Re: Small caps not working in bookTitleMarkup?

Am 29.10.2017 um 15:50 schrieb Patrick Hubers: Hi, I'm trying to create titles in small caps by modifying the bookTitleMarkup in my stylesheet. For some reason, all font modifiers (\bold, \italic etc.) seem to work, except for \caps or \smallCaps. […] Am I doing something wrong, have I

Re: Small caps not working in bookTitleMarkup?

Am 29.10.2017 um 16:41 schrieb Malte Meyn: Am 29.10.2017 um 15:50 schrieb Patrick Hubers: Hi, I'm trying to create titles in small caps by modifying the bookTitleMarkup in my stylesheet. For some reason, all font modifiers (\bold, \italic etc.) seem to work, except for \caps

Re: How to end a melisma

Am 01.11.2017 um 01:19 schrieb Simon Albrecht: The correct way would be Music = \relative c'' {   c4 d e f\melisma   c d e f\melismaEnd   r d e f   c d e f } Ok, obviously that’s more correct than my solution. I didn’t know these commands, nice to learn something new about LilyPond

Re: \RemoveEmptyStaves removes Dynamics context

Am 06.05.2018 um 22:35 schrieb Thomas Weber: Can anybody help me with keeping the dynamics alive?  Many thanks! […] \layout {   \context {     \Score Replace \Score by \Staff here.     \RemoveEmptyStaves     \override VerticalAxisGroup.remove-first = ##t   } }

Re: DynamicText.X-offset in StaffGroups

Am 05.05.2018 um 10:32 schrieb Thomas Weber: when I compile the below example with 2.18.2, I get the output that I want - the "pp" below the staff is offset as expected. When I compile with 2.19.54, more unnecessary space is created after the barline to avoid that the dynamic crosses below

Re: DynamicText.X-offset in StaffGroups

Am 05.05.2018 um 11:10 schrieb Malte Meyn: I think that’s a buggy feature: You’re right, this is to avoid collisions with SpanBars (the bar lines between staves) but of course there is no SpanBar above the highest or below the lowest Staff in a StaffGroup. It has been added in 2.19.0

Re: Release schedule for 2.20

Am 09.05.2018 um 11:16 schrieb David Kastrup: Aaron Hill writes: Hi folks, It would seem the release of version 2.20 must be nearing, but I have not found anything published about the release schedule for the project. There isn't one. [CC-ing to

Re: Fwd: Compile crashing... help!

Am 09.05.2018 um 15:16 schrieb Ben: I also ran into your issue by compiling "SG_complete_DE.ly" on my Windows 10 machine. 32GB RAM. Newest i7 build. So, there is some consistency...I see the same errors you do. However, I compiled your project successfully (and quite fast) on my Linux Mint

lyluatex: inline vertical alignment of

Hi list, the lyluatex manual (https://github.com/jperon/lyluatex/releases/download/v1.0-beta/lyluatex.pdf) says at p. 8 about vertical alignment of inline snippets: “Note: The alignment works with the edges of the image file, there is no notion of an ‘optical’ center or aligning with the

lyluatex: vertical alignment of inline snippets

Just replying to fix the subject. Am 10.05.2018 um 14:31 schrieb Malte Meyn: Hi list, the lyluatex manual (https://github.com/jperon/lyluatex/releases/download/v1.0-beta/lyluatex.pdf) says at p. 8 about vertical alignment of inline snippets: “Note: The alignment works with the edges

Re: Frescobaldi font size preferences

Am 11.05.2018 um 10:22 schrieb Andrew Bernard: Is there a way to set the font size of the lilypond log window to what one desires? I am unable to find this setting. Yes, the settings can be found at Edit→Preferences→Tools. ___ lilypond-user

Re: lyluatex: inline vertical alignment of

Am 10.05.2018 um 15:07 schrieb Urs Liska: Hi Malte, don't know why my previous post got scrambled I don’t know either; my Thunderbird doesn’t show the text in HTML view but in plaintext view it’s fine. The problem is that in a cropped image we don't have a clue as to where the staff

Re: Frescobaldi font size preferences

Am 11.05.2018 um 11:33 schrieb Malte Meyn: Am 11.05.2018 um 11:29 schrieb Andrew Bernard: HI Malte, Frescobaldi 3.0.0 on Ubuntu 16.04. The font changes, but not the size. [But thanks for the tip - I never found that setting before.] Could this be a bug? The font size can be changed

Re: lyluatex: inline vertical alignment of

Am 11.05.2018 um 11:16 schrieb Malte Meyn: I found a way to do this for scores but not for toplevel markups. It’s not even a complicated calculation: just let VerticalAxisGroup.after-line-breaking print it’s Y-extent. Oops, forgot about scores with multiple staves … And I’d thought

Re: Frescobaldi font size preferences

Am 11.05.2018 um 11:29 schrieb Andrew Bernard: HI Malte, Frescobaldi 3.0.0 on Ubuntu 16.04. The font changes, but not the size. [But thanks for the tip - I never found that setting before.] Could this be a bug? The font size can be changed in the editor window OK. Can reproduce

Re: lyluatex: inline vertical alignment of

Am 11.05.2018 um 10:21 schrieb Malte Meyn: Am 10.05.2018 um 15:07 schrieb Urs Liska: Hi Malte, don't know why my previous post got scrambled I don’t know either; my Thunderbird doesn’t show the text in HTML view but in plaintext view it’s fine. The problem is that in a cropped image

Re: Center text over measure

Am 11.05.2018 um 17:39 schrieb Urs Liska: Hi all, somehow I have the feeling this is a stupid question, but I'm unable to find the solution. Is there a convenient and semantically clean way to center a markup above/below a measure? I need a solution that doesn't rely on separate

Re: Tempo & Markup

Am 04.05.2018 um 13:34 schrieb foxfanfare: Is it possible to change the default command "2 = 76-84" so it will take my own markup preferences? Looks like I should get issue 5215 done soon (https://sourceforge.net/p/testlilyissues/issues/5215/). I haven’t had much time for LilyPond the last

Re: fingering notation alternative

Am 05.05.2018 um 16:33 schrieb Gianmaria Lari: This is more a notation question than a lilypond question. Does exist a standard fingering notation to indicate that a note can be played for example with 2 or 3? I agree with David and Ralph: put them on top of each other or at oppisite

Re: concatenating notes with a music expression

Am 15.05.2018 um 10:27 schrieb Gianmaria Lari: Thank you Gilles I have yet a problem, how can engrave the foo generated list in a score? You should make a music-function: \version "2.19.81" foo = #(define-music-function (seq1 seq2) (ly:music? ly:music?) (make-sequential-music

Re: Intervals between various B pitches

Am 20.05.2018 um 11:45 schrieb Menu Jacques: Hello folks, Working on intervals, I bump into this question. How is the right column below to be filled? Downward interval between B## and: B#:augmented unison or minor second? B: major second or ...? Bb:

Re: Adding stuff to included files without affecting source.

Am 20.05.2018 um 21:00 schrieb crimsonsunr...@protonmail.com: Currently using the latest stable version. The subject pretty much says it. I'm dealing with a score in which parts are combined as voices on single staves, but the conductor score has text that's only relevant to the conductior

Re: [OT] Search for Morgensterns Galgenlieder for choir

Am 10.06.2018 um 16:59 schrieb shane: Why is the ghost voraciously eating the table cloth? Or am I misunderstanding the title? It’s about handkerchiefs, not table cloths. The poem is a humourous (is that how you spell it?) explanation for losing them every now and then.

Re: Problem with arpeggio's

Hi Robert, please always try to give a minimal example. This could look like this: % \version "2.19.81" \new PianoStaff << \new Staff \with { connectArpeggios = ##t } << { a''2\arpeggio } \\ { \arpeggio } >> \new Staff {

Re: Batch-apply tremolo markings? (Frescobaldi)

Am 04.06.2018 um 19:46 schrieb Ben: but I wonder if it's possible to write a simple function to basically 'turn on add :32 tremolo to notes until turned off' - that would keep the code much cleaner, although I know it's somewhat limited in it's usability. But, just brainstorming here. How

Re: avoid orphan

Am 20.06.2018 um 10:15 schrieb Gianmaria Lari: I have a code similar to this \version "2.19.81" \markup "Etude" {a b c' d'} \markup "Etude" {a b c' d'} [.] Is there any way to keep the markup and score together? What do you mean by “together”? And have you

Re: How to write a training sign (Übungszeichen) before any note?

Am 21.06.2018 um 08:26 schrieb Bernhard Kleine: Could you please help me with that? What is a training sign? Could you post an image of your desired output? Are you looking for the \mark command? \mark \default or \mark "A" Ich habe auch den Begriff „Übungszeichen“ noch

Re: Note pitches missing in some languages

Am 03.05.2018 um 09:54 schrieb Menu Jacques: Hello, It seems there are no names in Svenska and some other languages for sequiflat and sesquisharp pitches. Will that be added when triple accidentals are introduced? Thanks for your help! JM I don’t think that Torsten is planning to do so

Re: Intervals enharmony question

Am 30.04.2018 um 22:11 schrieb Hans Åberg: On 30 Apr 2018, at 21:47, Malte Meyn <lilyp...@maltemeyn.de> wrote: Am 30.04.2018 um 21:32 schrieb Hans Åberg: One has to adapt the pitch on every note played, and the reference is typically the string section, which in turn is

Re: Another Figured Bass problem

Am 30.04.2018 um 10:42 schrieb Robert Blackstone: Dear all, In the Lilypond documentation it is shown how to stack BC figures, but I have not been able to find how to put a figure in the second row with nothing above it. In my score I get: but what I need is: I got this result by

Re: Intervals enharmony question

Am 30.04.2018 um 21:32 schrieb Hans Åberg: One has to adapt the pitch on every note played, and the reference is typically the string section, which in turn is tuned in Pythagorean, Many string players tune their perfect fifths a bit small so that they’re near to equal temperament (700 ct)

Re: Intervals enharmony question

Am 30.04.2018 um 15:50 schrieb Hans Åberg: But orchestral instruments depart from Pythagorean tuning, not E12, so they are not equivalent, differing by a comma of about 20 cents. Which orchestral instruments do you refer to? All instruments that I know good enough use equal temperament or

Re: Piano Left Hand Alone

Am 23.10.2017 um 06:11 schrieb Rohan Srinivasan: How would I go about engraving a piece for piano left hand solo? Hi Rohan, that’s a very unspecific question; what do you want to know? Piano for left hand solo isn’t very much different from piano for two hands. Some hints though: • If

Re: Piano Left Hand Alone

There is a category of music including piano left hand: http://imslp.org/wiki/Category:Scores_featuring_the_piano_left_hand Am 23.10.2017 um 08:39 schrieb Mark Stephen Mrotek: Rohan, For examples of published works for left hand alone, look at the Petrucci Library, imslp.org. Mark

Re: Rhythmic clusters (i.e. *not* \makeClusters)

Am 28.10.2017 um 10:01 schrieb David Kastrup: James Harkins writes: That other question... I would like to notate some clusters, but articulated: blocks instead of notes, but showing repeated, re-articulated blocks. \makeClusters doesn't do it. Even if I put a "s"kip

Re: fixed vertical spacing within staff-group

, the output is transposed to F Maj. Do let me know how to set fixed vertical spacing for staff-group. Please reply thru the lilypond user list and do not share the file on the list. Thanks. On Fri, 29/12/17, Malte Meyn <lilyp...@maltemeyn.de>

Re: No Time Signature

Am 27.12.2017 um 16:54 schrieb nokel81: Hello, is there a way so that lilypond treats an entire staff as a single bar and just break the notes where it is best? I want to do this with stem-less notes for modern chant. How about this? \version "2.19.80" \relative { \omit

Re: Staff Group Bracket

Am 27.12.2017 um 20:59 schrieb Johannes Roeßler: Hi, is it possible (ok, its Lilypond, let me rephrase that... HOW is it possible) to tweek the distance of the staff-group bracket from the staff lines? (See attachment for clarification) Cheers Joei \version "2.19.80" \new StaffGroup

Re: Dynmaic size

Am 27.12.2017 um 20:57 schrieb Johannes Roeßler: So I found this: (Its scheme? right?) ep = #(make-dynamic-script (markup #:dynamic "p" )) - but I have no idea how to integrate the size here. You can use #:huge and friends or #:fontsize as seen below. Or you switch to “non-scheme lilypond

Re: fixed vertical spacing within staff-group

Am 29.12.2017 um 05:30 schrieb Eby Mani: Hi, How to set fixed vertical spacing within staff-group ?. Hi, please always give a minimal working (and compilable) code example that shows what you are doing currently. I have tried the following in \layout { \context } section. Vertical

Re: Lining up the word "subito"

Am 23.12.2017 um 10:17 schrieb Malte Meyn: \version "2.19.65" \include "english.ly" A small, slightly off-topic remark on these lines: Instead of \including the file english.ly the standard way of setting the note name language now (since version 2.14) is using

Re: Lining up the word "subito"

Am 23.12.2017 um 10:10 schrieb Andrew Bernard: Also, with respect, when asking for help on the list people usually provide an MWE, a minimum working example. For a case like this just a note or two would suffice. If you give an MWE it is a lot easier for people to help out, as they don't

Re: getting paid for an include (I offer)

Am 23.12.2017 um 20:38 schrieb Ali Cuota: Excuse me, the New German Tabulatur is my topic. https://de.wikipedia.org/wiki/Tabulatur#Neue_deutsche_Orgeltabulatur Hi, I would be interested maybe; coincidentally I’m just now reading Willi Apel’s book on notation and the next chapter I’ll read

Re: change regular/staccato/staccatissimo midi duration 2.19.80

Am 25.12.2017 um 14:22 schrieb Gianmaria Lari: This code generate some 'regular', staccato and staccatissimo notes: \version "2.19.80" \score {   \fixed c' {c8 d e-. f-. g-! a-! r4}   \midi{}   \layout {} } Is there any way to change the default duration of

Re: Changing the car or cdr of a pair

Am 25.12.2017 um 17:48 schrieb Menu Jacques: The edge-height pair can be given a value with: \once \override Staff.LigatureBracket.edge-height = #'(0 . +0.7) but how can I change only one of the members of the pair, leaving the other one as it is? There are two options: Either use

Re: Left-handed fretboard?

Am 18.01.2018 um 14:09 schrieb Torsten Hämmerle: Ah, yes, when in landscape mode, setting a negative string-distance makes the whole diagram flip below the baseline. Oh dear, another effect (in general): capo numbers and other objects that should be placed in the margin of the diagram. When

Re: Long syllable vs. span bar

Am 19.01.2018 um 17:29 schrieb Torsten Hämmerle: Probably the easiest way to achieve this is just to use *ChoirStaff* and add the Span_bar_engraver to get the bar lines. That way, Lyrics will nonchalantly cross the bar lines as if they weren't there and by setting the whiteout property, you're

Re: \set TabStaff.minimumFret = #x

Am 21.01.2018 um 14:57 schrieb bb: I use   \set TabStaff.minimumFret = #7   \set TabStaff.restrainOpenStrings = ##t […] Is there any possibility to throw an exception for a single note or a group of notes? How about \once \unset TabStaff.minimumFret ?

Re: Transcriber title

Am 22.01.2018 um 06:49 schrieb Brian Barker:   arranger = \markup {     \column {   \fill-line { " " "Arranger: Jacob Collier" }   \fill-line { " " "Transcriber: Álvaro Cáceres Muñoz" }     }   } More simple solution for the same effect (but maybe with less side effects in

Re: turning a blind eye to dotted note

Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard: In my limited knowledge of music I think that bar is wrong because of the dotted 8th note? Regards %\version "2.19.80" \version "2.18.20" mus = \relative c'' { d4  cis8  c8  b8. ais8  a  gis } <<   \new Voice \mus LilyPond does the right

Re: quetion about slur in the "<< .... \\ .....>>"

Am 30.01.2018 um 09:01 schrieb mosea chen: Hi,     I found it difficult to engrave the staff as the fingure: 内嵌图片 1 the "slur" just does not work. The source is as follows: \version "2.19.80" {     \clef bass     \time 3/4     fis-2 ( e-1 d-2|     <<         { r4 ) e4 a8 ( g8  |}      

Re: Extract pitch and duration from ly:music

Am 21.02.2018 um 15:44 schrieb Malte Meyn: Am 21.02.2018 um 15:40 schrieb Joshua Stutter: […] fun = #(define-music-function (parser location note dur) (ly:pitch? ly:duration?) #{ $note$dur #}) and create notes from pitches and durations within #{ #}. I explained that, to the best of my

Re: Very small rhythmic values

Am 20.02.2018 um 16:57 schrieb Malte Meyn: it’s possible with beamed notes but not (yet) for rests and flagged notes because there are no rest/flag glyphs in the font for these note durations. But they could be added … Update: I made a patch that adds these glyphs but that will take some

Re: Extract pitch and duration from ly:music

Am 21.02.2018 um 15:46 schrieb Malte Meyn: Oh, I forgot to say: This doesn’t work with 2.18.2 so you’re partially right. And again I made a mistake: It *does* work but only if you surround the pitch by ##{ #} \version "2.18.2" fun = #(define-music-function (parser locatio

Re: Three simultaneous slurs

Am 21.02.2018 um 15:18 schrieb David Kastrup: Marc Hohl writes: Oh sorry, it looks lie a tie between b-flat and b-flat With a syncopated rhythm adding up to a simple on-beat amount? That would be quite curious for a tie. But it’s quite common to have something like 4~

Re: Extract pitch and duration from ly:music

Am 21.02.2018 um 15:40 schrieb Joshua Stutter: […] fun = #(define-music-function (parser location note dur) (ly:pitch? ly:duration?) #{ $note$dur #}) and create notes from pitches and durations within #{ #}. I explained that, to the best of my knowledge, this is not possible and new notes

Re: Very small rhythmic values

Am 20.02.2018 um 12:04 schrieb Amir Teymuri: Hello, is a 128 the smallest possible rhythmic value one can write in Lilypond or is there a way to write even shorter values (e.g. 256 or even smaller)? Thanks in advance, - - - - - - - - - - - ateymur...@gmail.com Hi Amir, it’s possible

Re: Bad tie position

Am 19.02.2018 um 15:42 schrieb Ethan Sue: \clef bass b16 b b8 b b16 b16 ~ b4 a8 b Tie looks like a bump. Cannot reproduce (2.18.2, 2.19.81). That’s why we need *compilable* minimal examples. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: TAB-problem

Am 28.12.2017 um 15:22 schrieb Malte Meyn: Set the clef stencil to ##f (\omit is a shorthand for that) and only set the stencil for the first occurence. As I realised some seconds after sending the message, this isn’t enough if you want to have the clef at the beginning of each line

Re: TAB-problem

Am 28.12.2017 um 14:21 schrieb bb: I attach an example code. (Sorry, my skills are just not developed enough to shorten the code essential.) Here is a much smaller example. It’s not minimal but near. How to build such an example? Well, just leave everything out that has nothing to do with

Re: TAB-problem

Am 28.12.2017 um 15:54 schrieb bb: Thank you for answering. Your code has exactly the problem I wanted to overcome. There is a "cleftext"  every time the clef changes! No it has not. Have a close look: I do \omit Clef \once \override Clef.stencil You do \override Clef.stencil That’s

Re: Two short questions

Am 28.12.2017 um 17:11 schrieb Wols Lists: On 28/12/17 16:07, Malte Meyn wrote: Have a look at the PDF in the post linked above: The function can do both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)). Sorry, I did look, but obviously missed it ... :-( No problem ;) Mixed

Re: Two short questions

Am 28.12.2017 um 16:03 schrieb Jérôme Plût: 1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1) \time 2/1 \set Score.timeSignatureFraction = 2/2 2. In virtually

Re: Two short questions

Am 28.12.2017 um 16:34 schrieb Malte Meyn: Am 28.12.2017 um 16:03 schrieb Jérôme Plût: 1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1)   \time 2/1   \set

Re: Two short questions

Am 28.12.2017 um 16:57 schrieb Wols Lists: My reaction would be to take your version, and rewrite all the others to call it. That way you don't break existing code, but you simplify lily itself in that there is just one function. That’s what I would do too. I just have to figure out, which

Re: Changing the car or cdr of a pair

Am 25.12.2017 um 19:01 schrieb David Kastrup: David Kastrup writes: \once \override Staff.LigatureBracket.edge-height = #(grob-transformer 'edge-height (lambda (grob original) (cons 0.3 (cdr original For example. Malte's suggestion to use \offset does something

Re: Guitar palm mutes - almost done

Am 31.12.2017 um 17:20 schrieb Neo Anderson: 1. How to change the look of the extender lines (dashes)? I'd like them to be more dense or compact. The following -\tweaks with various values won't make a difference.     -\tweak bound-details.dash-fraction #0     -\tweak

Re: Rehearsal Mark after PageBreaking

Am 01.08.2018 um 14:10 schrieb Karim Haddad: Hello list, I am finalizing an orchestra score and have this problem i don't know how to resolve : When a Page break occurs on a rehearsal mark, the mark is printed befor the page turn. How can i force it to be : Are you sure that it’s *before*

Re: Making slurs more visible

Am 10.08.2018 um 21:42 schrieb Galen Menzel: Hi all, I have a score in which the following measure renders nicely when only the piano line is given: However, when the vocal line is also given, the slurs above the bass-clef g eighth notes become very hard to see: Presumably the vocal

Re: tuplet error

Am 24.08.18 um 05:58 schrieb Craig Dabelstein: In the following MWE I get this error: /omitting tuplet bracket with neither left nor right bound/ The compilation is fine. Anything I should do about this error? Yes.   \tuplet 3/2 4 {     g2.:8     a2.:8     bf2.:8     bf2.:8   }

Re: Intervalic Chord Names

Am 28.08.18 um 15:29 schrieb Tom Swan: Sorry for duplication but my previous try didn't seem to go through.) It came through; it just seems like it was overlooked by many. I need some help figuring out how to change chord names (C, F, G) into intervals such as (I, IV, V). The short

Re: Intervalic Chord Names

Am 28.08.18 um 18:57 schrieb Jacques Menu Muzhic: Do I guess it right that you’d like tonality-relative numbers, i.e. V7 for A7 in D major? That’s indeed probable. There are two possibilities what to do about that: 1. Get the tonic from the key signature as it is done in these snippets:

Re: Hairpin.to-barline doesn't always work

Am 21.07.2018 um 08:55 schrieb Thomas Morley: Afaik, we do so to follow the usual type-setting-rules. I could be wrong here, though. I don't own Gould Gould states that the to-barline default ##t is correct *but* in places where the first beat of the next bar is far from the bar line (f. e.

Re: Boxed Markup as a Whole?

Am 14.07.2018 um 02:26 schrieb Ben: I am stumped on how to enclose these markup noteheads in one box around them all? I can only seem to get them individually boxed. In the past, I have only had to box text markup before, and that's about it. So I can't figure out how to box marked-up notes

Re: Boxed Markup as a Whole?

Am 14.07.2018 um 13:41 schrieb Ben: Also, how can I beam these eighth notes together in the markup? Is this possible? This needs a \score in the \markup. I don't understand, where is the score needed for these beams in the box? See Klaus’ answer for a code example. (You can \remove

Re: Vertical alignent in dynamics staff

Am 30.08.18 um 20:02 schrieb ptoye: I seem to have solved it by tweaking the Y-offset. But it's a bit odd: if I change the offset by 0.0 it moves the text position up - I'd have thought it should be unchanged. Also, it doesn't matter if I use ^ or _ to position the text if I tweak the offset.

Re: Offset PedalMarking

Am 05.09.18 um 10:53 schrieb foxfanfare: I found in the configuration file how the sustainOn/Off works: sustainOn = #(make-span-event 'SustainEvent START) sustainOff = #(make-span-event 'SustainEvent STOP) I think it would be possible to add an offset for the sustainOn shortcut but I

Re: Weird gap between staff lines and ending bar line

Am 07.09.18 um 02:52 schrieb Simon Albrecht: Hello everybody, has anybody came across something like this? It’s a score for piano and chorus, where in the last system all chorus staves are removed, and now I’ve noticed that at the end the staff lines don’t go all the way to the final bar

lilyglyphs barlines

Hi list, is there any barline support in the lilyglyphs package that I don’t know of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font) for a double repeat because Unicode doesn’t include a double repeat but that’s not optimal. Cheers, Malte

Re: lilyglyphs barlines

Sorry for that, I accidentally used the wrong mail address and didn’t expect that this mail would come to the list 33 minutes later ;) Am 31.08.18 um 14:38 schrieb Malte Meyn: Hi list, is there any barline support in the lilyglyphs package that I don’t know of? For now I use 턇\kern-2.8pt턆

lilyglyphs barlines

Hi list, is there any barline support in the lilyglyphs package that I don’t know of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font) for a double repeat because Unicode doesn’t include a double repeat but that’s not optimal. Cheers, Malte

Re: Spacing issue with magnifyStaff

Am 05.09.18 um 05:57 schrieb Simon Albrecht: On 03.09.2018 18:35, Malte Meyn wrote: \layout {   \context {     \Staff     \name "SmallStaff"     \alias "Staff"     fontSize = #(magnification->font-size 4/7)     \override StaffSymbol.staff-space = #4/<   }   \context

Re: Accidentals and Ledger Lines

[Forwarding to bug-lilypond] Hi foxfanfare, Am 05.09.18 um 11:07 schrieb foxfanfare: As you can see, the ledger line of the note containing the accidental is shortned as expected, but the other aren't and you can see here the natural appears too close. that’s true, neighbouring ledger lines

Re: Extending a blank staff.

Am 09.07.2018 um 21:09 schrieb Hwaen Ch'uqi: I have found snippets that produce a series of blank systems, each system naturally spreading across the page. How can I do this for a single system? \paper { ragged-right = ##f } ___ lilypond-user

Re: general-align problem with 2.21.0

Am 12.07.2018 um 07:33 schrieb Menu Jacques: /tmp/frescobaldi-_MMpyy/tmpsaOidZ/document.ly:9:68: error: wrong type for argument 1. Expecting duration, found "4." "Allegretto vivace"\smaller \general-align #Y #DOWN \note

Re: Empty Staves & Overriding Sequences

Am 24.01.2018 um 02:58 schrieb joedavnport: Q1. Is there a way to create (and show) an empty stave in a score, rather than creating {s1 s1 s1} spaces? You can write s1*3 instead of s1 s1 s1 ;) Q2. Sometimes I want to omit a phrasing for certain files (e.g. showing repeat marks), instead of

Re: Rests vs spacers style question

Am 24.01.2018 um 07:28 schrieb Menu Jacques: Hello folks, P_POne_Staff_One_Voice_Two below contains rests which may seem to be make the score more difficult to read that spacers. Apart for single voice staves where rests are necessary, is there a best-practise style for multivoice staves?

Re: Left-handed fretboard?

Am 17.01.2018 um 22:59 schrieb Thomas Morley: 2018-01-17 22:36 GMT+01:00 David Kastrup : Thomas Morley writes: Should we document it as is or introduce a details.subproperty setting string-distance negative? Left-handed diagrams are peculiar enough

Re: odd marcato placement

Am 18.01.2018 um 05:58 schrieb Shane Brandes: The following code produces what looks to me as an an unanticipated result as the second two marcato marks are slightly elevated. I fixed it with a Script.extra-offset but still wonder if this is some odd edge case. \version "2.18.2" \new Staff

Re: Cover page

Am 11.09.18 um 17:50 schrieb foxfanfare: - Is Latex a good replacement for Word? What manager you'd recommend to use? If you want a replacement similar to MS Word, use LibreOffice instead. But LaTeX is good in another way: It’s text based and WYGIWYM like LilyPond. And there is lyluatex, a

Re: How to write this note from chaconne?

Am 08.03.2018 um 02:01 schrieb Simon Albrecht: On 08.03.2018 01:39, Edmundo Carmona Antoranz wrote: So I asked around[1] and apparently it's a "harmonic delay" or a prolongation... There is no reason whatsoever for any fancy words. It’s just a dotted note with the dot written at the

Re: Build error. MergeFonts: Can't find font: feta11.pfb

Am 11.03.2018 um 01:01 schrieb Lucas Werkmeister: Hi everyone, I’m getting the following error message when trying to build LilyPond from git (specifically, building the AUR lilypond-git package). […] The requested file, feta11.pfb, does not exist I have a similar problem after

Re: Absolute temporal positioning of mm-rests

Am 09.03.2018 um 11:45 schrieb Arttu Punkkinen: I was wondering, if there is a way to specify a multimeasure rest which length is only relatively defined so that it ends at predetermined bar number? I often find myself needing to adjust or add material between multimeasure rests, which

Re: Für Kurzentschlossene: Plätze im Linuxbus Ruhr nach Chemnitz!

Am 08.03.2018 um 23:24 schrieb Carl Sorensen: I ran this through Google Translate, and it mostly worked well. Except it named Harm as "Grief", which brought me a smile. I think the German “Harm” is similar to “harm” in English ;) (see also “harmlos” = “harmless”) On topic: Ich hab sowohl

Re: Cross-staff chords question

Am 07.04.2018 um 10:51 schrieb Menu Jacques: I’m no pianist though: is this OK for a keyboard player, or is Finale’s output: […] better, and if so, how can I obtain the cross-staves stems this way? What is better depends on whether it should be played with one hand or two. Please always

Re: Articulation sign in Haydn

Am 05.04.2018 um 20:48 schrieb Lukas-Fabian Moser: Can I help in any way? You could review my proposed changes at https://codereview.appspot.com/340660043 You don’t need to compile or review the code itself, just have a look at the PDF I attached here:

Re: Corrected: Beaming in LilyPond

Am 07.04.2018 um 22:44 schrieb Filip May'r: Hello, I'm sending my response in an attachment. Best, Filip Why don’t you write a regular e-mail but send a Word document that is classified as junk by my mail program? The God’s words are a tool to defend one’s arguments. Opinions are

Re: {SPAM 02.4} Re: Repeating \markup commands

Am 08.04.2018 um 20:13 schrieb David Sumbler: \version "2.19.81" nar = ^\markup \whiteout \pad-markup #2 \etc Unfortunately the above produces "syntax error, unexpected \etc" The older version works fine. That’s because that’s a very recent change that hasn’t been released yet so “\version

Re: Articulation sign in Haydn

Am 04.04.2018 um 23:23 schrieb Noeck: I see at least three options: 1. Use a \turn or \mordent 2. Use the symbol from Bravura (there is something like \smuflglyph "ornamentHaydn" if you use openlilylib) 3. Create your own symbol from existing glyphs like: { d'^\markup \combine \huge "~"

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 11:24 schrieb Marco Bagolin: I solved the second question using your proposal of code. I did not solved the first question. Have you tried overriding the slope? And have you read my recommendation? Probably it would be possible to bring the StemTremolos nearer to the note

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