Dear Jay,
I tried something with:
quintrauf = #(define-music-function (parser location x) (ly:music?)
#{
$x \transpose c g { $x }
#})
\new Staff { \quintrauf c' \quintrauf d' \quintrauf e' \quintrauf f' }
With copy and paste You can be very fast with the
Dear Jay,
You wrote : What should the output be? {c4 g' b, f' c g'} or {c4 g' b, fis'
c g'}.
In my case, I'm much more interested in the second case {c4 g' b, fis' c
g'}. Because I'm writing mostly atonal music, I don't have to fear
voice-leading teachers (and I think broken fifths have never been
Dear Jay,
many thanks for Your very nice plugin! I think it will be a very useful
thing for me.
But I have one question:
I would be interested in having other plugins for other intervalls, or even
for small sequences of notes. If I want to change the Interval from an
ovtave to, lets say, a fifth,
Dear Jay,
many thanks for Your very nice plugin! I think it will be a very useful
thing for me.
But I have one question:
I would be interested in having other plugins for other intervalls, or even
for small sequences of notes. If I want to change the Interval from an
ovtave to, lets say, a fifth,
On Sun, Jul 27, 2008 at 9:46 AM, Stefan Thomas
[EMAIL PROTECTED] wrote:
Dear Jay,
many thanks for Your very nice plugin! I think it will be a very useful
thing for me.
But I have one question:
I would be interested in having other plugins for other intervalls, or even
for small sequences of
Jay == Jay Anderson [EMAIL PROTECTED] writes:
Jay I never followed up with him about how he's noting key change
Jay events. He might be processing a whole score at once to get this
Jay extra information.
I am.
It *should* be gettable from the current context, but I don't know
how.
--
Dr
Hi Jay,
nice example! But I think it would be even better if I could write
\brokenoctaves #1 { c4 d e f g8 a b c } meaning that the function also
recognizes the durations of the notes.
Maybe you could be so kind to explain how your functions work. Then we
could also learn from it and possibly
))
#(define (make-music-note pitch duration)
(make-music
'NoteEvent
'pitch pitch
'duration duration))
#(define (make-music-chord elements)
(make-music
'EventChord
'elements elements))
#(define (broken-octaves muslist arg first?)
(if (null? muslist) '()
(let* ((notes
2008/7/26 Jay Anderson [EMAIL PROTECTED]:
I've rewritten it from scratch below where it uses the lengths of the
input notes and works with chords. It still has problems (dynamics
doubled, tuplets or nested structures don't work), but I'll try to
explain it.
Great! LSR, anyone?
:-)
Cheers,
Dear Lilypond-users,
I have in mind an input like:
\relative { \brokenoctaves {c d e f g }}
and the desired output is:
\relative { c c' d d' e e' f f' g g' }
Can this be done automatically?
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Hi Stefan,
are you sure you want c c' d d' ... instead of c c' d, d' e, e'?
You could write a scheme function for that. I´ll try it, but I´m not
too experienced in such things.
Dominic
2008/7/25 Stefan Thomas [EMAIL PROTECTED]:
Dear Lilypond-users,
I have in mind an input like:
\relative {
I'd really like a scheme to do this, too, but don't know how to write
scheme code. Someone else (I think it was Jay?) wrote a nice scheme to
do octaves a while back (sounding at the same time, not broken), and
maybe that'd be a good starting place? I don't know. I'll copy the
scheme code at
Oh, Yes, You are right; I want
\relative { c c' d, d' }etc.
2008/7/25 Dominic Neumann [EMAIL PROTECTED]:
Hi Stefan,
are you sure you want c c' d d' ... instead of c c' d, d' e, e'?
You could write a scheme function for that. I´ll try it, but I´m not
too experienced in such things.
Dominic
Stefan Thomas kontrapunktstefan at googlemail.com writes:
Dear Lilypond-users, I have in mind an input like:\relative { \brokenoctaves
{c d e f g }}and the desired output is:\relative { c c' d d' e e' f f' g g' }Can
this be done automatically?
Play with this see if it does what you want.
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