Keith OHara k-ohara5...@oco.net writes:
David Kastrup dak at gnu.org writes:
I don't think I get your point.
It was that \once\hideNotes works fine.
We do not need the complexities of \tweak or the new \single until we start
digging into chords.
Keith OHara k-ohara5a5a at oco.net
Kevin Patrick Barry barr...@tcd.ie writes:
My preferred method for placing a turn between notes is to tweak the
X-offset, viz.
c -\tweak #'X-offset #2 \turn
and modify the value accordingly. Seems a bit simpler than the snippet
solution (which seems to produce a smaller turn than the
On 10 March 2013 17:27, David Kastrup d...@gnu.org wrote:
The problem with that approach is that it does not adapt to LilyPond
choosing to use wider or narrower spacing depending on the page layout.
The problem with the other approach is that it involves more (and more
complex) code.
Would an
Xavier Scheuer x.sche...@gmail.com writes:
On 10 March 2013 17:27, David Kastrup d...@gnu.org wrote:
The problem with that approach is that it does not adapt to LilyPond
choosing to use wider or narrower spacing depending on the page layout.
The problem with the other approach is that it
Keith OHara k-ohara5...@oco.net writes:
Nick Payne nick.payne at internode.on.net writes:
have to fiddle with the value of halign each time to get
the turn centred between the notes. Is there a more automated way of
positioning the turn?
Parallel music. Then I can think in terms of
On Sat, Mar 9, 2013 at 7:02 AM, Nick Payne nick.pa...@internode.on.net wrote:
See attached graphic. Quite a number of these in the score (Brahms Sextet Op
18).
you can use a clever function written by David K. While it results in
different (i'd say a bit worse) spacing, it makes input code
Janek Warchoł janek.lilyp...@gmail.com writes:
On Sat, Mar 9, 2013 at 7:02 AM, Nick Payne
nick.pa...@internode.on.net wrote:
See attached graphic. Quite a number of these in the score (Brahms
Sextet Op
18).
you can use a clever function written by David K. While it results in
different
Nick,
Creating a delayed turn is at
http://www.lilypond.org/doc/v2.16/Documentation/snippets/expressive-marks.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
Sent:
David Kastrup dak at gnu.org writes:
Keith OHara k-ohara5a5a at oco.net writes:
\new Voice \relative c'' {
f4. {s4 \once\hideNotes f8\turn\noBeam } g16-. a-. }
\once\hideNotes makes me a bit queasy here since it will affect all
notes at the same timestep.
No cause for nausea.
Keith OHara k-ohara5...@oco.net writes:
David Kastrup dak at gnu.org writes:
Keith OHara k-ohara5a5a at oco.net writes:
\new Voice \relative c'' {
f4. {s4 \once\hideNotes f8\turn\noBeam } g16-. a-. }
\once\hideNotes makes me a bit queasy here since it will affect all
notes at the
David Kastrup dak at gnu.org writes:
I don't think I get your point.
It was that \once\hideNotes works fine.
We do not need the complexities of \tweak or the new \single until we start
digging into chords.
Keith OHara k-ohara5a5a at oco.net writes:
David Kastrup dak at gnu.org writes:
Nick Payne nick.payne at internode.on.net writes:
have to fiddle with the value of halign each time to get
the turn centred between the notes. Is there a more automated way of
positioning the turn?
Parallel music. Then I can think in terms of the timing of the turn, rather
than the
12 matches
Mail list logo
