On Thu, Apr 16, 2009 at 10:21:42AM +0200, Marc Hohl m...@hohlart.de wrote:
As a guitarist, I would call this chord B5/A, because it without the
third, it isn't really
a minor chord - but this depends on the context.
Just a thought.
It's not me who found out the chord name, anyway you are
First, currently the output has Bm for my chord, but actually I would
like to have it as 'Bm \super omit3/A'. (No, I don't really mind about
the midi output. :) )
As a guitarist, I would call this chord B5/A, because it without the
third, it isn't really
a minor chord - but this
Hi,
Here is a sample:
\version 2.12.1
\score {
\chords {
e1:sus4 g e:m b:m
}
\relative c'
{
e8.
^\markup \fret-diagram #f:2;6-o;5-o;4-2-2;3-2-3;2-o;1-o;
e16( e8) e8 e16 d e8 r4 | e8 e
Miklos Vajna wrote:
First, currently the output has Bm for my chord,
but actually I would like to have it as 'Bm \super omit3/A'.
Like this? (verbatim)
replaceCN = #(define-music-function (parser location new) (markup?)
#{\once \override ChordNames.ChordName #'stencil =
#(lambda
On Wed, Apr 15, 2009 at 09:18:21PM +0200, Robin Bannister r...@dataway.ch
wrote:
Like this? (verbatim)
replaceCN = #(define-music-function (parser location new) (markup?)
#{\once \override ChordNames.ChordName #'stencil =
#(lambda (grob) (grob-interpret-markup grob $new)) #})
On 4/15/09 10:51 AM, Miklos Vajna vmik...@frugalware.org wrote:
Hi,
Here is a sample:
\version 2.12.1
\score {
\chords {
e1:sus4 g e:m b:m
}
\relative c'
{
e8.
^\markup
