; Unfortunately, that can't be true, as with this interpretation, the
> measure is over-full. Rather, the groups of quintuplets/triplets continue,
> with a beaming not in sync with the measure's beat structure.
>
> This also implies that the original engraving isn't mathematically correct
>
s interpretation, the
measure is over-full. Rather, the groups of quintuplets/triplets
continue, with a beaming not in sync with the measure's beat structure.
This also implies that the original engraving isn't mathematically
correct (as the beginnings of the bems groups look as if they
, the groups of quintuplets/triplets
continue, with a beaming not in sync with the measure's beat structure.
This also implies that the original engraving isn't mathematically
correct (as the beginnings of the bems groups look as if they're
aligned). Situations like that are hard to approximate
Knute,
Sort of off topic, yet if a rhythmic structure cannot be “felt” why is it
written?
Mark
From: Knute Snortum
Sent: Tuesday, December 26, 2023 6:56 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Aligning offset quintuplets and triplets
Okay, if I code
Tuesday, December 26, 2023 4:06 PM
> *To:* lilypond-user@gnu.org
> *Subject:* Aligning offset quintuplets and triplets
>
>
>
> I'm having difficulties with a Scriabin etude I'm trying to engrave. I've
> attached an image of the first few bars. The challenge is tha
@gnu.org
Subject: Aligning offset quintuplets and triplets
I'm having difficulties with a Scriabin etude I'm trying to engrave. I've
attached an image of the first few bars. The challenge is that the first notes
of the offset quintuplets and triples should line up at the beginning
alings the notes at the start of the measure and is "mathematically"
correct, but the notes at the beginning of the beamed quintuplets and
triplets do not align.
\version "2.24.3"
rightHand = \relative {
r2 \tuplet 5/4 4 { r8. e'16[ e e e e] e[ e |
e e e] e[ e e e e] e[
Joseph Srednicki writes:
> Hi David:
> Thanks for answering my inquiry about beaming 16th-note triplets.
> However, it looks provided an example in a file called "js.ly" that
> was scrubbed as indicated below.
> If the example is not too long and it's not too much
Hi David:
Thanks for answering my inquiry about beaming 16th-note triplets.
However, it looks provided an example in a file called "js.ly" that was
scrubbed as indicated below.
If the example is not too long and it's not too much trouble, can you reply
pasting the content of "js.
Joseph Srednicki writes:
> Hello:
>
> The tiny example below contains a bar of sixteenth-note triplets in
> 6/8 time. In this example, I used the "[" and "]" characters to
> achieve the desired beaming manually.
>
> Instead of using the "[" an
Hello:
The tiny example below contains a bar of sixteenth-note triplets in 6/8 time.
In this example, I used the "[" and "]" characters to achieve the desired
beaming manually.
Instead of using the "[" and "]" characters, what is the correct
Thank you who replied. Sometime "soon" I will update
Lilypond but I will not reply further unless this fails...
Aaron Hill writes:
> On 2022-06-27 6:18 am, Jean Abou Samra wrote:
>> The LSR runs LilyPond 2.22 and you have 2.18. You need to upgrade
>> LilyPond. Frescobaldi makes it easy to use several versions in
>> parallel.
>
> As far as I can see, the LSR only notes the current version in
> Contributing
On 2022-06-27 6:18 am, Jean Abou Samra wrote:
The LSR runs LilyPond 2.22 and you have 2.18. You need to upgrade
LilyPond. Frescobaldi makes it easy to use several versions in
parallel.
As far as I can see, the LSR only notes the current version in
Contributing [1].
[1]:
Le 27/06/2022 à 13:26, mark damerell a écrit :
It came from:
%% http://lsr.di.unimi.it/LSR/Item?id=328
Here is part of it:
% First version, with a single argument, i.e. the
% syntax is \triplet{ c d e }
triplet = #(define-music-function (music) (ly:music?)
#{ \tuplet 3/2 $music #})
It came from:
%% http://lsr.di.unimi.it/LSR/Item?id=328
Here is part of it:
% First version, with a single argument, i.e. the
% syntax is \triplet{ c d e }
triplet = #(define-music-function (music) (ly:music?)
#{ \tuplet 3/2 $music #})
\score{
\relative c'{
c4 \triplet {c d e}
}
}
b 27, 2022 at 6:17 AM Jean Abou Samra wrote:
>
>
>
> Le 27/02/2022 à 10:29, Pierre-Yves Saumont a écrit :
> > Hi,
> >
> > I have always used the following syntax to write triplets:
> >
> > \tuplet 3/2 {a8 b c)
> >
> > But when I import MusicXM
Le 27/02/2022 à 10:29, Pierre-Yves Saumont a écrit :
Hi,
I have always used the following syntax to write triplets:
\tuplet 3/2 {a8 b c)
But when I import MusicXML files, tuplets are most often rendered as:
\once \omit TupletBracket
\times 2/3 { a8 b8 c8}
}
The most surprising
Hi,
I have always used the following syntax to write triplets:
\tuplet 3/2 {a8 b c)
But when I import MusicXML files, tuplets are most often rendered as:
\once \omit TupletBracket
\times 2/3 { a8 b8 c8}
}
The most surprising is that the tuple bracket isn't omitted, and removing
"
On Fri, 2019-08-30 at 14:35 +0200, Michael Gerdau wrote:
> > I did indeed examine your code, but that part certainly wasn't
> > clear.
> > As I understand it what you wrote is no different from:
> >
> > \repeat percent 4 { \enterStrictTime \first \leaveStrictTime }
> AFAIUI it is
> \repeat
>> When you request strict ruler like time to space relationship then
>> how do you expect Lilypond to know when repeated bars are allowed to
>> use less space and when not so unless you explicitly say so?
>
> This makes sense, just not how I originally understood the repeated
> bars to behave.
On Thu, 2019-08-29 at 21:16 +0100, Timothy Lanfear wrote:
> On 29/08/2019 20:57, Stefano Antonelli wrote:
> > I feel that it should be possible to scale "something" in lilypond
> > to
> > do the same thing, but I haven't figured that out yet.
> >
> Increasing the paper width will achieve what you
>>> Ideas on how to fix these issues are greatly appreciated.
>> Your pattern does not fit 4 times in a line. That's creating some of
>> your problems. To circumvent that you could switch between spacing
>> settings inside the notes as in the attached example.
>
> Thank you very much. Could you
On 29/08/2019 20:57, Stefano Antonelli wrote:
I understand that the pattern does not fit 4 times on a line. How to
do so is one of my questions. Increasing the length of the line
doesn't appear to have any effect. Though theoretically with a large
enough paper size it should fit. Followed
On Thu, 2019-08-29 at 12:06 +0200, Michael Gerdau wrote:
> Hi Stefano,
>
> >
> > Ideas on how to fix these issues are greatly appreciated.
> Your pattern does not fit 4 times in a line. That's creating some of
> your problems. To circumvent that you could switch between spacing
> settings inside
Hi Stefano,
> Ideas on how to fix these issues are greatly appreciated.
Your pattern does not fit 4 times in a line. That's creating some of
your problems. To circumvent that you could switch between spacing
settings inside the notes as in the attached example.
For simplicity I've merged all
Dear List,
I've been fighting a problem with horizontal spacing for some time now.
I'm new to lilypond, but I've done my best to read the documentation
and I didn't see an obvious answer.
The first issue to tackle was getting 4 bars to each line, but I found
the bars-per-line-engraver which
Dear List,
I've been fighting a problem with horizontal spacing for some time now.
I'm new to lilypond, but I've done my best to read the documentation
and I didn't see an obvious answer.
The first issue to tackle was getting 4 bars to each line, but I found
the bars-per-line-engraver which
2017-01-15 0:21 GMT+01:00 Thomas Morley :
> With my lily-2.14.2 I can do in terminal:
>
> ~$ lilypond-2-14-2 -e '(scm-style-repl)'
> GNU LilyPond 2.14.2
> guile> UP
> 1
> guile> DOWN
> -1
> guile> ly:tuplet-bracket::calc-direction
> #
> guile>
>
> All there and
Hi,
some relevant changes between 2.14 and 2.19 are these:
http://lilypond.org/doc/v2.18/Documentation/changes/index.html
> error: syntax error, unexpected '=', expecting SCM_FUNCTION or SCM_IDENTIFIER
> or SCM_TOKEN
> \override TupletBracket.stencil
> =
> On 14 Jan 2017, at 23:42, Simon Albrecht wrote:
>
> On 14.01.2017 23:34, Hans Aikema wrote:
>>> Can you try replacing
>>> UP in that line by 1
>>> and DOWN in that line by -1
>>> apparently the version of Lilypond in use does not yet have these constants
>>> defined
2017-01-14 23:41 GMT+01:00 J Martin Rushton :
>
>
> On 14/01/17 22:34, Hans Aikema wrote:
>>
>>> On 14 Jan 2017, at 23:32, Hans Aikema wrote:
>>>
>>>
On 14 Jan 2017, at 23:14, J Martin Rushton
On 14.01.2017 23:34, Hans Aikema wrote:
Can you try replacing
UP in that line by 1
and DOWN in that line by -1
apparently the version of Lilypond in use does not yet have these constants
defined (values taken from
On 14/01/17 22:34, Hans Aikema wrote:
>
>> On 14 Jan 2017, at 23:32, Hans Aikema wrote:
>>
>>
>>> On 14 Jan 2017, at 23:14, J Martin Rushton
>>> wrote:
>>>
>>>
>>> Progress. That seems to have sorted out the syntax errors but
> On 14 Jan 2017, at 23:32, Hans Aikema wrote:
>
>
>> On 14 Jan 2017, at 23:14, J Martin Rushton
>> wrote:
>>
>>
>>>
>> Progress. That seems to have sorted out the syntax errors but there's
>> an issue with one variable:
>>
> On 14 Jan 2017, at 23:14, J Martin Rushton
> wrote:
>
>
>>
> Progress. That seems to have sorted out the syntax errors but there's
> an issue with one variable:
> ---%<--
> Processing `.../file.ly'
> Parsing...
>
On 14/01/17 22:07, Hans Aikema wrote:
>
>> On 14 Jan 2017, at 22:49, Richard Shann wrote:
>>
>> On Sat, 2017-01-14 at 21:48 +, J Martin Rushton wrote:
>>>
>>> On 14/01/17 21:29, Richard Shann wrote:
>>>
>>
>>> I suspect the outer processing or else the low version
On 14/01/17 21:49, Richard Shann wrote:
> On Sat, 2017-01-14 at 21:48 +, J Martin Rushton wrote:
>>
>> On 14/01/17 21:29, Richard Shann wrote:
>>
>
>> I suspect the outer processing or else the low version are going to
>> waste a lot of time, so I've gone back to using square type
> On 14 Jan 2017, at 22:49, Richard Shann wrote:
>
> On Sat, 2017-01-14 at 21:48 +, J Martin Rushton wrote:
>>
>> On 14/01/17 21:29, Richard Shann wrote:
>>
>
>> I suspect the outer processing or else the low version are going to
>> waste a lot of time, so I've
On Sat, 2017-01-14 at 21:48 +, J Martin Rushton wrote:
>
> On 14/01/17 21:29, Richard Shann wrote:
>
> I suspect the outer processing or else the low version are going to
> waste a lot of time, so I've gone back to using square type brackets,
> the slur type were not clear.
yes, the first
On 14/01/17 21:41, Hans Aikema wrote:
>
>> On 14 Jan 2017, at 22:33, J Martin Rushton
>> wrote:
>>
>>
>>
>> On 14/01/17 21:27, Hans Aikema wrote:
>>>
>>>
Op 14 jan. 2017 om 21:51 heeft J Martin Rushton
het volgende
On 14/01/17 21:29, Richard Shann wrote:
>
> Here's a complete working example:
> 8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
>
> %% LilyPond file generated by Denemo version 2.0.17
>
> %%http://www.gnu.org/software/denemo/
>
> \version "2.18.0"
>
>
>
> On 14 Jan 2017, at 22:33, J Martin Rushton
> wrote:
>
>
>
> On 14/01/17 21:27, Hans Aikema wrote:
>>
>>
>>> Op 14 jan. 2017 om 21:51 heeft J Martin Rushton
>>> het volgende geschreven:
>>>
>>>
>>>
>>> I'm guessing
On Sat, 2017-01-14 at 20:51 +, J Martin Rushton wrote:
>
> On 14/01/17 19:57, Richard Shann wrote:
> > On Sat, 2017-01-14 at 18:14 +, J Martin Rushton wrote:
> >> Hi,
> >> I'm trying to set a melody from a 19thC source as closely as possible to
> >>
On 14/01/17 21:27, Hans Aikema wrote:
>
>
>> Op 14 jan. 2017 om 21:51 heeft J Martin Rushton
>> het volgende geschreven:
>>
>>
>>
>> I'm guessing things aren't that simple, can I mix scheme and LP in the
>> same input file? I don't have access to the code,
On 14/01/17 21:14, Noeck wrote:
> Hi Martin,
>
> Am 14.01.2017 um 21:51 schrieb J Martin Rushton:
>> I'm guessing things aren't that simple, can I mix scheme and LP in the
>> same input file?
>
> Of course. You can put one after the other without problems and you can
> nest them using #{ …ly…
> Op 14 jan. 2017 om 21:51 heeft J Martin Rushton
> het volgende geschreven:
>
>
>
> I'm guessing things aren't that simple, can I mix scheme and LP in the
> same input file? I don't have access to the code, this is embedded
> within a larger application.
Hi Martin,
Am 14.01.2017 um 21:51 schrieb J Martin Rushton:
> I'm guessing things aren't that simple, can I mix scheme and LP in the
> same input file?
Of course. You can put one after the other without problems and you can
nest them using #{ …ly… #} and #( …scheme… ).
> I don't have access to
On 14/01/17 20:46, Noeck wrote:
> tupletBracketToSlur = {
> % Use slur-stencil
> \override TupletBracket.stencil = #ly:slur::print
> %% Use 'thickness from Slur
> \override TupletBracket.thickness = #1.2
> %% 'control-points need to be set
> \override TupletBracket.control-points =
>
On 14/01/17 19:57, Richard Shann wrote:
> On Sat, 2017-01-14 at 18:14 +, J Martin Rushton wrote:
>> Hi,
>> I'm trying to set a melody from a 19thC source as closely as possible to
>> the original. Triplets are indicated with a curved bracket rather than
>&g
Hi Martin,
please note that you have to replace the double backslashes by a single
one and mind the line breaks in the e-mail.
Here is a version that works for me (2.19.50).
Best,
Joram
tupletBracketToSlur = {
% Use slur-stencil
\override TupletBracket.stencil = #ly:slur::print
%% Use
On Sat, 2017-01-14 at 18:14 +, J Martin Rushton wrote:
> Hi,
> I'm trying to set a melody from a 19thC source as closely as possible to
> the original. Triplets are indicated with a curved bracket rather than
> the square one Lily uses by default. I've come up with
Hi,
I'm trying to set a melody from a 19thC source as closely as possible to
the original. Triplets are indicated with a curved bracket rather than
the square one Lily uses by default. I've come up with a mechanism:
\relative c'' {
\tupletUp
\override TupletBracket.bracket-visibility = ##f
4' instead of '\once \omit Rest r16*3/2'.
Thank you for these thoughts/snippet!
Cheers
Jan-Peter
Am 23.03.2016 um 01:31 schrieb Thomas Morley:
2016-03-22 15:10 GMT+01:00 Jan-Peter Voigt <jp.vo...@gmx.de>:
Hi all,
I have a problem spacing grace notes under a series of triplets. In the
ex
Simon Albrecht:
Hi Jan-Peter,
On 22.03.2016 15:10, Jan-Peter Voigt wrote:
Hi all,
I have a problem spacing grace notes under a series of triplets. In
the example, the grace notes produce a big gap between the tuplets or
collide with the accidentals.
It’s an annoying bug that this isn’t
2016-03-22 15:10 GMT+01:00 Jan-Peter Voigt <jp.vo...@gmx.de>:
> Hi all,
>
> I have a problem spacing grace notes under a series of triplets. In the
> example, the grace notes produce a big gap between the tuplets or collide
> with the accidentals.
>
> As this situatio
Hi Jan-Peter,
On 22.03.2016 15:10, Jan-Peter Voigt wrote:
Hi all,
I have a problem spacing grace notes under a series of triplets. In
the example, the grace notes produce a big gap between the tuplets or
collide with the accidentals.
It’s an annoying bug that this isn’t handled nicely
Hi all,
I have a problem spacing grace notes under a series of triplets. In the
example, the grace notes produce a big gap between the tuplets or
collide with the accidentals.
As this situation is evident a few times, I will probably use
extra-offset and place either the grace notes
Nick McManus writes:
> Hi all,
>
> I'm having some trouble achieving subdivided beams in this particular
> example:
>
> \version "2.18.2"
>
> \relative c''{
> \set subdivideBeams = ##t
> \set baseMoment = #(ly:make-moment 1 8)
> \tuplet 9/4 {a16 bes a bes c bes c
Hi all,
I'm having some trouble achieving subdivided beams in this particular
example:
\version "2.18.2"
\relative c''{
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1 8)
\tuplet 9/4 {a16 bes a bes c bes c d c}
}
I would like to achieve a set of 9 semiquavers (16th notes)
Subject: Subdivide beams in triplets
Hi all,
I'm having some trouble achieving subdivided beams in this particular
example:
\version "2.18.2"
\relative c''{
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1 8)
\tuplet 9/4 {a16 bes a bes c bes c d c} }
I would like
-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Nick McManus
> Sent: Monday, September 21, 2015 9:53 PM
> To: lilypond-user@gnu.org
> Subject: Subdivide beams in triplets
>
> Hi all,
>
> I'm having some trouble achieving subdivided beams in this particular
>
%% How can I put the last note of each triplet on the lower stave
%% on the upper stave of the piano staff?
\header{
title = "Triplets across staves"
}
upper = \relative c' {
\clef treble
\key c \major
\time 2/4
c'2
}
lower = \relative c' {
\clef bass
\key c \maj
{ g8 c \change Staff = "upper" g' } \change Staff =
> "lower"
>
Best,
Abraham
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/triplets-across-staves-in-piano-scores-tp181182p181183.html
Sent f
Am 16.09.2015 um 12:43 schrieb Erich Neuwirth:
%% I need a tie between the second note of the first triplet and the first note
of the second triplet,
\set tieWaitForNote = ##t
or (if outside of the polyphonic construction)
\set Staff.tieWaitForNote ##t
should help.
%% and I need the
ll would like something more.
>> In the score I am using as stating point,
>> the g’s at the first position of the triplets and the g’s of \voiceFour
>> have a common notepad and the notes of the lowest voice
>> are slightly shifted to the right.
>> Can this be accomplished
On 16.09.2015 12:43, Erich Neuwirth wrote:
%% I need a tie between the second note of the first triplet and the first note
of the second triplet,
%% and I need the notehead of the d (upper note at first position) to be a half
note.
%% superimposing the half note and the triplet note gives the
2015-02-05 23:29 GMT+01:00 mirko mirko.guarn...@gmail.com:
I have to write a score which is entirely in triplets. is there a way to
avoid typing all the \times but just set a global rule so the eight note can
be automatically considered as part of a triplet?
Look for
scaleDurations
Am 05.02.2015 um 23:44 schrieb Thomas Morley:
2015-02-05 23:29 GMT+01:00 mirko mirko.guarn...@gmail.com:
I have to write a score which is entirely in triplets. is there a way to
avoid typing all the \times but just set a global rule so the eight note can
be automatically considered as part
I have to write a score which is entirely in triplets. is there a way to
avoid typing all the \times but just set a global rule so the eight note can
be automatically considered as part of a triplet?
___
lilypond-user mailing list
lilypond-user@gnu.org
2015-02-05 23:59 GMT+01:00 Urs Liska u...@openlilylib.org:
Am 05.02.2015 um 23:44 schrieb Thomas Morley:
2015-02-05 23:29 GMT+01:00 mirko mirko.guarn...@gmail.com:
I have to write a score which is entirely in triplets. is there a way to
avoid typing all the \times but just set a global rule
Hello,
The attached file, InPlace.pdf, is a scan of three measures of a thirty
seven measure movement. Notice the triplets in the lower staff. They are not
evenly spaced.
When I extract the code for these measures, extracted.ly, the triplets are
more evenly spaced, extracted.pdf.
Where
Hello,
as musician, I find more readable the ly-version. Cant say more
Franck
2014-10-13 10:30 GMT-05:00, Mark Stephen Mrotek carsonm...@ca.rr.com:
Hello,
The attached file, InPlace.pdf, is a scan of three measures of a thirty
seven measure movement. Notice the triplets in the lower staff
Frank,
Agreed, yet that is not how it appears when the entire movement is printed.
Mark
-Original Message-
From: Alicuota618 [mailto:alicuota...@gmail.com]
Sent: Monday, October 13, 2014 9:18 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: spacing of triplets
Hello
-
From: Alicuota618 [mailto:alicuota...@gmail.com]
Sent: Monday, October 13, 2014 9:18 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: spacing of triplets
Hello,
as musician, I find more readable the ly-version. Cant say more
Franck
2014-10-13 10:30 GMT-05:00, Mark
To: Mark Stephen Mrotek
Cc: Alicuota618; LilyPond User Group
Subject: Re: spacing of triplets
There must be some other thing injected in a prior spot of your ly code for the
entire movement that is causing that peculiar spacing to show up. I would start
backtracking from the problem area and add
On Mon, Oct 13, 2014 at 12:09 PM, Mark Stephen Mrotek
When I extract the code for these measures, extracted.ly, the
triplets are more evenly spaced, extracted.pdf.
Where should I look for a remedy?
Thank you for your kind attention.
Mark Stephen Mrotek
Mark
Subject: Re: spacing of triplets
On Mon, Oct 13, 2014 at 12:09 PM, Mark Stephen Mrotek
When I extract the code for these measures, extracted.ly, the
triplets are more evenly spaced, extracted.pdf.
Where should I look for a remedy?
Thank you for your kind attention.
Mark
I've been asked a beaming rule question:
Is it possible to specify a different beaming rule if a beat is divided
into a triplet? In this example
\version 2.16.0
\score {
{\time 3/8
d''4 \times 2/3 { bes''16 a'' bes'' }
fis''8 g''8 r
ees'' \times 2/3 { d''16 c'' bes'
Richard Shann rich...@rshann.plus.com writes:
I've been asked a beaming rule question:
Is it possible to specify a different beaming rule if a beat is divided
into a triplet? In this example
\version 2.16.0
\score {
{\time 3/8
d''4 \times 2/3 { bes''16 a'' bes'' }
Sent: Wednesday, December 04, 2013 8:30 AM
To: lilypond-user
Subject: Different beaming for triplets
I've been asked a beaming rule question:
Is it possible to specify a different beaming rule if a beat is divided into
a triplet? In this example
\version 2.16.0
\score {
{\time 3/8
Thank you David (and to the others that replied), I had a go at getting
my head round this before I asked, I find it a serious challenge. It
would be nice to have a graphical way of selecting what you want
visually and letting the computer do the hard work...
Your new 2.19 syntax certainly looks
On Wed, 2013-12-04 at 16:52 +, Phil Holmes wrote:
- Original Message -
From: Richard Shann rich...@rshann.plus.com
To: lilypond-user lilypond-user@gnu.org
Sent: Wednesday, December 04, 2013 4:30 PM
Subject: Different beaming for triplets
I've been asked a beaming rule
Richard Shann rich...@rshann.plus.com writes:
Thank you David (and to the others that replied), I had a go at
getting my head round this before I asked, I find it a serious
challenge.
Yes.
It would be nice to have a graphical way of selecting what you want
visually and letting the computer
On Wed, 2013-12-04 at 19:05 +0100, David Kastrup wrote:
Richard Shann rich...@rshann.plus.com writes:
Thank you David (and to the others that replied), I had a go at
getting my head round this before I asked, I find it a serious
challenge.
Yes.
It would be nice to have a graphical
Richard Shann rich...@rshann.plus.com writes:
On Wed, 2013-12-04 at 19:05 +0100, David Kastrup wrote:
Richard Shann rich...@rshann.plus.com writes:
Thank you David (and to the others that replied), I had a go at
getting my head round this before I asked, I find it a serious
challenge.
Hi folks,
2013/6/20 Mike Solomon m...@mikesolomon.org:
On 19 juin 2013, at 16:24, Tim McNamara tim...@bitstream.net wrote:
Occasionally LilyPond will render triplets in an ungraceful manner: [...]
This is not a problem in 2.17.21 with the following input : [...]
I've seen the output like Tim
Am 21.06.2013 22:44, schrieb Janek Warchoł:
Hi folks,
2013/6/20 Mike Solomon m...@mikesolomon.org:
On 19 juin 2013, at 16:24, Tim McNamara tim...@bitstream.net wrote:
Occasionally LilyPond will render triplets in an ungraceful manner: [...]
This is not a problem in 2.17.21 with the following
2013/6/21 Urs Liska u...@openlilylib.org:
Am 21.06.2013 22:44, schrieb Janek Warchoł:
Hi folks,
2013/6/20 Mike Solomon m...@mikesolomon.org:
On 19 juin 2013, at 16:24, Tim McNamara tim...@bitstream.net wrote:
Occasionally LilyPond will render triplets in an ungraceful manner
On 19 juin 2013, at 16:24, Tim McNamara tim...@bitstream.net wrote:
Occasionally LilyPond will render triplets in an ungraceful manner:
PastedGraphic-2.pdf
And
PastedGraphic-3.pdf
All the quarter note triplets in the piece which are not under a volta
bracket are rendered
On 27/04/13 05:02, David Kastrup wrote:
Sarah k Alawamimarri...@gmail.com writes:
Ok. I understand how triplets work. I've played them often enough lol!
but in lily pond according to the manual it says it's written in a
fraction. That's the part I don't get. I'm very horrible at math so
Hilary Snaden h...@newearth.demon.co.uk writes:
After using LilyPond for seven years, I've got used to the \times x/y
notation. How long will it remain available alongside \tuplet y/x?
There are no plans to remove it. However, all of the documentation in
2.18 has been converted to use
On 27/04/13 14:41, David Kastrup wrote:
Hilary Snadenh...@newearth.demon.co.uk writes:
\tuplet has a nicer way to deal with tupletSpannerDuration, by the way.
So you can continue using it if you want to, but in a few years,
newcomers might no longer recognize what you are doing even though
Hilary Snaden h...@newearth.demon.co.uk writes:
On 27/04/13 14:41, David Kastrup wrote:
Hilary Snadenh...@newearth.demon.co.uk writes:
\tuplet has a nicer way to deal with tupletSpannerDuration, by the way.
So you can continue using it if you want to, but in a few years,
newcomers might no
Ok. I understand how triplets work. I've played them often enough lol! but in
lily pond according to the manual it says it's written in a fraction. That's
the part I don't get. I'm very horrible at math so is there a way to comprehend
these triplets. I think they are eighth notes if I hear
On Apr 26, 2013, at 6:56 PM, Sarah k Alawami wrote:
Ok. I understand how triplets work. I've played them often enough lol! but in
lily pond according to the manual it says it's written in a fraction. That's
the part I don't get. I'm very horrible at math so is there a way to
comprehend
Sarah k Alawami marri...@gmail.com writes:
Ok. I understand how triplets work. I've played them often enough lol!
but in lily pond according to the manual it says it's written in a
fraction. That's the part I don't get. I'm very horrible at math so is
there a way to comprehend these triplets
Lilypond promises to generate nicely scores.
(http://lilypond.org/doc/v2.16/Documentation/essay/engraving-details#optical-spacing)
This works in most cases. But I have currently a score that shows ugly
triplets. It should spread the note heads evenly aligned in the X-axis.
The excerpt below
On 26 December 2012 10:07, Helge Kruse helge.kr...@gmx.net wrote:
Lilypond promises to generate nicely scores.
(http://lilypond.org/doc/v2.16/Documentation/essay/engraving-details#optical-spacing)
This works in most cases. But I have currently a score that shows ugly
triplets. It should
Hi all,
Version : 2.12.3 on OSX via MacPorts
Given
\version 2.12.3
swing = \drummode { cymr4 cymr8 cymr8 cymr4 cymr8 cymr8 }
down = \drummode { \times 2/3 { bd8 sn sn } \times 2/3 { bd hhp sn
sn } \times 2/3 { bd sn sn } \times 2/3 { bd hhp sn sn } }
\score {
\new DrumStaff {
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