Hello Helge,
just a shorty
\relative c'' { c4 b\ bes\! \override Hairpin.to-barline = ##f a\ | g\! }
HTH
Jan-Peter
On 21.04.2014 09:43, Helge Kruse wrote:
So here comes the Lilypond related problem:
\version 2.18.0
\relative c'' {
\time 2/4
\key e\major
r8 r r e(\ |
fis4)\!
Hi All,
to use a file for including definitions and also to compile it
stand-alone, I use a command to conditionally create the score. It is
integrated in a system to execute templates:
https://github.com/openlilylib/snippets/tree/master/templates/lalily
Attached is a short example, which
Hi there,
... now, who's late ;)
I read a few of the messages regarding the given subject. I don't have a
once-and-for-all-solution, but I want bring in another scheme-engraver:
It uses context-properties 'instrumentTransposition, (newly defined)
'music-concert-pitch' and 'print-concert-pitch'.
{}-constructs needed and \instrumentSwitch may set
'instrumentTransposition.
Cheers, Jan-Peter
Am 12.05.2014 11:16, schrieb Jan-Peter Voigt:
Hi there,
I read a few of the messages regarding the given subject. I don't have a
once-and-for-all-solution, but I want bring in another scheme-engraver
Hello,
I added a snippet to open-lily-lib:
https://github.com/openlilylib/snippets/tree/master/editorial-tools/auto-transpose
README follows.
Best, Jan-Peter
___
lilypond-user mailing list
lilypond-user@gnu.org
Hi Urs,
this constellation compiles, if you wrap the scheme-call to
set-global-staff-size into a void-function. But if it is called, when
the book is already opened, the staff-size is already initialized and
can't be changed (for this book).
It probably works, if you place #(set-global-staff-size
Hi Urs,
the last statement the include returns is not music:
#(ly:set-option 'preview #t)
so the parser complains.
Those warnings can be avoided with void-functions, which wrap the statement.
(A bit in a hurry, so no example for noew ;) )
Cheers, Jan-Peter
Am 16.05.2014 12:05, schrieb Urs
Hi Paul,
I suspect, there is something wrong with spacer rests. At least this
snippet works:
\version 2.18.2
\addQuote musi \relative c'' { R1 c4 b a g f e d c R1 }
{
\compressFullBarRests
{ R1*4 } \\
{ s1*2 \cueDuring musi #UP { s2. } }
}
But
Hi Orm,
if you name the Staff contexts and apply a context-mod with
alignBelowContext=top, it should work:
%
\new StaffGroup
\new Staff = top \repeat unfold 6 { c''2 }
\new Staff = bottom { c''1
c''1
\new Staff \with {
alignBelowContext = top
} { c''1 }
c''1 }
Hi Kevin,
I did this together with Kieren ... it didn't make its way into the
lilypond-codebase ... I should create a path.
Anyway - I attached the file, we developed last year(?).
The allowGrobCallback is needed to allow callbacks in the
font-interface. \absFontSize creates a procedure, which
Hi Samuel,
the lyrics are bound to one voice with addlyrics, but {}\\{}
creates and starts two new voice contexts, which are not known by the
lyrics context.
One way to circumvent this is to explicitly create one extra voice:
{ \voiceOne \uppermusic \oneVoice } \new Voice { \voiceTwo
\lowermusic
Hi Peter,
Am 18.06.2014 13:57, schrieb Peter Meanwell:
How do I put the name of the piece at the top of
each page (except the first page)?
\markup \on-the-fly is what you need:
%%
\paper {
oddHeaderMarkup = \markup \fill-line
Hi Urs,
as David mentioned, there are solutions on the list. And in LSR you find:
http://lsr.di.unimi.it/LSR/Item?id=336
And some time ago somebody posted the solution for multi-measure-rests
... I am ashamed, that I forgot to note the name - I use it quite often.
You can either use
\layout {
Am 20.06.2014 15:42, schrieb Knute Snortum:
Is it good practice to post an example to the LSR too?
It is :)
... as long it is postable. Right now LSR is based on current stable
2.18 (?)
And AFAIK LSR can't handle multiple files for one snippet. But for all
one-ly-file-snippets it is the place to
Am 21.06.2014 09:08, schrieb Urs Liska:
Hi Jan-Peter,
thanks for that hint.
I tracked it down to Wilbert's contribution to
https://code.google.com/p/lilypond/issues/detail?id=1228 (comment #1)
and I will add it to the openLilyLib snippets repository soon.
:) great
ah, OK. I will update my
Hi Ming,
partcombine takes two parameters of music. The difference is, that you
wrap your music in Voice contexts. These Voice context are also created
from within the voices partcombine creates, so the partcombinig effect
is overridden. To have partcombine work and also have lyrics aligned to
Hi Urs and all,
I followed the discussion only roughly, but I think it is a step in the
right direction. I'd like to bring up the scheme-modules, I came up
with. They need a fixed folder-structure and need to be updated
according to the path they are stored in.
Should we have a dedicated folder
Am 07.07.2014 11:46, schrieb Urs Liska:
I followed the discussion only roughly, but I think it is a step in the
right direction. I'd like to bring up the scheme-modules, I came up
with. They need a fixed folder-structure and need to be updated
according to the path they are stored in.
Should
Hi Simon,
I also stumbled sometimes ove this behaviour, but I think it is not a
real bug. If the parser has a list? predicate, it looks for
dot-notation. But if it gets a custom predicate, it will not do so.
Am I right, David?
IIUC some predefined predicates (list?, string?, ly:duration?,
... o dear ...
my mail was delayed one day. But thats not too bad, as the other answers
are much more helpful.
Still, wrapped predicates do not get any special handling by th parser.
Cheers, Jan-Peter
On 08.07.2014 13:58, Jan-Peter Voigt wrote:
I also stumbled sometimes ove this behaviour
Am 09.07.14 15:15, schrieb David Kastrup:
No. If we have some Word in the place of a function argument, LilyPond
tries interpreting it as a string first. If the predicate refuses to
accept that, the next try is as a one-element symbol list. If that gets
accepted, the parser checks whether
Hi all,
I'd also like to join the party, but I am quite busy in the next time. I
would like to join in for a session via skype or google-hang-out or
similar - I could talk about and discuss the edition-engraver.
Online-participation might be an option for users outside europe?
Cheers, Jan-Peter
Hi Urs,
this looks very nice indeed! I am working my blog-posts and will likely
not be able to provide much help on this (right now) - the scheme-part
of snippet reorganization is also waiting ...
But I will see, what I can do.
Just one thought, jQuery(-ui/-mobile) might be a good tool to make
Hi Chris,
its actually not a bug. You create new Lyrics contexts in the middle of
the piece. They are place below all other contexts, if you don't set the
alignment:
-
\new Staff \with {
instrumentName = Soprano
} \new Voice = soprano {
\SopranoNotes
}
% give the first
Hi Kieren,
I almost missed your mail ... right now I am on a rehearsal and concert
trip.
On 18.07.2014 21:02, Kieren MacMillan wrote:
Hello all,
This is just another note of thanks to everyone (especially Jan-Peter) who
makes things like the editionEngraver possible in Lilypond.
The power
Hi Kieren,
I thought of a change - or addition - like your proposal. At least the
counter should be exchangable by the context-id.
That way partcombined voices can be addressed by up, down and so on.
I can't say, if it is managable to omit the context-name (Voice or Staff
or else). But we will
Hi Janek,
your predefined context are cool :)
I see them in context with my lalily templates -- they will of course
benifit. And the editionEngraver can indeed take advantage from specific
context names. But still there need to be a way to separate (for
example) violin 1 and 2. So I will try to
Hi Urs,
or you define an event-function, as that is what you want in the end:
\version 2.18.2
% I only have stable here right now ...
playing =
#(define-event-function (parser location text)(markup?)
#{ -\markup { \italic \with-color #blue #text } #})
%%
{ c''4 c''\playing
Hi Urs,
I see a lot of action on the Fried-Crowd-Project :) ... it is great luck
to me but also a pity that I started my new job ...
well, I don't have a key-turn-solution, but just a hint on the
auto-transpose snippet in OLL
Hi Urs,
On 09.09.2014 14:29, Urs Liska wrote:
What are the most straightforward approacges to dealing with
instruments that actually change transposition, e.g. clarinets in A
and B or an oboe/englishhorn part?
may I again mention the auto-transpose snippet.
If music is either entered in
Hi Kieren,
On 09.09.2014 14:55, Kieren MacMillan wrote:
Hi Jan-Peter,
may I again mention the auto-transpose snippet.
Does the key signature get changed automatically, even if the key-signatures
are defined “externally” (i.e., in a variable) and change DURING THE TIME the
player is on the
Hi Kieren,
I modified the example for the auto-transpose engraver a bit, so it uses
a music and a global variable. I merged them in one Voice, so that the
cue names are not printed twice. But that is not necessary for the
transposition.
If the music is in concert-pitch and transposed to
Hi Jay,
to output something, you have to display it. The format function returns
the formatted string. If you insert #t (true) prior the format string,
it will output the result to stdout:
(format #t length ~a position ~a note-names ~a ~% measure-len
measure-pos note-names)
HTH
Hi Urs,
I will see, what I can do about it. If you don't see an answer within
the next week, don't hesitate to contact me again.
For now best,
Jan-Peter
On 07.10.2014 12:03, Urs Liska wrote:
Sorry about the premature sending ...
Am 09.09.2014 13:18, schrieb Jan-Peter Voigt:
Hi Urs,
I see
Hi Urs,
I updated the snippet in oll (master). It compiles with 2.9.15 (and
should with 2.9.16).
There was an old try to automatically insert a timesignature, when the
transposition changed. I tried with broadcast-stream-event (or thelike),
which didn't do the trick. That part is not essentially
Hi Urs,
you can use ly:input-file-line-char-column to get a list containing the
file-path and line- and column-number.
In openlilylib I placed a function inside
/scheme-lib/lalily/parser-location.scm - location-extract-path - which
returns the absolute path of the location.
With lalily I
looking at adding or
removing measures in this gargantuan score, and imagining the cascading chaos.
Thanks!
Kieren.
On Jul 28, 2014, at 4:31 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
I thought of a change - or addition - like your proposal. At least the
counter should be exchangable
Hi all,
I know about this issue and will hopefully have time to fix it soon.
I have to work until friday - lets see, how much I can do between the
upcoming holydays.
So, hopefully I'm back with lily after christmas.
Best, Jan-Peter
Am 16.12.2014 um 18:46 schrieb Kieren MacMillan:
Hi Urs,
Hi Urs,
Am 16.12.2014 um 22:28 schrieb Urs Liska:
Hi Jan-Peter,
that would be great.
I intend to write a post about the tool soon - from a user's, not from
the developer's perspective.
that would great :)
Maybe I should wait with this some more.
BTW: I'm still not completely convinced
Hi Urs,
thank you, I will have a look at neoscores.
Cheers, Jan-Peter
Am 06.02.2015 um 13:21 schrieb Urs Liska:
Am 06.02.2015 um 11:57 schrieb Jan-Peter Voigt:
Hi list,
in the project, Iam currently working on, I am importing music-xml-files
created by Score Perfect. I have to repair all
schrieb Richard Shann:
On Fri, 2015-02-06 at 11:57 +0100, Jan-Peter Voigt wrote:
Hi list,
...
I'm very interested in musicxml output created by programs other than
finale, as the musicxml specification is open to a very wide
interpretation.
If you send me a failing example I would like to test
Hi list,
in the project, Iam currently working on, I am importing music-xml-files
created by Score Perfect. I have to repair all of the files and remove
the work-part. That way most files can be converted, but some files fail
with the message:
AttributeError: PartGroupInfo instance has no
Tank you :)
I'll send one later
Cheers,
Jan-Peter
Am 6. Februar 2015 12:08:09 MEZ, schrieb pls p.l.schm...@gmx.de:
Hi Jan-Peter,
I’m very familiar with musicxml2ly. I can offer to have a look at your
files (tomorrow or sunday).
Cheers,
Patrick
On 06.02.2015, at 11:57, Jan-Peter Voigt jp.vo
Dear Kevin,
thanks for this hint! There is an error in the description ...
The editionEngraver is part of openLilyLib. To use it, you have to
download the whole library and add the path to the list of include paths.
Then you can
\include editorial-tools/edition-engraver/definitions.ily
and use
Hi William,
you can use the exclamation or question mark:
b! b?
or you place a markup as a text script above the note:
b^\markup \natural
HTH
Jan-Peter
Am 10.02.2015 um 16:13 schrieb William Marchant:
Hi all,
The following two bars of code result in the music correctly written,
however,
I
Hi Urs,
AFAIK GIT doesn't handle symlinks at all. It won't override them, but if
you clone the repo, there should be copies of the file.
Best,
Jan-Peter
P.S.: ... and now for something completely different ... I am rebuilding
the edittion-engraver from scratch to allow suggested modifications -
Hi Kieren,
Am 10.01.2015 um 16:20 schrieb Kieren MacMillan:
Hi Jan-Peter,
TimeSignature grobs are another kind, I'd like to add conditionally or with the
edition-engraver, if the instrument-transposition changes.
Um… you mean KeySignature? =)
In any case, YES — this would let me remove
) programmaticly, I can easily add it to the edition-engraver.
Best, Jan-Peter
Am 10.01.2015 um 11:35 schrieb Jan-Peter Voigt:
Hi Urs, hi list,
as I am the inventor of the edition-engraver, I'd like to try some
explanation ...
The edition-engraver is a scheme-engraver, which looks at most
Hi Urs, hi list,
as I am the inventor of the edition-engraver, I'd like to try some
explanation ...
The edition-engraver is a scheme-engraver, which looks at most of the
defined hooks, if there are mods for its id on the current time (=
measure + position-in-measure).
They are:
* initialize
Hi Harm,
thank you for this snippet! I will work on it next week :)
Cheers, Jan-Peter
Am 10.01.2015 um 19:21 schrieb Thomas Morley:
2015-01-10 15:44 GMT+01:00 Jan-Peter Voigt jp.vo...@gmx.de:
So, if one can show a scheme-engraver, that produces marks (or time-sigs)
programmaticly, I can
Hi Keith,
thanks for that snippet! It should be possible to add KeySignatures to
the edition-engraver ... and to automatically create a KeySig on change
of instrument transposition ...
Cheers,
Jan-Peter
Am 12.01.2015 um 06:28 schrieb Keith OHara:
...
\version 2.19.15
transpositionUpdateKey
Hi David,
you might try
\once \override Score.BarNumber.stencil = ##f
HTH
Jan-Peter
Am 18.03.2015 um 08:14 schrieb bobr...@centrum.is:
I have a situation where a cadenza begins on one system, continues on the following system, and
ends at the end of that system. I have to use \bar for the
Sorry ... I was too fast ;)
I meant
{ a'1\repeatTie }
Am 04.03.2015 um 15:01 schrieb Jan-Peter Voigt:
Hi Markus,
you can use
{ a'1\repeatSlur }
HTH
Jan-Peter
Am 04.03.2015 um 14:58 schrieb lyuser.theg...@spamgourmet.com:
Hello,
Being quite a rookie in music notation and lilypond
Hi Markus,
you can use
{ a'1\repeatSlur }
HTH
Jan-Peter
Am 04.03.2015 um 14:58 schrieb lyuser.theg...@spamgourmet.com:
Hello,
Being quite a rookie in music notation and lilypond in general, I have a
problem:
\version 2.18.2
{
% I want a slur from the b to the c in 1) and to the a in 2)
Hi Markus,
there is a difference between slurs and ties. A tie means concat two
notes (they have to be of the same pitch). A slur says, move from one
note to another and keep them tight. Hm, this is not really accurate ;)
And yes, that means, the recommendation of the repeatTie is a misuse
\fontsize #-2 { Here with a hidden grace note: }
}
}
}
Cheers,
Pierre
2015-03-04 15:04 GMT+01:00 Jan-Peter Voigt jp.vo...@gmx.de
mailto:jp.vo...@gmx.de:
Sorry ... I was too fast ;)
I meant
{ a'1\repeatTie }
Am 04.03.2015 um 15:01 schrieb Jan-Peter Voigt:
Hi
Hi Andrew,
I use A4 for most small or normal scores (SATB choir). Sometimes A5
But full scores for the director with an orchestral score I use B4 -
sometimes A3.
Cheers,
Jan-Peter
Am 20.04.2015 um 08:45 schrieb Andrew Bernard:
So Ponders,
What size paper do you print scores on?
Andrew
Am 29.04.2015 um 08:45 schrieb Jan-Peter Voigt:
Hi Joram,
some of you questions havebeen answered by Kieren and Urs, but for
completeness, I shall do it once more:
... and Simon of course ;)
___
lilypond-user mailing list
lilypond-user@gnu.org
Hi Joram,
some of you questions havebeen answered by Kieren and Urs, but for
completeness, I shall do it once more:
Am 28.04.2015 um 23:03 schrieb Noeck:
...
So far I have this structure (simplified) and ~30 \editionMods:
\score {
\new PianoStaff
\new Staff = md
\with {
Hi Joram,
one question left to answer ;)
Am 29.04.2015 um 22:52 schrieb Noeck:
To be a list, must there be always a dot in this name? Like 'mytest.id'?
Or is 'edition' equally fine?
The (scheme-)function \editionEngraver makes use of a predicate 'list?'.
So 'edition' or anything else without
Hi there,
after just reading all these important threads partially, I want to jump
in. I want to encourage Urs' position - and if I understand correctly,
Carl does not object ;)
The lilypond way of working made it easy for me, to spot errors in a
score I received as musicXML. There where
Hi Joram, hi Urs,
I shall add this to my todo list.
Hope to be able to work on it.
Cheers,
Jan-Peter
Am 27. April 2015 17:51:31 MESZ, schrieb Noeck noeck.marb...@gmx.de:
Hi Urs,
thanks. I hoped it was easier. But then I will just color them by hand.
Cheers,
Joram
Hi Urs and all,
I recently created a full score (and parts for instruments, solists and
choir) for a new reconstruction of J.S.Bachs Passionsmusik nach Marco,
BWV 247. That was a bit more than 200 pages on B4 paper size. The
setting is flute I+II, oboe I+II (with parts da caccia, d'amore),
Hi Urs,
well at times I try to earn some money with lilypond. And sometimes I
do. But it is far less than it needs to be, so that I don't need to work
in other fields.
But you can count me in, if you need someone ;)
Best,
Jan-Peter
Am 16.04.2015 um 20:03 schrieb Urs Liska:
Hi all,
Hi Calixte,
it should be possible to create an engraver that solves this. The
following things to keep in mind for that:
You can set the properties, which trigger melismas
\set melismaBusyProperties = #'(melismaBusy slurMelismaBusy
tieMelismaBusy beamMelismaBusy)
If slurMelismaBusy and
Hello list-members,
this is just a short note about something, I came across these days.
There is a library to convert MEI-xml to SVG:
http://www.verovio.org/index.xhtml
Lilypond can of course produce SVG by itself. But as mentioned on the
website, the verovio-API invites to produce other
Hi Harm,
the markup-code in the footer and header is called several times for
each page. I can't tell you why and how often, (but I think it should be
3 times ;) ) but you might keep track of the processed page.
So you might check, if you checked the current page.
Cheers,
Jan-Peter
Am
Hi Malte, Abraham,
if I knew how to achieve it, it would already be part of the
edition-engraver.
The problem is, that one has to unfold the music expression during
iteration, so he may need to build a parallel music iterator, that
creates the needed grobs. That sounds misleading.
Another
Hi Kieren, et.al.,
David came up with a nice solution :)
To get such a function with the edition-engraver, we will have to
integrate some other piece. The proposed solution works horizontal in
time, while the edition-engraver is triggered "vertically" in time. So
there has to be an event,
Hi Urs,
this is a great idea! This would mean development of an API for
plugins/modules - and anybody can develop against that API ...
I am at work right now, so now for short:
The solution c would be nice, but I would say, we should stay on github
... we have other work to do and life
Am 12.11.2015 um 19:38 schrieb Urs Liska:
Am 12. November 2015 17:56:51 MEZ, schrieb Jan-Peter Voigt <jp.vo...@gmx.de>:
Hi Urs,
this is a great idea! This would mean development of an API for
plugins/modules - and anybody can develop against that API ...
Well, actually this is more o
Hi Mark,
I know this issue and wrote and use some code which tracks the current
toc entry.
The bad thing - of course this is a good thing ;) - I am employed in a
full time job with absolutely no relation to lilypond, so I can't say,
when I am able to discover the magic ...
Just for
Hi Urs and Kieren,
why it doesn't work on voice-level, I can't tell (right now), but at least I
also came across that issue (is it an issue?). But addressing partials and
grace-notes in time works the that way.
There are two (for me) workable edition-engraver-versions, which are able to
Hi Kieren,
the state of this issue is - sadly - the same as months ago ... I
thought about it the last weeks and have code in my head, but I can't
offer a usable solution right now.
For now all the best for you and all readers on this list for 2016!
You will hear more on this topic ASAP!
Hi there,
late to the party ;)
Yes, the edition-engraver waits for a moment in time! In fact all
notations like 1/4 are just shortcuts, which are directly converted to a
ly:make-moment statement. And of course it also accepts direct input of
a moment. So, as you already noticed, you can address a
Hi Kieren,
the context-id thing is in my lalily-version. There have been issues,
which prevented it from appearing in openLilyLib. This relative moment
feature would be a thing, I also really like to have/implement. I don't
typeset that much polymetric pieces, but it would be very helpful ...
I
Am 26.11.2015 um 17:26 schrieb Kieren MacMillan:
> Hi Jan-Peter,
>
>> the context-id thing is in my lalily-version. There have been issues,
>> which prevented it from appearing in openLilyLib.
>
> Anything I can test or help with?
I have to update the branch, in which I included the change.
And
Hi Urs,
this is indeed a nice feature :)
For now, I will run from that branch, until its merged ...
But still I won't open frescobaldi that often until xmas, when my
current job is done.
Thanks for this tools!
Best,
Jan-Peter
Am 17.07.2015 um 16:41 schrieb Urs Liska:
> Hi all,
>
> Peter Bjuhr
Hi Urs,
I don't have a solution, but a hint:
in 2.18.2 stable, the beaming is correct - maybe its a bug in 2.19.x?
Cheers,
Jan-Peter
Am 19.11.2015 um 09:42 schrieb Urs Liska:
Hi,
I have a problem getting a beam subdivision right, and I can't seem to
find a solution in the manual:
I have
Hi Kaj,
perhaps it doesn't matter that its named, but dynamics are in a separate
voice context?
You might try instead:
\new Voice = "SA" << \Music \Dynamics >>
Just a thought ...
HTH
Jan-Peter
Am 30.05.2016 um 10:28 schrieb 70147pers...@telia.com:
Hi all,
Using a template for dynamics
taff, and also other things.
The question remains however, if the first attempt with the dynamics
as a separate voice is working for the printed score, why does not
this information go into the MIDI file, when any of the voices is named.
/Kaj
Den 2016-05-30 10:34, skrev Jan-Peter Voig
Hello Kaj,
while writing my last message, I was distracted and in a hurry ;-)
Am 31.05.2016 um 08:33 schrieb Kaj Persson:
Sorry, I do not exactly understand the intention of your proposal. I
am almost always using two \score sections, one for the midi and one
for the layout (pdf). There are
Dear Kieren,
sorry for the delay. I am organising school - holiday for my kids
I think, mainly I have been distracted from preparing a patch. I feel a little
bit like a minister of finance seeing debts grow ;-)
So this mail serves pushing it on the agenda again.
Regards, Jan-Peter
Am 1.
Hi Vaughan,
you have to wrap the scheme-expression in another \bookpart{} statement
and use "instant" scheme expressions with a '$'-sign for this to work:
%%
...
\book {
\bookpart {
$(if
(string-contains compileTheseMovements "1")
Hi Ben,
I was about to write about the three dimension to watch. But I have to
think about it, if I can change this.
For now there will one set of editiontags per compilation. So every call
to \addEdition and \removeEdition will affect the list of active
modification-layers for the whole run.
Hi Graham,
I didn't went through the whole thread, but IIUC, the problem is about
defining variables inside a pair of braces. Sometimes I use a helper
function to define variables:
%%% snip %%%
\version "2.19.35"
% a little helper function using ly:parser-define!
pdefine =
... better to use define-void-function
%%% snip %%%
pdefine = #(define-void-function (sym val)(symbol? scheme?)
(ly:parser-define! sym val))
%%% snip %%%
Cheers
Jan-Peter
Am 17.02.2016 um 10:56 schrieb Jan-Peter Voigt:
> Hi Graham,
>
> I didn't went through the whole thread,
Hello Philip,
the engravers are consisted in different contexts. You can remove them
in a layout block in the Staff context (not PianoStaff).
HTH
Jan-Peter
\version "2.19.38"
%Piano_Tab template
\header {
title =
Hi Graham,
polymetric scores are supported right now. The EE uses the current
Timing-Context to get the currentBarNumber and measurePosition. So the problem
is, to find the right barnumber/measure-pos for the editionMods.
Kieren and Urs suggested to enter mods with a timing info like two
... I wrote an engraver, that displays the currentBarNumber for the current
Staff. I once used that as an interim solution to get the needed timing info.
I am going to send it after the weekend.
Best
Jan-Peter
Am 12. März 2016 08:38:51 MEZ, schrieb Jan-Peter Voigt <jp.vo...@gmx.de>:
>
Hi Samuel,
I am aware of this issue and hope to find a solution, while rewriting the EE.
Most times, I can address the Staff context to apply the tweak.
It seems, that the "start-timestep" slot is not called in some circumstances.
For now, best
Jan-Peter
Am 11. März 2016 21:48:27 MEZ, schrieb
Hi David,
compileA is not compiled, because it is just a music-expression inside a
scheme-expression.
But if you add it to the current book, it will appear. So your example
will work with a tiny extension:
#(if sectionA (add-score #{ \compileA #} ))
But you should look around for templating
Hi all,
I have a problem spacing grace notes under a series of triplets. In the
example, the grace notes produce a big gap between the tuplets or
collide with the accidentals.
As this situation is evident a few times, I will probably use
extra-offset and place either the grace notes or the
Hi Simon,
great snippet :-)
just a comment - you can make the BarLine transparent:
\override BarLine.transparent = ##t
HTH
cheers
Jan-Peter
Am 01.03.2016 um 11:37 schrieb Simon Albrecht:
\layout {
\context {
\Lyrics
\override BarLine.bar-extent = #'(-0.0001 . 0.0001)
}
}
Hi Urs,
try this line:
#(eval ctx (current-module))
Of course normally eval is evil, but in this case you just evaluate the
name - the symbol - to the definition, which is stored under that name
inside the scope of the layout block.
HTH
Jan-Peter
Am 09.03.2016 um 09:02 schrieb Urs Liska:
Hi list,
I am working on a large score with several ties. You might have read
about Janek's thoughts on a tie-crusade and maybe this is related.
I don't have a perfect solution on this topic, but I could reduce the
needed shape-tweaks significantly. I want to share it - probably it
helps one
Simon Albrecht:
Hi Jan-Peter,
On 22.03.2016 15:10, Jan-Peter Voigt wrote:
Hi all,
I have a problem spacing grace notes under a series of triplets. In
the example, the grace notes produce a big gap between the tuplets or
collide with the accidentals.
It’s an annoying bug that this isn’t
4' instead of '\once \omit Rest r16*3/2'.
Thank you for these thoughts/snippet!
Cheers
Jan-Peter
Am 23.03.2016 um 01:31 schrieb Thomas Morley:
2016-03-22 15:10 GMT+01:00 Jan-Peter Voigt <jp.vo...@gmx.de>:
Hi all,
I have a problem spacing grace notes under a series of triplets. In the
ex
Hi Phil,
you just need to remove the parens around 'theText'. Also inside (markup
...) everything is interpreted as a parameter for the function (macro or
whatever) 'markup' and evaluated as a scheme-expression for thet purpose.
HTH
Jan-Peter
#(define-markup-command (do-tilde layout props
Hi,
I haven't a working solution, but some thoughts:
The \applyContext is one event in time, so you can set context-properties
*once*.
This might be a case for a midi-performer. This is an engraver inside the
midi-block, so it should be possible to create a scheme-performer to set the
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