Some selections are available on line at
http://www.cs.dartmouth.edu/~wbc/tab-serv/tab-serv.cgi?Balcarres
another is available at http://cms.tslaute.de/Balcarres.pdf
No - it is at http://www.lautenist.de/Balcarres.pdf.
yes, that is correct. Sorry, was my mistake.
Rainer made an
I take the u to be an appoggiatura from below.
Elsewhere, Hurel uses the star for vibrato and the
comma for an appoggiatura from above.
you can see it in Saizenay, too. Star stands for vibrato. In some
pieces, appogiature from below are marked by half moon on the left, in
some pieces
Further to my previous email and also Alain Veylit's below, it's unlikely
that these short horizontal dashes placed under individual notes are
tenuto (holding) signs.
to put things straight, those longer inclined lines (lower left to upper
right) signifying bass notes to be held on, which
The Gigue on f. 4v is particularly well marked up with these dashes.
Clearly it's not indicating a tenuto since these are marked differently in
the MS
would you mind to elaborate on differently? BTW, what I meant to say is,
in _Goess_ I take the sign as tenuto (which to me means emphasis).
Dear Martyn,
okay, now I see what you were talking about. In Gaultier's and Mouton's
prefaces, respectively, those inclined lines, indicating bass notes to
be held on, are tenue (i. e. to be held on). That's right and has
become a geneally held view, indeed.
Wasn't aware that these lines are
So far, it seems that tenuto explanation of the
dash makes the most sense. I'm not entirely
convinced, however. It appears quite often on the
first note of a measure where one would most likely
give it extra musical emphasis anyway. And it is used
in places where there is likely to
And no, I don't believe
it is a defect - the mark is clearly indicated and
plainly and evenly laid out under a fair number of
ciphers.
and it occurs in Goess theorbo, too. It can be taken as tenuto, i. e.
emphasis.
Regards,
Mathias
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Donatella Galletti [EMAIL PROTECTED] schrieb:
2 - I think some of the sonatas are very nice and worth playing. Pittoni
..
also adds : procurarai di rendere più soave l'armonia con passaggi,
gruppi trilli e affetti, which means there are some ornaments and
passaggi one can /should add.
Am I
[EMAIL PROTECTED] schrieb:
It is a small dash, parallel to the tab lines (-)
which is drawn under quite a few of the letters.
..
I've also ruled it out as an articulation
marking since it is used in places in which either
long or short would make no musical sense.
the sign also occurs
May I, for the sake of convenience and mutual understanding, suggest an
old German custom. During the old nasty days when there still was such a
thing like the GDR, those who wouldn't or couldn't accept it (e. g.
quite a few newspapers) kept putting it in quotation marks.
How about vihuela (=
dc [EMAIL PROTECTED] schrieb:
Are there any specific sites out there devoted to theorbo tablature? I
found quite a few for the different lutes, but none for theorbo.
theorbo issues are considered integral parts of lute sciences on this
list :)
I was wondering in particular how the unfretted
Hi David,
there's something gone wrong at the end of the tab and in between.
Regards,
Mathis
David Cassetti [EMAIL PROTECTED] schrieb:
Thanks Göran,
It seems two measures are missing between 21 and 22 - I have supplied
them in the tab below.
Also, for fun, I posted an mp3 of a mptrack
David Cassetti [EMAIL PROTECTED] schrieb:
Hmm, I don't seem to have any problem pasting it into an email and
sending it to [EMAIL PROTECTED]
I posted the resulting PDFs for Italian and French tab at:
http://www.users.qwest.net/~leocassetti/cabet1f.pdf
yes, the pdf seems okay. But the
|f
|-
|b
|-
|
|-
|d
|-
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|-
|b
|-
Would it be common to barre across the b fret and then use 5 for the first
course and 3 for the fourth? I think that's the only way I'd be able to do
it with my small stretch.
if 5 is your LH pinky and 3 is middle finger, I should say yes. And
ariel abramovich [EMAIL PROTECTED] schrieb:
My friend: learn to listen (read) to yourself; spend some more time
thinking, and then make your contributions.
thank you, Ariel.
All the best,
Mathias
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Bernd Haegemann [EMAIL PROTECTED] schrieb:
Dear all,
I would be very happy, if some owners of a 11c could publish
a list of string tensions here.
Thank you!
here are the results by Beier's:
Name: Baroque Lute
Pitch standard: A = 415 hz.
Total bridge tension: 60.20
Course Length
Wayne Cripps [EMAIL PROTECTED] schrieb:
From: saw 192837 [EMAIL PROTECTED]
Anyone here of Luthier Chris Allen, UK, or his lute work?
http://www.luthiers60.freeserve.co.uk/instruments.html#lutes
I am thinking of buying something from him. If you like you can respond
privately to
I agree with almost everything you write except that I would like to call
instruments first and foremost by their proper names (especially if it comes
to non western european instruments), that I would not like to call guitars
lutes
nor should I. Lute instruments would be the traditional
Schalenhalslaute and Kastenhalslaute - that's the terminology of Curt
Sachs
Sachs's terminology was still kept e. g. by Dieter Klöckner, art.
zupfinstrumentenbau (construction of plucked instruments) / A Einführung
(introduction), B Gitarren- und Lautenbau (construction of lutes and
guitars)
Joachim Lüdtke [EMAIL PROTECTED] schrieb:
Within the field of instruments in question I tend to think of instruments
with a lute-back as lutes and of instruments with a back made of sides
(unsure about the terminology, in German they are called Zargen) and a
seperate back as guitars,
Charles Browne [EMAIL PROTECTED] schrieb:
I wonder how many non german-speaking lutenists would be interested in an
english translation and whether Schott Sons would be willing to support such
a venture?
There is an English translation in existence that was made some 30 years
ago, or so I was
Markus,
you're right, of course. It is not a riddle, it's a saying that was
engraved above the entrances of several famous town halls (Wernigerode,
Berlin). The meaning is, one should follow his or her convictions
notwithstanding people's objections or rejections.
DFH Der Eine Acht's
DFH
Daniel F Heiman [EMAIL PROTECTED] schrieb:
On Sat, 1 Oct 2005 22:43:15 +0200 Gernot Hilger
[EMAIL PROTECTED] writes:
snip
one respects it
the other despises it
the third watches it
what is it
The final question might be better translated:
What is it doing?
that would be
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