I´ve found one piece:
http://www.icking-music-archive.org/scores/merula/canzonetta.pdf
greetings from austria
peter
- Original Message -
From: [EMAIL PROTECTED]
To: baroque-lute@cs.dartmouth.edu
Sent: Wednesday, March 05, 2008 9:39 AM
Subject: [BAROQUE-LUTE] Tarquinio Merula
Dear
Dear Lutelist,
After Mathias was so kind as to take the time to make a video and demonstrate
for me how to play the Allemande by Dubut that I had posted earlier, I tried to
record it again with a different interpretation of the rhythm. Unfortunately, I
recorded late last night, and somehow
The ones that got away are always better! (Not the most
grammatically-correct sentence I've ever written!).
You seemed to relax into it more before the end. It didn't sound like you
were on rhythmic autopilot, which it often does when one is experimenting
with inegales. Keep up the good work.
On Mar 5, 2008, at 3:09 AM, Thomas Tallant wrote:
Hor che Tempo is a lullaby, thus the droning quality of most of
continuo part. There is a shift in tonality and mood at the end
that is tricky. Overall, it's a deceptive piece: It's long and
difficult for the singer (technically and
Does anyone have any good advice for how to bring a large lute from Europe to
the United States? In this case the instrument would be a lute with a neck
extension (a theorbo). Someone will bring the instrument from Europe to the
U.S., checking it onboard an airplane. The instrument would be
Here is Lynda Sayce's essay on the subject of flying with a theorbo:
http://www.theorbo.com/Writings/Flying.htm
Rob
On 06/03/2008, Thomas Tallant [EMAIL PROTECTED] wrote:
Does anyone have any good advice for how to bring a large lute from Europe
to the United States? In this case the
And another:
http://www.lysator.liu.se/~tuben/scores/
Rob
On 05/03/2008, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
Dear all
All the vocal music by Tarquinio Merula that I've heard [voice and
theorbo]
is superb.
But I can't find references to any editions [the 'opere complete'
edition
peter rauscher [EMAIL PROTECTED] schrieb:
I´ve found one piece:
http://www.icking-music-archive.org/scores/merula/canzonetta.pdf
greetings from austria
peter
Nice music, although not exactly exciting to the theorbo player during
the main part. Measure 85 is a bit tricky (B major? minor?),
hello,
seems to me, that esnips solved the problem. my folder lautenklang works
again in firefox.
http://www.esnips.com/web/lautenklang
greetings
wolfgang
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Difficult choices; volume is the number one issue in performance.
Archlute in A is nice, I always add chords since some of Handel's
lute parts are figured.
Octave up in places that are drowned out if you must..
Archlute is G is OK
Theorbo if you play the high bits solo and chord up the rest,
Yes, I would like to.
I've just checked - The Lute Society are still selling this issue -
I'll buy a copy...
Andrew
On 4 Mar 2008, at 16:43, Charles Browne wrote:
It is worth reading his article.
-Original Message-
From: Andrew Gibbs [mailto:[EMAIL PROTECTED]
Sent: 04 March
Ed and Arthur
This story was told in an interesting article by Janet Snowman, in
December 2006, APOL LO Academy Pictures On-Line, Robert Spencer
http://tinyurl.com/239h99
in 1643 a London surgeon's casebook describe `Mr Ashberrie (a
lutanist) at night was bitten by Gottier, the
Dear All,
The new Piece of the Month for March is now available on
www.luteshop.co.uk/month/pieceofthemonth.htm
Downloads are available as Fromino, Tab, PDF and MP3.
I hope your copy of Acrobat reader behaves better than mine - it seems
to be picking up the wrong file even though I've
All very nicely played and recorded, but what an excellent idea to
give us the two 'French' tabalatures in parallel and separately. I
think a number of us will be trying these two variants, under the
guidance of you model playing.
I must get a wifi link to be able to transport my computer.
Well done. Very nice indeed. You're going to build up quite a library of
scores and sound files over the coming decades. Keep at it!
Rob
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What about the scarifier-lute? here is a sample:
http://www.collinscompany.com/mall/ClayCourts.asp
-Original Message-
From: Ron Fletcher [mailto:[EMAIL PROTECTED]
Sent: 05 March 2008 12:58
To: lute@cs.dartmouth.edu
Subject: [LUTE] Whew what a corker
Caulking is the process of wedging
Hi Martin -
The source file for the 08031.tab version of your music is very
strange indeed. It almost formats correctly when processed
with my program, but the source has a lot of extraneous x's
and the spacing is wierd. Is this the tab format output
from Fronimo?
Wayne
From:
If you are in New York, Wednesday 26 March, you might possibly be
interested in a lecture/demonstration at the Metropolitan Museum of Art,
on their collection of musical instruments. Their holdings include a
number of historical lutes and other plucked strings, though the
highlight of the
On Mar 5, 2008, at 5:44 AM, G. Crona wrote:
Many thanks to all contributors to this thread. It really shows
what this list is all about!
Yes, I think you've hit on it. The most popular game on this list is
Name That Lute, or When is a Lute Not a Lute? Now it seems we don't
even know
I've just noticed a small error in the second piece (the one from
Hirsch, bar 19, event 3) which is correctly described in the critical
notes but the note in question wasn't correct in the tab - I've fixed
it now, so if you downloaded the ft2, tab, or pdf versions of this piece
you might want
Dear Martin,
That is an interesting pair of works that you published. The
Hirsch version is the same as a fantasia (or fuga--the titles are
not specific for each piece) in Elias Mertal, _Hortus Musicalis
Novus_ (Strasbourg 1615), No. 79 (pp. 222-3). Probably the
proper
title is Fuga. I have a
Has anybody tried the nylgut called NGE? I'm thinking about using it on the
5th course or maybe even on the 6th, but as they are much thicker than the
type D which I normally use, I'm afraid they might sound too tuby and
perhaps not tune because de octave will be much thinner in comparison.
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