I haven't been paying attention very much lately.
Where is the new list and what do I need to do?
On 26.09.20 14:38, Rainer wrote:
Does anybody remember (Wayne? :)) when Wayne's server will be shut down?
Isn't it time to migrate to the new list?
Rainer
To get on or off this list see list
d now it's all available translated!
Stay safe and keep playing,
Chris.
On Mon, Sep 14, 2020 at 4:48 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
If you want to play it, the Hans Neusidler version is nice and easy.
Of course, his son also made a d
and accomplished performance, Thanks!
Stay safe and keep playing,
Chris.
On Sun, Sep 13, 2020 at 9:46 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I just found this version of a song that is probably familiar to all
lutists.
[2
I just found this version of a song that is probably familiar to all
lutists.
https://www.youtube.com/watch?v=RqMKE6HLOrc
I don't know about you, but I think that's extremely beautiful.
To get on or off this list see list information at
I just noticed the glockenspiel in this performance:
https://www.youtube.com/watch?v=4JWYIY3icUg
I wonder why it is there. It seems to have come from this iconic recording:
https://www.youtube.com/watch?v=kmHR6GWQOWU
Does anyone know how they justified it?
Not that this instrument wasn't
The applause was probably included :)
:)
T*
On 08.09.20 12:18, Rainer wrote:
According to a source I cannot remember the Sonata lasted 55 minutes
when played by Liszt.
This is much slower than some modern performances.
Rainer
Am 08.09.2020 um 01:09 schrieb howard posner:
On Sep 7,
mple and easy ! And by the way, an 8 course is much more
"comfortable" to play it through ;-) !
All the best,
Jean-Marie
Le 04/09/2020 à 18:38, Tristan von Neumann a écrit :
It's playable with a 7c lute comfortably, and the difficulty is moderate
if you consider the great effect,
The year 1600 saw the publication of "Le Trésor D'Orphée" by Antoine
Fracisque.
It's a very beautiful print so I made my own book and played through it.
That is one great album!
Apart from the innovation of alternate tunings, the music itself is amazing.
I thought I'd steer the attention to
� You cite Sarge's transcription. � He also has the manuscript in
� Facsimile. First item in the list of facsimiles. � AJN.
� -Original Message-
� From: Tristan von Neumann <[2]tristanvonneum...@gmx.de>
� To: [3]lute@cs.dartmouth.edu <[4]lute@cs.dartmouth
Here's some early Punk with Bandora and Cittern.
https://www.youtube.com/watch?v=x8rVgiRJb9E
Here's a good example of the Orpharion sound. I would love to have one...
Perfect for Lute music too, the sustain is amazing.
https://www.youtube.com/watch?v=e0j4KsH9UkI
On 20.08.20 19:36, Nancy
Thanks, I didn't know they got busted by Bartok's Widow :)
Better stick to older music, because you probably won't get a call from
Monteverdi's lawyer. :)
On 19.08.20 19:18, howard posner wrote:
On Aug 19, 2020, at 6:55 AM, Tristan von Neumann
wrote:
Yeah I wonder why it was dubbed
0Vn9V-tRCo
On 19.08.20 14:46, theoj89...@new-old-mail.cs.dartmouth.edu wrote:
Isn't that 'Regressive' Rock?
-Original Message-
From: Tristan von Neumann
To: lute@cs.dartmouth.edu
Sent: Wed, Aug 19, 2020 6:37 am
Subject: [LUTE] Renaissance Music in Rock
Dear Fans of Progressive Rock:
I just accidentally found this album
https://www.youtube.com/playlist?list=OLAK5uy_mIN9f8var-UpR6ypOYeP8loZqEYaX0198
I guess some people might enjoy it.
Fans of 70s prog rock band "Gryphon" certainly will.
To get on or off this list see list information at
Yeah, I noticed...
That's Terzi level stuff...
On 17.08.20 13:32, Christopher Stetson wrote:
Thanks for pointing this out, Tristan. I took a quick look. Not for
the faint of heart!
Chris.
On Mon, Aug 17, 2020 at 6:34 AM Tristan von Neumann
<[1]tristanvonneum...@gmx
The first 50 pieces of a manuscript of which I had never heard before.
Rare Gabrieli intabulations and some English pieces!
Thank you, Sarge!
http://gerbode.net/sources/A-LIa_oberosterreichisches_landesarchiv/HS._475_Eysert_Lute_Book_c1600/pdf/
To get on or off this list see list
That depends where they ended up :) I heard Dowland envied people in hell...
I hope it's heaven for both :)
On 14.08.20 23:52, Bill Polhemus wrote:
Now he gets to thank him personally.
William L. Polhemus, Jr. P.E.
Sent from my iPhone 8+
On Aug 14, 2020, at 4:03 PM, Tristan von Neumann
Rest in Pieces by John Dowland, Julian.
You made him popular again.
On 14.08.20 22:12, Rainer wrote:
https://www.bbc.com/news/entertainment-arts-53777949
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Yes we can.
On 11.08.20 23:38, David Smith wrote:
Can we please stop the rant. Not everyone agrees that Gates is evil or that
Windows is horrible. This is just becoming offensive.
David
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Tristan von Neumann
,
which you can't even blame Gates for, anymore.
A. John Mardinly, Ph.D., P.E.
On Aug 10, 2020, at 3:49 PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
� �Did he sell all his shares too?...
� �As far as I know, he's still a major shareholder.
�
.
On Aug 10, 2020, at 12:26 PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I agree.
Also, I wouldn't want to give anything to Mr. Gates.
On 10.08.20 20:45, Frank A. Gerbode, M.D. wrote:
I already have a setup like that. I have a win10 machine running a
v
-...@new-old-mail.cs.dartmouth.edu] On Behalf Of
lastrai...@interfree.it
Sent: Monday, August 10, 2020 10:23 AM
To: Tristan von Neumann; lute@cs.dartmouth.edu
Subject: [LUTE] Ris: Re: fronimo under wine?
In my experience Fronimo cannot work "directly" on a Linux platform
I agree. I would buy Fronimo if it worked properly under Linux.
I had trouble in the demo version. Printing to file didn't work (blank
pages though the preview is visible. Is this deliberate?).
That's sad because I have some fronimo files from the yahoo group I
would have loved to print.
Also
"era manco"? :)
Maybe it was also an anonymous lute. :)
On 07.08.20 18:20, Edward Martin wrote:
Dear collective wisdom,
Dan Larson came about some photos of old lutes from the 20th century,
and saw among the photos a Dolmetsch theorbo from 1969, but the most
intriguing
Fingering solutions are highly dependent on one's shape of hand.
Some things just can't be easily done by some people, so there's
alternative solutions that require
quicker changes but avoid stretches.
And then there's multiple approaches to playing styles.
Some composers use sliding barré
T.J. Sellari wrote:
---------- Forwarded message -
From: Tristan von Neumann [2]<[1]tristanvonneum...@gmx.de>
Date: Tue, Aug 4, 2020 at 8:14 AM
Subject: [LUTE] Re: e vs c
To: [[3]2]lute@cs.dartmouth.edu [4]<[3]lute@cs.dartmouth.edu>
cause (although I
read all kinds of tab fluently) I can write in fingerings, which can
get
very confusing in Italian tab.
M
On 04/08/2020 02:27, T.J. Sellari wrote:
>-- Forwarded message -----
>From: Tristan von Neumann <[1][1]tristanvonneum...@
Best wishes, Denys
Sent from my iPhone
On 4 Aug 2020, at 00:02, Tristan von Neumann wrote:
Good question Sean...
I think there's no real development in this.
For example, Fuhrmann's Testudo Gallica uses "on-line" fonts,
and "c".
This is very annoying sometimes if you want to
Good question Sean...
I think there's no real development in this.
For example, Fuhrmann's Testudo Gallica uses "on-line" fonts,
and "c".
This is very annoying sometimes if you want to play from the facsimile...
In manuscripts, Marsh Lute Book uses c, it's often very confusing next
to the e.
https://www.youtube.com/watch?v=3mks4SyfLjQ
That's the spirit. It ain't exactly French chansons, but it sounds like
they are having fun.
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Wow, amazing depictions by Rabel.
I see that he also shows us chitarre attiorbate. I didn't know those
existed.
That would also be an interesting project...
This paper is about the reconstruction of another Rauwolf lute, but I
see that it shows many pictures of the 1598 double pegbox one.
To all the luthiers:
Has anyone tried to reconstruct the double-pegbox lute of Rauwolf
depicted in Lüdtke/Schlegel?
Is his design even any good, soundwise?
Online, I only found a reconstruction of another lute, and just one
crappy picture of the 11 course one...
It looks great though, and it
, Tristan von Neumann
<[2]tristanvonneum...@gmx.de> a écrit �:
Just preparinig to print my own facsimile of Capirola...
I was wondering: most animals look really realistic (yes I know,
there's
Griffons and Unicorns too and those do not exist).
How did the illuminat
Just preparinig to print my own facsimile of Capirola...
I was wondering: most animals look really realistic (yes I know, there's
Griffons and Unicorns too and those do not exist).
How did the illuminator (Mr. Vidal?) know how a Giraffe looks?
of Tristan von
Neumann [3]
Sent: Tuesday, July 21, 2020 8:36 PM
To: [4]lute@cs.dartmouth.edu [5]
Subject: [LUTE] Re: Spanish harp in this whole mix
Now that you mention Mersenne...
[6]https://gallica.bnf.fr/ark:/12148/bpt6k63326258/f320.highres
But seriously, the question of how
Now that you mention Mersenne...
https://gallica.bnf.fr/ark:/12148/bpt6k63326258/f320.highres
But seriously, the question of how the instruments were built is important,
but I'm really interested in the music, or more specifically, pieces
that are derived from harp playing.
I know that new
sounded like.
Cheers,
ted Jordan
Ohio, US
-Original Message-
From: Tristan von Neumann [4]
To: [5]lute@cs.dartmouth.edu [6]
Sent: Mon, Jul 20, 2020 2:01 pm
Subject: [LUTE] Weird instrument depiction in painting
I just stumbled upon this painting by Reinhold Timm
I just stumbled upon this painting by Reinhold Timm.
It supposedly shows the musicians of Christian IV.
What's the instrument on the left?
It looks like a Harp seen from a very weird angle...
The painting is very interesting in general, it looks almost like some
1920s Neorealism.
I don't really see it?
It looks like the hand is firmly stabilized to get good control of the peg.
One could argue that the peg would be a bit high compared to the others.
On 17.07.20 11:50, Monica Hall wrote:
"Les charmes de la vie" is a well-known painting by Watteau in the Wallace
://soundcloud.com/tristan-von-neumann/jm-nicolai-sonata-a-2-in-c-shuddha-nat-pt-mallikarjun-mansur
Of this one I might create another version, as the canzon is quite
short. The sound is kind of Jan Garbarek-y.
https://soundcloud.com/tristan-von-neumann/girolamo-frescobaldi-canzon-vigesimaprima
True! You can't put Early Music into concert halls and call it
historical performance.
I once heard Jordi Savall and his orchestra (about 20 people or so) with
Corelli in a huge Symphony Hall.
It was nice, but it totally lacked the impact it would have had in a
more intimate setting.
And if it
The 7th string was added later on the viola da gamba.
(btw, check out the movie of the same name, it's nice :))
But this isn't relavant: The common feature is the "bastarda" style.
While diminutions usually apply to the upper voice, bastarda goes
through all the voices.
The soloist needs to
*rubs his chin*
Hmmm. so why exactly are m. 43ff in Capirola f.6v literally m. 17ff
in Spinacino No 37?
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
You are missing the point.
You are talking to the few hundred people on Earth who play old lute
pieces...
Imagine Average Joe of today with a score of a Beatles song.
Yeah.
On 05.06.20 18:23, G. C. wrote:
So people on this list, are playing Renaissance and Baroque music
If we didn't have recordings, people would have to play them on
instruments...
I think many of those songs would have disappeared already...
On 05.06.20 18:03, G. C. wrote:
What are 80 years? We are still enjoying playing and listening to
Beatles and Stones music, near 60 years
o all, and keep playing (and discovering!),
Chris.
On Fri, Jun 5, 2020 at 9:21 AM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Thanks Ron,
though I was referring to published music, not to the fact that
there
were lutes with more cou
ol. 12 (1965) p. 140.
__
From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Tristan von
Neumann
Sent: Friday, June 5, 2020 1:11 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] 7c. Lute music
Whil
While playing to Sarge's new Gerle series (thanks!)
http://gerbode.net/sources/GerleH/Musica_Teutsch_1532/pdf/
I saw this sentence: "Nun volgen etliche stucklein hernach in der
Tabulatur zu den
dreyzehen saytten."
(Now following: several pieces in tabs for 13 strings)
So this music is
Just found this gem:
http://gerbode.net/sources/Mertel/hortus_musicalis_novus/part_2_fantasies_and_fugues/pdf/fantasy_047.pdf
I won't say anything. You will notice when you play it. :)
Enjoy.
To get on or off this list see list information at
Indeed it was.
Not used to strumming hard and shredding, but still, here's what I came
up with so far:
https://vimeo.com/421981400
On 23.05.20 22:27, Christopher Allworth wrote:
A challenge indeed!
C
On 23 May 2020, at 16:05, Tristan von Neumann wrote:
Dear lutists and other players
Dear lutists and other players,
here's a suggestion.
I just found that "Les Bouffons" in Phalèse guitar book "Selectissima
Elegantissimaque..." from 1570
contains this very rocking piece. Conveniently, an example on how to jam
on it is also given.
It contains probably the most peculiar
https://www.youtube.com/watch?v=sFwyEs0ID6U
I just found this... great playing and a funny idea.
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
uot;Tristan von Neumann"
Am Freitag, 22. Mai 2020 12:24 CEST, Tristan von Neumann
schrieb:
I am going to make myself a nice lute strap.
So I have been digging through paintings...
Weirdly, no one ever seems to use any form of strap...
Look closer/search better. Just two:
- https://
I am going to make myself a nice lute strap.
So I have been digging through paintings...
Weirdly, no one ever seems to use any form of strap...
How did they manage to play?
Or did the painters not bother painting them?
To get on or off this list see list information at
.
As you know, I consider this the real voice quality with which to sing
diminutions.
https://soundcloud.com/tristan-von-neumann/gioseffo-guami-canzon-vigesimaquinta-bahar-pt-bhimsen-joshi
Enjoy.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
Wow nice!
Those are great videos.
Glad you are interested in this early source!
I know your older videos with archlute which I enjoyed a lot.
I have been wondering why there's not much around on this Ms.
Are you planning to edit the whole Ms.?
If so, Sarge Gerbode would probably happy to
If it works, it's allowed.
Sometimes when I am in a good mood and don't think much about the fingering,
seemingly impossible things happen. (Hard to recreate though).
When I'm just listening and not trying to finger everything consciously,
holding the most important lines often makes other
While I complained earlier that Molinaro's pieces are sometimes unplayable,
many of the pieces fit the lute very well, and don't seem to be just
transcriptions from the keyboard.
(For example Fantasies No. 3 or 5)
There is a possibility to finger some passages with a sliding barré -
something
PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Sarge has put a French tab version of Gianoncelli online:
[2]http://gerbode.net/sources/Gianoncelli/il_liuto_1650/
In case you have an archlute.
If you donât have an archlute, you can move a lot of the bass no
In case you didn't see:
Sarge has put a French tab version of Gianoncelli online:
http://gerbode.net/sources/Gianoncelli/il_liuto_1650/
In case you have an archlute.
Unfortunately, it's really written for those diapasons, substituting the
notes doesn't really sound great.
The music is
alternative for video calls, and it is free.
On Sat, Apr 11, 2020, 4:16 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I don't know - if there's one issue, others may be unknown.
But probably safe enough :)
On 11.04.20 14:42, Michal Gondko wrote:
&g
I’m missing something.
On 11 Apr 2020, at 14:17, Tristan von Neumann wrote:
Nice :)
Zoom has security issues though.
I recommend Jitsi, which is very secure, open source with end-to-end
encryption, no signup required.
It offers features like desktop sharing etc., all you need for online
Nice :)
Zoom has security issues though.
I recommend Jitsi, which is very secure, open source with end-to-end
encryption, no signup required.
It offers features like desktop sharing etc., all you need for online
lessons.
https://meet.jit.si/
On 11.04.20 14:24, Michal Gondko wrote:
Dear
Mardinly wrote:
But if we had listened to the part of Gate's message about pandemics,
we would not be in the pickle we are in now.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 31, 2020, at 11:05 AM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de>
Civil War.
On 3/30/20 5:29 PM, Tristan von Neumann wrote:
..for these distracted times.
(Thomas Tomkins)
https://www.youtube.com/watch?v=0z2BEKuWANA
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
That's correct.
Let's hope this doesn't apply to today.
I would not be happy with Lord Protector Bill Gates.
On 31.03.20 19:51, Alain Veylit wrote:
"these distracted times" referred to the Civil War.
On 3/30/20 5:29 PM, Tristan von Neumann wrote:
..for these distracted times
Oh look, if you like Viol consort more, here's one:
https://www.youtube.com/watch?v=13jbLK9_CvI
On 31.03.20 04:26, Jurgen Frenz wrote:
:-) how did you find this...
Thanks
Jürgen
‐‐‐ Original Message ‐‐‐
On Tuesday, March 31, 2020 2:29 AM, Tristan von Neumann
wrote
I knew this piece for a long time, but never has it been more fitting.
On 31.03.20 04:26, Jurgen Frenz wrote:
:-) how did you find this...
Thanks
Jürgen
‐‐‐ Original Message ‐‐‐
On Tuesday, March 31, 2020 2:29 AM, Tristan von Neumann
wrote:
..for these distracted times
..for these distracted times.
(Thomas Tomkins)
https://www.youtube.com/watch?v=0z2BEKuWANA
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Yes, I noticed that also.
My cheap 25€ webcam with built in stereo mic ist great.
Stereo mics can cancel noise, that's probably why the quality is surprising.
Compared to my TASCAM it isn't even that bad for lute recordings either.
I was extremely surprised.
On 30.03.20 11:04, David van
Datum: 2020-03-25T17:44:36+0100
Von: "David Smith" <[8]d...@dolcesfogato.com>
An: "Tristan von Neumann" <[9]tristanvonneum...@gmx.de>,
"[10]lute@cs.dartmouth.edu" <[11]lute@cs.dartmouth.edu>
That cost is what a master bui
Smith
Sent: Wednesday, March 25, 2020 10:41 AM
To: Tristan von Neumann; lute@cs.dartmouth.edu
Subject: RE: [LUTE] Re: Lute Tablature using Finale
Right-click the staff and select Staff/Part Properties from the context dialog.
There are actually two context dialogs, so you might need to move
For that money, I'd buy a Lute consort...
I don't see any advantage...
On 25.03.20 11:40, Jurgen Frenz wrote:
I read about the process to make such an instrument - from memory the two
slices are glued together under vacuum, to me it sounds like quite a costly
process. The guitars made by
nd a manual to use the program to
create a french tablature.
Thanks in advance,
best regards,
Wim Loos
Op wo 25 mrt. 2020 06:54 schreef Tristan von Neumann
<[1]tristanvonneum...@gmx.de>:
For French tabs with good optics you can also use MuseScore, which
is
also free.
For French tabs with good optics you can also use MuseScore, which is
also free.
However I have not yet (on Linux) found any support of more than 6 courses.
Editing is quite easy.
On 25.03.20 06:21, Sean Smith wrote:
I've used Parallels to open Fronimo on Mac and it works pretty well.
Create a master track to which everyone will play and record their part.
Then you put everything together in sync.
Latency free music making is virtually impossible in real time...
On 23.03.20 23:30, howard posner wrote:
On Mar 23, 2020, at 8:12 AM, Diego Cantalupi wrote:
Each one with
"Only one chord" :)
With that number of chords that's something totally different.
But I suspect that passamezzo is indeed a blanket term.
Pacoloni has many different "passamezzi", some even on chanson models.
The common thing is the cyclic variation.
Later, the Ciacona is used as a blanket
for an early passemezo of Spanish character, there is
a Romanesca in Dalza, f46.
Sean
On Mon, Mar 23, 2020 at 11:50 AM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Sorry, I trusted the number Sarge put on his edition.
So it's not from 1520 after all? No p
the later English lute versions (and it is not a
recommendation).
Cheers
Antonio
On Monday, 23 March 2020, 04:46:37 GMT-6, Tristan von Neumann
[1] wrote:
I thought this was the oldest known vihuela tablature?
Feel free to recommend an earlier version!
I'm interested
On Sunday, 22 March 2020, 14:25:51 GMT-6, Tristan von Neumann
wrote:
For some Condes Claros beginner fun, check out this duet (you can
record
the second part and play to it).
It's also the earliest example.
[1]http://gerbode.net/sources/E-SIM_simancas_archivo_general
you!'. There's certainly no indication. It also starts a
> little abruptly so you might add a few C and G iterations on the
front
> end.
> Sean
>
> On Sat, Mar 21, 2020 at 8:13 PM Tristan von Neumann
> <[1][5]tristanvonneum...@gmx.de> wr
t; talk to, even suggesting it is probably irresponsible with a touch of
> 'shame on you!'. There's certainly no indication. It also starts a
> little abruptly so you might add a few C and G iterations on the
front
> end.
> Sean
>
> On Sat, Mar 21, 2020 a
Many of you might have more time on their hands than usual.
So here's a list of favorite books and manuscripts to play.
* Marsh Lute Book. Fun for weeks.
http://gerbode.net/sources/IRL-Dm_archbishop_marshs_library/ms.z.3.2.13_marsh_lute_book/pdf/
* Siena Ms. - it never fails to surprise
I just got Pacoloni Ensemble's Thysius Lute Book album from Brilliant
Classics.
It's one of the rare albums with up to four lutes in consort and
features many fine pieces like Passamezzi, Can She Excuse etc. that had
not been recorded before.
Nice: there's also good use of additional
had large hands. Actually, though, I don't find them more
technically difficult than many of the chanson intabulations of
earlier
publications.
On Sun, Mar 15, 2020, 1:12 PM Tristan von Neumann
<[1][2]tristanvonneum...@gmx.de> wrote:
But seri
pieces played by Paul Beier (do you happen to know him?).
Mea culpa I downloaded it - but I believe I can hear how he was
struggling with the playing technique.
Best
Jürgen
âââââââ Original Message âââââââ
On Sunday, March 15, 2020 3:38 PM, Trist
Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I should have tried "duodecima" too...
On 13.03.20 18:57, Jurgen Frenz wrote:
> O'Dette... you should try google sometime :-)
>
>
[2]https://www.amazon.com/Fantasie-Canzoni
ndereck PL/CZ/DE"Mata Telinga" Alte+Neue Musik
+49 15733699647
‐‐‐ Original Message ‐‐‐
On Friday, March 13, 2020 6:18 PM, Tristan von Neumann
wrote:
Dear Lutists,
has anyone tried Molinaro's Fantasy No. 12 yet?
It is most interesting, but unfortunately it's probably one o
Dear Lutists,
has anyone tried Molinaro's Fantasy No. 12 yet?
It is most interesting, but unfortunately it's probably one of the most
difficult fantasies to play :(
Any recordings?...
To get on or off this list see list information at
I was wondering too...
I'm ok, I just don't have anything controversial to spark a discussion :)
On 11.03.20 20:10, Leonard Williams wrote:
Things have been rather quiet on the list...I hope everyone is OK
during this stressful period!
Best regards,
Leonard Williams
--
ame.
Best,
Matthew
On 12 févr. 2020, at 04:13, Tristan von Neumann
wrote:
In Willoughby Lute book, there's mentioned that Brewster's Pavan was
copied from Green's lute book.
Alexander/Spencer's index mentions that he was an "old and trusty
servant" of Willoughby.
It is interesting that
In Willoughby Lute book, there's mentioned that Brewster's Pavan was
copied from Green's lute book.
Alexander/Spencer's index mentions that he was an "old and trusty
servant" of Willoughby.
It is interesting that he appears also in Wurstisen's collection (Almain
-> "Man ladt uns für die
The most popular lute song is now...
Toss a coin to your witcher! :)
Just look through youtube... guitar covers, electric guitar, ukulele,
what have you.
Here's one with an actual lute:
https://www.youtube.com/watch?v=AfwQExKSVg0
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Don't go crazy over this.
Arpeggio: I think it was Telemann who said: "Playing continuo is not
chopping cucumbers."
He meant the harpsichord, but still a valid point.
Play clear bass notes and make nice clouds above to fill rhythmic voids
of the singer.
If the voice has rhythm, go with it
In case you didn't already notice: Sarge has published the first 50
pieces of Marsh Lute Book.
http://gerbode.net/sources/IRL-Dm_archbishop_marshs_library/ms.z.3.2.13_marsh_lute_book/pdf/
I have been playing from the facsimile sometimes, but since the c's are
really c's and not r's (except for
Can I become a Mandora enthusiast by using a Wandervogel lute?...
What's the stringing choice to come close to Mandora sound?
On 24.01.20 14:16, Martyn Hodgson wrote:
Well done Rainer,
- let's hope this produces even more interest in this relatively
neglected but, once, popular
agment of the manuscript and an
additional loose leaf. These are included in a modern edition entitled Canto Llano
published by Stephan Olbertz (Lute & Guitar Editions) as well as in Separata
Musical No 1 published by the Sociedad de la Vihuela.
Best
Matthew
On Jan 17, 2020, at 18:59, Tristan v
Does anyone have a scan of this vihuela manuscript?
I'd love to have a look at it.
:)
T*
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That's interesting!
Seems to be a Spanish thing? Valderrabano has three grades of difficulty
also assigned to the pieces.
Mudarra marks only the easy pieces. (Which I find not so easy, there are
some hard stretches if you want to sustain correctly)
On 15.01.20 16:54, Ralf Mattes wrote:
Am
lyphony for the lute that
predates
the first publication.
RA
__
From: [2]lute-...@new-old-mail.cs.dartmouth.edu
<[3]lute-...@new-old-mail.cs.dartmouth.edu> on behalf of Tristan
__
From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Tristan von
Neumann
Sent: Tuesday, January 14, 2020 3:52 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] another controversial question (again)
After the Milan discussion which I enjoyed a lot, I'd like
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