bill [EMAIL PROTECTED] schrieb:
i've found that slower is better. a question of individual taste i suppose but
stately
play without forcing the volume sounds right.
my experience, too. OTOH, this way forces you to precisely keep up with
the beat, i.e. more precisely than with more speed.
i've tried to find the source but no luck. i'll try later.
i remember seeing someone with st. vitus dance when i was very young -
a wonder to behold. the dance i'm talking about, however came more
from misery than any early music saturday night fever. more than
likely the plague had
bill [EMAIL PROTECTED] schrieb:
what does otoh and voice leading mean?
sorry, abreviations are a disease, too. I've come to learn that OTOH
means On The Other Hand.
Voice-leading is the way parts or voices of a piece are led (going up or
down, or repeating a tone). It is conditioned by the
Dear Bill,
You ask an interesting question. Does turning the 3rd string of a
guitar from g to f# turn the guitar into a lute? I would say no,
because of the shape of the instrument. Although changing the tuning
may give a guitarist access to lute music, it doesn't turn his
instrument into a lute.
Dear e-friends!
I've just posted something for the extremely adventurous amongst yourselves
at
http://www.polyhymnion.org/lieder/italian.html
This is an aria Quali Contrarii Affetti from Johann Friedrich Reichardt's
opera Rosmonda. The lute part has no technical problems, but the vocal
part
G.R. Crona wrote:
Hi gang,
I'm playing some golden age and Milano at the moment, and suddenly
realize, that (for me) much of the music actually gains in stature by not
being played too fast (cf. La compagna).
For me, playing music is quite like speaking. When
speaking, I can just iterate
Subject: Manuscript of Per Brahe - Skokloster
Per Brahe
Seems like an interesting character this PB:
Encyclopedia: Per Brahe
Count Per Brahe (February 18, 1602 - September 2, 1680) was a Swedish
soldier and statesman.
Brahe was born on the island of Rydboholm, near Stockholm. He was the
Wasn't Per Brahe a famous astronomer? His lute book at the
Sklottsbiblioteket in Skokloaster was indeed copied when he was a student
in Giessen (about 1618). It is on the cusp of the baroque and contains
works by Dowland, Vallet, Bocquet, and so looks backward rather than
forward into the
No, Per Brahe was not the astronomer! His name was Tycho Brahe. I agree with
Arthur that the music in this MS is not very exciting. It is a student's
book and very amateurish. A full inventory is given in RUDÉN, J. O. Music
in tablature. Stockholm 1981. Rudén also has made a special study of the
10 course lute for sale. 65 cm string length, back in 11 ribs of very =
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and
Wasn't Per Brahe a famous astronomer? His lute book at the
That was Tycho Brahe...
Francesco
I think it was in the early thirties that a piece was written by Hoagie
Carmichael, it was basically in rag time. I've heard the original. It didn't
work, but at a new tempo it became a classic called Stardust (and as Hoagie
played it it wasn't the draggy smaltzy piece that it became later, it
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