I would not dare to call you a fool if you actually took your time to
listen :)
In case of my experiments I grant you, there is room for doubt.
But with Fantasy X and XII: Did you *really* listen?
(I hope your disbelief did not impair your hearing. This human trait has
been proven
Hi all,
Some of the easiest pieces in early German tab books are:
Hast du mich genommen (Madonna Katerina) and Unsere Koechin kann aus
der massen kochen
Does anyone have the texts or know more about these songs? (I have the
first two volumes of Forster and have
looked in
Au moins cette intéressante discussion aura permis à Göran de montrer sa
maîtrise de la langue française ;-) !
Bien Amicalement,
Jean-Marie
> Le 7 févr. 2018 à 23:36, G. C. a écrit :
>
> Right, so all we other lutenetters interested in this should just keep
> hanging.
Dear Collective Wisdom,
thank you to absolutely everybody in this fantastic community for
providing so much help in such a short time frame!
I ended up following François-Pierre Goy advice and bought it from
ProQuest as a PDF with immediate download for US$ 38 (which
I agree with you Arto. The first example is quite amazing in its
compatibility. Due to a common scale, the forced duet somehow sounds
compatible. I would say a musical quirk and a coincidence. How could
Indian music be compatible with Western renaissance. No chance!
And the other
Sorry. This is the last Iâll have to say on his matter.
>
RA wrote: I'll say plainly that I have no particular dog in this
difference of opinion between Arthur and Victor . . .
>
Has it become a dogfight? That's sad to hear. Ron Andrico certainly has
a dog in this matter.
Right, so all we other lutenetters interested in this should just keep
hanging. Tres bien. That's the way! Ce est le route?
G.
On Wed, Feb 7, 2018 at 11:20 PM, Jean-Marie Poirier
<[1]jmpoiri...@wanadoo.fr> wrote:
Jaroslaw
I do agree with you and the study of past mentalities
Well, I listened carefully all those example combinations of Bull's
harpsichord pieces and the suggested similiar(?) raga performances, and
sincerely I could not find much in common between them, just two
different sound clips connected. Tristan von Neumann is of course free
to name me also
Jaroslaw
I do agree with you and the study of past mentalities and culture has been my
daily bread for the last 35 years or so. I know exactly what you are talking
about..
Let’s leave it here as you suggested in your email and thank you for your very
well informed contribution.
All the best,
Dear Mathias,
Thank you for the file. Here is my version, very similar to yours except bar 19
which I consider correct in the manuscript and bar 11 which I read differently
from you.
This makes a total of 3 "mistakes" which is really few for a manuscript piece
of this type !
A very beautiful
Hello Luca,
Why not contact the author?
Last thing I hear he's the director of Chesa Planta (
http://www.chesaplanta.ch), an Engadin cultural foundation
(the library holds two 16th century lute manuscripts).
HTH Ralf Mattes
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BTW. I never wrote that Jacques Gaultier was related to Enemond, so
don't know were is this supposition fromâ¦
That is from:
On Tue, Feb 6, 2018 at 5:50 AM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
Speaking of Thurston Dart, I always return to his article, "Miss Mary
Dear Jean-Marie,
Let me be the first, hoping that your PC opens Fronimo files.
Mathias
-Ursprüngliche Nachricht-
Von: Jean-Marie Poirier [mailto:jmpoiri...@wanadoo.fr]
Gesendet: Mittwoch, 7. Februar 2018 17:51
An: Mathias Rösel; 'Baroque Lute List'
Betreff: Re: [BAROQUE-LUTE] Re:
Hi,
Ã
You can buy a copy on various formats from ProQuest Dissertation
Express ([1]https://dissexpress.proquest.com/search.htmlà :
searchà publication number 10296642).
Alternatively, I suppose the Library of the University of Pavia
participates in the Interlibrary loan
Jean-Marie,
This is a vast subject for a long debate. To judge a man’s behaviour from 17th
century and predict probability of its consequences is not a trivial matter. As
historian Miles Fairborn says that: „impossible, strange and bizarre are less
so when placed in their proper context. This
Hi everyone. I am looking for the manuscript PL-Kj ms. mus. 40637. I
cannot seem to find it online. Does anyone know?
All the best
Anders Ericson
--
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear collective wisdom,
I'm presently working on my last year of the "laurea magistralis"
(I'm actually 52, but I loved lute music so much that I finally managed
to get thereâ¦) at the Conservatorio of Pavia and trying to investigate
as much as possible the history of the
Dear Tristan,
I'm super excited about your discovery, and thank you many times for
providing it,
as well as your other notes which are much appreciated. There must
have been
a lot more intercultural exchange back then than what we read in
standard history books.
I recently
"SORRY FOR THE TYPO" :-D
--
>ooops ! Sorry fothe typo : "except the odd mistake"...
>Classical flat tuning here A D g b flat d f, supposing a lute in A...
>
>Jean-Marie
>
>
>--
>
>>Sorry Mathias, but except the opddmistake here and there, I don't see
>>anything
ooops ! Sorry fothe typo : "except the odd mistake"...
Classical flat tuning here A D g b flat d f, supposing a lute in A...
Jean-Marie
--
>Sorry Mathias, but except the opddmistake here and there, I don't see anything
>strange about the 3rd course in this piece which I love and
Sorry Mathias, but except the opddmistake here and there, I don't see anything
strange about the 3rd course in this piece which I love and play regularly.
It sure could be a transcription from the old tuning.
When I have the time, I will try to transcribe it back to old tuning ;-) ! Just
to
"Czeretöm a tánzba" for Baroque Lute, in 6/8+2, not for faint-hearted!
http://torbanorg/czeretom/czeretom-baroque.mp3
http://torbanorg/czeretom/czeretom-baroque.pdf
Enjoy!
Amities,
RT
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> And almost nobody so far has made any mention of the very beautiful
> Tombeau de Mésangeau in flat tuning which appears in Rés. 6211 (f° 31v-32)
Did you notice the slips of the pen for the 3rd course? There are some more
lines below, slightly faded, containing music in another tuning, viz.
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