7th
auguri di felice anno nuovo!
Donatella
- Original Message -
From: Neil J feetandfin...@gmail.com
To: wikla wi...@cs.helsinki.fi
Cc: Roman Turovsky r.turov...@gmail.com; Lex van Sante
lvansa...@gmail.com; Mathias Rösel mathias.roe...@t-online.de; lute
mailing list list
To: Donatella Galletti do...@tiscali.it; LuteNet list
lute@cs.dartmouth.edu; Ed Durbrow edurb...@sea.plala.or.jp;
chriswi...@yahoo.com
Sent: Wednesday, December 09, 2009 11:27 PM
Subject: [LUTE] Re: Renaissance Metaphors
Relative absence of funeral music in the Catholic territories has spawn
Message -
From: Stephen Arndt stephenar...@earthlink.net
To: chriswi...@yahoo.com; LuteNet list lute@cs.dartmouth.edu; Ed
Durbrow edurb...@sea.plala.or.jp; Donatella Galletti do...@tiscali.it
Sent: Thursday, December 10, 2009 12:16 AM
Subject: [LUTE] Re: Renaissance Metaphors
Insofar
Another take on the matter: In the eyes of Catholicism, being depressed was
a serious sin because it was seen as a denial of the saving power of
Christ.
I talked to someone very much into Catholicism and the history of it and he
has never heard of such a thing. Me too. It would be
By Gabbiani and a player see also on my website mysterious lutenist
Donatella
http://web.tiscali.it/awebd/
- Original Message -
From: Bernd Haegemann b...@symbol4.de
To: lute mailing list list lute@cs.dartmouth.edu
Sent: Saturday, November 07, 2009 8:59 PM
Subject: [LUTE]
I was waiting to be dead to say that, as a dead composer is much more
valuable, but as it occurred to me I might have some problems in writing
mails to the list at that time, as an anteprima you can have a look at
Alessia Aldobrandini music...
Donatella
http://web.tiscali.it/awebd
-
Yes, I confirm, no beard.
I think one reason is hands; though I can play, I sometimes think having one
or two centimeters more in my fingers would be very handy and make things
easier, but in that case I would look like a monster, being a woman..
Second reason, yes, it's a male world, just
thanks for the link! On the right in the background there is a very young
Aldo Minella, who was my guitar teacher
donatella
http://web.tiscali.it/awebd
- Original Message -
From: Gert de Vries desgert...@telfort.nl
To: lute@cs.dartmouth.edu
Sent: Tuesday, July 14, 2009 10:46 AM
with Andres actually
teaching Aldo Minella.
For your delictation :-)
Cheers
Op 14 jul 2009, om 22:38 heeft Donatella Galletti het volgende
geschreven:
thanks for the link! On the right in the background there is a very
young Aldo Minella, who was my guitar teacher
donatella
http
I suppose he just did not know the difference between Renaissance Medieval
and Baroque, so large bygone centuries would do..
Donatella
To: Lex van Sante lvansa...@wanadoo.nl; lute mailing list list
lute@cs.dartmouth.edu; Mayes, Joseph ma...@rowan.edu
Sent: Monday, June 01, 2009 4:51 PM
Congratulations and thanks! Very enjoyable and I like the singers.
Try with Democracy
Donatella
- Original Message -
From: David van Ooijen davidvanooi...@gmail.com
To: Lute List Lute@cs.dartmouth.edu
Sent: Sunday, January 25, 2009 6:10 PM
Subject: [LUTE] my first video
Sort of
I'm watching it, very nice video, especially the one of the Reindeer race
Thanks and Merry Christmas to all of you
Donatella
- Original Message -
From: Arto Wikla wi...@cs.helsinki.fi
To: lute@cs.dartmouth.edu
Sent: Monday, December 22, 2008 9:51 AM
Subject: [LUTE] Merry Christmas,
Very nice city at Christmas, maybe very cold and icy. I remember you can't
copy more than 10% of the book, and not more than two per day, so bring some
people with you.. No problems if you want just see them, nice, efficient and
kind people
Donatella
- Original Message -
From: Taco
- Original Message -
From: Donatella Galletti [EMAIL PROTECTED]
To: Susanne Herre [EMAIL PROTECTED]
Sent: Sunday, November 16, 2008 11:23 AM
Subject: Re: [LUTE] Lute Consort
Welcome to the list!
You might write them yourself, I used to do that, 4 people, lutes, baroque
guitar
I think we should consider videos as being together talking in the same
room, and at a certain time someone takes the instrument and plays, an
enjoyable experience, it's a friend's playing gist, not a lecture. How many
people are always willing to listen to lectures and how many to listen to
Just browsing, going through Valery Savage, to Contini, I chanced upon this,
Scarlatti on a classical guitar, yes OT, great technique, clean and clear
sound varied as needed, good insight and phrasing, linked notes, worth
watching ( but no dogs...)
Arto, nice and pleasant to listen to, and your dog is a real actor!
Donatella
http://web.tiscali.it/awebd
http://www.webalice.it/dg3011/index.htm
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Friday, November 07, 2008
I'm sorry to hear about all this. I said he is honest, as far as I know,
because years back a similar message had appeared on the list , and after I
had mailed it to him he had settled the matter, so that was my thought. Sad
news to hear.
Donatella
- Original Message -
From: Peter
I would like to if I could, does anyone have a working e-mail of Tumiati?
The message cc I sent with my previous message to the list, Tumiati and
Peter bounced back for Tumiati's supposed mail.
Donatella
- Original Message -
From: Peter Milligan [EMAIL PROTECTED]
To:
He is not dishonest, as far as I know, but very busy and distracted, I'm
sending this mail as cc to him.
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: Peter Milligan [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Tuesday, June 24, 2008 4:06 AM
Subject: [LUTE]
Very nice site and music, thanks for sharing! I have a problem visualizing
that with Firefox though, I can't move the page down and I see only half of
it
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: Anton Birula [EMAIL PROTECTED]
To: Lutenet
www.luteduo.com !
To: 'Donatella Galletti' [EMAIL PROTECTED], 'Lutenet'
lute@cs.dartmouth.edu, 'Anton Birula' [EMAIL PROTECTED]
Date: Tuesday, June 17, 2008, 11:18 AM
I had the same problem opening it with Mozilla Firefox
Greet
-Oorspronkelijk bericht-
Van: Donatella Galletti
- Original Message -
From: Francesco Tribioli [EMAIL PROTECTED]
To: 'Martin Shepherd' [EMAIL PROTECTED]; 'Greet Schamp'
[EMAIL PROTECTED]; 'Lute Net' lute@cs.dartmouth.edu
Sent: Monday, June 16, 2008 10:22 AM
Subject: [LUTE] Re: piece of the month update
I always thought that
Subject: [LUTE] Re: Musical Crimes: Forgery, Deceit, and Socio-Hermeneutics
From: Mathias Rösel [EMAIL PROTECTED]
Besides, the modifying use of the prefix sau- is fairly confined to the
estates of Bavaria, btw not always pejorative (saugut, saugeil). Most
other parts of German speaking
Stewart,
I expect Roman will answer properly, but Sautscheck is the surname of his
grand mother. I saw a tomb with this name on it in Prague, in the cemetery
of important persons, apparently it's a common name.
In Italian all this ( wondering about the hidden meanings of it etc) is
called
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
Roman Turovsky [EMAIL PROTECTED] schrieb:
A few years ago, I told a friend about your compositions for lute, and
how you used the pseudonym Sautscheck. He was much amused. He is a
retired lecturer in German, and so is
birbone and birbante, brigante as well
I suppose the text has something to do with what the masters used to do with
their servants in the XVIII century. I'm just re-reading Pamela by
Richardson
Donatella
http://web.tiscali,it/awebd
- Original Message -
From: Roman Turovsky
I expected Count Dracula to pop out from a barrel, that would have been
great... and the candles, wow, the candles..
Donatella
- Original Message -
From: [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Friday, January 25, 2008 7:52 AM
Subject: [LUTE] Re: Karamazov...
me too!
Donatella
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, December 29, 2007 10:43 PM
Subject: [LUTE] Re: Where is Santa Claus?
I missed Arto's links to Finnish Santa this year.
David
To get on or off this list see list
And finally, I could no resist buying AW-1 because it has my initials...
;-)
All the best,
Arto
Oh yes. That's a very good point, and it's final!
Donatella
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Monday, October 08, 2007 8:28 PM
Subject: [LUTE] Re: Wascha mesa, olim Amps or no Amps
You might want to compare Melchior Newsidler's preface to his 1574
edition, where he seeks to
I don't know where Stephen Gibson, who asked the original question,
lives, but there are places in the world where walls spontaneously
move. A Southern California native knows that you should never put
anything on a wall or a shelf that you wouldn't want falling on your
head when the ground
http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
the link is extremely interesting. I wonder whether the examples here were
used just to construct a piece on a base or to accompany. I listened to some
lessons of Christensen, and
If we mean the same page, that's the reason of my doubt. I think they
learned to compose and to accompany, so it didn't make a great difference,
as it came as part of their musical vocabulary
Donatella
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
From: [EMAIL PROTECTED]
I do not buy this implication tired of Bach = tired of music.
It is like saying tired of potatoes = tired of eating.
Mmh.. quite interesting... never heard of Bach compared to potatoes..
Arto, quite a risky comparison, you know what they say in Switzerland: in
ogni
: [LUTE]Potatoes à la Bach -was: Re: Bach in our
attention
Donatella Galletti [EMAIL PROTECTED] schrieb:
I would also suggest spinach à la Monteverdi as dish of the day.. in
case
of some musical fight to come...
Donatella
Hm - at this present moment I have to decide upon what to cook
So.. the real Monteverdi lover will add the eggs to the ( cold) spinach
after beating them with a fork and adding some salt and cream. The rasins
etc go in the middle of all, mixed, like graces, and there is a question
theorists have not solved yet, whether bacon is like open fifhts and
, to cook the egg well
Italian taste..
Donatella
http://www.webalice.it/dg3011/index.htm
http://web.tiscali.it/awebd
Sent: Wednesday, August 01, 2007 11:18 AM
Subject: Re: [LUTE] Re: [LUTE]Potatoes à la Bach -was: Re: Bach in our
attention
Donatella Galletti [EMAIL PROTECTED] schrieb:
I would
I'm afraid that will be Spinach Neusiedler Manier.. ( after Spinacino)
Donatella
- Original Message -
From: Lüdtke Joachim [EMAIL PROTECTED]
To: Donatella Galletti [EMAIL PROTECTED]
Cc: lute-list (Renaissance) lute@cs.dartmouth.edu;
[EMAIL PROTECTED]
Sent: Wednesday, August 01, 2007 3
Sent: Tuesday, May 22, 2007 7:46 AM
Subject: [LUTE] Re: Kapsperger or Kapsberger?
Kapsberger, and in North America by Kapsperger. But why
not ditch Kapsb/perger entirely, and play something by
Biccinini instead?
ajn.
Because he's Italian..B/P are phonetically distinctive in Italian.
I use nylgut on the baroque lute and I don't have this problem, Some mp3s
can be listened at
http://www.webalice.it/dg3011/
and
http://web.tiscali.it/awebd
( see: about myself)
Donatella
- Original Message -
From: Sean Smith [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
poveri noi
( I can't translate...)
Donatella
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Sent: Monday, March 19, 2007 5:14 PM
Subject: [LUTE] been there
'yep:
http://www.youtube.com/watch?v=ByB9H1ZiuYc
.. followed by:
-ello in Italian usually means something cute - ino ( diminutive) means
something small
Birbante means something as rascal ( but it is usually used for children
when they steal jam - do they still do that?) -birbantello is used for a
child to joke with the fact that he actually stole jam but
Anyone willing to get a copy should just contact me!
Donatella Galletti
http://web.tiscali.it/awebd
- Original Message -
From: Richard Brook [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, March 04, 2007 10:12 PM
Subject: [LUTE] CD
Does anyone know where I might get
Sent: Sunday, February 25, 2007 8:11 PM
Subject: [LUTE] Re: Passacaglia for theorbo
On Sunday 25 February 2007 18:13, you wrote:
On occasion of her 305th birthday, Alessia Aldobrandini gave me a new
piece, passacaglia per tiorba. Tab and midi on
http://www.webalice.it/dg3011/index.htm
Sorry, private message went to the list...
RT
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu; Donatella Galletti
[EMAIL PROTECTED]
Sent: Sunday, February 25, 2007 4:28 PM
Subject: [LUTE] Re: Passacaglia for theorbo
Prima di
The files don't open...
For a choir with a theorbo see here:
http://www.youtube.com/watch?v=xfU46JTBqXomode=relatedsearch=
Purcell
Donatella
- Original Message -
From: Daniel Shoskes [EMAIL PROTECTED]
To: Alain Veylit [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Monday, February
Might be..
look at this one, I think she's great at mastering her voice in baroque
affetti, I like the way whe says: tutta la vita è un mar ( all our life
is like the sea --in a tempest, of course..-)
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: Doc Rossi [EMAIL
I forgot.. in the one I posted by Bartoli there is the archlute in the
foreground a couple of times
Donatella
- Original Message -
From: Doc Rossi [EMAIL PROTECTED]
To: Roman Turovsky [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu; Daniel Shoskes [EMAIL PROTECTED]
Sent: Saturday, February
strange...it sounded Italian to me.
Donatella
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, February 10, 2007 6:45 PM
Subject: [LUTE] Re: Bartoli lets it blast
On Saturday, Feb 10, 2007, at 07:16
Sorry, I checked the link, I was referring to another one
Donatella
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, February 10, 2007 6:45 PM
Subject: [LUTE] Re: Bartoli lets it blast
On Saturday, Feb 10, 2007, at 07:16
She's inviting Furies to get in arms and fight..what for is not said, I
think
Donatella
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, February 10, 2007 6:45 PM
Subject: [LUTE] Re: Bartoli lets it blast
On Saturday, Feb
Windows Media cannot open it other sources the like?
Donatella
- Original Message -
From: Gernot Hilger [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, February 10, 2007 9:18 PM
Subject: [LUTE] Re: Bartoli lets it blast
Strictly spoken, it is not Ozias but
I understand what you mean, thanks for the example. The second example is
more fashionable and baroque as the latest tendencies to play are, anyway
in my opinion Bartoli's tecnique is far more advanced ( apart from the
pitch) , as Mathias says, and she has more personality , at least in this
There is something more I'd like to say: Italians can speak really very fast
when they are angry, and I recognize her as an angry Italian when she sings
about Furie. It's exactly the kind of temper and pronunciation I would
expect.
I like the example below less, being it Vivaldi and not ein
I can't find any music, but description of what was played.. it's
interesting to read about a naval battle for the Wedding in Mantua of
Francesco II Gonzaga and Margherita, Princess of Savoy.-1608,
http://special-1.bl.uk/treasures/festivalbooks/pagemax.aspx?strFest=0166strPage=010
, in which
http://www.gens.labo.net/it/cognomi/genera.html
Della Gostena or Dallagostena does not appear here, there is Agostena in
Ligury ( which might be the surname changed for a better pronunciation) ,
though...anyway there is Fasce, in Ligury...
there is one Goste near Trieste, which means Roman
I know of someone who owns an original baroque lute, which I think did not
need much restoration, and sounds , as this person says, much better than
any lute I've ever had ( speaking of a professional lutenist). A friend of
mine who works in the Kunsthistorische Museum in Vienna, had found an
I contacted Umberto Eco, maybe he'll answer...
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: [EMAIL PROTECTED]
To: Wolfgang Wiehe [EMAIL PROTECTED]
Cc: lute-list (Renaissance) lute@cs.dartmouth.edu
Sent: Monday, November 27, 2006 11:07 AM
Subject: [LUTE] Re:
Thanks Arto,
I haven't seen this one yet, but the other one was very nice, go on with
this...
Have you also a midi of it?
Donatella
http://web.tiscali.it/awebd
P.S. Wayne, there must be someone lurking for spam- addresses, because
every time I write to the list my spam increases, or wakes
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Monday, April 24, 2006 11:42 PM
Subject: [LUTE] Re: HBO Movie Elizabeth I, P.S.
I checked the Internet Movie Database and didn't find anything about
But then Walsingham et al.
Dear Arthur,
this is extremely interesting: you mean the tune arrived someway in Quebec?
How, supposedly, and when? Was it used as a hymn?
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; Lute Net
I think it's possible, not just in vocal music, but in playing as well. I
think someone made some studies about accent , language and the way one
composes and plays and there is a link among them. I can usually tell the
American , English and German way of playing from the Italian one. Hoppy is
an
Subject: [LUTE] Re: Surviving in Eliz. England.
You might be interested in this link:
http://www.missouristate.edu/folksong/MaxHunter/
That's a site I liked very much, but a Trojan was found in a Real audio file
( or Media player?), and it took me some time to remove it, as Norton was
I think on the Italian group list ( see yahoo . liuto.it) there is a picture
of his supposed house in Venice.
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: David Van Edwards [EMAIL PROTECTED]
To: Christopher Challen [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent:
As I was saying, the Alpha state is the state in the brains which one has
before falling asleep, and is particularly proper to raise intellectual
performance. Lozanov, a professor, invented a method which is called
suggestopedia and allows you to learn foreign languages ( as he was working
: Taco Walstra [EMAIL PROTECTED]
To: Edward Martin [EMAIL PROTECTED]
Cc: Donatella Galletti [EMAIL PROTECTED]; lutelist
lute@cs.dartmouth.edu
Sent: Friday, January 06, 2006 2:07 PM
Subject: [LUTE] Re: Music Therapy
On Friday 06 January 2006 13:56, you wrote:
The effects of music on plants. H
( I suppose this was for the list as well)
Donatella
- Original Message -
From: Satoshi Hayakawa [EMAIL PROTECTED]
To: Donatella Galletti [EMAIL PROTECTED]
Sent: Friday, January 06, 2006 11:03 AM
Subject: Re: [LUTE] Re: Music Therapy
Dear Donatella and Dear friends,
Unfortunately
Sent: Friday, January 06, 2006 4:36 PM
Subject: [LUTE] Re: Music Therapy
Edward Martin wrote:
Of the 4 greenhouses, 3 had little deviation. The one with the most
obvious positive growth was the loud rock greenhouse.
Were they growing marijuana plants?
I do think so!!
Donatella
My understanding of using music in the operating room is that it
relaxes the surgeon and helps him/her focus on doing the operation
right. Similarly it is possible to relax the patient in circumstances
where (s)he is awake and this would help the treatment (eg in the
dentist's chair).
I read
Yes Arto, it's a tradition, you can't hide us the site of Santa Claus, this
year!
Donatella
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Wednesday, December 21, 2005 4:12 PM
Subject: [LUTE] OT: Re: We are performing at The Cloisters on December 30,
- Santa C. Was: Arto...
Hi lutenists
On Wed, 21 Dec 2005, Donatella Galletti wrote:
Yes Arto, it's a tradition, you can't hide us the site of Santa Claus,
this
year!
Ok, ok! :-)
I just thought nobody anymore believes in Santa Claus in this modern
world of today...
BTW his real name
, 4 Dec 2005, Donatella Galletti wrote:
Pittoni! Spes Edition
Yes! Ferrara 1669. Lots of Sonate da Chiesa and Sonate da Camera!
The only problem is the tuning; seems to be so that in places the
second string or choir should be in upper octave, in other places
in lower octave! Andrea Damiani
Pittoni! Spes Edition
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: dc [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, December 04, 2005 11:29 AM
Subject: [LUTE] Theorbo and continuo
I played a long time ago a few Kapsberger pieces for theorbo with a
the big North..
http://web.tiscali.it/awebd
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
To: Donatella Galletti [EMAIL PROTECTED]
Cc: dc [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Sunday, December 04, 2005 11:57 AM
Subject: [LUTE] Pittoni, was: Theorbo and continuo
That's an idea! I might be interested in teaching, my Diploma di
Conservatorio was on renaissance lute, archlute, baroque lute, theorbo ,
baroque guitar and continuo ( yes, it seems a lot but I also studied a lot,
it takes 10 years to get a Diploma in Italy..)
Donatella
That's my very same thought, and one possibility might be a painter's
school, as he used to paint the main subject and leave the painting to be
finished by his pupils , skilled sometimes and sometimes not so talented
Leonardo is said to have painted an angel in a Verrocchio's painting,
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
To: Donatella Galletti [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Monday, November 07, 2005 10:02 PM
Subject: [LUTE] Re: french baroque lute painting
Dear Donatella et al,
On Mon, 7 Nov 2005, Donatella Galletti wrote
,
danyel
- Original Message -
From: Donatella Galletti [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, October 29, 2005 11:26 PM
Subject: [LUTE] Re: Gut strings and nails- Dalla Casa
Dear All,
I'm just going through the book by Dalla Casa ( BTW, some pieces
Thanks, Edward.
In my opinion, considering the body of the instrument and the lenght of the
lutenist's forearm and fingers, he had no other way to play, because keeping
his hand toward the rose would have meant to have his shoulder and wrist in
such a position to suffer from pain in thirty
Dear All,
I'm just going through the book by Dalla Casa ( BTW, some pieces are in
tablature on my web site, perhaps anybody out there is willing to add a
piece? ), and there is a portrait of him playing his arciliuto francese
( which is in fact an archlute).
Cristoforetti in his introduction of
Well, there is a very passionating reading about Mary Stuart , in fact it's
a biography written by a historian, Stefan Zweig, but it is written like a
novel. It says Rizzio was a violinist, lutenist, singer , composer and he
also wrote sonnets.He could speak Italian, French, Latin. He arrived in
That's something quite new to me.. there are many musicians and students of
Conservatori in Italy, willing to play, and some even accept playing while
people are chatting at a party, or eating. And there are many people who
would like to have music without paying musicians, because , as a friend
My Hasenfuss- Weigert baroque is also factory tuned, as a gambist joking
told me. I hardly ever need to tune , especially if I don't change keys or
if the weather is not too wet. I use a mixture of Aquila and Pyramid
strings.
(Ok, hardly ever means every two, three days, but I've just had a
I visited Città di Soave some years ago, and I got a very useful booklet
about the wine. There is also an ancient castle to visit, with a torture
chamber, probably for out of tune musicians.. lutenists, in
particular..mostly those who did not appreciate wine, and a wonderful view
on the hills
That's it. Guitarists have a problem with sight reading, maybe because they
are trained not to, and I can say that as an ex guitarist who wanted to be
able reading music as any other instrument player..
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: [EMAIL PROTECTED]
some of this music and
transcribing some pieces. I would like to know more
about the music, composer and L'Arcileuto Francese.
The into in the book is all in Italian:(
Sterling Price
--- Donatella Galletti [EMAIL PROTECTED] wrote:
Dear All,
I've just published a piece kindly
That reminds me of an exam I had to take, in which a harpsichordist who was
supposed to judge, had never seen and I suppose heard a baroque lute ( heard
of, I should say..), so she started with quite silly questions about the
difference between a renaissance lute and a baroque ( mine, in fact),
on the right.
I'm enquiring about the picture of the silver strings.
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: Donatella Galletti [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, March 30, 2005 9:26 AM
Subject: Re: Re: Printing and Binding
Dear Donatella
...
Donatella
http://web.tiscali.it/awebd
- Original Message -
From: Charles Browne [EMAIL PROTECTED]
To: Donatella Galletti [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Monday, March 28, 2005 5:10 PM
Subject: RE: *** SPAM *** Re: Printing and Binding
Dear Donatella,
yes please, I
,
Your binding technique sounds interesting. Speaking only for me, I'd
always like to see works of art such as the way you describe your bindings.
I'll bet the rest of the folks on the list would, too.
Best,
Steve Ramey
Donatella Galletti [EMAIL PROTECTED] wrote:
Strange...I've just done it after
Strange...I've just done it after years I had quit... I use a light folder,
cut it in two A4 pieces, line them with kind of Florence paper, '500 -'600
like, glue the edges of the lined A4 to a cotton ribbon, the kind which is
cut in diagonal and with two folded edges (sorry, I don't know the
There is a chapel inside the Palace of Queluz, 5 km from Lisboa, with a sort
of upper chamber with a beautiful baroque hole with a golden grid, as far as
I remember . Musicians used to play upstairs and the royals sat below the
hole. Scarlatti played there and the chapel was open for the Mass to
Dear All,
I've just published a piece kindly transcribed by Thomas Schall, for the
Baroque --pdf--, on Dalla Casa page on my site. ( go to tab and midi
files --your contributions ) On the page there is also the version for
archlute. Anybody willing to send more material transcribed from this
Well, the Echo reminds me of some Handel, but I can't place it. I think the
position of some chords on the seventh is not what Weiss usually does. In
some cases there is a possibility to take the notes on the second fret, but
it might be more confortable to keep the hand on the 7th , as a modern
Well,
I suggest that we drop using e-mail and meet in a pub (or Italian
Trattoria) , so that the machine does not interfere with the real thing.
I also suggest that all the people living on the other side of the pond take
a ship, possibly a galeon, to come to Europe, so as not to spoil the
Of course, Roman is a very talented artist... and I would say a real artist
in general..
There are some drawings of the Sautschecks on my website, but as they were
found among the documents of Alessia Aldobrandini, they were not made by a
Sautscheck.. Roman can tell you more about the other
There is some Ialian music of the same period, for archlute, I think in
manuscripts, and I also heard it played, quite nice. Unfortunately, the
owners do not want it to be published or rehearsed.I suppose there must be
much more..
There is a possibility to browse Italian libraries online (titles),
Alain said:
Sent: Tuesday, February 08, 2005 7:30 PM
Subject: Re: horizontal spacing in tablature
This is where it seems to me, in the past couple of years, a tendency
has grown to consider that small software developers like me, who do it
on the side of their real job, cannot possibly
I think Mimmo Peruffo sent an extremely interesting letter about wound
strings and their size on ancient instruments, but I can't find it at the
moment, and I don't know whether he will feel like writing to this list
again, because apparently he was not treated in a very kind way. I was not
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