Hi Jay,
This doesn't Do The Right Thing™ when the key signatures are abstracted, e.g.,
\version 2.17.10
#(define (adjust-note mus key currkey)
(cond ((or
(eq? (ly:music-property mus 'name) 'NoteEvent)
(eq? (ly:music-property mus 'name) 'KeyChangeEvent))
Hi Kieren,
just stumbled across this thread. I once was trying to create an
engraver, that recognizes transposition/instrument changes and inserts a
time signature there. (IIRC it was a piece with a change between oboe
and english horn)
In the end I inserted tagged key-sigs, whenever I
On Tue, Jan 15, 2013 at 10:43 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
There's this: http://lsr.dsi.unimi.it/LSR/Item?id=697 which is useful
when the transposition changes mid-piece (like for clarinets, horns,
and trumpets). Also you don't have to think about the 'from' pitch.
Hello all!
Has anyone successfully written multi-instrument player parts correctly
(i.e., using \addInstrumentDefinition and \switchInstrument, and not manually
\transpose-ing bits)?
I would love to see an example, so I can fix my hacks.
Even seeing this non-working [in several ways… like why
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Has anyone successfully written multi-instrument player parts [...]
using \addInstrumentDefinition and \switchInstrument [...] ?
Almost certainly not. \addInstrumentDefinition is inconvenient.
Google says: No results found for
Hi Keith,
Thank you so much for the detailed and considered response.
Boo. I really wish Lily would Do The Right Thing™ with regard to transposing
parts. I want to be able to say \switchInstrument at any time, and easily
generate C and transposed scores/parts (with all key signatures
p.s. It would help immensely if I could at least say
\tag #'part { \transpose c d }
c4 d e f
and then use the tag filter to leave the transposition out of the C-score.
However, this doesn't seem to work — any ideas how I can accomplish such a
thing (or very similar)?
Thanks,
Kieren.
On Tue, 15 Jan 2013 19:41:00 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Boo. I really wish Lily would Do The Right Thing™ with regard to transposing
parts. I want [...]
perhaps I'll put together an official feature request…
Almost certainly, \instrumentSwitch was written
On Tue, Jan 15, 2013 at 10:21 PM, Keith OHara k-ohara5...@oco.net wrote:
On Tue, 15 Jan 2013 19:41:00 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Boo. I really wish Lily would Do The Right Thing™ with regard to
transposing parts. I want [...]
perhaps I'll put together an
Hi Keith,
Almost certainly, \instrumentSwitch was written in response to a similar
request.
If I remember correctly, Han-Wen wrote it and I paid him a bounty for it… =)
you can store the music in a variable, and perform the action of transposing
only where you need it.
Yes, of course,
Hi Jay,
There's this: http://lsr.dsi.unimi.it/LSR/Item?id=697 which is useful
when the transposition changes mid-piece (like for clarinets, horns,
and trumpets). Also you don't have to think about the 'from' pitch.
You only need the 'to' pitch.
That doesn't seem to handle key signatures very
On Tue, 15 Jan 2013 21:43:04 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
I've been using it for 10 years now.
Sorry, I've seen so many names they are all a jumble in my head. In that case,
for the part where the player switches instruments, you'd probably like to
store
Hi Keith,
for the part where the player switches instruments, you'd probably like to
store the as-written pitches along with the transpositions. Then you can use
LilyPond's quoting system to get the music in concert pitch for the C-score.
Now we're getting somewhere! Thanks!
I will test
Hi Keith,
for the part where the player switches instruments, you'd probably like to
store the as-written pitches along with the transpositions. Then you can use
LilyPond's quoting system to get the music in concert pitch for the C-score.
Now we're getting somewhere! Thanks!
I will test
Keith OHara k-ohara5...@oco.net writes:
On Tue, 15 Jan 2013 21:43:04 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
I've been using it for 10 years now.
Sorry, I've seen so many names they are all a jumble in my head.
And you are not even likely to keep confusing Keith with
On Wed, Jan 16, 2013 at 01:48:21AM -0500, Kieren MacMillan wrote:
Hi Keith,
for the part where the player switches instruments, you'd probably
like to store the as-written pitches along with the transpositions.
Then you can use LilyPond's quoting system to get the music in concert
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