a lot.
I have been wondering why there's not much around on this Ms.
Are you planning to edit the whole Ms.?
If so, Sarge Gerbode would probably happy to feature a French tab
version in his archive.
Cheers,
T*
On 03.05.20 09:59, Konstantin Shchenikov wrote:
>
Dear friends,
During the course in Basel I worked with Marc Lewon on Thibault MS and
get some interesting fruits from it. I would love to share my
results and get feedback from your professional society. I know
several people here also had experience with that source, so it
Some years ago St Petersburg luthier Mikhail Fedchenko experimented
with double top lute. He built renaissance lute for Arkadi Burkhanov,
lutenist from Novosibirsk and music director of 'Insula Magica'
ensemble.
I had some experience with this lute and I'm not happy at all. Yes,
On Wednesday, 5 February 2020, 10:53:14 GMT, Konstantin
Shchenikov
<[3]konstantin.n...@gmail.com> wrote:
WARNING! Rule of the octave doesn't work at the Monteverdi's
times!
In fact, theory has changed.
In XVII c. bass movements does ma
WARNING! Rule of the octave doesn't work at the Monteverdi's times!
In fact, theory has changed.
In XVII c. bass movements does matter (on what interval and in what
direction bass moves) without any correspondances with step of the
scale. Check the rules in Bianchiardi "Breve regola
Dear Colleagues,
I kindly invite those of you who are in NL on my Fringe recitals at
Utrecht Oude Muziek festival next weekend!
My program calls "Portraits of the Renaissance". âPortraits' means
here not only specific english genre of musical portrait (like «Queen
Elizabeth
I had experience with that music. I've recorded 1st and 2nd with organ,
played it in concerts with harpsichord and another archlute. I also did
some guitar solo and guitar duo arrangements of several sonatas for
Anthony Hart and played some of them on XIX c. guitar.
I read through
I own an old H4n and did a lot of recordings on that thing.
Regarding your last question, Tristan: yes, one can use it as a USB
sound processing device. When you connect it via USB, it let you choose
a mode: storage (copy files only, not recharge a battery, I'm afraid)
or as
Sorry, something goes wrong with the link:
[1]https://www.facebook.com/baroque4you/videos/551180878677128/
ÿÃ, 12 þúÃ. 2018, 12:36 Konstantin Shchenikov
<[2]konstantin.n...@gmail.com>:
Dear colleagues,
I do not pretending to be an expert or merely t
Dear colleagues,
I do not pretending to be an expert or merely theorbo master, but would
like to say that theorbo (even my, which is honestly not the best one)
is loud enough with proper technique. I do not suffer playing this way.
Thanks to may teachers, Evangelina Mascardi and
Dear friends,
I'm looking for a contact of Bernhard Lang, the owner of
http://www.bassus-generalis.org/
The adress I've got from the site (bernhard at bassus - generalis dot
org) doesn't work...
Could some of you put me in touch with him?
Thanks in advance!
Konstantin
To get on or off this
Though Piccinini describes 13 course lute in his 1623 preface, I know
at least two pieces, asking just for 7 cources. Corrente V (1st book)
and famous Passacaglia (2nd book). May be there is another examples,
but haven't played all Piccinini pieces through.
2015-09-01 22:11 GMT+04:00 Konstantin
Dear colleagues!
I am proud to present webcast recording of last concert I've took a
part. We played a lot of Italiat XVIII c music in Tchaikovsky Concert
Hall of Moscow Philarmonie with Moscow early music band The Pocket
Symphony.
Among all continuo things I've played solo Vivaldi RV 540 for
Dear collegues,
Mariinsky Theater trying new game - baroque. I'm taking a part in it tonight.
You can watch the concert Online:
http://mariinsky.tv/n/e
Webcast starts tonight at 19.00, Moscow time.
Pray for me))
Greetings from Russia,
Konstantin
To get on or off this list see list
Dear friends,
I am looking for Vallet's Psalms of David for voice and lute (lutes).
Do anybody knows where can I get it? Or may be somebody could share it?
Thanks a lot in advance for any responce!
Greetings from St.Petersburg,
Konstantin
--
To get on or off this list see
it is
A A Le Jeudi 10 juillet 2014 10h43, Konstantin Shchenikov
A A [4]konstantin.n...@gmail.com a ecrit :
A A A Dear friends,
A A A I am looking for Vallet's Psalms of David for voice and lute
A A (lutes).
A A A Do anybody knows where can I get it? Or may be somebody could
Dear friends!
I am curious abour mandore (treble lute) as solo instrument for Vivaldi
concertos and trio sonatas with liuto obligato. Have anyone an
experience with it?
Could you point me to some research?
I am especially interesting about how far it from (or how close to)
!
On May 10, 2013, at 6:09 AM, Konstantin Shchenikov
[2]konstantin.n...@gmail.com wrote:
Dear friends!
I have transcribed Aria detta la Frescobalda for archlute. I am
interested at your opinion, thoughts and comments. Any criticism of
transcription or of playing
Hello, friends!
We had a funny experience. Made Spagnoletta by Caroso more spanish.
We know, Caroso is an Italian, it's just like joke.))
[1]http://www.youtube.com/watch?v=wklbm8GJlVAfeature=plcp
What do you think about it?
Here is other videos from the concert. I am
Hi, all!
My friends and me have played a concert.
Here is songs by John Dowland:
http://www.youtube.com/watch?v=hcleEbnXqCM
http://www.youtube.com/watch?v=ycL4JaKHY6s
http://www.youtube.com/watch?v=1AB54nH3Zac
What do you think about it? Articulation of singer is not too foreign?
And here is
Thank you, Ed!
Microphone Nady TCM 1050. He stood aside from the camera and we were at same
distance from him. In the video, it looks as though the singer closer to the
microphone. But it is not.
07.06.2011, в 18:11, Ed Durbrow написал(а):
I like the quality of your friend's voice. I think
21 matches
Mail list logo
