Grazie molto, Francesco!
Martin
Francesco Tribioli wrote:
I always thought that Michelagnolo was just wrong, that it should be
Michelangelo but that's what it says on his title page, and it does
seem possible (Michael the lamb) when you think about it. Can any
Italians out there enlighten
Martin Shepherd brought up the subject a while ago, with the
thought-provoking comments by David Hill. Here's an eyes (ear?) wittness
report by someone who should know what lute songs are all about:
... Song was sung by an excellent counter-tenor voice, with rare varietie
of division. (Thomas
- Original Message -
From: Francesco Tribioli [EMAIL PROTECTED]
To: 'Martin Shepherd' [EMAIL PROTECTED]; 'Greet Schamp'
[EMAIL PROTECTED]; 'Lute Net' lute@cs.dartmouth.edu
Sent: Monday, June 16, 2008 10:22 AM
Subject: [LUTE] Re: piece of the month update
I always thought that
Hi, again,
I just took the time to read this through, and I had a similar experience to
Rob's in Turkey when I played with traditional Cambodian musicians here in
America, though there was no score and the variations and ornamentations (as we
would call them) on the basic tune (as we would call
Stewart was kind of enough to find no less than nine spelling mistakes and
made the remark that not all lute songs are for one to four voices. Point
taken; a few have a fifth part. Dowland's 'Welcome Black Night' comes to
mind.
David
David van Ooijen
[EMAIL
Dear Wisdom,
What lute and voice settings are there of poems by John Donne (a long-time
favourite poet of mine)? I'm also interested in settings for viols and voice
or voices.
Rob MacKillop
--
To get on or off this list see list information at
Nigel North recorded a CD entitled, The Rags of Time, along with vocalist
Paul Hillier, on Harmonia Mundi (HMU 907257). It contains songs with
Donn'e texts, as well as narration of some of his works. I recommend it.
ed
At 10:59 PM 6/16/2008 +0100, Rob MacKillop wrote:
Dear Wisdom,
What
Rob MacKillop wrote:
What lute and voice settings are there of poems by John Donne (a
long-time
favourite poet of mine)? I'm also interested in settings for viols
and voice
or voices.
Ferrabosco set The Expiration as So, so, leave off this last
lamenting kisse (the seventh song in
There's also:
William Corkine: Break of Day (Second Booke of Ayres)
John Hilton: A Hymn to God the Father
And see:
http://www.matthewwadsworth.com/Donne-info.htm
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks David for sharing this knowledge with us!
Regards.
2008/6/16 LGS-Europe [EMAIL PROTECTED]:
Stewart was kind of enough to find no less than nine spelling mistakes and
made the remark that not all lute songs are for one to four voices. Point
taken; a few have a fifth part. Dowland's
Dowland? Which song?
Together with Marlow, Donne and Dowland shared the same female patron, Lucy,
Countess of Bedford. I suppose a concert programme of the three has been
done many times?
Rob
2008/6/16 howard posner [EMAIL PROTECTED]:
Rob MacKillop wrote:
What lute and voice settings are
On Jun 16, 2008, at 3:45 PM, Rob MacKillop wrote:
Together with Marlow, Donne and Dowland shared the same female
patron, Lucy,
Countess of Bedford.
It must have been an interesting night.
--
To get on or off this list see list information at
Hi, Rob and all,
This query has prompted me to dig out my copy of Poemes de Donne, Herbert, et
Crashaw mis en musigue par leur contemporains, transcription et realisation par
Andre Souris. (Pardonnez moi, mes amis. I haven't figured out how to do
diacritics in email yet...) It was published
The casual reader might mistake Sleep stay awhile for Donne, though
the opening is similar, it is not Donne.
So so, leave off has one or two very minor differences from Donne's
text, such as changing ask'd to ask. as well as the usual orthograhic
confusion
of soules and selves.
dt
At 03:45
14 matches
Mail list logo
