Hi Folks,
I am selling my 10 course lute made in 1976 by Swiss luthier, Sandro
Zanetti.
It comes with a hard shell case. It is very playable with comfortable
action.
Asking $1,850.00
I will not ship it, so local only. Sorry!
The lute is in Brooklyn New York.
If anyone in
Alkan of course... but I heard it was the Talmud that did him in.
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On Thursday, August 1, 2019, Alain
Veylit wrote:
Since Howard mentions the Torah and jeopardy, here is our summer
quiz/jeopardy
In an Interview, Bream said he was knocked over by a neighbor's dog.
Also, FYI, he has recently suffered a stroke and is in a wheelchair.
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On Friday, June 21, 2019, John Mardinly wrote:
Left hand.
A.
Hi Folks,
I am sure many of you will be interested to hear Hopkinson Smith play
guitar music of Manuel Ponce on the lute.
This music was originally originally written for Segovia.The recording
is on Spotify.
Here is a link to CD baby:
Hi All,
I have not seen this posted here:
Guitarist, publisher, editor, scholar Matanya Orphee passed away on
November 6th at 6:00 p.m.
Matanya was an extraordinary man: incredibly productive, controversial,
combative and generous.
He made some great contributions to the
Hi All,
Any suggestions for a luthier in or around New York City that can set
up my 10 course lute.
The lute is made by Sandro Zanetti. It needs new gut frets. The frets
on it now are nylon. It may need some other minor work, too
Best,
Mark
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To get on or off this
Congrats!!!
~Mark
-Original Message-
From: Anthony Hart anthony.hart1...@gmail.com
To: lute lute@cs.dartmouth.edu
Sent: Mon, Dec 23, 2013 8:32 am
Subject: [LUTE] Publication of the lute sonatas of Antonino Reggio (1725-c1800)
I am planning on publishing the first volume of the
I think it was clear that I was referring to the very standard intermediate
level suite for guitar Six Lute Pieces from the Renaissance .
All literate guitarists know this work.
-Original Message--From: r.turovsky r.turov...@gmail.com
To: Mark Delpriora terli...@aol.com
Cc:
I hired Paul to conduct a masterclass at the Manhattan School of Music. A
student played the Six Pieces for Lute from the Renaissance for him.
These pieces were standard works for a time and Segovia often started his
concerts with these pieces. He made them famous because he performed them
In defense of Segovia, I played in Segovia masterclasses in 1982 at the
Metropolitan Museum and in 1987 at the Manhattan School of Music and I found
him to be a very fine coach.
He knew the music I played backward and forward.
Segovia was at his best when you were playing his editions.
How interesting about Tom Poulton.
I look forward to this book even more!
I wonder if Eric Gill was in their circle.
-Original Message-
From: Geoff Gaherty ge...@gaherty.ca
To: Lute Lute@cs.dartmouth.edu
Sent: Thu, Sep 19, 2013 5:52 pm
Subject: [LUTE] Re: Biography of Diana Poulton
Hi All,
The guitarist and rock star, Jan Akkerman, had success performing his lute
during rock concerts for large audiences in the 1970s.
He still performs these days.
Lute:
http://www.youtube.com/watch?v=zZh9YPk3ZNM
Rock band:
http://www.youtube.com/watch?v=RFDW9b_ejfI
Hi All
Can someone please point me the way to a digital copy of:
Tenori et contrabbassi intabulati... Book I e II by Franciscus Bossinensis
(Petrucci 1509 and 1511) .
Best,
Mark Delpriora
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At the risk of annoying the resident guitar dislikers on the list, I would like
to inform you of a new publication (or 2).
http://www.editionsorphee.com/solos/Delpri-variazioni.html
and
http://www.editionsorphee.com/solos/Haydn-fugue.html
Thanks!!
Mark
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The 1928 manuscript for the 12 Studies is available from the Villa-Lobos
Museum.
The 1928 version is heavily fingered by VL and has many details and some
sections that are missing from the later Eschig version.
( For example Etude 10 has a couple of extra minutes of entirely new music not
BTW, some of you may be interested in this:
http://www.editionsorphee.com/solos/Haydn-fugue.html
Best,
Mark
-Original Message-
From: terli...@aol.com
To: ma...@rowan.edu; dwinh...@comcast.net; lute@cs.dartmouth.edu
Sent: Sun, Nov 7, 2010 8:04 pm
Subject: [LUTE] Re: OT: Guitar
Hi All,
one quick note:
If you include the recent developments in guitar construction, for example the
guitars of Smallman and Dammann,
than one must say that, at least, certain modern guitars are indeed louder than
19th century guitars.
best,
mark
-Original Message-
From:
Yes, all of what you write is well known among educated guitarists.
A couple of points:
1) Llobet did not have Ginastera in mind, but for sure he had Broqua and Villa
Lobos in mind . Development of the -a- finger is very important in modern
literature: witness the pimami arpeggios in Etude
The right hand fingerings commonly used by guitarists for the Carcassi studies
are all derived for Llobet's fingering.
Although Llobet wrote a few etudes,he did not write a comprehensive set of
studies.
Instead, he fingered the Carcassi studies from the point of view of Tarrega's
technique
-Original Message-
From: vance wood vancew...@wowway.com
To: Lute List lute@cs.dartmouth.edu
Sent: Thu, Mar 18, 2010 8:49 am
Subject: [LUTE] Re: should i learn thumb-under technique?
Just my opinion and not based on anything other than experience; those who made
the switch in the
Hi,
I have no trouble playing baroque guitar coming from single string guitar. For
Baroque guitar I play with a relaxed tip joint and a get a broad enough contact
point to play the courses just fine.
BTW, Nigel Norths hand position here:
http://www.youtube.com/watch?v=bXb3zih2umw
That's not true ,modern guitarists use their thumb on the treble strings.
It is a necessary skill for music by Rodrigo to Britten... not to mention
transcription (God forbid!)
Best,
Mark Delpriora
-Original Message-
From: Paul Kieffer paul.nicholas.kief...@gmail.com
To:
Interesting!
I taught Waltons's 5th Bagatelle yesterday and recommended p-i or p-m for the
repeated notes on the treble strings.
You are right, A guitarist would probably not go from
string 1 with p to the 6th string with i.
Would a lutenist? ...why not throw the m in just before the string
I would imagine that if the thumb is playing repeated notes on lower courses
(with thumb out technique) while a note is required on the chanterelle, that
some contact with the second course could occur.
Not a deep rest stroke like some flamenco guitarists do, but light contact
resulting
Do any early sources describe something that could be interpreted as a rest
stroke being used on the chanterelle?
-Original Message-
From: David R d_lu...@comcast.net
To: nedma...@aol.com
Cc: lute@cs.dartmouth.edu
Sent: Mon, Jan 18, 2010 6:26 pm
Subject: [LUTE] Re: Thumb rest stroke
Well, let me just say that I really appreciate the videos you and others put up.
I come across some interesting lute repertoire that I may or may not transcribe
for guitar ...
and some of this music puts me one more step towards ordering a Liuto Forte.
Thanks!
Best,
Mark
-Original
Hey Roman,
And I got to meet your smiling face, too.
Hoppy taught the students very well and they learned alot from him.
As Hoppy said, a big part of the lute repertoire. is made up of transcriptions
and, in those idealized days of yore, I am sure a singer of Josquin des Prez
felt the
Self-abuse and this person must go to confession.
-Original Message-
From: howard posner howardpos...@ca.rr.com
To: Lutelist list lute@cs.dartmouth.edu
Sent: Wed, Dec 23, 2009 10:55 am
Subject: [LUTE] Re: Liuto forte
On Dec 23, 2009, at 7:51 AM, terli...@aol.com wrote:
I am sure a
and written with the cattiness of a student...a freshman maybe?
Except the students you heard play for Hoppy were young (one was 19) and you
are ?
Mark
-Original Message-
From: Roman Turovsky r.turov...@verizon.net
To: terli...@aol.com; chriswi...@yahoo.com; lute@cs.dartmouth.edu
-Original Message-
From: terli...@aol.com
To: chriswi...@yahoo.com
Sent: Sun, Dec 20, 2009 9:22 am
Subject: Re: [LUTE] Re: Liuto forte
I write at the risk of being gummed to death by a horde of irate lutenists:
I don't know what kind of guitars and guitar playing lutenists here
O.K so you have BWV 995, 996, 997,998, and 1006a. That's 5. (with the prelude
Fugue and Allegro being considered a Suite).
What is the 6th?
In my guitar literature classes at the Manhattan School of Music, I love to
play harpsichord recordings for the students of 996,997 and 998.
I also
OR suitable for a guitarist who is NOT sick of the guitar repertoire! ... and
is happy with finger nails.
Roman, Did you go to the the demonstration of the liuto forte hat occurred at
the Met Museum a year or 3 ago?
I missed it.
Mark Delpriora
-Original Message-
From: Roman
My guess is that the producers of the event prefer the shape of the lute to the
shape of a guitar.
Mark Delpriora
-Original Message-
From: Sauvage Valéry sauvag...@orange.fr
To: lute@cs.dartmouth.edu
Sent: Sat, Dec 19, 2009 2:40 pm
Subject: [LUTE] Re: Liuto forte
I went this year to
Hi All,
Hopkinson Smith will give a masterclass at the Manhattan School of Music on
Saturday, Nov. 21st at 6 pm in the school's new Miller Theater.
The class is free and open to the public.
Best,
Mark Delpriora
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Hi All,
I am enjoying this thread... I am awaiting a baroque guitar being made for
me by Michael Schreiner. The instrument should be ready by the summer. I got
tired of playing a converted modern guitar and visited Paul Shipper, who was
very helpful and kind, with the purpose of checking out
In a message dated 04/05/05 7:04:13 AM, [EMAIL PROTECTED] writes:
I used blues figuratively.
Actually, Williams does have a recording of 3 blues by Charlie Byrd on a
disc called Spirit of the Guitar
You gotta hear it!
Mark Delpriora
Co-chair, guitar department,
Manhattan School of Music
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