Am 3/27/12 2:15 AM, schrieb Michael Welsh Duggan:
Robert Schmausrobert.schm...@web.de writes:
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Thank you.
2012/3/27 Robert Schmaus robert.schm...@web.de:
The transposed version is absolute rubbish ...
Not so, if there is a key which is also transposed. Keys are usually
transposed too, right?
\score {
\new Staff {
\clef treble
%\key f \major
\cadenzaOn
\relative c' { \key
of course - the correct approach would have been to transpose the whole
staff instead of just a bar ... 10 points go to spain, I guess ...
On Tue, Mar 27, 2012, at 09:27 AM, Francisco Vila wrote:
2012/3/27 Robert Schmaus robert.schm...@web.de:
The transposed version is absolute rubbish ...
2012/3/27 Robert Schmaus robert.schm...@web.de:
of course - the correct approach would have been to transpose the whole
staff instead of just a bar ... 10 points go to spain, I guess ...
I'd just like to stress the fact of that LilyPond does a nice job at
handling key signatures, accidentals,
Does the accidental-style forget work for your case?
Am 26.03.2012 18:05, schrieb Robert Schmaus:
Hi Michael,
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Michael Welsh Duggan m...@md5i.com writes:
I was writing some experimental lilypond in preparation for writing some
music functions. The following lilypond file creates two variables
which contain a line of notes and a line of lyrics together in a cons
cell. The score attempts to join the
I was writing some experimental lilypond in preparation for writing some
music functions. The following lilypond file creates two variables
which contain a line of notes and a line of lyrics together in a cons
cell. The score attempts to join the two. Output is attached. The
question is, why
Hi Michael,
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Use ees! to force the accidental ...
Best,
Robert
On Sun, Mar 25, 2012, at 09:01 PM, Michael
Hello,
On 26 March 2012 17:05, Robert Schmaus robert.schm...@web.de wrote:
Hi Michael,
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Use ees! to force
Robert Schmaus robert.schm...@web.de writes:
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Thank you. Quite clear, and fixed in my sources.
On Sun, Mar
Michael Welsh Duggan m...@md5i.com writes:
Sub-question: I got rid of stems by removing the stem engraver. The
slurs, however, look like they are trying to take into account the
missing stems. How can I avoid this?
It appears that setting the stems to be transparent is superior to
removing
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