Am 04.09.2012 17:14, schrieb Joseph Harfouch:
Hi,
I am trying to write down an example of Mutlu Torun's book on Oud method,
where he uses a notation of a comma and a finger number on top of the comma
and to the right of given note presumably to indicate that the string should
be stopped from
and to narrow
them by
decreasing the baseline skip.
Also, I would like to acknowledge everyone that helps me in my book if it
ever comes out, so put your full name if you like, or I can just mention
your first name if that is ok by you.
You can decide, either Marc or Marc Hohl is fine for me.
Regards
Am 20.09.2012 16:29, schrieb John McWilliam:
To my question concerning problems with generating a Table of contents David
Kastrup wrote:
Try running convert-ly on it
I started from scratch with a new file Booktest4.ly copied from the manual
(version 2.16). First I ran convert-ly and then tried
Am 20.09.2012 20:01, schrieb Graham Percival:
On Thu, Sep 20, 2012 at 07:45:41PM +0200, Nicolas Sceaux wrote:
Le 20 sept. 2012 à 19:21, Graham Percival a écrit :
A single note name is not that much longer to type than q. If it is
really important to you, place the single note in a chord:
des
Am 22.09.2012 12:37, schrieb m...@mikesolomon.org:
On 22 sept. 2012, at 12:33, TaoCG tao_lilypondu...@gmx.net wrote:
I need to typeset a glissando from e-flat to e and I'd like it to look as if
it'd go upward, right now the line is straight and not actually visible
because it collides with the
Am 22.09.2012 13:33, schrieb TaoCG:
Marc Hohl wrote
Perhaps \once \override Glissando #'extra-dy = #0.5?
Yes, perfect. Thank you!
Glad I could help! ;-)
Marc
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Glissando-from-e-flat-to-e-tp133308p133315.html
Sent from
Am 23.09.2012 13:01, schrieb James:
Hello,
On 23 September 2012 09:34, Janek Warchoł janek.lilyp...@gmail.com wrote:
On Fri, Sep 21, 2012 at 3:37 PM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp...@gmail.com writes:
However, the idea of creating another shortcut (p seems to
Am 23.09.2012 14:40, schrieb James:
Hello,
[...]
This construct doesn't allow for mixing single notes with
chords.
I see. Hmm...yes that's awkward.
There are instruments and music styles which greatly
benefit from having 'q' available, whereas others don't,
I write a lot of music for
Am 26.09.2012 02:30, schrieb Oscar Dub:
Hi,
I'm trying to typeset a score that uses the notation shown in the
attached image to represent whole rests.
As I see it there are two stages to achieving this in LilyPond:
– Creating the necessary glyph (I assume the simplest way would be to
edit
Am 26.09.2012 10:51, schrieb Stefan Thomas:
Dear David,
I tried it, as You've suggested, with \slashed-char ##\D, but it
doesn't work.
IIUC he didn't suggest ##\D but to use (string? ...) instead of (char? ...)
at the beginning of the definition.
I think I will try to use postscript-code in my
Am 26.09.2012 22:53, schrieb Thomas Morley:
2012/9/26 Oscar Dub oscar...@gmail.com
[...]
Hi Oscar,
you're very close.
Step by step:
[...]
HTH,
Harm
Wow. Great stuff, well explained. Kudos!
Marc
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lilypond-user mailing list
Am 01.10.2012 12:52, schrieb Stefan Thomas:
Dear community,
is it possible, to assign different lilypond-instruments to different
midi-channels?
I assume this done automatically, if one creates a percussion staff,
but what happens with others?
I've openend the midi-file, produced with the
Am 04.10.2012 12:19, schrieb TaoCG:
I found two different approaches to print double dashed bar lines here:
http://lilypond.1069038.n5.nabble.com/Fine-with-dashed-double-barline-occurring-in-middle-of-bar-td17372.html
But I need the barline to span a piano and choir staff which neither method
Am 24.09.2012 01:29, schrieb Urs Liska:
Hi LilyPond coders,
I'm quite happy to tell you that I just finished a new version of my
'lilyglyphs' package. This is not a release, but just a progress from
a 0.0.1 version to a 0.0.2, so don't expect anything polished here.
For those who missed the
Am 21.10.2012 15:51, schrieb Helge Kruse:
[...]
This measure counter allows a start and a stop. I did not find an
option to start at a specific number. Image you start at rehearsel
mark H, have a multi-measure rest of 16 bars. In the 17th measure you
have some cue notes. It would be nice to
Am 22.10.2012 05:45, schrieb Fred Perloff:
drum = \drummode {
sn8^\markup{ R } sn16^\markup { R } sn16^\markup { L } hh8^\markup { R
} hh8^\markup { L } hh4^\markup { R } hh4^\markup { R }
}
verse = \lyricmode {
I've got a friend who's la- zy
}
\score {
\new DrumStaff {
\drum
}
Am 21.10.2012 11:22, schrieb Knut Petersen:
As far as I can see, the documentation of minimum-distance and some
other standard
settings parameters in
http://lilypond.org/doc/v2.17/Documentation/internals/lyrichyphen
is copied from somewhere else and is at least misleading.
The description of
Am 18.10.2012 18:09, schrieb Wim van Dommelen:
There is one thing which might interest you even more and that is a
scheme script produced by Nicolas Sceaux, some years ago (archive: 27
jan 2007
(http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00635.html)).
I use this a lot myself.
Am 22.10.2012 16:30, schrieb Gagi Petrovic:
Dear Ponders, how can one change the defaults for voiceOneStyle? Or is
it just as easy to create a custom style? Thank you!
Kind regards, Gagi
example of code:
\voiceOne { d2~\( d8[es] as16[f g8~]\) }
\new Voice { \voiceTwo \voiceOneStyle d2~ d2 }
Am 23.10.2012 11:20, schrieb Gagi Petrovic:
Ah yes, that's the info i was looking for. Thank you Marc!
First i just wanted to turn the red color off, and use it in voiceTwo
(to have diamond heads in one voice, while having regular heads in the
other). I tried using my macro
diamond =
Am 23.10.2012 21:03, schrieb Jethro Van Thuyne:
It seems like the modern-straight-flag style is no longer supported.
I used to set this using \override Stem #'flag-style = #'flag-style, a
syntax that now appears to be replaced by \override Flag #'style =
#'flag-style.
Is there a way to
Am 31.10.2012 12:43, schrieb Kieren MacMillan:
Hi all,
I would like measure numbers to appear centered in each measure, at the bottom
of my orchestral score.
Can I accomplish this with regular measure numbers, or do I need the new
Measure_counter_engraver?
If the latter, how close is that to
Am 07.11.2012 11:02, schrieb Jan Nieuwenhuizen:
David Kastrup writes:
We arrive at our indentation using Emacs, but even if we deliver the
scripts for doing so, this does not mean we need to redistribute Emacs
as well.
There is a difference between build time and run time dependencies.
Even
Am 08.11.2012 10:38, schrieb David Kastrup:
Francisco Vila paconet@gmail.com writes:
2012/11/8 Janek Warchoł janek.lilyp...@gmail.com:
...and we (Lily team) may need to rethink our strategies as well.
Ben, we have this website about sponsoring Lily development:
Am 09.11.2012 03:56, schrieb soundsfromsound:
I replied to this:
Optional-args-in-event-function-not-working-with-2-17-6-td136044.html#a136046
http://lilypond.1069038.n5.nabble.com/Optional-args-in-event-function-not-working-with-2-17-6-td136044.html#a136046
Well, I think he[*] tried to convice
Please advise,
Thanks!
Ben
Marc Hohl wrote
Am 09.11.2012 03:56, schrieb soundsfromsound:
I replied to this:
Optional-args-in-event-function-not-working-with-2-17-6-td136044.html#a136046
lt;http://lilypond.1069038.n5.nabble.com/Optional-args-in-event-function-not-working-with-2-17-6-td136044.html
?
Hm.
Regards,
Marc
See attached image.
forum_question.jpg
http://lilypond.1069038.n5.nabble.com/file/n136062/forum_question.jpg
Thanks,
Ben
Marc Hohl wrote
Am 09.11.2012 03:56, schrieb soundsfromsound:
I replied to this:
Optional-args-in-event-function-not-working-with-2-17-6-td136044
Am 09.11.2012 09:14, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Hi Ben,
Am 09.11.2012 08:58, schrieb soundsfromsound:
Marc:
I'm sorry, I didn't mean to upset him or anything. I'm confused, as
I've been replying the same way to each thread and never knew there
was a problem
Am 09.11.2012 09:32, schrieb Alex Voice:
Hi Lilypond Experts,
I should like to increase the size of rehearsal marks relative to the
stave.
I'm sure that it has something to do with
\set Score.markformatter and#'font-size
but I can't work out how to put these two bits together and
Am 09.11.2012 14:55, schrieb Janek Warchoł:
Hi friends,
On Thu, Nov 8, 2012 at 8:54 AM, David Kastrup d...@gnu.org wrote:
Janek wrote:
Imagine that next month David receives 10 times the money
he usually gets: we'd have David covered for next ~10 months,
More like the next 6 months. [snip
Am 10.11.2012 14:49, schrieb David Kastrup:
[...]
-i isn't an option of touch. It is an option of rm. The touch places
a file -i in the directory. At least with POSIX sort order, this is
bound to come rather early in a directory listing, so if you have
files a, b, c in the directory, rm * .o
Am 12.11.2012 21:37, schrieb Mate:
Hi,
I am trying to have standard notation + guitar tab where the tab only contains
(fret) numbers. No stems, no bars, no rests, no dots, no circles, nothing.
[...]
Do I have to set something somewhere (that the mentioned snippets don't
contain)?
Or were the
Am 12.11.2012 21:54, schrieb bart deruyter:
Your examples do show bars though,
I think it must read 'beams', not 'bars'.
Marc
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 13.11.2012 10:00, schrieb Mate Szalay:
[...]
This is to confirm, that the default behavior of 2.16.1-1 is indeed
exactly what I wanted.
And I'm quite amazed that I got the first response to my question in
5 minutes and even a pointer the git commit(!) in 3 hours.
That's when I learned
Am 16.11.2012 12:33, schrieb Urs Liska:
Am 16.11.2012 11:28, schrieb Francisco Vila:
2012/11/16 Francisco Vila paconet@gmail.com:
2012/11/16 Stretto uiy12...@gmail.com:
I would like to draw some curved arrows between notes, sort of like
slurs
that have arrow tips at the end. It would be
Am 18.11.2012 10:42, schrieb Arle Lommel:
Hello all,
I've got what should be a simple question, but one which is giving me no end of
trouble. I'm attempting to set a carol for homophonic choir, so I do *not* need
independent voices, but I do need the lyrics between the staves. All of the
Am 18.11.2012 14:58, schrieb Phil Holmes:
- Original Message - From: Mark Stephen Mrotek
To: lilypond-user@gnu.org
Sent: Sunday, November 18, 2012 1:52 PM
Subject: bleeding
Hello:
How do I stop the staff from bleeding off the page? I have tried
\break. Lilypond states the command
Am 18.11.2012 16:51, schrieb Reinhold Kainhofer:
On 2012-11-18 16:42, Marc Hohl wrote:
Check the output in the log file and correct the error.
That was too fast, I think.
Nope, that's exactly the problem.
The file compiles fine on my machine, the log on the console says:
warning: already
Am 18.11.2012 16:52, schrieb Phil Holmes:
[...]
Check the output in the log file and correct the error.
That was too fast, I think.
The file compiles fine on my machine, the log on the console says:
warning: already have a beam
\clef treble bes16 d f aes bes [ c ]
Am 20.12.2012 02:14, schrieb Thomas Morley:
[...]
Hi Gagi,
the code below constructs a new StaffSymbol with zigzag-lines at to be
specified positions.
It is not widely tested, please shout if sth goes wrong.
Several explaining comments are added.
Kudos for this solution! It works great, and
Hello list,
I think this has been answered before, but I don't find it in the
archives...
Assume I have the following file scoretest.ly:
\version 2.17.10
#(define opt-score (or (ly:get-option 'score) Full))
musicA = \relative f {
c''4 d e f | g1
}
musicB = \relative f {
c'4 b a f | g
Am 27.12.2012 18:55, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
[...]
Any hints are highly welcome!
#(string-append ...) is a string.
Maybe you want something like
$(module-ref (current-module) (string-symbol ...))
or
$(ly:parser-lookup parser (string-symbol
Am 27.12.2012 22:31, schrieb Federico Bruni:
Hi
while transcribing a piece of music, I realized that it may work
better if written with a different rhythm, so I used the Frescobaldi
option which reduces the rhythms by an half. Then I removed all the
bar checks.
But I cannot compile this
Am 04.01.2013 22:22, schrieb EmilLask:
Thank you again, David.
How have I installing the patch file .cc?
If you don't have compiled lilypond from source, it would be probably
the best
to wait for 2.17.11 to be released.
If you want to give it a try, though, have a look at
Am 04.01.2013 22:44, schrieb Phil Holmes:
- Original Message - From: Marc Hohl m...@hohlart.de
To: lilypond-user@gnu.org
Sent: Friday, January 04, 2013 9:30 PM
Subject: Re: FretBoards chordChanges
Am 04.01.2013 22:22, schrieb EmilLask:
Thank you again, David.
How have I installing
Am 05.01.2013 08:13, schrieb EmilLask:
Thanks Marc and thanks Phil.
Is there an easy guide, step by step, to compiling Lilypond in mac os x and
add .cc patch without get in trouble ?
I can't speak for MacOS X but I remember that at least in the past this was
not a trivial task to get LilyPond
Am 08.01.2013 17:02, schrieb EmilLask:
Thank you.
ex.
\parallelMusic #'(voiceA voiceB) {
[...]
\bar :|:
\bar ... tells LilyPond to draw this specific bar line *without* being
interpreted
musically. To make MIDI work as expected, you'll have to use \repeat ... and
\unfoldRepeats,
Am 12.01.2013 16:28, schrieb Paul Morris:
On Jan 12, 2013, at 2:47 AM, David Kastrup d...@gnu.org wrote:
Uh, if you have a _custom_ staff context for which you want particular
overrides, you just do
\layout {
\context {
\Staff
\name MyStaff
\alias Staff
\override ...
Am 16.01.2013 04:04, schrieb Frank Steinmetzger:
Hello dear list
I'm writing a score that has a \bar || at the end of a system, and a volta
repeat beginning in the following system after the line break. It seems that
the \bar command overwrites the |: of the following volta, making that
Am 16.01.2013 08:51, schrieb Maarten de Keijzer:
Hi,
Is it possible to create some general setup for the total number of
bars within the score, including time changes?
In the example I have a score with two voices on the right (piano)
staff with 6/8 and 3/8 bars.
When I create in one
Am 16.01.2013 12:45, schrieb Peter Gentry:
I cannot suppress a page break which looks unnecessary - what am I doing wrong?.
I have included the example in the attached file which I hope does not contain
too much unnecessary data.
This looks like a w*rd document with some binary data in it – I
Am 17.01.2013 19:39, schrieb Johan Vromans:
Frank Steinmetzger war...@gmx.de writes:
Am Donnerstag, 17. Januar 2013, 08:28:37 schrieb Ralph Palmer:
In addition, you can specify ||:, which is equivalent to |: except at
line breaks, where it gives a double bar line at the end of the line and a
Am 17.01.2013 19:56, schrieb Thomas Morley:
2013/1/17 Johan Vromans jvrom...@squirrel.nl:
Frank Steinmetzger war...@gmx.de writes:
Am Donnerstag, 17. Januar 2013, 08:28:37 schrieb Ralph Palmer:
In addition, you can specify ||:, which is equivalent to |: except at
line breaks, where it gives
Am 18.01.2013 06:03, schrieb Jim Long:
[...]
There is no confusion at all. The source file tells Lilypond
exactly where the double bars should be. Lilypond knows that at
several places, the source code says:
\bar || \break
As I understood Johan's suggestion, Lilypond should interpret
that to
Am 18.01.2013 09:39, schrieb Johan Vromans:
Marc Hohl m...@hohlart.de writes:
Except that it does not work with \repeat, AFAIK.
Yes, it does.
c1 \bar ||: \break
\repeat volta 2 { d2 d }
Sorry if I was unclear -- what I meant to say is that IMHO LilyPond
should be able to handle
Hello list,
I have lilypond file containing several\bookpart entries.
For one specific page I have to remove the footer completely.
I set
\label #'emptypage
and
oddFooterMarkup = \markup {
\fill-line { \on-the-fly #last-page \fromproperty #'header:tagline }
\fill-line { \on-the-fly
Am 21.01.2013 06:40, schrieb Jay Anderson:
On Sun, Jan 20, 2013 at 1:53 PM, Marc Hohl m...@hohlart.de wrote:
For one specific page I have to remove the footer completely.
I set
\label #'emptypage
Can the page without a footer be in a book-part of its own? That would
be too simple so I'm
Am 06.02.2013 18:46, schrieb Peter Crighton:
Hi List,
is there some way to put bar lines, or more specifically repeat signs,
inside a text markup? Other than recreating them with the help of
\draw-line and \draw-circle?
I found a rather clumsy workaround:
\markup {
\line {
Here is a
Am 08.02.2013 13:01, schrieb Eluze:
Thomas Morley wrote
below a markup-command to print bar-lines.
For now it is limited to bar-lines containing thick-bar-line,
thin-bar-line and/or colon-bar-line.
Every additional bar-line (dashed, dotted etc) would need an
additional construction-procedure.
Am 25.02.2013 11:37, schrieb Graham.Okely:
Thanks I can see that would work in rehearsals.
Working up a drum line is easier if each bar gets a number
sequentially. But writing up the drum sequence is only required once.
(Usually) So I do not think writing up a fully expanded manuscript for
Am 25.02.2013 11:40, schrieb Marc Hohl:
Am 25.02.2013 11:37, schrieb Graham.Okely:
Thanks I can see that would work in rehearsals.
Working up a drum line is easier if each bar gets a number
sequentially. But writing up the drum sequence is only required once.
(Usually) So I do not think
Am 28.02.2013 09:12, schrieb Thomas Scharkowski:
Hi,
from the 2.17.13 doc:
In the StaffGroup context, the group is started with a bracket and
bar lines are drawn through all the staves.
The example below results in all staves not connected.
This is also the case in the pdf of the notation
Am 28.02.2013 09:17, schrieb Marc Hohl:
Am 28.02.2013 09:12, schrieb Thomas Scharkowski:
Hi,
from the 2.17.13 doc:
In the StaffGroup context, the group is started with a bracket and
bar lines are drawn through all the staves.
The example below results in all staves not connected
Am 06.03.2013 02:59, schrieb Thomas Morley:
2013/3/5 Noeck noeck.marb...@gmx.de:
Hi,
I tried the (relatively) new bar line interface:
\version 2.17.12
\defineBarLine |: #'(:|| |:) % a)
\defineBarLine :|| #'(:.. ||) % b)
\new StaffGroup
\new Staff { a1 \bar |: a \bar |: }
\new
Am 06.03.2013 09:38, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 06.03.2013 02:59, schrieb Thomas Morley:
2013/3/5 Noeck noeck.marb...@gmx.de:
Hi,
I tried the (relatively) new bar line interface:
\version 2.17.12
\defineBarLine |: #'(:|| |:) % a)
\defineBarLine
Am 06.03.2013 17:47, schrieb Janek Warchoł:
Hi all,
i was very surprised by Marc's suggestion to revert his barline
interface commit. I'm pretty sure that everyone regards Marc's (and
Harm's) work in this area as very valuable and noone thinks of
deleting it at all!
I am a bit disappointed
Am 06.03.2013 21:24, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
I am a bit disappointed that the discussion about \bar :|.
rises half a year after the patch went through the revision
process.
If you think this is the first time, you have missed a few times. The
revision process
Am 07.03.2013 00:45, schrieb Thomas Morley:
2013/3/6 Shane Brandes sh...@grayskies.net:
there was a jazz font patch somewhile ago.
http://lists.gnu.org/archive/html/lilypond-user/2010-12/msg00290.html
There is some currently unfinished work in the german forum.
Am 06.03.2013 21:55, schrieb Noeck:
Hi,
It is orthogonal to us making \bar |: and \bar :| well-defined by
letting : automatically imply a thick bar since nothing else makes
sense.
I don't think that this is the problem Joram struggled with.
So he is defining a bar type |: himself.
Yes, it
Am 07.03.2013 10:06, schrieb David Kastrup:
[...]
Ok, here is the deal: I promise to give real thought about a way to
_define_ repeat structures in such a straightforward manner that a user
would understand how to create repeat structures of his own including
working Midi and \expandRepeats as
Am 07.03.2013 10:44, schrieb Werner LEMBERG:
Wow, very impressive!
I hate to admit it,
Hehe :-)
but it looks like a game changer of strategic importance to me.
I hope that this extension will find its way into the official
lilypond releases...
What needs to be done for this?
I don't know,
Am 07.03.2013 17:56, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 10:06, schrieb David Kastrup:
[...]
Ok, here is the deal: I promise to give real thought about a way to
_define_ repeat structures in such a straightforward manner that a user
would understand how
Am 07.03.2013 18:36, schrieb David Kastrup:
Noeck noeck.marb...@gmx.de writes:
We use |. for the end bar not because of its _visual_ properties,
If that is the case, I would say \bar . is more logical.
Zounds. Tell you what: I'd consider that an actual improvement.
No – I still would prefer
Am 07.03.2013 18:45, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 18:36, schrieb David Kastrup:
Noeck noeck.marb...@gmx.de writes:
We use |. for the end bar not because of its _visual_ properties,
If that is the case, I would say \bar . is more logical.
Zounds
Am 07.03.2013 18:52, schrieb Paul Scott:
[...]
All musical sections do not end with \bar |. so you do need to
explicitly tell her.
You, of course can create your own template to do that.
How can I write a template for telling lilypond to end my
scores with a final bar line?
Am 07.03.2013 18:52, schrieb Marc Hohl:
Am 07.03.2013 18:45, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 18:36, schrieb David Kastrup:
Noeck noeck.marb...@gmx.de writes:
We use |. for the end bar not because of its _visual_ properties,
If that is the case, I
Am 07.03.2013 18:56, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 18:45, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 18:36, schrieb David Kastrup:
Noeck noeck.marb...@gmx.de writes:
We use |. for the end bar not because of its _visual_
Am 07.03.2013 19:00, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 07.03.2013 18:52, schrieb Paul Scott:
[...]
All musical sections do not end with \bar |. so you do need to
explicitly tell her.
You, of course can create your own template to do that.
How can I write a template
Am 07.03.2013 20:21, schrieb Werner LEMBERG:
One rationale is to stop the distribution of the information for
the first pitch to potentially quite separate places, like being
able to write
\new Staff \relative {
\key aes \major
% Voice one
{ c''2 aes4. bes8 }
...
instead of
Am 13.03.2013 20:24, schrieb nothingwaver...@gmail.com:
This is a breakaway thread from the one with the subject Proposed new available and
recommended behavior of \relative
I am *OPPOSED* to the proposal to change \relative syntax, as the proposal now
stands. I think it is confusing to new
Am 20.03.2013 19:19, schrieb Jérôme Plût:
Decimo tertio Kalendas Apriles MMXIII scripsit Thomas Morley :
in the code below you'll see increasing page-numbers throughout the
book as usual.
Ooh, now that I have had the time to read your code, I see what you
did, and I like it. The \on-the-fly
Am 23.03.2013 16:07, schrieb Phil Holmes:
- Original Message - From: Janek Warchoł
janek.lilyp...@gmail.com
To: LilyPond Users lilypond-user@gnu.org
Sent: Saturday, March 23, 2013 2:05 PM
Subject: how offsets and alignment works: an explanation
Hi,
here's an explanation of what's
Am 01.04.2013 05:56, schrieb luis jure:
on 2013-03-31 at 16:50 Neil Puttock wrote:
This should just be `0'.
hi neil,
i'm sorry, but i don't quite understand how to modify the function
suggested by harm to address the problem you mention.
IIUC, he proposed that you remove the last line in
Am 04.04.2013 16:27, schrieb James Harkins:
It seems that if I write:
\override Staff.TimeSignature #'stencil = ##f
... there's no problem. But this:
\override Staff.TimeSignature #'stencil = ##t
... produces:
warning: type check for `stencil' failed; value `#t' must be of type
Am 29.04.2013 19:02, schrieb Stjepan Horvat:
is is possible to put a rest in a lyrics text..?!
For example:
Ya - ba - da - ba -du
He - llo - r8 - r8 - you
so that the 8th rest is showen..?!
I use something like
Hel -- lo \markup { \raise #1 \musicglyph #rests.3 } you
in my scores, but I am
Am 22.05.2013 08:59, schrieb Tom Cloyd:
Running Lilypond 2.16.0 -
1. In the following 8 bar snippet, I am arpeggiating across the middle
and upper voices. The arpeggio is colliding with the rest that's in the
middle voice. I've tried about 9 ways and I cannot get the arpeggio in
the right
Am 15.07.2013 20:30, schrieb Kieren MacMillan:
Hello,
There are a lot of places where I would like to use abs-fontsize:
InstrumentName, LyricText, etc.
It would be nice if there were a built-in, intuitive, consistent, direct method
of setting an absolute font size, e.g.,
\override
Am 18.07.2013 13:22, schrieb Simon Bailey:
hi,
quick question: is it possible to place EPS files at an absolute position? or
have them behave as floating objects?
Just a quick response (I'm in a hurry) – I had a similar problem and I
think \with-dimensions should be your friend.
HTH,
Marc
Hello list,
for my current project I have some scores located in
individual files:
A.ly
B.ly
C.ly
which can be compiled independently, and a latex file
containing calls like this
\lilypondfile{A.ly}
[... some text ...]
\lilypondfile{B.ly}
[... even more text ...]
\lilypondfile{C.ly}
This
Am 30.07.2013 02:30, schrieb David Rogers:
Marc Hohl m...@hohlart.de writes:
[...]
I need a way to define an optional variable that controls (if defined)
the transposition so I can say, for example:
\begin{appendix}
\chapter{For Bb instruments}
\begin{lilypond}
#(define transposeTo d
Am 30.07.2013 09:56, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
\begin{appendix}
\chapter{For Bb instruments}
\begin{lilypond}
#(define transposeTo d)
\include{A.ly}
\end{lilypond}
Rather \include A.ly
Of course, silly me.
That's exactly what I want to avoid. My idea boils
Am 30.07.2013 16:30, schrieb Wim van Dommelen:
On 30 Jul 2013, at 08:46 , Marc Hohl wrote:
transposeTo = transposeTo OR c
In the past I've used a very simple construct:
notes = { ... }
music = {
\tag Bassoon \notes
\tag BCl \transpose bes, c' { \notes }
}
instrument = Bassoon
Am 30.07.2013 18:33, schrieb David Kastrup:
Well, after several announcements, I now have about four participants
for this year's meeting secured. While that's about the amount who
bothered registering timely last year, it means that I am not able to
plan suitably ahead.
[...]
The date this
Am 03.08.2013 10:07, schrieb Jan Nieuwenhuizen:
Marc Hohl writes:
I am sorry to say that I am in Great Britain during the LilyPond meeting
this year, so I won't be able to join :-(
Do you have any opportunity to join in on irc?
Hm, I don't know whether I have access to wireless lan during
Am 03.08.2013 16:20, schrieb Marc Hohl:
Am 03.08.2013 10:07, schrieb Jan Nieuwenhuizen:
Marc Hohl writes:
I am sorry to say that I am in Great Britain during the LilyPond meeting
this year, so I won't be able to join :-(
Do you have any opportunity to join in on irc?
Hm, I don't know
Am 22.08.2013 19:22, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 03.08.2013 16:20, schrieb Marc Hohl:
Am 03.08.2013 10:07, schrieb Jan Nieuwenhuizen:
Marc Hohl writes:
I am sorry to say that I am in Great Britain during the LilyPond meeting
this year, so I won't be able
Am 25.08.2013 18:58, schrieb Mark Stephen Mrotek:
Hello:
I want to beam a chord in the treble staff to a chord in the bass staff
and have the beam slanted between the two staves.
I have searched the manual for beams
http://www.lilypond.org/doc/v2.16/Documentation/notation/beams
and the mail
Hi list,
does anyone have a workaround for the following problem?
The small notes in a tempo marking are missing when I use the
preliminary LilyJAZZ version:
\version 2.17.25
\include LilyJAZZ.ily
\relative c' {
\jazzOn
\tempo Swing 4 = 120
c
}
(This won't compile without having the
Am 27.08.2013 01:53, schrieb Thomas Morley:
2013/8/26 Marc Hohl m...@hohlart.de:
Hi list,
does anyone have a workaround for the following problem?
The small notes in a tempo marking are missing when I use the
preliminary LilyJAZZ version:
\version 2.17.25
\include LilyJAZZ.ily
\relative c
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am just busy at the moment, but
as soon
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