Dear Collected Wisdom,
is there someone on the list who is willing to share their experiences
with double headed 12c lutes and related repertoire? I'm just about to
enter that flowery meadow.
What I'm interested in is
- choice: What made you choose that type of lute (that luthier)?
-
Seem to be unable to post. Maybe a conflict with AOL.
Sorry for the junk mail
Bruce
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With more people appreciating the audio and visual quality of the Vimeo site
over YouTube, I've created a Vimeo Channel - one page bringing together all
the Vimeo videos with lutes and early guitars. I urge all those of us who
have videos to upload them to Vimeo, then inform me and I'll link them
With more people appreciating the audio and visual quality of the Vimeo site
over YouTube, I've created a Vimeo Channel - one page bringing together all
the Vimeo videos with lutes and early guitars. I urge all those of us who
have videos to upload them to Vimeo, then inform me and I'll link them
Dear Mathias,
No, I have not gone in that direction. There seems to be relatively new
interest in the topic, as Paul Beier is going to record a CD of music of
Reusner on 12 course.
Just yesterday, I received a new CD by Anthony Bailes.. Old Gaultiers
Nigtinghall. He plays a small Frei,
I used to have a 12c. You can see it on David Van Edwards' site. I bought it
second hand, so had no choice in model, woods, measurements etc. My
understanding is that the larger instruments work better. I didn't have it
long enough to get into the specific repertoire for it, and to be honest,
the
What about Aurora Borealis? Was Campion far enough north to see it?
.. in Thomas Campion's lute song Author of Light?
Sun and moon,
stars and underlights I see,
but all their glorious beams
are mists and darkness
being compar'd to thee.
The OED is not really helpfull, suggestion
Greetings all,
I came across this whilst looking for info on the Balcarres lute book.
http://www.abc.net.au/classic/lute/?WT.srch=1
http://www.abc.net.au/classic/lute/?WT.srch=1gclid=CPShkeTSzpMCFQyD1Qo
dpEC7jw gclid=CPShkeTSzpMCFQyD1QodpEC7jw
Regards,
Neil
--
To get on or off this
I would suggest underlights are the planets and perhaps also the Moon
(and Sun?). In the world picture of those days all the stars were
attached to the same, uppermost chrystal sphere, each planet had its own
chrystal sphere, which were also lower, nearer to the center of the
universe, our
Hi Mathias, Edward and the rest of you,
you might find this article interesting:
http://www.tabulatura.com/Mestweb.htm
I wonder how common these small baroque lutes were...
Are
Dear Mathias,
No, I have not gone in that direction. There seems to be relatively new
interest in the topic,
Hi lutenists,
just in case someone thinks I am a madman, when writing about the world
picture of the composers of our lute music, as I did (see below), I
would like to add something. My list of heavens (should it be
spheres?) is taken from the preface of one edition of Dante's
Divina Comedia,
Ehud,
I'm afraid I disagree with Jon. Considering that even a cheap lute
of the southeast Asian variety is now running $400-500, buying one
sounds like an expensive way to learn what not to do. I think that,
even buying tuning pegs, materials for the lutes I've built cost
under $200;
Thanks, Are. I will read it. But, Bailes' lute is not THAT small.
ed
At 07:22 PM 5/30/2008 +0200, Are Vidar Boye Hansen wrote:
Hi Mathias, Edward and the rest of you,
you might find this article interesting:
http://www.tabulatura.com/Mestweb.htm
I wonder how common these small baroque
I think that in a specific way, it refers to the many types of
diagrams showing the celestial order, many of which are reprinted in
the untuning of the Sky by John Hollander, and obtusely referenced in
Spitzer's classic text,
Classical and Christian Ideas of World Harmony.
In a general sense,
Lutes have dynamics to my ear. When I practice, I play the same
passage a different volume levels.
Lutes can also say the words, but this is difficult to describe,
though easy to demonstrate.
Normally I start by memorizing the poem, then reciting using
rhetoric, then I practice making the
Thanks Rob
dt
At 04:45 AM 5/30/2008, you wrote:
With more people appreciating the audio and visual quality of the Vimeo site
over YouTube, I've created a Vimeo Channel - one page bringing together all
the Vimeo videos with lutes and early guitars. I urge all those of us who
have videos to upload
My lute awake! ... indeed, its purpose is to accompany the poem with
its own rhetorical counterpoint. David speaks a fundamental truth here
and we, as the lute, should have a thorough feel of the poem and
purpose as well as the poet's, composer's and musician's artistry. A
song --especially
On 5/31/2008, LGS-Europe [EMAIL PROTECTED] wrote:
The Elizabehan World Picture
by E.M.W. Tillyard (I happen to have a Pelican from 1943, but there must be
more modern editions)
Yep, mine is reprint of 1984, at least 14th reprint, ISBN 0-14-021484-4.
Arto
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