Dear Stewart,
many thanks for your excellent posting. Your mails are always very
interesting and of great value!
You are absolutely right, that most of the modern editions etc. give
wrong impression of the original notation. There are also some charts
which give the corrcet relationship
Dear Paolo,
Silvius Leopold Weiss (1687-1750)
A trivial mistake about the Weiss' date of birth?
Not at all. It is quite possible, that 1687 (stated by Louise
Gottsched) and not 1686 (which is on the posthumus etching by Folin )
is correct.
See Frank Legl's very important article (in
Dear friends,
many thanks for all those, who answered to my request concerning
Adriansen's Pratum.
It is wonderful that we have such a great resource like our LUTENET.
Best wishes: Peter Kiraly-
Peter Király
Glockenstr. 34
D-67655 Kaiserslautern
T/Fax. (00)49 631 69866
Dear friends,
I am trying to get in touch with Douglas Alton Smith, on behalf of
the German Lautengesellschaft, but all my mails has been returned so
far. Obviously the address I have, are no more valid. (The latest I
had: [EMAIL PROTECTED]) Does anybody know his recent address?
Please answer
Dear Friends,
I have not seen in the lutenet yet this posting, which I received
today from the Society for Seventeenth Century Music. I figure, some
people, who ar living nearer, than I, might be interested.
Pleas try to contact not to me. I have nothing to do with the whole
thing.
Best
Dear Ed,
Bakfark finished his Lyon lute book with the piece my last sighs
(Ultimi mei sospiri), and the Cracow lute book ends with a
reference to the lack of money (Faulte d'argent).
Best regards, Peter
-
Peter Király
Glockenstr. 34
D-67655 Kaiserslautern
T/Fax. (00)49
Dear friends,
James A Stimson wrote:
[DEL:Just because Francesco didn't include an= y dances in his
publications :DEL]
[DEL: doesn't mean he never played them. :DEL]
Of course not. They had to play much dance music. And beside so= los
much ensemblemusic, too.
Dear friends,
I am not convinced at all, whether one has to label Valen= cian or
even Spanish the system used by Milan. Besides the tablature of
Melchiore de Barberiis = from Padova, mention by Stewart, there are
some other examples, although even m= uch later ones,
Dear Jurek (Jerzy),
you are absolutely right saying 'there were always some kind of=
distinctions in style and organisation There were real stars among
both groups, whose names became known to the history, and thousands of
others forgotten.'
If I my memory does not
Dear Friends,
[DEL:How much did a lute cost 1500-1650, in t= erms of months of
salary? :DEL]
The Polish royal court paid Bakfark August 1551 12 Polish= florins
for a lute, which he bought in Cracow. At that time Bakfark earned
yearly about 9= 2 Polish Florins.
Dear Arthur,
it is nice of you, that you mentioned my opinion, that the lute tablature in British
Library, Ms Sloane 1021, has been incorrectly attributed to Johannes Stobaeus. To
be frank I would like to state, that I am not the only person, and definitely not the
first one, who realised that
Dear Paolo,
[DEL:I would like to suggest that the correct= family name of the
cardinal :DEL]
[DEL:is not Madruzzi or Madruzzo, but Madruzz= a (I have personal
:DEL]
[DEL: aquaintenace with the family) :DEL]
You might be right, but as far I recollect in
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