Nice!
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu
Sent: Sunday, March 30, 2008 5:54 AM
Subject: [BAROQUE-LUTE] The Sautschecks' Tabulatures/L'intavolature dei
Sautscheck
For those who may be inclined toward such
Dear Urs,
I'm sorry to say I don't know the wood used for the core of the neck. It
just never came up in conversation, but I could find out for you easily
enough. The neck IS veneered in ebony, with red paint in both peg boxes.
The kingwood was Malcolm's idea, and I have to say it works very
Well, my example was really to show how tricky attribution is.
But you can dig a bit further.
In this case, you can go by the Grove, but the
Grove is not really an authoritative source in
that it is a secondary reference. Yes, we all
read it, but it is a bit like Trader Joe's as well.
The real
Malcolm has told me that the core of the lower neck is mahogany (Khaya), the
core of the upper
neck is South American cedar, which he thinks helps the tone.
Rob
On 29/03/2008, Urs Leo Gantenbein [EMAIL PROTECTED] wrote:
That's a fine instrument, indeed.
What are the timbers used?
Kingwood
Hi all.
I got my first lute, a cheap eight course, in Florida when my family and I
were on vacation.
My parents than achieved their decades old dream of emigrating to Israel,
and since I was under age at the time I was dragged along with them.
I have since resigned myself to my fate and have come
Welcome!!! I'm from Israel too :-)
There's a great teacher here, contact me and I'll give you his details
On Mar 30, 2008, at 3:22 PM, Zechy Mahler wrote:
Hi all.
I got my first lute, a cheap eight course, in Florida when my family
and I
were on vacation.
My parents than achieved their
From: Zechy Mahler [EMAIL PROTECTED]
Hi all.
I got my first lute, a cheap eight course, in Florida when my family and I
were on vacation.
My parents than achieved their decades old dream of emigrating to Israel,
and since I was under age at the time I was dragged along with them.
I have since
On Mar 29, 2008, at 10:52 AM, Arthur Ness wrote:
Where did Richafort find it?
In a registered letter from Henry VIII.
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On Mar 29, 2008, at 10:52 AM, Arthur Ness wrote:
Unless you
have some urge to talk about Leonardo da Vinci's wandering beard.
I just acquired such an urge, at least to the extent of understanding
the reference. What are we talking about?
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I was wondering what tension people put on the 2 bass-rider strings of a
13-course lute. I have been putting around 2.4 Kg bass and 2.2 octave,
it seems a bit slack (the other strings around 2.8 and 2.6)
Thanks
Nigel
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You'll find many of his music (and a lot of unpublished and unknown music)
in Frankfurt
http://telemann.info/
http://www.stadtgeschichte-ffm.de/artikel/telemann.html
I regret I don't know if the Cantata in question is in the Frankfurt
collection. Anyway a good source to dig into unknown
Thomas wrote:
You'll find many of his music (and a lot of unpublished and unknown music)
in Frankfurt
http://telemann.info/
http://www.stadtgeschichte-ffm.de/artikel/telemann.html
I regret I don't know if the Cantata in question is in the Frankfurt
collection.
No, it is not. But thanks for
Eitan Hoffer studied lute in Amsterdam with Fred Jacobs, together with
Alfonso Marin, Israel Golani and me:
http://hoffer-bows.com/index.php?show=about
Best wishes, Jelma van Amersfoort
On Sun, Mar 30, 2008 at 2:22 PM, Zechy Mahler [EMAIL PROTECTED] wrote:
Hi all.
I got my first lute, a
I do about 2.9 Kg per string in that situation. But, I use only gut
. When using gut, a strong octave is very important.
ed
At 05:59 PM 3/30/2008 +0200, Nigel Solomon wrote:
I was wondering what tension people put on the 2 bass-rider strings of a
13-course lute. I have been putting around
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