Am 31.12.2014 um 15:26 schrieb Kieren MacMillan:
Hello all,
I’m putting together a stylesheet based on mid-20th-Century
Warner-Chappell musical theatre vocal books, and would like to mimic
more closely their tie shape:
On Wed, Dec 31, 2014 at 9:20 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Wed, Dec 31, 2014 at 9:12 AM, Urs Liska u...@openlilylib.org wrote:
Without trying it out I'd expect Janek's \shapeII (in openlilylib) and
using it with polar coordinates should help you.
But then you'd
Kieren,
On Wed, Dec 31, 2014 at 9:30 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
I think that you should investigate the numerous properties listed under
details (http://lilypond.org/doc/v2.18/Documentation/internals/tie) for
finding the basic shape.
I tried
Hi Pierre,
On Wed, Dec 31, 2014 at 9:46 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi Kieren,
Here's a bad one :
\version 2.19.15
\paper {
paper-width = 100
paper-height = 30
ragged-right = ##f
indent = 0
tagline = ##f
}
{ a'1 -\tweak thickness
Hi Pierre,
On Wed, Dec 31, 2014 at 10:24 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi David,
See the following :
\version 2.19.15
\paper {
paper-width = 100
paper-height = 50
ragged-right = ##f
indent = 0
tagline = ##f
}
{ a'1 -\tweak thickness
Hi Abraham,
On Wed, Dec 31, 2014 at 11:09 AM, tisimst tisimst.lilyp...@gmail.com
wrote:
It certainly does say that these are supposed to be visible in the IR, but
why aren't they? What can we do to get things like this there? I'm happy to
assist if I can be given some direction...
I'm a
On Wed, Dec 31, 2014 at 11:59 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Abraham,
Is the documentation in the NR not being derived from the doc string of
the interface?
Sorry, I mean IR.
___
lilypond-user mailing list
lilypond-user
Abraham,
On Wed, Dec 31, 2014 at 11:47 AM, tisimst tisimst.lilyp...@gmail.com
wrote:
tisimst wrote
I took a look into the source code and here's what it says about each of
the details properties (found in 2.19.15 lily/tie.cc with the default
values found on IR web page and in
Trevor,
On Wed, Dec 31, 2014 at 12:41 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
tisimst wrote Wednesday, December 31, 2014 5:09 PM
I took a look into the source code and here's what it says about each of
the
details properties (found in 2.19.15 lily/tie.cc with the default
values
Hi Arno,
On Sat, Jan 3, 2015 at 10:47 AM, Arno Waschk hamama...@gmx.de wrote:
Obviously the piano dynamics template did not make it from 2.12 to 2.18
docs, which is a pity. Even although the example given in 2.12 seems
overloaded by other tweakings (which may or may not be helpful for users)
Hi Werner,
On Mon, Jan 26, 2015 at 12:24 AM, Werner LEMBERG w...@gnu.org wrote:
That's effectively what I'm doing. I'm changing the X-offset
callback because it's only there that the property
toward-stem-shift is read (see scm/output-lib.scm). The trick is
allowing two different
On Wed, Feb 4, 2015 at 2:29 PM, David Nalesnik david.nales...@gmail.com
wrote:
The example file shows how minimum-length and the new property interact
with each other.
Attached is an image of the output of the example.
___
lilypond-user mailing
, so I'm not
so sure that this patch is interfering.
--David
From 66e797dc7421f9b142b8186cacfd499490d97b1f Mon Sep 17 00:00:00 2001
From: David Nalesnik david.nales...@gmail.com
Date: Wed, 4 Feb 2015 14:07:01 -0600
Subject: [PATCH] Allow independent adjustment of minimum length for spanner siblings
On Wed, Feb 4, 2015 at 2:29 PM, David Nalesnik david.nales...@gmail.com
wrote:
The example file shows how minimum-length and the new property interact
with each other.
Will also work with objects other than ties. See attached for slurs,
hairpins, and glissandi.
--David
\version
Hi Werner,
On Tue, Feb 3, 2015 at 7:40 AM, Werner LEMBERG w...@gnu.org wrote:
Folks,
I'm trying to work around an old problem of broken ties in tightly
setted music: They can degenerate to a dot, having no horizontal
extensions anymore. Following the example in section `Difficult
Hi Werner,
On Wed, Feb 4, 2015 at 12:14 AM, Werner LEMBERG w...@gnu.org wrote:
Don't know. In any case, I think the goal should be to make this
work with an override of 'minimum-length, rather than setting
'minimum-length though 'after-line-breaking.
The very problem is that
On Wed, Feb 4, 2015 at 7:45 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Werner,
On Wed, Feb 4, 2015 at 12:14 AM, Werner LEMBERG w...@gnu.org wrote:
Don't know. In any case, I think the goal should be to make this
work with an override of 'minimum-length, rather than setting
On Wed, Feb 4, 2015 at 3:43 PM, Werner LEMBERG w...@gnu.org wrote:
If it's convenient, have a look at the attached patch/sketch. It
adds a property, minimum-length-left-broken, which lets you adjust
broken bits that start a line.
Excellent! What an improvement with just a few lines of
Hi,
On Tue, Feb 3, 2015 at 10:30 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all,
I have a single chord in the last measure of my piece — unfortunately, it
isn’t centered by default:
\version 2.19.15
testing = { c''4 c'' c'' c'' | c''1 \bar |. }
\layout {
801 - 900 of 1750 matches
Mail list logo
