Tobias Hume was not a member of the aristocracy. He was a mercenary soldier
and died penniless in a home for the destitute. At one point he petitioned
parliament for a pension complaining that he had been reduced to eating
weeds to stay alive.
I believe the ancestors of the violin family were
Isn't happy existentialist an oxymoron?
Gary
- Original Message -
From: Ron Andrico praelu...@hotmail.com
To: wi...@cs.helsinki.fi
Cc: lute@cs.dartmouth.edu
Sent: Sunday, July 01, 2012 1:25 PM
Subject: [LUTE] Re: Tuning
Thanks, Arto. I'm glad to know there are other happy
I bought strings from them three weeks ago. Mailed my check to the Portland
address and had my strings within the week: new Nylgut for the first four
courses of my ten course. Played one concert with them on. So far I'm liking
them.
Gary
- Original Message -
From: Alain
Hi Roman,
I'm confused. Are you saying that the gamba parts are subordinate to the
organ, that the gamba is accompanying the organ and not the other way
around.
Gary
- Original Message -
From: Roman Turovsky r.turov...@gmail.com
To: lute@cs.dartmouth.edu; Gary Digman magg
So were JSB's three gamba sonatas originally intended for trumpet?
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: howard posner howardpos...@ca.rr.com; lute net
lute@cs.dartmouth.edu
Sent: Monday, April 30, 2012 11:34 AM
Subject: Bach’s Lute Suites: This
Irony is a difficult effect to pull off on a computer.
Gary
- Original Message -
From: Sauvage Valéry sauvag...@orange.fr
To: 'Lute List' lute@cs.dartmouth.edu
Sent: Tuesday, April 10, 2012 12:32 PM
Subject: [LUTE] Re: Paul O'Dette interview
-Message d'origine-
De la part
I grew up in a small catholic parish in Dubuque, Iowa. As a kid we sang in
the choir loft for solemn (high) masses. We were taught to read plainchant.
I remember the four line staves and the ligatures. To some extent the
experience may account for my subsequent interest in early music. I was
Obviously you were not the demographic they were looking for, Ed. I think
what happened was a move away from a contemplative approach to religiousity
to a social/interactive approach. Maybe we could trace the origins of
Facebook to the abandoning of the Latin Mass.
Gary
- Original
I played double bass with a jazz group for a jazz service in a church full
of Presbyterian ministers. At one point in the service the celebrant decided
to introduce the band to the assembled ministers by conducting a short
interview with each member of the band. I happened to be the first one
: Saturday quotes
On 12 March 2012 08:23, Gary Digman magg...@sonic.net wrote:
The Michael Jackson approach?
What I saw in a documenary on him, and what I hear in his music, is an
never-ending attention for detail and perfection in all aspects of the
performance. I don't see anything bad
Famed Czech radical Josef Skvorecky recently died at 87 in his adopted
land of Canada.
In the Atlantic, JJ Gould remembers Skvorecky through his memoirs,
including a detailed list of the rules for jazz performers during the
Nazi occupation. The Reich's Gauleiter for the Nazi
The Michael Jackson approach? Hanging the lute over the balcony railing?
Playing with one hand in a glove?
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Mark Wheeler l...@pantagruel.de; Ron Andrico
praelu...@hotmail.com
Cc: lute@cs.dartmouth.edu
Sent:
If the map is all we've got, then the map is the territory. And maybe the
huckle buck (sic) is what it's all about. This dew drop world, it may be a
dew drop...and yet.
Gary
From: Daniel Winheld dwinh...@comcast.net
To: lute List lute@cs.dartmouth.edu
Sent: Wednesday, December 07, 2011 6:00
Scam!
Gary
- Original Message -
From: Mathias Rösel mathias.roe...@t-online.de
To: Lute List lute@cs.dartmouth.edu
Sent: Wednesday, November 30, 2011 2:28 AM
Subject: [LUTE] Re: SAD TRIPMichael Thames
I cannot believe this. Does someone know if that mess-age is reliable?
I believe they're North Korean.
Gary
- Original Message -
From: Edward Mast nedma...@aol.com
To: Martin Shepherd mar...@luteshop.co.uk
Cc: Lute List lute@cs.dartmouth.edu
Sent: Friday, August 19, 2011 3:01 PM
Subject: [LUTE] Re: Renaissance lute string length
A friend just sent me
It seems to me that historical research is useful to modern performance
practice on early instruments, but does not exercise a tyranny over it
unless one is concerned with reproducing a particular performance
exactly. It seems fairly obvious to me that the lutenists/composers of
the
Thank you to all who responded to my query. I was able to download
manuscript Munich 266. Glad to hear that the Complete Works... is near
publication.
Gary
- Original Message -
From: Christopher Wilke chriswi...@yahoo.com
To: lute@cs.dartmouth.edu; Gary Digman gcanudig...@email.com
I know this has been asked before, but I ask again. It's now two years
since the announcement of the imminent publication of the Complete
Works of Marco D'all Aquila. Last I heard was that the publisher was
waiting for Paul O'Dette to finish editing some pieces. Are we still
waiting
Diego Ortiz, Sylvestre Ganassi and Christopher Simpson are good sources of
exercises. Play everything through as many keys as possible.
Gary
- Original Message -
From: Ed Durbrow edurb...@sea.plala.or.jp
To: Herbert Ward wa...@physics.utexas.edu; LuteNet list
lute@cs.dartmouth.edu
consonances. I won't say I liked the compostion, but I did find it
interesting. Personally I'm open to and welcome experimentation.
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Gary Digman magg...@sonic.net; lute@cs.dartmouth.edu
Sent: Friday, May 06, 2011 5:11
...gratuitous dissonance...?
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Ron Andrico praelu...@hotmail.com; wi...@cs.helsinki.fi;
gilbert.is...@telenet.be
Cc: lute@cs.dartmouth.edu
Sent: Thursday, May 05, 2011 7:28 AM
Subject: [LUTE] Re: New blog post
The optimist says the glass is half full, the pessimist says it's half
empty, but it all depends on what's in the glass. If the glass is full of
toxic waste, the roles are reversed. Gonna be a long time passing, I'm
afeared.
Fiddling while Rome burns... again.
Gary
- Original Message
I saw it another way. I felt his gestures were consistent with the musical
content and even necessary to the musical expression, even if somewhat more
exaggerated than I would use. Each one marked a change in dyamics and or the
beginning or ending of a phrase. A similar thing used to be said
Heaven forbid, a lutenist should make a living wage playing his/her lute.
And playing it well, I might add.
Gary
- Original Message -
From: Alfonso Marin luten...@gmail.com
To: lutelist Net lute@cs.dartmouth.edu
Sent: Sunday, December 05, 2010 5:15 AM
Subject: [LUTE] Re: Karamazov
Beautiful. I'm fascinated by that lute. Edin may be on to something.
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Lutelist lute@cs.dartmouth.edu
Sent: Tuesday, November 30, 2010 3:51 PM
Subject: [LUTE] Karamazov
Thank you, Roman;
What sort of lute is Edin playing? 13 courses and the first 5 are single.
This is new to me.
Gary
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Lutelist lute@cs.dartmouth.edu
Sent: Tuesday, November 30, 2010 3:51 PM
Subject: [LUTE] Karamazov
Catherinot
To: [2]Gary Digman ; [3]l...@cs.dartmouth.edu
Sent: Friday, November 19, 2010 12:55 AM
Subject: Re : [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
Do you think that six chords music is necesseraly worse than more
complex music? To stay in jazz world, Fats
After the Modern Jazz Quartet retired, Milt Jackson was interviewed. During
the interview he complained that some kid who only know six chords makes
more in one night than we made in twenty years. Later an interviewer asked
John Lewis about Milt Jackson's complaint. John Lewis replied, I
Maybe our culture is disintegrating before our very eyes. Can a culture be
lost?
Gary
- Original Message -
From: Monica Hall mjlh...@tiscali.co.uk
To: Christopher Wilke chriswi...@yahoo.com
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Friday, November 12, 2010 4:03 AM
Subject: [LUTE]
Yet, there's something noble about making these availlable at no cost, just
as there's something noble about public libraries making books availlable at
no cost to the user in the interest of enriching the culture. A decidedly
uncapitalistic sentiment originating with an arch-captialist,
I can't let this go uncorrected. I misspelled Barney's last name, it's
Kessel not Kessell.
Gary
- Original Message -
From: Edward Martin e...@gamutstrings.com
To: Gary Digman magg...@sonic.net
Sent: Monday, November 08, 2010 7:00 AM
Subject: Re: [LUTE] Re: OT: Baroque Guitar
Music study is a lifelong process. Enjoy the ride. The only reason to do
this is because you love doing it. If you can quit, you should.
Gary
- Original Message -
From: Edward Mast nedma...@aol.com
To: Stephen Arndt stephenar...@earthlink.net
Cc: lute-cs.dartmouth.edu
As the famous jazz guitarist, Barney Kessell, said, The first thing you
learn in music is that somebody will always come along who plays better than
you do, is younger than you, dresses better than you do, and is better
looking.
Gary
- Original Message -
From:
- Original Message -
From: howard posner howardpos...@ca.rr.com
To: Lute List lute@cs.dartmouth.edu
Sent: Monday, October 18, 2010 9:14 PM
Subject: [LUTE] Re: Lute volume
.. But worrying about the theorbo player's desire to be heard isn't in
their job description.
We're
When the bagpipe plays, you won't be able to hear the lute, but the lute is
pleasant to look at. So, when the bagpipe plays, enjoy the lute. Peter
Schickele
- Original Message -
From: Stewart McCoy lu...@tiscali.co.uk
To: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, October 19,
Sunday, Cottbus). In the beginning, or so I was later told, a
woman said, now a mike is needed, but after a short while she could dela
with it. As a matter of fact, there was a lot of echo in the huge
cathedral. But focussing does the trick. Or so I was told 8)
Mathias
Gary Digman magg...@sonic.net
I remember Thurston Dart talking about attending a clavichord recital (can't
remember the source). He said that when the clavichord began to sound he
could not hear it at all, but after a short while it was like surf crashing
on the rocks.
Gary
- Original Message -
From: Ron Andrico
As a jazz musician, I play a lot of corporate events and parties. For years
I thought the crowd would get louder every time we began to play, but now I
think the perception that the crowd is getting louder is a result of focus,
i.e. when we begin to play we focus on sound, giving the impression
As a young man ( I've been a young man for many years ) I worked as a
carpenter building houses in the midwest (USA) for seven years while
studying classical guitar, practicing 3 and 4 hours a night. This was before
pneumatic and electric nailers were in widespread use. After slinging a
hammer
Jordi Savall was the gambist. I read an interview with Savall. I thought he
said that the actor who played Sainte-Colombe was the only one who refused a
stand in for the gamba playing shots, although he did say the young actress
who plays the younger daughter did her own gamba playing shots.
, precious... my
precious... ;-)
Chris
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 6/10/10, Gary Digman magg...@sonic.net wrote:
From: Gary Digman magg...@sonic.net
Subject: [LUTE] Re: lute sighting
To: lute@cs.dartmouth.edu
Date: Thursday, June
playing'
'On that close-up those were someone else's hands.'
'Look, the guitar/mic isn't even plugged in.'
'Hey, you can still hear her play even when her hands aren't on the
guitar.'
etc.etc.
morgan
__
From: Gary Digman
...@legalaidbuffalo.org
To: Christopher Wilke chriswi...@yahoo.com; lute@cs.dartmouth.edu;
Gary Digman magg...@sonic.net
Sent: Thursday, June 10, 2010 6:15 AM
Subject: [LUTE] Re: lute sighting
Not very flattering to us players, but what if these depictions are of
someone not playing loud
Sorry, Ed. I had a senior moment... missed your opening caveat, Aside from
the vihuela disc Got to go work on some more crossword puzzles.
Gary
- Original Message -
From: Gary Digman magg...@sonic.net
To: Edward Martin e...@gamutstrings.com
Cc: lute@cs.dartmouth.edu
Sent
I just saw the new Robin Hood with Russell Crowe. Indeed there are
scenes with a small lute. One small point however, in one scene of the
people of Nottingham at a party/dance outdoors the band consists of one
small lute, one recorder, one vielle and percussion. It's late in the
test
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Many tmes in concert I've been asked to talk a little about the lute. When I
explain that the strings are made from sheep intestines, a noticeable gasp
arises from the audience, but I defuse the situation by explaining that we
are not killing lambs to make strings, we are killing lambs to eat
It's called frapping among gambists and violinists and happens all the
time. Bass gambists will press their heads against the neck of the
instrument while turning the pegs on the side opposite to provide the
pressure needed to prevent frapping. On the bass side the gambist will use
the index
To paraphrase Alexander King, Never trust a naked lute player.
Gary
- Original Message -
From: Franz Mechsner franz.mechs...@northumbria.ac.uk
To: chriswilke chriswi...@yahoo.com; Monica Hall
mjlh...@tiscali.co.uk
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Friday, February 12, 2010
A fellow came to my guitar studio in 1972 or '73 with a guitar with
interchangeable fingerboards in various temperments. Can't remember his
name.
Gary
- Original Message -
From: Edward Martin e...@gamutstrings.com
To: Daniel Winheld dwinh...@comcast.net; lute@cs.dartmouth.edu
Sent:
- Original Message -
From: Herbert Ward wa...@physics.utexas.edu
To: lute@cs.dartmouth.edu
Sent: Monday, December 21, 2009 9:58 AM
Subject: [LUTE] Physiology of being warmed up
.Can drugs help?...
Jazz trumpeter Bunny Berigan was once confronted by a fan who said, You
play so
Big money in baroque guitar?
Gary
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Saturday, December 19, 2009 1:22 AM
Subject: [LUTE] Re: another day at the office
Regarding
- Original Message -
From: Monica Hall mjlh...@tiscali.co.uk
Point Taken.
Gary
- Original Message -
From: Wayne Cripps w...@cs.dartmouth.edu
To: gcanudig...@email.com
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, December 09, 2009 6:39 PM
Subject: [LUTE] Re: New twist, old scam
Hi Gary -
I appreciate your good intentions, but it is best to
I'm not so sure that the ever mournful John Dowland's tongue was so firmly
planted in his cheek on this issue. Did JD not travel to Italy to learn the
melancholy pose. Maybe the melancholy pose was regarded as a muse
inspiring great art as courtly love was among the medieval knights.
Gary
Fuzz tone covers a multitude of sins.
Gary
- Original Message -
From: chriswi...@yahoo.com
To: lute@cs.dartmouth.edu; vidan...@sbcglobal.net; nedma...@aol.com
Sent: Sunday, October 11, 2009 2:45 PM
Subject: [LUTE] Re: The End of the Golden Age
Ned,
--- On Sun, 10/11/09,
To paraphrase Monty Python, We are lutenists and we're ok; we like to dress
in women's clothes.
Gary
- Original Message -
From: Peter Martin peter.l...@gmail.com
To: Lute list lute@cs.dartmouth.edu
Sent: Thursday, September 10, 2009 12:54 AM
Subject: [LUTE] Imbalance
Of the last
Yes, indeed. It's unusual to go two days without any postings on the
lutelist. Thought maybe something was wrong at my end.
Gary Digman, Luddite
- Original Message -
From: gonzornumpl...@roadrunner.com
To: gary digman magg...@sonic.net
Sent: Sunday, September 06, 2009 8:07 AM
Subject
test
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Placing the capo at the 2nd fret on a guitar tuned to A=440 would be
equivalent to G=415 lute pitch. More method to the madness than first
appears.
Gary
- Original Message -
From: Franz Mechsner franz.mechs...@northumbria.ac.uk
To: Eugene C. Braig IV brai...@osu.edu; Daniel Winheld
Or Robert B-1 Bob Dornan.
Gary
- Original Message -
From: Eugene C. Braig IV brai...@osu.edu
To: 'howard posner' howardpos...@ca.rr.com; 'lute mailing list list'
lute@cs.dartmouth.edu
Sent: Thursday, July 16, 2009 11:03 AM
Subject: [LUTE] Re: Ukulele and Renaissance Guitar
..not
How about Tobias Hume:
My Mistress Hath a Pretty Thinge
Tickle Me Quickly
Purcell:
O Let Me Weep
I Attempt From Love's Sickness to Fly
Ah, How Sweet It Is To Love
Josquin:
Adieu Mes Amours
Passareau:
Il Est Bel Et Bon?
Gary
P.S. Sorry for the redundancy, Dana. The finger hit send while
Alfonso;
I didn't read Arto's remarks to mean that you're lute was overpriced, just
that the cost had generally risen to the point of putting these instruments
out of the reach of the majority of players. The same thing has happened to
many instruments, double basses for example have
Sorry, this was meant to be a private email. Slip of the finger. Please
disregard.
Gary
- Original Message -
From: gary digman magg...@sonic.net
To: lutelist lute@cs.dartmouth.edu
Sent: Sunday, February 08, 2009 2:44 AM
Subject: [LUTE] Paul O'Dette Interview with Bruce Duffie
judgements
about how successful I am at what I do to others. So much great music to
play and so little time. Got to go practice.
Gary
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
To: gary digman magg...@sonic.net
Sent: Sunday, February 08, 2009 10:25 AM
Subject: [LUTE] Re
So much music, so little time!
Gary
(Aspires to be dilettante)
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
To: lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 8:51 AM
Subject: [LUTE] Re: Dilettantism
Yes but.. The but for me hinges on the words
Music is so vast that one could spend a lifetime in one position and never
exhaust the possibilities.
Gary
(kid in a candy store)
- Original Message -
From: Sean Smith lutesm...@mac.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 10:07 AM
Subject: [LUTE] Re:
Dan;
What's your definition of doing better?
Gary
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
To: lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 10:18 AM
Subject: [LUTE] Re: Dilettantism
One thing I didn't address in my rant;
Are we in the lute
Dear Rat;
I don't now if you'll be able to access this with your computer
problemas, But if you are, I thought you might find this interview with
Paul O'dette interesting if only for what he has to say about the way
Beethoven is performed.
Love,
G
You're either assuming or asserting they haven't. Both of which I'd be
inclined to take issue with.
Gary
- Original Message -
From: Peter Martin peter.l...@gmail.com
To: Lute list lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 1:04 PM
Subject: [LUTE] Re: Dilettantism
My
It all depends on what one is trying to accomplish. If your goal is to
become the best luter around and enjoy the accolades and privileges that
accompany that position, it's probably imperative that you narrow your
focus. If your goal is to explore and enjoy as much of this wonderful music
as
Louis Armstrong was criticized in his later years for not retiring because
it was thought he had lost his chops. When told of this Wynton Marsalis
responded with, Nuance is the epitome of technique!
Gary
- Original Message -
From: Edward Martin e...@gamutstrings.com
To: Mayes
There's room for everybody. I'm not offended by someone having the score in
front of them. Also I find it interesting that lute players would be
modeling their performance practice on Madonna's. I think I like things to
be a little looser than that. My favorite performances are those in which I
Duke Ellington used to say that he aspired to be a dilettante.
Charles Ives father is reported to have said that music begins when the last
person who's trying to make a living from it dies.
When ased what he thought of the playing of Miles Davis, Cecil Taylor is
reputed to have said, He
The internet is a bathroom wall.
Gary
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Monday, January 12, 2009 5:01 AM
Subject: [LUTE] Lutes were the earliest form of guitar developed in the
thirteenth century
Lute and guitar
Another possible conclusion: If it doesn't cost an arm and a leg and isn't
dressed up in the finery of a fancy Boston theater, it can't be worth
anything.
A third possible conclusion: The people who paid a $100 to attend the
concert in the theater, most probably were there to be seen at the
I haven't used the LSA Microfilm Library for a while, but, as I remember,
they used to give you the option of renting the microfilm or buying a
hardcopy, although the quality of the hardcopy was considerably less than
I could get from the microfilm using my library's equipment.
Gary
-
The free market at work.
Gary
- Original Message -
From: David Tayler [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Tuesday, November 25, 2008 12:43 PM
Subject: [LUTE] Re: was something, now vinyl
snip
well, that's not something intrinsic to USB; IMHO
I have to say, I'm not sure I agree with this policy of banning people
from posting on the lutelist. I know that some people engage in ad hominem
arguing, name calling, insults etc., but it seems to me one can always use
the delete button to eliminate postings one finds objectionable. I
Aside from octave stringing on the 4th and 5th cources, was not Francisco
Gerau's tuning identical to strings 5 thru 1 of the modern guutar? Surely
Gerau was not the first to use this non-reentrant tuning for the baroque
guitar.
Gary
- Original Message -
From: Monica Hall [EMAIL
How about Dowland's Adieu for Master Oliver Cromwell , composed, I
believe, to commemorate the death of his uncle?
Gary
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, August 24, 2008 6:42 AM
Subject: [LUTE] Re: life or death
Tobias Hume has both Life and Death in tablature for lyra viol, but can
be played effectively on the lute.
Gary
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, August 23, 2008 5:59 AM
Subject: [LUTE] life or death
Any lute pieces
http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
Other Matters:
http://mysite.verizon.net/arthurjness/
===
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Wednesday, August 13
I have not received the UPS thing, but I get emails which are phishing
attempts by individuals purporting to be PayPal. I have forwarded these
emails to PayPal and they have confirmed that the emails are indeed attempts
at phishing. Do not exhange personal information on the internet unless you
...the choices are Electric Engineer and Electronics and Computer Engineering.
I've been a programmer systems admin, and it's a bag of worms I don't want to
have to deal with!
Computer--worms?
Gary
- Original Message -
From: William Brohinsky
To: gary digman
Sent
arrangements for lute?
Best wishes,
Stewart McCoy.
-Original Message-
From: gary digman [mailto:[EMAIL PROTECTED]
Sent: 06 June 2008 08:12
To: lutelist
Subject: [LUTE] Re: look what the cat brought in
I have the cd by Rondollus (sic), an Estonian early music group. It is
surprizing how
Assuming that the 6c vihuela was tuned like a 6c lute, removing the
chanterelle will produce at least one baroque (5c) guitar tuning (Guerau).
Gary
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Michael Fink [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Sent: Friday,
I have the cd by Rondollus (sic), an Estonian early music group. It is
surprizing how well Ozzy and Geezer and Tony's tunes work as early music.
Great fun.
Gary
P.S. The website has been up for three or four years. It probably isn't
getting the maintenance and attention it once did.
-
I seem to recall reading that Francesco played viola da gamba as well as
lute.
Gary
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Antonio Corona [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, June 04, 2008 1:38 AM
Subject: [LUTE] Re: Francesco and the
I've always done it this way (bridge to nut), allows one to pull the fret
into place over a longer portion of the neck ensuring a snug fit, except for
the fret closest to the nut of course.
Gary
- Original Message -
From: Sean Smith [EMAIL PROTECTED]
To: Lute Net
That's the nicest thing anyone's said to me today.
Gary
- Original Message -
From: vance wood [EMAIL PROTECTED]
To: Lute List lute@cs.dartmouth.edu; gary digman [EMAIL PROTECTED]
Sent: Friday, May 02, 2008 6:22 AM
Subject: Re: [LUTE] Re: Kind of explanatiom?
Try sitting on a nail
time lurker and wanna-be lute player.
;-)
-Original Message-
From: Roman Turovsky [mailto:[EMAIL PROTECTED]
Sent: Friday, May 02, 2008 6:51 AM
To: lutelist; gary digman
Subject: [LUTE] Re: Kind of explanatiom?
What this country needs is more moxie, and a couple of years of food
Thank you, Roman. Most useful. Gary
- Original Message -
From: Roman Turovsky
To: BAROQUE-LUTE
Subject: [BAROQUE-LUTE] String Conversion Table
Date: Fri, 02 May 2008 15:42:19 -0400
A useful chart-
http://www.ianwatchorn.com.au/String%20Conversion%20Table.pdf
RT
To
I, for one, am not offended by your comments, Arto. Keep making some of us
(Americans) uncomfortable.
Gary
- Original Message -
From: vance wood [EMAIL PROTECTED]
To: Lute List lute@cs.dartmouth.edu
Sent: Thursday, May 01, 2008 3:54 PM
Subject: [LUTE] Re: Kind of explanatiom?
In
Why is who's better so important? Is this a race?
Gary
- Original Message -
From: igor . [EMAIL PROTECTED]
To: lute-cs. dartmouth. edu lute@cs.dartmouth.edu
Sent: Tuesday, April 01, 2008 9:08 AM
Subject: [LUTE] Recercare
http://youtube.com/watch?v=lEyk0jOIagw
thanks Val !
Spike Jones said, If you're going to shoot off a gun in a tune, you better
have good time.
Gary
- Original Message -
From: Sean Smith [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, March 23, 2008 9:02 AM
Subject: [LUTE] Re: Karamazov as a circus musician
For the
...believe it or not...? Shouldn't it be, ...believe it or don't..?
Sister Mary Diesel (ruler in hand).
PS: I'm not quite sure why this thread is becoming so acrimonious.
- Original Message -
From: David Tayler [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent:
Where can I find this recording?
Monk was anything but sloppy. His music was precise and exacting as any will
discover on attempting to play it. And oh how he swung!
Gary
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; lutelist lute
Is there somebody out there who thinks Thelonius Monk was incompetent?! FYI
Monk was a master stride pianist among other things. Stride piano is one the
most challenging jazz styles. If you think Monk was incompetent, I challenge
you to play a couple of choruses of Trinkle Tinkle. Then we'll
Timbre is an element of musical expression as well as pitch. Why does a
composer have an oboe and a violin or a bassoon and a trombone play the
same part? Because the timbre of the combined sound is different than
each separately. Gary
- Original Message -
From: David Rastall
To:
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