2012/7/17 James Harkins jamshar...@gmail.com:
http://lsr.dsi.unimi.it/LSR/Item?id=445
Adding automatic octaves to a melody no longer works (at least in 2.15.36).
LP throws no errors and successfully produces a PDF, but it renders the notes
exactly as written in the original music
Hi,
adding sth to a NoteHead-stencil via stencil-override returns a weird
output with stemmed NoteHeads.
In the code below I added a box around the default-note-head and the
stem is moving away.
Is there any possibility to restore the original 'stem-attachment in
an automated way?
\version
2012/7/18 Keith OHara k-ohara5...@oco.net:
Thomas Morley thomasmorley65 at googlemail.com writes:
adding sth to a NoteHead-stencil via stencil-override returns a weird
output with stemmed NoteHeads.
In the code below I added a box around the default-note-head and the
stem is moving away
2012/7/19 Helge Kruse helge.kr...@gmx.net:
Hello,
I need to switch the staff for some purposes. To avoid clash with other
notes I want to use a kneed beam. For this staff switch. Unfortunately I
have also polyphonic music.
How can I enable the kneed beam for the quavers in music below?
2012/7/18 Specken Flecken speckfl...@anpacken-jetzt.de:
Dear lilypond people,
Marek from the bug squad suggested, I should post this question here.
Does someone know a solution for the following problem:
I want to distinguish odd and even lyrics lines, i.e. stanzas. I can
think of 3
2012/7/20 David Kastrup d...@gnu.org:
(...)
Why are you reentering all those engravers when you copy them from
\Lyrics anyway?
Silly me!
2012/7/20 David Kastrup d...@gnu.org:
(...)
Oh, and of course if you first do
\context { \Lyrics \override LyricText #'font-size = #-1 }
before defining
2012/7/19 Keith OHara k-ohara5...@oco.net:
On Wed, 18 Jul 2012 13:56:09 -0700, Thomas Morley
thomasmorle...@googlemail.com wrote:
But reading out x- and y-length of the NoteHead-stencil, and comparing
their quotient with the quotient build from the values I got via
'stem-attachment
2012/7/21 Thomas Morley thomasmorle...@googlemail.com:
2012/7/21 Keith OHara k-ohara5...@oco.net:
On Fri, 20 Jul 2012 15:25:53 -0700, Thomas Morley
thomasmorle...@googlemail.com wrote:
thanks for all your hints.
I'm coming up now with the code below.
I see, car and cdr extract pointers
2012/7/21 Ole Schmidt m...@oleschmidt.info:
Hi,
I want a DrumStaff in percussion-style to show some rhythms...
The manual says:
There are also other layout possibilities. To use these, set the property
drumStyleTable in context DrumVoice. The following variables have been
predefined:...
2012/7/21 Thomas Morley thomasmorle...@googlemail.com:
2012/7/21 Ole Schmidt m...@oleschmidt.info:
Hi,
I want a DrumStaff in percussion-style to show some rhythms...
The manual says:
There are also other layout possibilities. To use these, set the property
drumStyleTable in context
2012/7/21 m...@wimvd.nl:
Hi,
I have some problems with the vertical alignment of text. I tried both the
\halign, \lower inside a \markup and explicit offset commands with an
\override, but I couldn't get it right. This sample shows the problem in
detail. I do want to move the two gliss.
2012/7/21 Jay Anderson horndud...@gmail.com:
\version 2.15.41
title = \markup{Piece in \concat { E \hspace #0.25 \flat } }
\markup { \fill-line { \huge \larger \bold \line { \concat { \title
, } opus} } }
\markup { \fill-line { \huge \larger \bold \line { \title , opus} } }
Essentially I
2012/7/21 Jay Anderson horndud...@gmail.com:
On Sat, Jul 21, 2012 at 12:39 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
title = \markup{ Piece in \concat { E \hspace #0.25 \flat } }
\markup { \fill-line { \huge \larger \bold \line { \concat { \title
, } opus} } }
(quick
2012/7/23 Thomas Baruchel baruc...@gmx.com:
Hi, I removed many engravers with the code below, and now the first note
on each staff (at the left) is completely at the beginning of the staff
without any horizontal spacing before. How can I have some left indentation
INSIDE the staff. Regards.
2012/7/23 Thomas Baruchel baruc...@gmx.com:
On Mon, 23 Jul 2012, Thomas Morley wrote:
would be nice if you would post a _tiny_ example, which _compiles_ as
it is to show the problem.
Here is the exact issue I encounter: see the ugly alterations at the left
edge
of each line (except
Hi,
I tried to investigate the impacts of an NoteHead-stencil-override,
concerning Accidentals, Stems and LedgerLines using the override below
(representing a more complicated one).
\override NoteHead #'stencil =
#(lambda (grob)
(let* ((stencil (ly:note-head::print grob))
Am 26. Juli 2012 21:02 schrieb Dr. med. Kai Lautenschläger
kai.lautenschlae...@me.com:
no, indeed, the output seems o.k. to me, too. in the original, that I was
working on, the paragraphs included longer texts, maybe there is some other
reason. I attach the original code (sorry, it's a little
Hi,
after an idea by Mike Solomon
- http://lists.gnu.org/archive/html/lilypond-user/2011-12/msg00421.html
I've worked on complex chords with splayed stems.
Seems to work so far.
But if I add an articulation it moves to an unexpected NoteHead.
TextScript doesn't move!
I tried to set an explicit
2012/7/29 David Nalesnik david.nales...@gmail.com:
Hi Harm,
This is cool!
The problem is in the definition of splayedStemChord: NoteHead is the
X-parent of Script, so you're missing a step en route to NoteColumn.
Also, it turns out you need to override 'after-line-breaking rather
than
2012/7/29 MING TSANG tsan...@rogers.com:
(...)
1. How do I put the number-pitch above the staff?
2. How to make the font size smaller?
3. How to align all number-pitch horizontally?
(...)
Easiest: use the common commands for TextScript in `sopranonotes'.
p.e.
\override Staff.TextScript
2012/8/2 and...@andis59.se and...@andis59.se:
I'm using the scheme function \addFingering to add string numbers to a music
part.
Since my music is supposed to be played on a Pedal Steel Guitar I need some
special string numbers.
On the Pedal Steel Guitar there are 10 string (may be more or
2012/8/2 and...@andis59.se and...@andis59.se:
I have made a small function that allows me to put out the fret number (of a
guitar) below a note. My problem is that the text is positioned below the
note at a specific distance. Which means that if the note is high on the
staff the text will be
2012/8/2 and...@andis59.se and...@andis59.se:
On 2012-08-02 20:24, David Kastrup wrote:
Ah, version 2.14.2. In a current version, you could just write
I thought that version 2.14.2 was the current version!?
That is what it says on the web site. Stable version
2.14.2 _is_ the current
Hi,
my vacations will end the Wednesday before, so I'll arrive Saturday
morning, staying until Sunday evening (perhaps Monday morning).
Being an enthusiastic camper, I'd prefer to sleep in my tent.
Best,
Harm
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Hi,
trying to write a function to construct and mix/remix some music via
`make-sequential-music' I noticed the following boiled down problem.
The \xyz-function below should return a whole note for { b }
%
\version 2.14.2
\version 2.15.43
xyz =
2012/8/8 james james.lilyp...@googlemail.com:
On Aug 6, 2012, at 12:20 PM, David G wrote:
I would like to put a dot after the barline to show (something like) a
crotchet tied to a quaver - or according to
http://ranumspanat.com/jacquet_dots.htm subtly different(!)
It's more clear in this
2012/8/10 Phil Holmes m...@philholmes.net:
How about:
s1*64
s2. s8. s16
^\markup { \right-align D.C. al Fine }
--
Phil Holmes
- Original Message -
From: Loïc Chahine
To: Phil Holmes
Cc: lilypond-user@gnu.org
Sent: Friday, August 10, 2012 2:37 PM
Subject: Re:
2012/8/11 Nick Payne nick.pa...@internode.on.net:
With a rehearsal mark on the barline that ends a repeat alternative, how do
I position the mark immediately above the barline and below the volta
bracket? I've tried playing around with the outside-staff-priority of
various objects such as
2012/8/23 Kai Lautenschläger kai.lautenschlae...@me.com:
Dear community,
I would like to know the note-spelling of the dutch note-name beses in
german lilypond syntax.
Frescobaldi translates it to bes but this causes an error message.
In german this note is called doppel b but this causes
2012/8/24 Thomas Morley thomasmorle...@googlemail.com:
2012/8/23 Kai Lautenschläger kai.lautenschlae...@me.com:
Dear community,
I would like to know the note-spelling of the dutch note-name beses in
german lilypond syntax.
Frescobaldi translates it to bes but this causes an error message
2012/8/24 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com:
From: Pierre Perol-Schneider pierre.schneider.pa...@gmail.com
Date: 2012/8/24
Subject: Re: guitar cluster
To: luis jure l...@internet.com.uy
Hi Luis,
Well it's not that nice but it's readable :
{
\time 1/4
\clef G_8
2012/8/28 David Bobroff bobr...@centrum.is:
I thought I had the solution already in a file but I can't find it. I
have a compound time signature defined and I would like to enclose the
whole thing in (). I found the snippet for enclosing a standard time
signature but I couldn't work out
2012/8/29 Gilles gilles.thiba...@free.fr:
I think only an LSR editor (like me) can do this. You want me to go
ahead and delete it [snippet 390]?
Yes, please.
Done.
Thanks Phil.
Just a last thing that i cannot do myself :-(
As the snippet 654 refers to snippet 390, is it possible to
2012/9/1 Andreas Pavlogiannis paulogi...@gmail.com:
Hi,
I 'm a new lilypond user, pretty excited so far.
I'm not a new user, but I'm still excited!
I 'm having the following
difficulties, on the following code.
[1] In order to align scores on a line, I use the \markup environment, which
2012/9/2 Jim Long lilyp...@umpquanet.com:
On Sat, Sep 01, 2012 at 03:04:44PM -0700, pabuhr wrote:
I have a vertical spacing problem with MetronomeMark and rhythmMark. The
include for rhythmMark.ly comes from here:
http://lsr.dsi.unimi.it/LSR/Snippet?id=204
I have perhaps a similar issue
2012/9/2 Federico Bruni fedel...@gmail.com:
I'm trying a different approach¹ in creating a book.
Let me first explain what I 'd like to achieve.
Let's say I have some scores which I'd like to print either on their own and
inside a book which includes them all; and I want the title to show up
2012/9/2 Thomas Morley thomasmorle...@googlemail.com:
2012/9/2 Jim Long lilyp...@umpquanet.com:
On Sat, Sep 01, 2012 at 03:04:44PM -0700, pabuhr wrote:
I have a vertical spacing problem with MetronomeMark and rhythmMark. The
include for rhythmMark.ly comes from here:
http
2012/9/2 Tiresia GIUNO tires...@googlemail.com:
I appreciate so much that it is possible to connect with glissando non
consecutive pitches!
In the Changes Documentation, the last line, I can't understand the
sentence:
Glissandi can now span multiple lines.
It refers to that? If not, can
2012/9/4 Mats Bengtsson mats.bengts...@ee.kth.se:
[...]
A final alternative, if you for example have a whole note and want to align
the upbow with a note in some other part that comes on the third beat, then
you could attach it to a spacer note:
\score{
\new Staff \relative c' {
c1 |
2012/9/4 Xavier Scheuer x.sche...@gmail.com:
On 4 September 2012 03:04, Jeffrey Trevino jeffrey.trevi...@gmail.com wrote:
Hi there,
I'm having trouble finding the correct overrides to change rehearsal mark
formatting. I'd like to change the font name used for the marks, as well as
the amount
2012/9/4 David Bobroff bobr...@centrum.is:
In this example I have a beam going across a rest larger than the beam
value.
\version 2.16.0
\relative {
{ d16-[ r r8 e16-] r r8 }
}
The 16th beam breaks over the 8th rest. Is it possible to extend the
16th beam across the 8th rest like
2012/9/5 Nick Payne nick.pa...@internode.on.net:
On 06/09/12 04:25, Christopher R. Maden wrote:
Poking around my system today, I noticed two interesting things about
the PDFs generated by LilyPond.
1) There is no metadata associated with the PDF. Well, the producer
and creator are set to
2012/9/6 Janne Uusitalo janne.uusit...@gmail.com:
Hi,
if I typeset a key change from b major to g major, f remains sharp and
LilyPond prints out the naturals necessary for c, g, d, and a. Makes
perfect sense, but the standard I'm required to follow has it that an
extra # for fis should
2012/9/7 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
2012/9/6 Janne Uusitalo janne.uusit...@gmail.com:
Hi,
if I typeset a key change from b major to g major, f remains sharp and
LilyPond prints out the naturals necessary for c, g, d, and a. Makes
perfect
2012/9/11 luis jure l...@internet.com.uy:
thank you very much for your prompt answer.
on 2012-09-11 at 00:03 james wrote:
Do you mean like
\version 2.16.0
\relative c'' {
c1
\repeat volta 3 { c2 c } \bar :|.|:
\repeat volta 3 { c2 c } |
}
exactly. are we supposed to
2012/9/13 Paul Scott waterho...@ultrasw.com:
Oops! The code would help.
On Thu, Sep 13, 2012 at 01:58:35PM -0700, Paul Scott wrote:
Is it possible for drummode and notes to occupy the same staff
in a score? Like a single percussion line where the player moves
between mallet instruments and
2012/9/13 Jan-Peter Voigt jp.vo...@gmx.de:
Hello list,
I am using partcombine in a piece, wich makes use of instrumentSwitch. Now
this leads to a stack of 4 times piccolo in this example.
[...]
Is this a bug or am I missing something?
Is it maybe related to this issue 2253?
I'm quite sure
2012/9/14 David Kastrup d...@gnu.org:
Keith OHara k-ohara5...@oco.net writes:
Jan-Peter Voigt jp.voigt at gmx.de writes:
I am using partcombine in a piece, wich makes use of instrumentSwitch.
Now this leads to a stack of 4 times piccolo in this example.
Is this a bug or am I missing
2012/9/16 Frank Steinmetzger war...@gmx.de:
On Wed, Sep 05, 2012 at 01:17:35AM -0700, eluze wrote:
Frank Steinmetzger wrote
While the empty staves get removed as expected, using this feature breaks
the
merge-rests code -- I get two rests above each other.
for me it works - can you
2012/9/16 Peter O'Doherty m...@peterodoherty.net:
Hi list,
Is it possible to force an extra bar line in the form
\bar :
when inserted into a multi-stave score to only apply to one staff instead of
the default where the dots are added to all staves?
Many thanks,
Peter
Hi Peter,
two
2012/9/18 Federico Bruni fedel...@gmail.com:
Il 18/09/2012 22:27, ALEXANDRE FICAGNA ha scritto:
I've read that with \tweak command this is not possible. I really need
two differente notehead styles inside the same chord (in different
notes), does someone know how to do it?
Where did you
2012/9/19 Phil Holmes m...@philholmes.net:
- Original Message - From: Martin Tarenskeen
m.tarensk...@zonnet.nl
To: keith Luke kkll...@gmail.com
Cc: Lilypond-user lilypond-user@gnu.org
Sent: Wednesday, September 19, 2012 10:03 AM
Subject: Re: F-flat Key Signature
On Tue, 18 Sep
2012/9/19 Nick Payne nick.pa...@internode.on.net:
On 19/09/12 17:39, Stefan Thomas wrote:
Dear Janek,
I've read the discussion You have mentioned but I couldn't find a
solution there, a working command that reduces the discance between
the accidentals and the music.
You can use
2012/9/22 Hartmut Leister haleis...@gmx.de:
Hello everybody,
On Fri, 21 Sep 2012 23:53 -0700 (PDT), eluze elu...@gmail.com wrote:
since this is an English speaking list I reply in English
Oh, I am sorry. I totally forgot about this.
for the first question you should have a look at
2012/9/23 David Kastrup d...@gnu.org:
[...]
I'd replace \once \override with \tweak and remove the = sign (untested
though). If it works, it takes less chances interfering with stuff
possibly happening at the same time. I haven't actually tried, so no
guarantee.
Testing:
x =
2012/9/24 Xavier Scheuer x.sche...@gmail.com:
Hello,
Michel reported on the French users mailing list that the music
function addStac as defined in LSR 82
http://lsr.dsi.unimi.it/LSR/Item?id=82
does not work anymore with lilypond 2.16.
2012/9/26 Oscar Dub oscar...@gmail.com
Thanks to both!
Janek, your information about accessing the internals of Feta and LilyPond
is very useful. As there's no way to add .mf syntax to a LilyPond file (as
far as I know), I'm going to try to follow along Marc's lines. It would be
great to
2012/9/26 Thomas Morley thomasmorle...@googlemail.com:
2012/9/26 Thomas Morley thomasmorle...@googlemail.com:
2012/9/26 Oscar Dub oscar...@gmail.com
Thanks to both!
Janek, your information about accessing the internals of Feta and LilyPond
is very useful. As there's no way to add .mf syntax
2012/9/27 Thomas Chardin chardin.tho...@gmail.com:
Hi,
Using the code below I manage to change the global font and size. The stanza
number color is also applied but the italics shape asked is not applied,
without
any error message. Does someone have any idea why this is not working?
My
2012/9/27 Thomas CHARDIN chardin.tho...@gmail.com:
I feared that the stanza number would also be in italics doing this...
But it happens to work fine; thanks!
Thomas
Glad to here this!
Please don't forget to answer to all.
Others might be interested, if it works for you, too.
Regards,
2012/9/28 Oscar Dub oscar...@gmail.com:
The scheme required is a lot clearer to me now and works exactly as I
wanted. I really appreciate the advice.
Glad to hear that.
[...]
Looking at the code being referred to, the issue seems to be with the
eps-stencil function. Trying with other .eps
2012/9/30 Helge Kruse helge.kr...@gmx.net:
I am writing a separate voice of cue notes. I think it looks wrong when a
the slur in the acciatura is far away of the first note. Please look at the
g in following example:
\version 2.16.0
violin = \relative c'' {
\key f \major
\time 3/4
2012/9/30 Stefan Thomas kontrapunktste...@gmail.com:
Dear community,
is it possible to playback a glissando with midi?
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
AFAIK, articulate.ly
2012/9/30 TaoCG tao_lilypondu...@gmx.net:
I'm getting a lot of colliding dynamics like in the attached pdf.
sf_03_m14.pdf
http://lilypond.1069038.n5.nabble.com/file/n133884/sf_03_m14.pdf
If I try to isolate that specific measure the dynamics don't collide:
\version 2.16.0
\score
{
2012/10/1 Zenaan Harkness z...@freedbms.net:
G'day, FP here.
Here's my code:
capoVHalf = {
%\context { \Score \override RehearsalMark #'self-alignment-X = #RIGHT }
%\override TextSpanner #'(bound-details l X) = #0
%\override TextSpanner #'(bound-details right X) = #40
Sorry, forgot to answer all.
Here again:
2012/10/3 TaoCG tao_lilypondu...@gmx.net:
When I typeset a dashed barline in the middle of a bar lilypond prints an
additional Barnumber in parentheses above it. Is there a way to avoid this?
Using:
\relative c' {
\override Score.BarNumber
2012/10/3 TaoCG tao_lilypondu...@gmx.net:
TaoCG wrote
thomasmorley65 wrote
Sorry, forgot to answer all.
Here again:
2012/10/3 TaoCG lt;
tao_lilyponduser@
gt;:
When I typeset a dashed barline in the middle of a bar lilypond prints
an
additional Barnumber in parentheses above it. Is
2012/10/3 Thomas Morley thomasmorle...@googlemail.com:
2012/10/3 TaoCG tao_lilypondu...@gmx.net:
TaoCG wrote
thomasmorley65 wrote
Sorry, forgot to answer all.
Here again:
2012/10/3 TaoCG lt;
tao_lilyponduser@
gt;:
When I typeset a dashed barline in the middle of a bar lilypond prints
2012/10/4 Kevin Patrick Barry barr...@tcd.ie:
Dear LilyPond users,
I am typesetting a musical example (for piano) that begins with a slashed
grace note (unslurred) in the right hand. Judging from the result I'd say
LilyPond is trying to put it in the previous bar (but I'm not an expert);
2012/10/4 TaoCG tao_lilypondu...@gmx.net:
I found two different approaches to print double dashed bar lines here:
http://lilypond.1069038.n5.nabble.com/Fine-with-dashed-double-barline-occurring-in-middle-of-bar-td17372.html
But I need the barline to span a piano and choir staff which neither
2012/10/5 TaoCG tao_lilypondu...@gmx.net:
I currently have to typeset a lot of this:
skipgliss.png
http://lilypond.1069038.n5.nabble.com/file/n134155/skipgliss.png
The problem is when I use stop and startStaff to hide the ledgerlines the
dynamics and tupletbracket both move as close to the
Hi,
I wasn't aware that the following works:
\layout {
\context {
\Score
\time 3/4
}
\context {
\Staff
%\key cis\major
\clef bass
}
}
\relative c' { c2. \break d }
Interesting.
\key
2012/10/5 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
Hi,
I wasn't aware that the following works:
\layout {
\context {
\Score
\time 3/4
}
\context {
\Staff
%\key cis
2012/10/6 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
2012/10/5 David Kastrup d...@gnu.org:
URL:http://code.google.com/p/lilypond/issues/detail?id=2358
Patch: Allow music with layout instructions in output definitions.
Seems to be another one of your
Sorry, sent an empty mail, clicking wrongly.
2012/10/6 Thomas Morley thomasmorle...@googlemail.com:
2012/10/6 David Kastrup d...@gnu.org:
[...]
If my comments are above even your level, then it is not really
surprising that I get little to no reviews. That does not leave much of
an audience
2012/10/6 Brad Smith rainwarr...@gmail.com:
Hi, I'm a little bit new to lilypond, and I'm trying to write a gliss
into a note and that works fine with something like the following:
: \hideNotes \grace f \glissando \unHideNotes c'
My question is how can I simplify this? I don't want to type
2012/10/6 Brad Smith rainwarr...@gmail.com:
your first variable `notea' is coded with ly:music? it should be ly:pitch?
Furthermore I think it's useful to have the possibility to adjust the
duration of `notea', so I added a new variable `dur' with predicate
ly:duration?
I hope someone with
2012/10/6 Nick Payne nick.pa...@internode.on.net:
I'm using glissandos to indicate a guide finger in fingering, and in
most cases where there are chords, I don't want it between all the notes
in successive chords. Can this be done without creating a separate
hidden voice with the single notes
2012/10/6 i...@soundand.com:
Hello-
I 'think' I copied the info out of the 2.16 manual for the score below but
both my editor and Frescobaldi won't compile it and both say they can't find
errors.
It looks weird to me but that's because I am not used to the 'new' format
for this but
2012/10/6 The Doctor (Michael D) thedoctor81...@gmail.com:
Hi. This may seem simple to some, but I am having some difficulty with this.
I would like to have Lilypond produce blank sheet music with a grand staff.
I found the attached code, but cannot figure out how to add the bass clef.
Any
2012/10/6 David Kastrup d...@gnu.org:
[...]
\new GrandStaff $@(make-list 6
#{\new Staff { \repeat unfold 2 { s1 \pageBreak } }
#})
is a bit more concise.
:D
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lilypond-user mailing list
Hi,
perhaps I'm overlooking sth simple.
I want to have a centered table-of-content with a smaller line-width.
\markuplines {
\override-lines #'(line-width . 80)
\table-of-contents
}
works, but isn't centered.
Example:
\version 2.16.0
\markuplist
\override-lines
2012/10/8 Thomas Morley thomasmorle...@googlemail.com:
Hi,
perhaps I'm overlooking sth simple.
I want to have a centered table-of-content with a smaller line-width.
\markuplines {
\override-lines #'(line-width . 80)
\table-of-contents
}
Sorry, messed up the versions
2012/10/8 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
Hi,
perhaps I'm overlooking sth simple.
I want to have a centered table-of-content with a smaller line-width.
\markuplines {
\override-lines #'(line-width . 80)
\table-of-contents
2012/10/8 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
[...]
But it turns out that following your suggestion
\markup %!!
\fill-line {
\center-column {
\override-lines #'(line-width . 50)
\table-of-contents
2012/10/8 Dominique Faure dominique.fa...@gmail.com:
Hi,
I wanted to get grouped staves bound together on line endings, with
repeat bars being the solely bars drawn through all the staves.
The following code address the first requirement as expected, but how
could I handle the repeat bars?
2012/10/10 TaoCG tao_lilypondu...@gmx.net:
I'm trying to typeset the following measure:
sf282.png http://lilypond.1069038.n5.nabble.com/file/n134539/sf282.png
And that's the closest I got:
attempt.png http://lilypond.1069038.n5.nabble.com/file/n134539/attempt.png
\version 2.16.0
skipOnce
2012/10/10 Federico Bruni fedel...@gmail.com:
Il 10/10/2012 22:55, Nels ha scritto:
Is there a way to make the default rehearsal mark a
filled in box with white lettering/number inside?
Do you mean something like this:
\version 2.16.0
{
\set Score.markFormatter =
2012/10/14 TaoCG tao_lilypondu...@gmx.net:
Hello in this example the first glissando line is not printed.
In my actual score the second and third glissandi aren't printed either but
I couldn't reproduce that.
I tried setting #'minimum-length but it had no effect. Is there another way
to force
2012/10/14 TaoCG tao_lilypondu...@gmx.net:
Thomas Morley wrote
[...]
Hi,
did you add
\override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
?
-Harm
[...]
I didn't, it did the trick though, thanks!
What exactly does this property do? The internals reference isn't very
2012/10/16 David Nalesnik david.nales...@gmail.com:
Hi Janek,
David Nalesnik's function correcting tuplet number placement on kneed
beams throws an error with Lilypond 2.17.5 (it works with 2.16.0):
Drawing systems.../home/janek/desk/tuplet_numers_on_kneed_beams.ily:44:26:
In procedure * in
Hi,
I tried to create a function which should accept a pitch _or_ music.
So I defined a pitch-or-music? predicate:
#(define (pitch-or-music? x)
(or (ly:pitch? x) (ly:music? x)))
Calling the function, I have to use ##{ ... #} for music _and_ for a
single pitch.
Calling the function for a
2012/10/19 Eluze elu...@gmail.com:
I just tried to add a snippet in LSR with several of the available
procedures, however the LSR is still at version 2.14 so it wouldn't compile
here is what I wanted to add: barNumberVisibility.ly
2012/10/19 Rustik rustik...@mail.ru:
Hello everybody!
Excuse me for my bad english.
I am beginner lilypond user. Please help me. I need to use underscore lyric
hyphen _.
It must be aligned to left syllable and avtomatically be before syllable at
new system.
I've never seen this before, but
2012/10/19 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
Hi,
I tried to create a function which should accept a pitch _or_ music.
So I defined a pitch-or-music? predicate:
#(define (pitch-or-music? x)
(or (ly:pitch? x) (ly:music? x)))
Calling
2012/10/21 Knut Petersen knut_peter...@t-online.de:
Hi everybody!
How can I feed the equivalent of \override #'(font-name . FOOBAR) to
make-dynamic-script?
The #:typewriter below should be replaced with a special font.
make-pango-font-tree is not an
option because of the known issues.
2012/10/23 Helge Kruse helge.kr...@gmx.net:
Hello,
I know I can place each piece as a bookpart in a book. This allows to define
fancy headers. I can also just write some \scores one after the other, but I
am missing the section headers between them.
But how do I write pieces like the tacet
2012/10/24 David Kastrup d...@gnu.org:
[...]
Is there a reason you use a whole score here instead of just a top level
markup?
--
David Kastrup
Well, I assume Helge is not a LilyPond-starter, so I think he is
aware, that it could be done with a toplevel-markup.
So I _intended_ to demonstrate,
2012/10/24 Janek Warchoł janek.lilyp...@gmail.com:
On Wed, Oct 24, 2012 at 9:38 AM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp...@gmail.com writes:
On Tue, Oct 23, 2012 at 9:57 PM, David Kastrup d...@gnu.org wrote:
That's entirely selfish since I know you are reading the
2012/10/25 Keith OHara k-ohara5...@oco.net:
Seth seth.vicknair at gmail.com writes:
I'd like the F-sharp at the beginning of the second measure to be
printed with both a natural and a sharp sign in acknowledgement of
the F double-sharp in the previous measure. How could I go about
doing
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