. Lilypond seems to recognize only the .ly extension. What program
should I be using to write/edit the input file?
Thank you for your kind attention.
Mark Stephen Mrotek
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https://lists.gnu.org
for your kind attention.
Mark Stephen Mrotek
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https://lists.gnu.org/mailman/listinfo/lilypond-user
as Administrator
and to set Frescobaldi preferences to use Lilypond.
Again after entering code and clicking the error message appear.
Thank you for your kind attention.
Mark Stephen Mrotek
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Fellow Lilyponders:
I recently joined this list serve. Since then I have received not only other
members inquiries but also multiple responses to each of their inquiries.
Is this the usual practice?
Thank you for your kind attention.
Mark Stephen Mrotek
Mr. Thomas:
Actually the musical term is in Italian. It is acciaccatura. If the little
note does not have the stroke it is called an appoggiatura and is played a
little bit before the principal note.
Mark Stephen Mrotek
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
the two
notes are crushed together with the acciaccatura released immediately.
Mark
From: Stefan Thomas [mailto:kontrapunktste...@gmail.com]
Sent: Monday, October 15, 2012 1:38 PM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: Re: how to call these notes?
Do You say in english
: Stefan Thomas [mailto:kontrapunktste...@gmail.com]
Sent: Tuesday, October 16, 2012 9:29 AM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: Re: how to call these notes?
Dear Steven,
no, those notes are not (at least not exactly) simultaneous to the
following.
Can't they be called stroked out
voice one stopped (I use Frescobaldi). I have checked the instructions
several times. I must still be missing something.
To save space I have attached the code as a Lilypond file and as a Word
file.
Thank you for your kind attention.
Mark Stephen Mrotek
\version 2.16.0
upper = \relative c
in the
manual?
Thank you for your kind attention.
Mark Stephen Mrotek
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}
\layout { }
}
The eighth rest should be above the g. What did I incorrectly code?
Thank you for your kind attention.
Mark Stephen Mrotek
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Sent: Monday, November 05, 2012 3:56 AM
To: lilypond-user@gnu.org
Subject: Re: misplaced rest
On 5/11/2012 7:00 AM, Mark Stephen Mrotek wrote:
Fellow Users:
Please look at this:
\version 2.16.0
global = {
\key c \major
\numericTimeSignature
\time 3/8
}
bassVoice
Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \leftOne \\ \leftTwo }
\layout { }
}
Notice that the rests are at the beginning of the measure. What should I do
to get them in the middle?
Thank you for your kind attention.
Mark Stephen Mrotek
Thank you. Works perfectly.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Michael Rivers
Sent: Wednesday, November 07, 2012 8:14 PM
To: lilypond-user@gnu.org
Subject: Re:
, November 07, 2012 7:54 PM
To: lilypond-user@gnu.org
Subject: Re: uncentered rests
On 8/11/2012 2:46 PM, Mark Stephen Mrotek wrote:
Fellow Users:
Please look at this:
\version 2.16.0
global = {
\key a \minor
\time 4/4
}
rightOne = \relative c'' {
\global
r8 a a a b b b16 c d b
.
Mark Stephen Mrotek
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Hello:
How do I stop the staff from bleeding off the page? I have tried \break.
Lilypond states the command was overridden. Lilypond suggests using bar
checks. They are already there.
Thank you for your kind attention.
Mark Stephen Mrotek
\version 2.16.0
global = {
\key c
Hello!
Thanks to all who replied to my inquiry with the solution. Moving the [
restored the break.
Mark Stephen Mrotek
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Hello:
Please refer to the attached.
Must the command \times 2/3 be entered for every tuplet?
Thank you for your kind attention.
Mark Stephen Mrotek
\version 2.16.0
global = {
\key e \major
\time 2/2
}
rightOne = \relative c'' {
\global
\mergeDifferentlyHeadedOn
s2
, November 25, 2012 8:00 PM
To: lilypond-user@gnu.org
Subject: Re: Tuplets
Mark Stephen Mrotek wrote
Hello:
Please refer to the attached.
Must the command \times 2/3 be entered for every tuplet?
Thank you for your kind attention.
Mark Stephen Mrotek
Tuplets.ly (1K)
lt
attention.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Thomas Morley
Sent: Thursday, December 06, 2012 2:03 PM
To: Daniel Rosen
Cc: David Kastrup; lilypond-user@gnu.org
Mr. Morley
Thank you for your reply and the references. They should provide hours of
learning.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Thursday, December 06, 2012 2:42 PM
To: Mark Stephen Mrotek
Cc: Daniel Rosen; David Kastrup; lilypond
\new Staff = left { \clef bass \leftOne \\ \leftTwo }
%% This line is from me.%%
\new Lyrics \lyrics to ''leftTwo {roman}
\layout { }
}
Lilypond's error code is unknown escaped string: '\rN'.
Where is my error?
Thank you for your kind attention.
Mark Stephen Mrotek
Mr. Nalesnik
Thank you for your reply and the instructions. I have printed them out and
shall check my grammar!
Mark
-Original Message-
From: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Saturday, December 08, 2012 5:40 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
', and
cannot find Voice `leftTwo'.
Thank you for your kind attention.
Mark Stephen Mrotek
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[mailto:david.nales...@gmail.com]
Sent: Saturday, December 08, 2012 6:48 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Harmonic Analysis
On Sat, Dec 8, 2012 at 8:11 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Hello:
Following Mr. Nalesnik’s suggestions I followed
in under that pitch?
Thank you for your kind attention.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Sent: Saturday, December 08, 2012 10:37 PM
Detailed information on points and inches can be read at
http://desktoppub.about.com/od/faq/qt/pointsinaninch.htm
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Noeck
Sent:
Hello:
The attached file is for a Prelude and Fugue. The header for the Prelude
does not appear and is replaced by the header for the Fugue. I have compared
mine to the examples in the manual and cannot find my error.
Would someone please point it out to me?
Thank you for your kind
Shane:
Thank you for your response and information. At least I know that some
fudging is needed. I shall work with the \global and scope out the
threads.
Mark
From: Shane Brandes [mailto:sh...@grayskies.net]
Sent: Friday, January 18, 2013 10:15 AM
To: Mark Stephen Mrotek
Cc: lilypond
Hello:
From the manual:
\relative c' {
\time 2/4
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c8 c c c c c }
}
I understand everything except how the 1 and 4 relate to the notation.
Would someone explain?
Thank you.
Mark
attachment:
, 2013 11:23 PM
To: lilypond-user@gnu.org
Subject: Re: tupletSpannerDuration
On 19/01/13 18:04, Mark Stephen Mrotek wrote:
Hello:
From the manual:
\relative c' {
\time 2/4
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c8 c c c c c }
}
I understand
: tupletSpannerDuration
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
On 19/01/13 18:04, Mark Stephen Mrotek wrote:
Hello:
From the manual:
\relative c' {
\time 2/4
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c8 c c c c c
A commentary on various interpretations of Haydn’s ornaments in general and the
“turn” in particular can be read at:
http://www.pianostreet.com/smf/index.php?topic=28410.0
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Hello:
For what term/command do I search the online manual for directions to
control the distance from one Piano staff to the next Piano staff?
Thank you for your kind attention.
Mark
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and the next Piano staff to be the same for all variations even if a
white space appears at the bottom the page.
Is this possible?
Mark
From: Paul Morris [mailto:p...@paulwmorris.com]
Sent: Sunday, February 03, 2013 5:38 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re
Sr. Ruiz-Alma:
Thank you for your reply and instructions. I shall try them out the next
time I get into the piece.
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Javier Ruiz-Alma
Sent: Sunday, February 03,
Mr. Witmer:
Thank you for your reply. It does what I want!
Mark
-Original Message-
From: Mark Witmer [mailto:m...@markwitmer.com]
Sent: Monday, February 04, 2013 5:30 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Space between Piano Staves
Hi Mark,
You can
The second example differs from the first example. It does not have a
partial measure.
The first example is generated without error if the s is replaced with a
pitch or a r.
\version 2.16.1
\score {
\new Staff {
\partial 8
\relative c' { c8^\markup x }
} % Staff
} %
Hello:
For what term/command in the online manual do I search for instructions as
to orientating an ornament, e.g., mordent, to the left of a middle pitch of
a chord, e.g., to the left of the c in g c e ?
Thank you .
Mark
___
lilypond-user
Mr. Morley:
Thank you for your response and the two suggestions. I shall play with
both of them.
You have assisted my learning.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Sunday, February 10, 2013 12:20 PM
To: Mark Stephen Mrotek
Cc
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Sent: Tuesday, February 12, 2013 3:18 AM
To: lilypond-user@gnu.org
Subject: Re: Orientation of Ornaments
Thomas Morley thomasmorle...@googlemail.com writes:
2013/2/12 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley
Hello:
Within a piano staff
1) For what term/command do I search the on-line manual for directions
to print a bracket, [ , indicating one hand to play pitches on both
staves, and
2) Similarly for directions to print a line showing an inner voice
moving from one staff to the
Nathan:
Thank you for the reply and the explicit directions. I have printed and shall
study.
Mark
From: Nathan [mailto:when.possi...@gmail.com]
Sent: Saturday, February 23, 2013 3:00 PM
To: Mark Stephen Mrotek
Cc: LilyPond Users
Subject: Re: Special Symbols on Piano Staff
On Sat
Am 23.02.2013 22:47, schrieb Mark Stephen Mrotek:
Hello:
Within a piano staff
1) For what term/command do I search the on-line manual for directions
to print a bracket, [ , indicating one hand to play pitches on both
staves, and
From my library files:
%{ \chordBracket
Use
Derek:
I moved the \sustainOff into the voice in which the sustain was turned on,
i.e. after bes g'. Sorry that I could not get the file to paste into this
e-mail.
The sustain off appears. Is this what you want?
Mark
-Original Message-
From:
Derek:
No ignorance. I have been working with Lilypond for about six months and
most of the little that I know is from experimentation and the help of
others in the group.
My solution was gotten with a little experimentation. Since the \sustainOff
works when it is in the voice that started it,
This may be of some help.
http://lists.gnu.org/archive/html/lilypond-user/2012-11/msg00627.html
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Urs
Liska
Sent: Tuesday, February
Nick,
Creating a delayed turn is at
http://www.lilypond.org/doc/v2.16/Documentation/snippets/expressive-marks.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
Sent:
Sarah:
If by rolling chords you mean an arpeggio this might be of help:
http://www.lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-as
-lines
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Sarah:
What is the Chopin piece? I may have a copy and could see what you want.
Mark
-Original Message-
From: Sarah k Alawami [mailto:marri...@gmail.com]
Sent: Friday, March 15, 2013 4:58 PM
To: Mark Stephen Mrotek
Subject: Re: roling cords
lol. My hands are not that big. I wish I
Ivan:
When I write polyphony for the piano I use { %here pitches for top voice
} \\ { %here pitches for bottom voice} . Lilypond seems to take care of
the stem directions.
I reset you example using this format. Some notes of the voices might need
to be adjusted.
\version 2.16.0
\include
Sarah:
When I compiled the file I got the unexpected string error message for the
unexpected String \set PianoStaff.instrumentName = #Piano . My
experience is that this occurs when I fail to have a closing brace, },
correctly paired with an opening brace , {. This may or may not be the
case
Hello:
In the following, I want to place a slur from the bes16 across the bar to
the aes8.
\version 2.16.2
{ \key des \major
\time 4/4
bes2-3 a4~ a8. bes16 |
aes8. bes16 ( aes16. ) bes32 ( aes16. ) bes32
\set tupletSpannerDuration = #(ly:make-moment 1 8)
\times 2/3 { g16-1
across bar
On 30/04/2013 10:05 AM, Mark Stephen Mrotek wrote:
Hello:
In the following, I want to place a slur from the bes16 across the bar to
the aes8.
\version 2.16.2
{ \key des \major
\time 4/4
bes2-3 a4~ a8. bes16 |
aes8. bes16 ( aes16. ) bes32 ( aes16. ) bes32
\set
Hello:
The first 89 measures of a piano piece compiles without error. With the 90th
measure the notation runs off the right edge of the page. No error message
is given.
The attached file has measures 88 - 90 of the right hand.
Please point out my error.
Thank you for your kind
of measure 90 (the one that starts with the bass
clef) does the runoff occur.
Mark
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Friday, May 03, 2013 12:39 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: run off page
You have a triplet that spans the whole of your
:10 PM
To: lilypond-user@gnu.org
Subject: Re: run off page
On 04/05/13 05:20, Mark Stephen Mrotek wrote:
Hello:
The first 89 measures of a piano piece compiles without error. With the 90th
measure the notation runs off the right edge of the page. No error message
is given.
The attached
Marek Klein,
Thank you for the reply and the solution.
I appreciate the time and effort you spent to find it.
Mark
From: Marek Klein [mailto:ma...@gregoriana.sk]
Sent: Friday, May 03, 2013 12:59 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: run off page
Hello
Hello:
A metered arpeggiated chord is in my piano staff. It has been coded in two
ways (see attached files). Using automatic beaming (auto.ly) all of the
notes are beamed and the stems are of unequal and distracting length. Using
manual beaming (manual.ly) the stem are of equal length and the
wrong?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Keith
OHara
Sent: Wednesday, May 08, 2013 8:55 AM
To: lilypond-user@gnu.org
Subject: Re: beams and note stems
Mark Stephen Mrotek
stems
Mark Stephen Mrotek carsonmark at ca.rr.com writes:
How can I get all of the notes beamed and the stems of consistent length?
\once\override Beam.concaveness = 0 % bug 657 before the first note of
the beam.
___
lilypond-user mailing
] On Behalf Of
Nick Payne
Sent: Wednesday, May 08, 2013 9:45 PM
To: lilypond-user@gnu.org
Subject: Re: beams and note stems
\times 4/6 { \once \override Beam #'positions = #'(-3 . 3) f32 [ aes des
\change Staff = right f aes des ] }
On 09/05/13 13:49, Mark Stephen Mrotek wrote:
Mr. Payne:
Thank you
Hello:
A small cadenza appears at the end of a piano piece (see attached file).
The des2. in the treble should be in the next measure.
The error message is: barcheck failed at: 1/2 ees2\trill\fermata|.
How do I correct this?
Thank you for your kind attention.
Mark
\version
Nathan:
Thank you for your reply and the correction – not ugly at all especially since
it works!
Mark
From: Nathan [mailto:when.possi...@gmail.com]
Sent: Friday, May 10, 2013 8:55 AM
To: Mark Stephen Mrotek
Cc: LilyPond Users
Subject: Re: Cadenza alignment
On Fri, May 10, 2013
Sarah:
I notice that although you indicate 12/8 in the global command the score
prints with C or 4/4. I am not sure how to fix this yet I am sure that it
effects the bar checks.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
been and are
knowledgeable, informative, and instructive.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Kieren MacMillan
Sent: Sunday, May 19, 2013 4:39 PM
To: Urs
Hello:
A piano sonata has three movements each encoded in a separate file. The
three files shall be merged into one file for printing. Is copy and paste
sufficient or must something be done to the individual files?
Thank you for your kind attention.
Mark Stephen Mrotek
20, 2013 3:01 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: merging files
Of course we don't know in detail how yyour files are organized. But copy
paste is surely not a good solution.
You should create a new file that \include-s the existing movement files.
HTH
Urs
Mark
Olivier:
Thank you for the response.
I shall investigate the PDFEdit software.
Mark
From: Olivier Biot [mailto:olivier.b...@gmail.com]
Sent: Monday, May 20, 2013 2:58 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: merging files
You can always use a tool such as PdfEdit
. Your response, sir, is pompous, bloated, and quite frankly,
snarky.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Sent: Monday, May 20, 2013 3:37 PM
: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Monday, May 20, 2013 6:28 PM
To: Mark Stephen Mrotek; lilypond-user
Subject: Re: merging files
Hi Mark,
On Mon, May 20, 2013 at 5:15 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Urs Liska:
Thank you for responding.
Pardon
Derek:
In my piano scores for dynamics I refer to:
http://www.lilypond.org/doc/v2.16/Documentation/learning/articulation-and-dy
namics
and for pedaling to:
http://www.lilypond.org/doc/v2.16/Documentation/notation/piano
Mark
-Original Message-
From:
Good Day!
A piece begins with an anacrusis - see attached file without.ly. When the
g is notated as an appoggiatura to the f - see attached file with.ly -
some dreck appears.
http://lsr.dsi.unimi.it/LSR/Item?id=183 states that the grace should appear
after the \partial. Placing the
Hello:
I have been working on a file for some time without incident. At the last
opening the following log was printed.
Starting lilypond-windows.exe 2.16.2 [13-2.ly]...
Processing `I:/Personal/Music/13-2.ly'
Parsing...
Interpreting music...[8][16][24][32][40][48][56]
warning: type
Eluze:
Thank you for your response and suggestion. All programs were closed,
computer rebooted, Frescobaldi started and file reopened. Same error message
appeared.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Mr. Kastrup:
Thank you for your reply and suggestion.
I check the input and found three instances of stencil:
\override TupletNumber #'stencil = ##f
\override TupletNumber #'stencil = ##t
\override TupletNumber #'stencil = ##f
To me they appear to be correct. Should I be seeing something else
Mr. Long:
Thank you for the suggestion. I shall try the command.
Mark
-Original Message-
From: Jim Long [mailto:lilyp...@umpquanet.com]
Sent: Thursday, July 18, 2013 10:38 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: fatal error
On Thu, Jul 18, 2013 at 06:16:22PM
to (re-)add the appropriate stencil instead of your second
example line.
HTH
Urs
Zitat von Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Kastrup:
Thank you for your reply and suggestion.
I check the input and found three instances of stencil:
\override TupletNumber #'stencil = ##f \override
Hello,
In the attached file the treble clef should be after the repeat signs.
How do I get it to be there?
Thank you for your kind attention.
Mark
\version 2.16.2
global = {
\key d \major
\time 4/4
}
right = \relative c'' {
\global
\repeat volta 2 {
a8 r a cis 8. (
: Re: move clef
Mark Stephen Mrotek wrote
In the attached file the treble clef should be after the repeat signs.
How do I get it to be there?
you can override the default order of such objects with:
[\once] \override Score.BreakAlignment #'break-align-orders = #(make-vector
3 '(
staff-bar
@gnu.org
Subject: RE: move clef
Mark Stephen Mrotek wrote
My knowledge of Lilypond's programming language is very limited, so
please allow me to check for understanding. I would use:
[\once] \override Score.BreakAlignment #'break-align-orders =
#(make-vector 3 '( repeat-bar clef ). Yes?
Where
Hello:
A three movement piece has the following in the \header: title, composer,
dedication, and opus.
The opus appears at the beginning of the second and third movements. How
can I eliminate them?
Thank you.
Mark
___
lilypond-user
accurately.
Where is my error?
Thank you for your kind attention.
Mark
From: Federico Bruni [mailto:fedel...@gmail.com]
Sent: Wednesday, July 24, 2013 10:51 PM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: header
2013/7/25 Mark Stephen Mrotek carsonm
the notation directly without using variables?
Mark
From: Wim van Dommelen [mailto:m...@wimvd.nl]
Sent: Thursday, July 25, 2013 10:37 AM
To: Mark Stephen Mrotek
Cc: 'Federico Bruni'; 'lilypond-user Mailinglist'
Subject: Re: header
You placed the \book on top, but it should only encompass
@gnu.org
Subject: Re: header
Am 25.07.2013 21:50, schrieb Mark Stephen Mrotek:
Wim,
Thank you for the correction. It works with a single movement ( 1mvmt.ly ).
When I add the second movement ( 2mvmt.ly ) an error message appears
relating to the variable right.
I have tried moving
Hello,
In the attached file ( cadenza.ly ) everything should fit in one measure,
i.e., the last quaver in each staff should be on the first beat of the next
measure.
I have counted, and counted again, and cannot find my error.
Your assistance shall be greatly appreciated.
Mark
: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Friday, July 26, 2013 12:29 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: Cadenza
Mark Stephen Mrotek wrote Friday, July 26, 2013 4:17 AM
In the attached file ( cadenza.ly ) everything should fit in one
measure, i.e
11:50 PM
To: lilypond-user@gnu.org
Subject: Re: Cadenza
Mark Stephen Mrotek wrote
I have counted, and counted again, and cannot find my error.
the question is: what did you count or where did you start - basically,
after a cadenza everything starts newly, so you just have to move
\cadenzaOff
Daniels wrote
Mark Stephen Mrotek wrote Friday, July 26, 2013 4:17 AM
In the attached file ( cadenza.ly ) everything should fit in one
measure, i.e., the last quaver in each staff should be on the first
beat of the next measure.
Using a \cadenzaOn \cadenzaOff pair causes the internal
Richard:
This may be what you want (and I use):
Sahara Slate PC i500 ( Windows 7 Professional ) from Tablet Kiosk
(www.TabletKiosk.com). I has a 6.5 x 10.5 screen. It can display full page
PDF's generated by Lilypond using the software Music Reader
(www.MusicReader.net). The software allows
Hello:
In the attached file, how do I get the bar, clef, and key to be properly
spaced?
Thank you.
Mark
\version 2.16.2
right = \relative c'' {
\key a \major
\time 2/4
\repeat volta 2 {
fis16 a fis d cis e d b |
a4 }
\repeat volta 2 {
\key a \minor
e'8 c'16 a |
...@philholmes.net]
Sent: Friday, August 02, 2013 8:08 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: bar-clef-key
If you delete:
\once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3
'( bar clef key ))
Then they appear correct to my eyes.
--
Phil Holmes
Holmes [mailto:m...@philholmes.net]
Sent: Friday, August 02, 2013 9:08 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: bar-clef-key
http://comments.gmane.org/gmane.comp.gnu.lilypond.general/70274 gives this:
\once \override Score.BreakAlignment #'break-align-orders = #(make
Sebastian:
Some modifications must be made when the repeated section starts with an
incomplete measure. This is covered in the manual at
http://www.lilypond.org/doc/v2.16/Documentation/notation/long-repeats.
Specifically the Timing.measureLength has to be reset in both of the
alternatives. I
Hello:
While the tie on the e appears, the tie on the a and the tie on the
cis do not appear.
What change is necessary?
Thank you.
Mark
\version 2.16.2
{
\clef bass
{ s2. g4-2 | } \\
{ s2 \stemUp e~^3 | } \\
{ f4\rest cis2.~-4 | } \\
{ a,1~ | } |
{
Subject: Re: ties
Am 07.08.2013 08:37, schrieb Nick Payne:
On 07/08/13 13:36, Mark Stephen Mrotek wrote:
Hello:
While the tie on the e appears, the tie on the a and the tie on
the cis do not appear.
You need to re-arrange the voices so that the ties are between notes
in the same voice
@gnu.org
Subject: Re: ties
On 07/08/13 13:36, Mark Stephen Mrotek wrote:
Hello:
While the tie on the e appears, the tie on the a and the tie on
the cis do not appear.
You need to re-arrange the voices so that the ties are between notes in the
same voice. You can't have a tie from a note in one
Hello:
What global command shall print the tuplets in four groups of three rather
than two groups of six?
I have read the manual on manual beaming.
Thank you!
Mark
\version 2.16.2
\relative c'' {
\key ges \major
\time 2/4
\override TupletBracket #'bracket-visibility =
[mailto:andrew.bern...@gmail.com]
Sent: Monday, August 12, 2013 7:17 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: tuplet beams.
Try:
\tupletSpan 8
\times 2/3 { ges'16[ bes des,] ges[ ees ges] des[ ges bes,] des'[ ges,
bes] }
or similar.
Andrew
mailto:carsonm...@ca.rr.com Mark
Hello:
In a single voice (RightOnly.ly), setting automatic beam behavior produces
the desired notation.
When the left hand is added (Both.ly) the commands - identical in both files
- do not take effect.
Must I do something to the left hand? In the right hand?
Thank you for your
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