Anyone tried this method of octave string placement?
[1]https://www.thekremercollection.com/theodoor-rombouts/(press +
to enlarge)
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References
1. https://www.thekremercollection.com/theodoor-rombouts/
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La Dirindina! That must be great fun.
Best wishes, Lex
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Martyn
Hodgson
Verzonden: vrijdag 10 mei 2019 16:27
Aan: 'Lute List' ; Lex Eisenhardt
Onderwerp: [LUTE] Re: PS to Re: De Visee
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Martyn
Hodgson
Verzonden: vrijdag 10 mei 2019 15:45
Aan: 'Lute List' ; Lex Eisenhardt
Onderwerp: [LUTE] Re: PS to Re: De Visee
Dear Lex,
You don't seem to have been able to read all of my earlier PS
as to provide support to the 'nibble' end of the
plucking finger.
regards
M.
- Forwarded message -
From: Martyn Hodgson
To: 'Lute List' ; Lex Eisenhardt
Sent: Friday, 10 May 2019, 09:09:24 BST
Subject: Re: [LUTE] Re: De Visee
Dear Lex,
Well, are you
tmouth.edu] Namens Martyn
Hodgson
Verzonden: vrijdag 10 mei 2019 10:09
Aan: 'Lute List' ; Lex Eisenhardt
Onderwerp: [LUTE] Re: De Visee
Dear Lex,
Well, are you referring to the report that said C couldn't play
because he'd broken a nail?
This might, of course, easily as well refer
Context matters, and this could indeed be a possible explanation of Ebert's
addition to his text from 1723.
But it seems clear that Corbetta had to pay his fellow musicians out of his own
pocket first, regardless of whether he was subsequently compensated.
So, if this were a myth, then at
On the other side [of the nail], we know that Corbetta used them. The influence
of his playing, on a whole generation of guitarists (perhaps also including
Robert de Visee), can hardly be overestimated.
Therefore, it seems likely that, also in France, some used their nails when
playing from
Should be 1724...
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Lex
Eisenhardt
Verzonden: woensdag 8 mei 2019 11:43
Aan: 'LuteList'
Onderwerp: [LUTE] Re: De Visee
The 'myth' is probably based on Ebert's Vermehrte Reise Beschreibung
The 'myth' is probably based on Ebert's Vermehrte Reise Beschreibung (1674):
https://gdz.sub.uni-goettingen.de/id/PPN518447235?tify={%22pages%22:[311],%22view%22:%22info%22}
Lex
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Yuval
Almost no nails?
L
Van: Roland Hayes [[1]mailto:rha...@legalaidbuffalo.org]
Verzonden: woensdag 6 maart 2019 21:02
Aan: lex.eisenhardt <[2]lex.eisenha...@gmail.com>
Onderwerp: Re: [LUTE] Re: right hand technique -- bending the pinky
I would add "almost"
Get [3]Outlook
Slightly changed, hopefully improvedâ¦
[1]http://www.lexeisenhardt.com/file/Campanelle.pdf
Van: Lex Eisenhardt [mailto:lex.eisenha...@gmail.com]
Verzonden: woensdag 24 januari 2018 23:25
Aan: 'lute@cs.dartmouth.edu'
Onderwerp: Campanelle
Today I uploaded a new paper
Today I uploaded a new paper:
[1]http://www.lexeisenhardt.com/file/Campanelle.pdf
Lex
--
References
1. http://www.lexeisenhardt.com/file/Campanelle.pdf
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Perhaps this is what you're looking for
https://www.mail-archive.com/vihuela@cs.dartmouth.edu/msg01314.html ?
Lex
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Ralf
Mattes
Verzonden: dinsdag 18 oktober 2016 19:19
Aan: Ralf Mattes
CC:
I uploaded a new article:
[1]http://lexeisenhardt.com/file/A_String_of_Confusion.pdf
Lex
--
References
1. http://lexeisenhardt.com/file/A_String_of_Confusion.pdf
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Monica Hall wrote:
Double octave stringing is mostly suitable only for strumming as Sanz
says.
Gaspar Sanz:
For those who wish to use the guitar to play noisy music, or to
accompany the bass of a tono [a vocal work] or sonada, the guitar is
better strung with bourdons
It is not about adding just another colour. By the percussive rhythm of
a guitar (with an effect almost like a snare drum, caused by excessive
forceful strumming) the whole character of the music can change.
Therefore it would be good to be well informed about the existence of
such
reasons to quit the list again
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Two days ago I posted this message to the VIHUELA list. With a CC to the
LUTE. I think it got lost in cyberspace. Probably because of the CC
Monica Hall wrote:
The short answer to that is that what has survived in print is only a
tip
of the iceberg. And what is printed commercially
..and another...
The exercises in the books by Corbetta et al include examples showing
which
alfabeto chords match the the notes of the bass part e.g. The Regola per
sonar sopra la parte on p.70 on Corbetta's are surely intended to help
the
player devise a strummed accompaniment.
This
Related to this: are you aware if any lists of players at the 17thC/early
18thC Italian Opera Houses listing theorbos, harpsichords players also showing
guitarists.?
Martyn
The theorbist can also play the guitar. Normally not at the same time...
Lex
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small
lute-shaped
instruments (like in Kircher), that probably had the interval of a
fifth.
Don't you mean intervals of a third and fourth respectively?
As I understand it, it is supposed that the mandora in Kircher (as in
Praetorius) is a chitarra Italiana. With Kircher the tuning of
Maybe the chitarrone is indeed a 'big kithara', rather than a 'big
chitarra' (or 'big kuitra')?
Chitarrone is the decendant of both, because they are the one, a decendant
of Roman era lutes.
RT
In wikipedia it reads: 'It is important to note that- although theorbo and
chitarrone are
There is also such thing as evolutionary convergence. A hornet-fly has
developed the look of a real hornet, to avoid getting eaten. Ditto
theorbo.
RT
There is one essential difference. Evolution only works with living
creatures.
Lex
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So violone is a big viola, as chitarrone is a big (ancient Greek)
cithara,
Actually not. Chitarrone is a big CHITARRA ITALIANA.
Any idea what that might be?
In Millioni 1631 it reads:
Chi volesse ancor'imparare à far le lettere per sonar' il Chitarrino, overo
Chitarra Italiana per via di
Like I said, I've read Meucci's article. The trouble is that iconography
doesn't say 'this is a chitarra Italiana'.
Surely it does. A 3-4course lute-shaped axe that looks like KUITRA looks
pretty obvious to me.
RT
It seems no more than a guess that this was the instrument that Millioni had
Peter
1. If this French or Spanish. It looks hybrid.
You could look at:
http://www.cpdl.org/wiki/index.php/Tant_que_vivray_(Claudin_de_Sermisy)
The composer is Claudin de Sermisy, words in French but spelling hispanized.
2. Is the symbol that looks like a Greek eta (or an n with and
...They were not classical guitarists dressed
up like lute players.
Hey, I resemble that remark! ...other than the fact that my lute-like
things are double strung.
Not to mention lute players dressed up like baroque guitarists...
L.
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Hi Richard, List
The issue of the re-entrant tuning on a guitar is a very different
subject.
First it has noting to do with string length, and second it has nothing to
do
with bass lines...as has been pointed out it has all to do with campanella
passages.
The initial question (as I
Hi,
I suppose that the origins of the re-entrant tunings may be different for
theorbo and guitar. There are people on this list who can explain in detail
about quest for an optimal instrument for accompaniment of the voice in the
early opera (Naldi, Piccinini). Greater stringlength on the
Thank you, Caroline.
Allow me to me rederect this message to the good list of the Vihuela-People.
Q: Were there such 'books' in other countries/ for other languages as well?
For Italian or Spanish?
L.
At 04:30 AM 4/6/2006, Ed Durbrow wrote:
On Apr 6, 2006, at 5:05 AM, Lex Eisenhardt wrote
Carbonchi's 'Lo dodici chitarre spostate' from 1643 (Florence) comes to
mind. Imagine to strum a passacaglia with twelve guitars, all tuned one
semitone apart with 12 different alfabeto chords at the same time. Comes
close to 'garage revival rock'. But meantone? Best, L.
Although Colonna's 25
I just bought a cd (2 euros) by Gergely Sarkozy playing Bach on
Lautenwerck.
Interesting, not bad playing, but nylon and brass strung! |-( I thought
the
whole point of a Lautenwerck was the gut stringing. Luckily the same shop
had Nigel North playing Bach for 3 euro,
Hopefully on an all
Francesco Casanova da Milano?
- Original Message -
From: Patrick H [EMAIL PROTECTED]
To: Lute List lute@cs.dartmouth.edu
Sent: Tuesday, January 17, 2006 9:04 PM
Subject: [LUTE] Casanova
Has anyone seen Casanova yet? There are many lutes in the movie and the
soundtrack. I was
You also might try Thomas Walker's (1968) 'Ciaccona and Passacaglia:
Remarks on their Origin and Early History', JAMS 21/3
L.
Fossum, Arthur wrote:
I will try to track down Richard Hudson's studies( thanks Antonio)
-Arthur
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Has anyone noticed that both Luis de Narvaez and Charles Mouton were
active in the same watersports? They are both pictured (or was it a
plucker from Greece?) on the back of a large fish, presumably a delfin.
cheers, L.
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Dear Stewart,
Thanks for your enlightning answer.
I could indeed have formulated the question in a more serious way. For
us (the rest of the world) it is hard to be funny (deliberately) in
English. I am willing to learn more about those fishy mammals. (I am
doing research for an article in
There is much information on guitar accompaniment in the instructions in
the books by Corbetta (1643, 1648 ans 1671) and Granata (1659). And
later Grenerin and Matteis. The problem is that much of the Alfabeto
song repertoire is from decades earlier.
It is best probably to see how Foscarini
Thank you Wayne, your work is highly appreciated!
L.
- Original Message -
From: Wayne Cripps [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 03, 2004 10:42 PM
Subject: a new mail list filter
Hi Everyone -
I have just installed a new filter into the lute list
alt+0128 that is,
L
Would this piece need much practise? I consider to start my next recital
with it.
L.
Dear Michael,
It is possible that John Cage achieved something as a composer, but,
if he did, it has escaped me. Cutting strings, performing in
silence, and all those other sad gimmicks are utterly
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