I have obviously been a bit out of the loop not noticing this before,
but anyway, the Steem Source was released under GPL on July 01, 2011.
It's got MIDI in it which is why this is interesting for us. There are
lots of editors for antique synths out there (or for their emulations)
as well as a
On Fri, 2012-08-31 at 20:11 +, Fons Adriaensen wrote:
Human hearing easily violates the 'uncertainty principle', and it
can do this by making assumptions about the signal (such as the
one made above). If a 50 Hz bass note is a quarter tone (1.5 Hz)
out of tune, we can easily hear this
On Fri, 2012-08-03 at 15:50 +0100, Harry van Haaren wrote:
Thanks, it seems that this is the easiest cross-CPU / architecture
etc
The problem is unique for Intel, in which case you can use:
-msse -mfpmath=sse -ffast-math
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On Fri, 2012-05-11 at 07:34 +0200, Ralf Mardorf wrote:
That's why
Paul explained it (to us/me) and he's right.
No, that's crap ... Many (which one?) is not equal to ALL. Just
because some idiot hired gun working for a no-name-brand couldn't be
bothered, does not mean the whole world is
On Tue, 2012-05-08 at 11:21 -0400, Paul Davis wrote:
first of all, MTC is not a particularly reliable protocol unless you
can dedicate the equivalent of a MIDI cable to it. its data rate gets
close to the serial MIDI limit,
Using MTC quarterframe messages uses no more than 240 bytes/second,
An interesting PDF about the undocumented SysEx of BCR/BCF2000
- page 49 was the kicker for me
http://home.kpn.nl/f2hmjvandenberg281/download/BC/BC%20MIDI%
20Implementation.pdf
--
JMA - Harlequin
http://web.comhem.se/mx44turbo/cute/harlequin.mp3
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Looks like the Nvidia driver just got happily married to realtime, low
latency Linux - again, no? .. From tglx:
http://article.gmane.org/gmane.linux.rt.user/8150
Changes since 3.4-rc2-rt2: ...
* Remove the _GPL restriction from a few exports
This restores the status quo of pre 3.0 RT
From El Reg:
- Nvidia had better watch out. Texas Instruments is not only its rival
when it comes to making ARM processors that might end up in servers
someday, but it is also repositioning its digital signal processors so
they can be used as math coprocessors for standard x86 CPUs – and
perhaps
Here is a distro that does away with most of what (some old people in
Korea as well as) quite a few users on this list dislikes about modern
Linux desktop:
http://www.bandshed.net/index.html
I am using it now, it is current and works like a charm :) .. I really
think it deserves to be mentioned
On Tue, 2011-10-04 at 09:19 +1300, Jeff McClintock wrote:
* Support the concept of re-triggering a voice that's already playing, this
is important for any percussive instrument. E.g. hitting a cymbal twice in
quick succession should not trigger the sound of two cymbals playing
together.
On Thu, 2011-10-06 at 07:09 +0200, David Olofson wrote:
Compare to dropping two pebbles
in a bucket of water.
That is true for a linear system - but is a cymbal linear...?
No it is not. Bend it enough and it will break in half :) - but within
reasonable boundaries, playing with sticks,
On Thu, 2011-09-15 at 15:19 +0200, Sebastian H. wrote:
QasMixer version 0.14.0 is now available.
QasMixer is an ALSA mixer with a customized Qt GUI.
It looks nice :)
One thing - from a functional point of view - that has always annoyed me
with the standard gnome-mixer, is that the faders are
On Wed, 2011-06-29 at 20:47 +0200, Nick Copeland wrote:
The ARM
softfloat overhead is not that great and the coding required to get
access to the GPUs is suitable that developers will implement them
for optimisations.
1) There are several hw floating point implemntations on the ARM
platform
On a related subject ... What is the Java implementation like on
Android? Is it the normal Java as we have it in Linux/OSX/etc or is it
one of those Mobile variants, having its own set of API's?
/j
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09:26 AM, Jens M Andreasen wrote:
On a related subject ... What is the Java implementation like on
Android? Is it the normal Java as we have it in Linux/OSX/etc or is it
one of those Mobile variants, having its own set of API's?
On Android, it's pretty standard. You can rely on most Java
Yes, but that page is about communication upstream to the host ... I
think the idea here is that most Androids are phones and by nature not
intended to work as your main device. But there are no midi devices in
existence that works like a host, unless you consider your main computer
a midi device
Anybody got any idea why the realplayer insist on installing sendmail as
well? Is it a rootkit, intending to turn me into a spam-node?
/j
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On Sun, 2011-05-29 at 09:44 +0200, Ralf Mardorf wrote:
Btw. do you need realplayer or did you just test it ;)?
I need to get rid of Totem which is borked beyond recognition here ..
Indeed, creepy.
It is the same with GoogleEarth (which will also install 'ed' as an
automation convenience
On Sun, 2011-05-29 at 12:29 +0200, Robin Gareus wrote:
Half of the services on linuxaudio.org would not be what they are
without 'ed'. love it.
I wouldn't want GoogleEarth to run half the services from linuxaudio on
my machine .. Not even one!
/j
Once more
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It finally works!
:)
On Thu, 2011-04-14 at 10:39 +0200, Jens M Andreasen wrote:
Once more
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12, 2011 05:03:51 PM Jens M Andreasen did opine:
Test: ISP ate my e-mail ...
/j
And this one made it through the gauntlet.
Or the ISP was sleeping off it's meal.
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Nope. And not this one either. Only from you Veronica.
/j
On Wed, 2011-04-13 at 00:56 -0700, Veronica Merryfield wrote:
Did you get your original test returned to you?
On 2011-04-13, at 12:49 AM, Jens M Andreasen wrote:
I did not get any? ... Not from LAD and not from Gene. Something
On Wed, 2011-04-13 at 07:16 -0400, gene heskett wrote:
Doing a reply all this time, so you should get 2 copies if you get one
from the list.
List is not responding. But I got a letter frpm
linux-audio-dev-boun...@lists.linuxaudio.org
when I tried to resubscribe. No go.
Test: ISP ate my e-mail ...
/j
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On Fri, 2011-02-25 at 11:28 +, Fons Adriaensen wrote:
Also noticed 'ingen fara' - no problem and 'ingen aning' - no idea.
In a compound statement, yes
And then You have the Scottish Gaelic inghean from Old Irish ingen
meaning daughter which might be related to the Swedish/Norwegian
On Fri, 2011-02-25 at 00:34 +, Fons Adriaensen wrote:
I learned that 'ingen' is Swedish for 'no, nobody, nothing' or
similar...
Nobody it is.
--
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http://mx44.linux.dk/notturno/brand_new_stockings.mp3
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On Wed, 2011-02-16 at 19:51 +0200, Alfs Kurmis wrote:
Hi Experts.
I wanna normalize my sound stream by loudness (energy / pressure /
intensity) , not by peaks.
How i do it ?
Is available Jack plugin for so what ?
What is (we hear as) loudness ?
RMS or +(average) or something else ?
The other day I tried somthing unusual. I use 96 frame buffers and so I
allocate two of those for each of in and out, and then read/write
(blocking) 96 frames at a time - makes sense, yes?
Well no, it turns out that - without doing any processing - looping over
read/writing only 16 frames at a
Stephen Warren
HDMI Audio on NVIDIA GPUs
ftp://download.nvidia.com/XFree86/gpu-hdmi-audio-document/gpu-hdmi-audio.html
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On Tue, 2011-02-08 at 05:58 +0100, hermann wrote:
* add mix tubes
* add post amp
* add noise gate
* add Italian translation byIvan Tarozzi
add voicebox also??
:)
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On Thu, 2011-01-27 at 22:05 +0200, Vytautas Jancauskas wrote:
What if I fork a project because I think it gives me a good
starting point
or base for what I want to do but the direction I intend to
take things will
result in a completely
On Sat, 2011-01-29 at 11:15 -0500, Raymond Martin wrote:
Stick to the license, that is all that is required of you.
Yes, please do. Does it say that the GPL lifts the copyright? No it does
not! It is in fact copyright law that makes copyleft tick in the first
place.
You want to fork a project
On Sat, 2011-01-29 at 15:11 -0500, Raymond Martin wrote:
To remember: If copyrights were not explicitly and in writing signed
over to you then they were not.
/j
The copyright in the license is the credit!
These are dire straits. I am afraid your ship is heading towards the
cliffs.
On Sun, 2011-01-16 at 11:17 -0500, Dave Phillips wrote:
Avoid Kansas. Great advice. :)
the building has left Kansas years ago:
http://www.youtube.com/watch?v=EPWenQxryr4
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On Fri, 2011-01-07 at 01:57 -0500, Jeremy wrote:
Also if you're looking for a channel stealing algorithm, try this:
the type of a synth engine is synth
typedef struct _synthblock {
_synthblock* next;
_synthblock* previous;
synth item;
} synthblock;
What is a synthblock here? Is that
at 05:07 -0500, Jeremy wrote:
On Sat, Jan 8, 2011 at 3:27 AM, Jens M Andreasen
jens.andrea...@comhem.se wrote:
On Fri, 2011-01-07 at 01:57 -0500, Jeremy wrote:
Also if you're looking for a channel stealing algorithm, try
this:
the type
It was so terribly cold. Snow was falling, and it was almost dark.
Evening came on, the last evening of the year. In the cold and gloom a
poor little girl, bareheaded and barefoot, was walking through the
streets. Of course when she had left her house she'd had slippers on,
but what good had they
On Fri, 2010-12-31 at 14:33 +0100, Julien Claassen wrote:
Which software did you use to do
it?
I am sorry to disappoint you, but:
When my DX7 broke down this summer I went looking for a DX5 (with more
keys), but instead ended up with a €400 second hand EX5 .. Thats it!
It's twelve years
On Fri, 2010-12-31 at 11:44 -0500, Dave Phillips wrote:
It immediately made me think of Jean Renoir's silent
film adaptation of the story.
The footage I had in mind is here:
Little Match Girl ReMake
http://www.youtube.com/watch?v=4ihqvbj7p4U
.. but it needs to be cut down and shortened -
On Wed, 2010-12-15 at 19:45 -0500, gene heskett wrote:
... but what his own page says now, does not match the emails flying
around about it back in the day. Unforch, to be able to back that up, I
would have to have an email corpus that goes back farther than the 2002
date, when I had a
On Sun, 2010-11-14 at 15:38 +, Folderol wrote:
I don't know if this is at all relevant (prolly not!) but I dimly remember,
from my BBC B days, there was a way of drawing circles using Pythagoras. This
was dramatically faster than using sin/cos.
It is actually very relevant since the
On Thu, 2010-11-11 at 20:22 -0800, Eric Kampman wrote:
Since power is proportional to signal squared, this means ..
.. L(t) = cos(t * pi / 2) and R(t) = cos((1 - t) * pi / 2)
I think you misspelled one sin(), no?
let float p be the panning position such that:
Left == 0.0, Center == 0.5, Right
On Wed, 2010-11-03 at 14:28 -0700, Rory Filer wrote:
The closest I can describe it is it is like listening to a radio
through a really
cheap pair of speakers which are underpowered for the amp driving them.
But there is also a lot of static sound accompanying the voice which seems
to be
What you can do is, take an existing implementation and preallocate a
fixed number of objects in a linked list, like a stack. Then you pop off
the first object whereever there is a malloc() and push it on again
whereever there is a free()
On Sat, 2010-10-16 at 00:35 +0200, Lieven Moors wrote:
On Wed, 2010-10-13 at 07:09 +0200, Stéphane Letz wrote:
Examples of what?
Example of CUDA used for audio.
If we for now ignore getting data in and out - which I understand you
are reading up upon now - there are two main use cases:
a) Vertical signal flow: The signal flows from the top
On Tue, 2010-10-12 at 16:29 +0200, Stéphane Letz wrote:
I've done some test using OpenCL in the context of the Faust project
(http://faust.grame.fr/). Up to now results are not really good, and I
guess CUDA/OpenCL will be usable only in specific cases.
What kinds of parallellism have you
On Tue, 2010-10-12 at 20:30 +0200, Stéphane Letz wrote:
Well you obviously have a lot of practical knowledge I don't have. Any
code samples you could share?
Examples of what?
I don't know where you are heading nor what kind of hardware you are
considering - and specifically I do not
On Thu, 2010-10-07 at 10:12 +1300, Jeff McClintock wrote:
Cubase is particularly bad when playing a soft-synth live, esp with larger
audio buffer sizes, because ...
It could be useful to have some anecdotal evidence to quantify measures
of jitter like annoying and drunk, so:
What is your
On Mon, 2010-10-04 at 13:51 +0200, Max Tandetzky wrote:
I want to make a CUDA implementation of the algorithms from the
calf-plugins.
Hi Max!
This will work nicely for a massive wholesale plugin, like say for a
128 channel fully equipped mixer with all the toys on all channels.
On the
On Thu, 2010-09-30 at 23:16 +0200, f...@kokkinizita.net wrote:
... Now take a window of say half a second. If it includes a
pulse you get more or less the same spectrum again. If it doesn't, you
get nothing... even if the frequencies should be there :-)
You are now (heading towards)
On Tue, 2010-09-07 at 20:44 +0100, Gordon JC Pearce wrote:
That's a funny thing, because I've been looking at some radio equipment
with a big rotary knob to scroll through menu options. Turning the knob
clockwise moves the pointer up, and turning it anti-clockwise moves it
down - utterly
On Fri, 2010-06-25 at 11:55 +0100, James Morris wrote:
Hi,
I keep getting surprised at some of the most basic problems I run
into... This time, processing order.
Midi is serial, first come first served.
1) Notes of zero duration?
Are at least one millisecond.
2) note x ending
On Mon, 2010-06-21 at 22:55 -0400, Gene Heskett wrote:
And is there a snowballs chance in hell that this is un-encumbered?
http://electronicdesign.com/tabid/57/default.aspx?topic=algorithm_delivers_lossless_compression_to_adc_samplescatpath=fltrTitle=fltrSummary=fltrPublication.aspx?nl=1
On Tue, 2010-06-22 at 14:00 +0200, Adrian Knoth wrote:
That's more or less the end of the story. Any further discussion would
only make sense with measured results at hand.
There is this 50 instructions/sample thingie also. Size is comparable to
other lossless algos, but how about
On Sun, 2010-05-30 at 13:05 +0200, Ralf Mardorf wrote:
There is a switch on the backside of the Hammond to spin it down in
remembrance of those unforgettable brown-out moments.
I can't translate 'brown-out' into German. Is this regarding to James
Brown? ...
Nope, and I think it
On Sat, 2010-05-29 at 12:18 -0400, Gene Heskett wrote:
On Saturday 29 May 2010, Ralf Mardorf wrote:
...
So if anybody wants to program a virtual Hammond B3, should he take care
about tuning effects caused by the power line?
Btw. is the motors speed for a B3 depending to the voltage or is it
On Thu, 2010-05-27 at 13:54 -0500, Charles Henry wrote:
I would like a computer to be able to say, This would sound good, if
I were a human. Better yet, I'd like the computer to describe it to
me in numbers that I myself could not calculate.
The question then becomes: Do androids really
On Fri, 2010-05-28 at 13:40 -0500, Gabriel M. Beddingfield wrote:
What could be causing the ground loop to oscillate?
It works like an antenna picking up the electromagnetic 50 Hz
fundamental. I don't think this is the right answer given the 100 Hz
harmonic series.
On Fri, 2010-05-28 at 21:14 +0200, f...@kokkinizita.net wrote:
Meanwhile I did measure the signal quality of card X using
a *decent* generator - it is extremely good.
Since it has been concluded that the problem is related to the AC power
supply, it would be interresting to measure card-A
On Fri, 2010-05-28 at 22:02 +0200, f...@kokkinizita.net wrote:
The really interesting value is the noise density shown in the upper
left corner (for the marker at 1100 Hz): noise density is -137.9 dB/Hz
Add 43 dBHz (for 20 kHz), and the resulting S/N ratio is -94.9 dB.
Which is 16-bit
On Fri, 2010-05-28 at 23:07 +0200, f...@kokkinizita.net wrote:
So 20 useful bits - approx.
Where do you get this ? What the plot shows is that the
S/N ratio is around 95 dB, that's all. Even if the ADC
has 20 effective bits, they are useless as the analog
noise dominates.
I get this
On Sat, 2010-05-29 at 00:00 +0200, f...@kokkinizita.net wrote:
Absolutely, and that why there's dithering, which in its
simplest form is just adding noise.
Great ;)
Now you please go add some noise to a 16 bit signal and keep that
theoretical -90 dB noisefloor also, will you ...
In any
On Sun, 2010-05-23 at 18:58 -0400, Paul Davis wrote:
...
i am glad to hear, however, that you've never used longjmp/setjmp in your
code ,,
Ah! But this would otherwise have been the perfect cue for establishing
that plain C isn't that plain and straightforwarded either. Without even
trying
On Thu, 2010-05-20 at 16:08 +0200, Jörn Nettingsmeier wrote:
http://lwn.net/SubscriberLink/388188/62e8027425e224f6/
There is a link in the article to something Thomas Gleixner said:
Dream on while working with the 2 machines at your desk which
represent about 90% of the sane subset in the
On Wed, 2010-05-05 at 18:17 +0200, Jörn Nettingsmeier wrote:
the lac2010 presentation recordings are now available at
http://www.linuxproaudio.org/lac2010/ - kudos to faberman for
very-close-to-realtime post-production!
I suppose that if I in firefox can only see a bit of static green, then
.. which video is causing the problem? All of them?
Yes!
# totem --version
GNOME totem 2.20.1
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On Tue, 2010-04-13 at 08:13 -0400, Paul Davis wrote:
... a note off does nothing but terminate the sound early.
That sounds pretty dramatic to me, no? As in:
- No Marie-Antoinette, You need not to be afraid - the guillotine will
only terminate Your life a little earlier ...
On Mon, 2010-04-12 at 00:52 +0100, James Morris wrote:
On Mon, April 12, 2010 00:38, James Morris wrote:
Hi,
I'm pretty sure I've seen this dealt with on the list before, but can't
find it.
With the program I'm fumbling around trying to create, it will be possible
for successive
On Mon, 2010-04-12 at 10:26 +0200, Thorsten Wilms wrote:
On Mon, 2010-04-12 at 08:07 +0200, Jens M Andreasen wrote:
The question is what happens at the other end when a note gets struck a
second time.
a) Nothing, the note is already on.
b) Re-trigger, the voice is reset and the note
On Tue, 2010-04-13 at 00:55 +0100, James Morris wrote:
A string of note-ons following each other all for the same pitch n without
any intervening note-offs for pitch n, IS PERFECTLY ACCEPTABLE provided
they are INTENTIONAL and NOT accidental.
Yes, except for that this is an absurdity that
On Thu, 2010-04-01 at 21:24 +0200, rosea.grammostola wrote:
*Ugh Shipping begins April 1, 2010*
A prerelease has been floating around for a while though:
http://www.youtube.com/watch?v=qtf2Q4yyuJ0
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On Fri, 2010-03-26 at 23:46 +0100, Arnold Krille wrote:
If the stars revolve around you, that is Newton.
No, that would be the pint!
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On Mon, 2010-03-22 at 16:47 +0100, Nick Copeland wrote:
Just 128 steps for filter cutoff for an oscillating emphasis does not
work well
if it needs to be tuned exactly to an VCO/DCO, it is basically never in tune
This is wrong.
The number of bits in a parameter is unrelated to where and
On Mon, 2010-02-08 at 19:02 -0500, Joshua Boyd wrote:
If OpenCL DSP code would run on my desktop using CPUs only, faster than
a reasonable C implementation ...
You are smoking some illegal substances tonight?
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On Sat, 2010-02-06 at 21:36 +0100, Emanuel Rumpf wrote:
2010/2/4 Jens M Andreasen jens.andrea...@comhem.se:
Zap the Gnome on steroids and dedicate your GPU for audio then!
How to ?
I can only say what I have done and _very_ _carefully_ point out that I
know _absolutely_ _nothing_ about
On Sat, 2010-02-06 at 23:07 +0100, Emanuel Rumpf wrote:
article: Audio Processing on the GPU
http://www-sop.inria.fr/reves/projects/GPUAudio/
That article is so out of date, I dont know how to even begin to
explain? Really, you might as well be talking about how M56k code does
wonders on a
On Thu, 2010-02-04 at 18:50 +0100, Emanuel Rumpf wrote:
We have dedicated hardware for graphics, why not for audio ?
Zap the Gnome on steroids and dedicate your GPU for audio then!
I have success with 3 audio buffers × 0.3 ms + another 0.3 ms for the
PCIe roundtrip to the GPU. Voicecount is
On Tue, 2010-01-26 at 15:15 -0500, David McClanahan wrote:
... Roland, Korg, Yamaha put out turnkey products on what I suspect is
simpler hardware and my question is there any reason why similar
turnkey systems could not be developed on a Linux system ...
There is a difference between 'any
On Tue, 2010-01-26 at 14:23 +0100, Arnold Krille wrote:
I don't know but this sounds a bit stupid to me. You want the random numbers
to have differences. ...
And you can't really use scientific random number generators because you want
to be fast and have realtime with the synth ...
I am
market.)
In any case, $16 billion does not sound reasonable.
... And now back to our regular programming:
How to make useful musical instruments out of the techno-trash others
have thrown in the dumpster?
On 24 Jan 2010, at 15:06, Jens M Andreasen wrote:
On Sun, 2010-01-24 at 17
market.)
In any case, $16 billion does not sound reasonable.
... And now back to our regular programming:
How to make useful musical instruments out of the techno-trash others
have thrown in the dumpster?
On 24 Jan 2010, at 15:06, Jens M Andreasen wrote:
On Sun, 2010-01-24 at 17
On Sat, 2010-01-23 at 17:32 -0500, David McClanahan wrote:
Hi,
Where to start? I have a Dell 7000 laptop and I'm wondering if it can
be a music synthesizer(something like a Minimoog). If not, why not?
If your Dell is what I think it is:
On Sun, 2010-01-24 at 17:46 +0300, Louigi Verona wrote:
I read about this Korg OASYS ...
... Proprietary world is so full of wasted efforts, imho.
The 290 employees at KORG is raking in a cool $16,419.7 million in
annual sales from their efforts, so they might deviate just slightly
from our
On Sun, 2010-01-24 at 14:38 -0500, drew Roberts wrote:
Korg is an employee owned company?
That would be a conclusion based on false logic.
This thinking (and it does have its appeal) is one of the reasons ...
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On Sun, 2010-01-10 at 23:50 +0100, Julien Claassen wrote:
If I canget the other party to split the big chunks into smaller (say 1M)
chunks and upload the last 1M chunk of the original files, would there be a
way of merging these bits into my files.
You have 99% of the file already,
Laia 'K', 'mx44', 'your sadistic dentist' and everybody else up here a
60° north, wishes everybody a happy new year:
[Eleectric!]
http://www.youtube.com/watch?v=ZEgbW1FxR78
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On Sun, 2009-12-27 at 20:19 +, Peter Nelson wrote:
On Sun, 2009-12-27 at 14:24 +0100, Jens M Andreasen wrote:
$ locate ia_ora.so
/usr/lib/gtk-2.0/2.10.0/engines/libia_ora.so
Hmm, you seem to have chosen a GTK engine that only exists in the
Mandriva world.
OK, I've put up a copy
I am trying to fix the size of my UI to be independent of the selected
WM theme. I have a gtkrc (based on the Ia Oya engine) which will do
that - except for the font sizes which will vary dependent on how screen
resolution is set globally.
One work-around I have found is to use a font that has
On Sat, 2009-12-26 at 19:53 +0100, Arnold Krille wrote:
There is a reason why some people use 9px Times and others use 20pt bold
Verdana. [*] And an applications programmer trying to be smarter than the
user
ends destroying the users experience...
It is like this: If the fontsize for the
Suppose you wanted a soft-synth to be instantly playable at startup
(given the option: '--autoconnect') then what would be the ALSA
functions for:
1) Saving the current live connection at exit (if any.)
2) Restoring the above (saved information.)
/j
On Wed, 2009-12-23 at 17:34 +0100, Jens M Andreasen wrote:
... then what would be the ALSA functions for:
Should be: ... then what would be the ALSA /MIDI/-functions for:
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http
Mx44 bumped to version 2
http://web.comhem.se/luna/
New in Mx44.2: Copy/paste of individual oscillators. Choice of
temperament (Natural, Mean, Well- and Even tempered.) Optional
auto-connect to jackd, optional patch location
OSS deleted as well as numerous other bugs, thanks to James Morris
On Mon, 2009-12-07 at 20:41 +0100, Karl Hammar wrote:
So, 24bit, 48/96kHz is the spec. to aim at?
If you happen to sit on a warehouse full of them, otherwise 192kHz is
priced the same these days.
I've noted some other strange things. Why should a
soundcard be running Linux, or any
[Testing if setting the style to Preformat will make long links
survive the chain of maillist and -agents]
http://entertainment.slashdot.org/story/09/12/03/2018253/Introducing-L2Ork-Worlds-First-Linux-Laptop-Orchestra
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On Thu, 2009-11-26 at 01:24 +, Folderol wrote:
It's late, but I can't sleep, so...
set sample rate - 44.1, 48, 96, ? (default 48)
If anyone can see any obvious holes in this or simplifications please
say so.
Crystals controlling inexpensive DAC'c and ADC's will be
[renamed thread to reflect subject]
On Sun, 2009-11-08 at 11:01 +0100, Adrian Knoth wrote:
In the meantime, I had a first glance at the new Fermi chips. They
support independent kernels, so this would leverage the whole design
principle of au...@cuda.
Independent kernels will on Fermi run at
Slightly related: I am probably not the only person who gets cell-phone
signals leaking in all over the place, right?
* Says beep-be-deep in speakers.
* Moves mouse-pointer around.
* Shakes CRT pictures back and forth.
The nastiest thyristor-dimmers might be gone by now, but modern
cell-phones
Nothing in the posted code fragment suggests that neither in nor out is
remotely related to floats. Where do you get yor in-data from? Why is
fbuffer[] a bytearray (if that is what it is?) How was ALSA opened?
/j
On Mon, 2009-10-26 at 15:05 -0700, Drip Stone wrote:
while ( 1 )
{
So what /should/ then be the new name of the spinlock_t that is actually
spinning?
My vote is for spinning_spinlock_t, because that is what I say when I
try to explain the difference. Implicitly also suggests that normal
spinlocks in an RT context aren't really /that/ urgently spinning.
/jma
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