On Wed, Aug 26, 2009 at 1:06 PM, Arto Wiklawi...@cs.helsinki.fi wrote:
that transcribing it to other medium would not make justice to the piece.
Thanks everybody for all the help.
I've told my theorbo-only friend to make his own arrangement, or buy a
baroque lute. Slightly off-topic, I must say
Dear baroque lutenists,
I sent the following to the regular lute list, but (again) perhaps there
are some baroque specialists here, who do not read the regular list?
Original Message
Dear lutenists,
another piece by Lully, who knows?
Anonymous arr of La Cloris in ms.
Hi all,
there are also manuscripts digitalized. Go to Suche
[1]http://www.digitale-sammlungen.de/index.html?c=suchenl=de
and enter the Stichwort: Mus.ms
you'll get a list of all ms. Click at any to see the pics.
Karl
- Original Message -
From: David van Ooijen
Where you'll also find:
Denss
Waissel
Ochsenkuhn
Bakfark
+ guitar continuo stuff
- Original Message -
From: Karl-L. Eggert karl.l.egg...@t-online.de
To: Lute mailing list lute@cs.dartmouth.edu
Sent: Wednesday, August 26, 2009 12:03 PM
Subject: [LUTE] Re: [english 100%] Re: Hans
G. Crona wrote:
Where you'll also find:
Denss
Waissel
Ochsenkuhn
Bakfark
+ guitar continuo stuff
I put in Mus:Ms and could only find some Haydn, Raff and some organ
music. What is the guitar stuff?
Stuart
- Original Message - From: Karl-L. Eggert
karl.l.egg...@t-online.de
Go here Stuart:
http://www.digitale-sammlungen.de/index.html?c=faecher_indexbrowsingindex=0l=de
where it says alle, choose Schöne Künste and where it says
Unterkategorien choose the last entry Musikalien (Notendrucke) and scroll
;)
G.
- Original Message -
From: Stuart Walsh
PS. there is also a choice for getting the page in english on the left side!
- Original Message -
From: G. Crona kalei...@gmail.com
To: Stuart Walsh s.wa...@ntlworld.com
Cc: Lute mailing list lute@cs.dartmouth.edu
Sent: Wednesday, August 26, 2009 2:26 PM
Subject: [LUTE] Re: Ein
G. Crona wrote:
Go here Stuart:
http://www.digitale-sammlungen.de/index.html?c=faecher_indexbrowsingindex=0l=de
where it says alle, choose Schöne Künste and where it says
Unterkategorien choose the last entry Musikalien (Notendrucke) and
scroll ;)
G.
Thanks. I'd sorted out the Schöne
Others will go into more detail, but the best advice I can give your
daughter is to not worry about making mistakes when learning to
improvise. This is especially important to those who have spent all
their time trying to play the score 'correctly'. And, yes, I believe
EVERYONE can
I Edward, sorry all for the late response.
There are few things bothering me with the interpretation,
One, it's a technical issue, but there are too many clicks and
ticks might be bad recording or something, I don't know if you have
other recording with the same issue.
Second, the
Hi Chris,
Regarding question 1, I would recommend reading an interview with Paul
O'Dette in the most recent issue of Lute Society of Amerca Quaterly
(Volume XLIV, No 2). In it, O'Dette is asked what kind of training a
person planning a career in lute performing should be looking
Hi Omer,
Surely Ed will appreciate that you've taken the time to say a word on his
work.
I'm of the opinion of defending our musical ideas making music rather than
with words, so I won't say much here...
About Milán:
He doesn't say anything on repeating or not, but he is definitively
It has been quite some time since I posted to the list, but I have two
questions for list members. Perhaps these two questions are related .
. . I'm not musical enough to say for sure.
Question 1.
My third daughter, now age 17, has been playing the lute seriously for
a few years now, and
A great resource to retrieve this kind of documents is the EEBO, Early English
Books Online:
http://eebo.chadwyck.com/home
You can only access it via a Library or an Academic Institution, but is should
be pretty easy to register at you local library and gain access to it through
their online
Question 1. [improv]
you might find more on improv in the archives, it has been discussed here
before.
My first instrument was voice, followed by guitar, eventually I came to
lute. In all of that I was one of those who play by ear. I find it
difficult to play from score, if the version of a
Try setting the date filter for, say, 1500 - 1600
--- On Wed, 26/8/09, Stuart Walsh s.wa...@ntlworld.com wrote:
From: Stuart Walsh s.wa...@ntlworld.com
Subject: [LUTE] Re: Ein Newgeordent Kuenstlich Lautenbuch
To: G. Crona kalei...@gmail.com
Cc: Lute mailing list
As you probably know, if she is going to make a career practicing
something foreign in Japan, it is essential that she study abroad in
order for her to get the Japanese stamp of approval. Do read that
Odette interview. He mentions that continuo and the ability to read
notation are
Found!
Thanks to Matteo, Alfonso and everyone else!
Saludos,
a
To get on or off this list see list information at
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So now I have one lute strung in gut (delightful!) and am wondering
what folks do with all the extra string hanging from the peg box (I
don't wind much on the pegs and simply trim the extra when using
synthetic). If gut tends to break (I haven't had it on long enough to
know if
Dear friends
More about Milan,
I don´t recall the exact quote (I´m not at home at the moment to verify the
reference), but Milán does state explicitely that the pavans should be played
twice. Thus, there is at least some evidence about the use of repeats by Milan.
I agree with Ariel, we
Dear Lutenists
Hereby for info
Best greetings
Gilbert
Gilbert Isbin, Three Contemporary Lute Duets
For two 6-course lutes, early intermediate level and upwards, in modern yet
accessible style, in score and parts, 2 booklets, 24 pp and 8 pp, ISBN 978 0
905655 73 4
Do you who use gut trim
it, leave it, or wind most of it on the pegs to keep things neater?
Dont wind on the peg, minimize the windings to enough to hold well. Loose
winding dont look much better than dangling hanks (which is what you
should do initially). To many risks wedging up
Omer,
I'm not exactly sure what to make of this. On the one hand, I believe in
an open discussion of ideas on this list. On the other hand, there are things
that perhaps would be better handled in private. A lot of the issues you
mentioned below deal with your personal preferences.
sounds like something by Sting
How on earth can Ed sound like Sting, since he sings not a single
note on any of his recordings?- And I believe it is Edin Karamazov
doing the lute playing on the Sting album; a different Ed
altogether. By the way, Milan himself wrote that the Pavans, at any
ariel abramovich wrote:
Dear friends,
I'm desperately looking for Thomas Campion 4th books, in any digital
format.
I bought all others, but the 4th seems to be a bit of a problem to find.
Any link to some library files?
Thanks in advance!
all best,
ariel.
To get on or off this
An easy method of writing counterpoint:
http://www.shipbrook.com/jeff/
See bottom of the page under Miscellaneous Information.
Peter.
On Wed, 26 Aug 2009, Christopher Witmer wrote:
It has been quite some time since I posted to the list, but I have two
questions for list members. Perhaps
Dear Omer,
I received your comments today on the net. I think I have nothing
more to add to the responses from Ariel, Antonio, Chris, Rob, or Dan.
Perhaps the clicking you hear is the actual sound of gut at the
fingertips, as the recording was done in a wonderful, live space.
Thanks,
ed
Dear lutenists,
another piece by Lully, who knows?
Anonymous arr of La Cloris in ms. Res-1106, fol. 12v. I guess the model
of this therbo arrangement is a song by Lully, but I have not found the
model song yet. If somebody recognises the piece, please, let me know! I've
checked Lully's George
On Wed, Aug 26, 2009 at 3:32 PM, Omer Katzirkome...@gmail.com wrote:
One, it's a technical issue, but there are too many clicks and ticks
Could be the gut strings you're hearing, they tend to 'speak'. Listen
to e.g. Jacob Herringman (also on Magnatune) or Toyohiko Satoh. Or to
me. ;-) It can
Thanks, Dana. The reasons you mentioned are exactly the ones that
occur to me for not winding more string than necessary on the pegs.
I'll trim and save the trimmings that may be the right size for frets.
(Though I'm beginning to think that frets will last a good deal longer
than
Though it wasn't meant to be amusing, I got a chuckle out of Rob's
response to Omer - really blunt. Coming to this forum from an audio
forum, I'm quite used to members responding to others in
no-uncertain-terms; to the extent that a moderator occasionally has to
step in. But I
By the way, Milan himself wrote that the Pavans, at any
rate, can be repeated- even three times if one wishes.
Fantsia is a different beast than a Pavan. Pavan is a dance piece, the
size of the room used by the dancers for their procession dictates how
much music will be needed, sometimes it
There are specific skills you need to be a professional, these are
fairly easy to outline, I have a list somewhere but I'm currently in an
Opera production. With all due respect to the great players of France,
I don't recommend that as a course of study, although Olivier Baumont
and
Quite right, Dana, but if memory serves Milan introduces the 6 Pavanas
by saying that the next six fantasias are pavanas. The there's the
problem of pavans being generally in duple and some of the Milan
pavanas are in triple.
With deep and abiding respect,
Joseph Mayes
The Bacheler Consort plays Pacoloni :
http://www.youtube.com/watch?v=OJa0byWuhpU
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that was delightful, Doc! I like what the cittern adds to the consort
as well. And the furniture does its part too!
I've played through a number of things w/ my local citternist and it
always wants something more than just a lute. But adding a lute or
two more and/or a bass viol
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