Tafelmusik Baroque Summer Institute 2010
Jeanne Lamon, Music Director
Ivars Taurins, Director, Chamber Choir
JUNE 6 19, 2010 at the Faculty of Music, University of Toronto
Ontario, Canada.
The Tafelmusik Baroque Summer Institute is an intensive 14-day
residency in baroque
hi all,
has anyone heard of a Hoppy Smith documentary? I read about it in a bio
of Miguel Yisrael.
Oskar
__
Sell your old one fast! [1]Time for a new car? --
References
1.
The buff stop (also found on other schools of harpsichords) does not
have 'the opposite effect' to the 'lute' stop: it is simply a damping
mechanism (akin to the modern damping tecgnique on the guitar in which
the fleshy outside edge of the right hand touches, and hence damps, the
Howard,
--- On Thu, 1/21/10, howard posner howardpos...@ca.rr.com wrote:
But I agree with Andrew (if indeed he meant to make this
point) that
it's a mistake to extrapolate lute tone from the names of
harpsichord
stops, as the opposite conclusions you could draw from the
English
lute stop
Hi, all,
I agree, a great link to the Capirola translation.
Just a note -- the LH thumb technique mentioned has only recently been
universally frowned on in the classical guitar world, and primarily
since the Segovia revolution (I know -- here he goes again!). For one
I've always played this Capirola passage with my thumb stopping the Bb on
course 6. Also some passages in Newsidler and Francesco da Milano.
As Stephen says, it is a question of having the right 6 course, as this
technique is only possible on a narrow neck. Most modern makers who produce
copies
I play the B flat chord striking the D only on the octave string of
the 5th course, or I play it as writ on a smaller lute
dt
At 06:24 PM 1/20/2010, you wrote:
I've been working on Capirola's Baleto da balar bello. The middle section
has some simple looking but tricky chord shifts which I've
Or they thought lute players were damp. Of course in German, that
might mean steamy.
dt
At 06:35 AM 1/21/2010, you wrote:
To add to the confusion: 17th c. harpsichord makers added another
feature called a buff stop that had the opposite effect - it pressed
leather pads against the strings to
Does anyone in the list have this article:
Victor Coelho, G.G. Kapsberger in Rome, 16041645: New Biographical
Data.103. It belongs to LSA Volume XVI (1983).
I would really appreciate if someone could scan and send it to me. I
have been trying to buy it from the LSA but didn't
