Of course, I assume everyone knows by A, I meant 392! ;)
Cheers!
James
On 17 May 2014 20:01, James Jackson [1]weirdgeor...@googlemail.com
wrote:
A A Hi there,
A A I currently hire a 12c lute, from the UK Lute Society, the
description
A A on their website: no. 44: 12
Hi all,
Can anyone point me in the direction of the tablature forA Tombeau De
Mouton by De Visee for baroque lute? I would be most grateful :)
Many thanks,
James
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
in Besancon
has
made the effort to digititatilizizize the ms:
[5]http://culture.besancon.fr/ark:/48565/a011284026247S0XA9H/1/1
And there we go!
B
On 29.04.2014 19:38, James Jackson wrote:
A A Hi all,
A A Can anyone point me in the direction of the tablature
Hi,
I think you'll find that the ornamentations in the early French and
Scottish repertoire difficult to play with a lute at 77cm, but a 13
course isn't the ideal instrument for that repertoire anyway. I know
someone with a 76cm baroque lute, he doesn't have large hands and has
I think, personally, I prefer the look of the fingerboard extending on
top of the neck block, as it's a little different visually and makes
for a change. (Go toA [1]http://www.lutesandguitars.co.uk/index.htm and
scroll down to or search the page forA 6-course Renaissance lute after
I know this one is a few months old - but personally I love gold gilded
roses. I plan have a gold gilded rose on my current build.
I have seen a painting containing a lute with a gold gilded somewhere,
I just can't remember where or when. I have also seen a modern maker do
it once
I am aware of a few examples from the Saizenay manuscript, where third
finger marks are clearly indicated, particularly where large mounts of
strumming are involved. I.e. La Cascade (Gaultier/Launay).
However, don't forget the Saizenay MS was compiled towards the end of
the golden
Hi Bill,
I know of at least one very well known and respectable luthier who does
indeed glue the blocks on and doesn't see the sense in them not being
glued.
My hire lute was recently under repair for two loose bars, while it was
under repair, the luthier, whom the Lute Society
Hi Paul,
I'll be honest, a scale of 65cm would be much more suited for a pitch
of F at AD0 - I think you'll find with a lute that is a little larger,
like this one, will sound so much better at that pitch. The whole
instrument will resonate better if you string it at the pitch it
much!
Paul
From: James Jackson [mailto:[2]weirdgeor...@googlemail.com]
Sent: Wednesday, January 02, 2013 2:49 PM
To: Paul Daverman
Cc: [3]lute-buil...@cs.dartmouth.edu
Subject: Re: [LUTE-BUILDER] Pitch center on a 10 cs. lute
Hi Paul,
I'll be honest, a scale of 65cm
and everyone else too. Made a little
bit of a fool of myself there.
James.
On 3 January 2013 02:51, James Jackson [1]weirdgeor...@googlemail.com
wrote:
From: James Jackson [mailto:[2]weirdgeor...@googlemail.com]
Sent: Wednesday, January 02, 2013 2:49 PM
To: Paul Daverman
Hi all,
Does anybody know where I can find the tablature for Conradi's famous
Sonata in C major? I'm having trouble locating it and I'd really like
to learn it.
Cheers!
James.
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Hi,
I'm just wondering, what type of strumming strokes are supposed to be
used in early French baroque, in particular E. Gaultier, La Cascade
(Saizenay MS version).
I'm really trying to learn the piece and I'm not quite sure how I'm
supposed to play the strummed strokes.
I
Actually the blu-tac while unsightly, in a blind comparison sounds an
awful lot like loaded gut!
You've got to get just the right amount on, as to not deaden the string
too much. But while I was visiting a luthier recently, we compared
blu-tack on Kurschner wound on my lute, to his
Thanks for your advice,
I've decided to go for Englemann. I'm going for grade 7 (Second down
from highest on their grade) which the timber supplier describes as
Near perfection - very slow growth, the widest
growth ring approximately 2mm within the template area.
Very limited
Sent from my iPhone
On May 17, 2012, at 8:06 AM, James Jackson
[3]weirdgeor...@googlemail.com wrote:
Thanks for your advice,
I've decided to go for Englemann. I'm going for grade 7 (Second
down
from highest on their grade) which the timber supplier describes
Hi guys,
I was just interested in your experiences with Engelmann spruce for
baroque lutes? I'm currently building a 13c, J.C. Hoffman (bass rider)
and I'm just about to order the soundboard, but I can't make my mind up
to go with Alpine or Engelmann for the soundboard.
I've
I love beech!
I made a beech pegbox - it's perfect to withstand the twisting and side
to side motions, particularly on a bass or treble rider. I think beech
would be fantastic for a bowl too, sound should have a nice quick
attack with some warmth too.
As for pearwood - Believe
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