PROTECTED] To: [EMAIL PROTECTED]
Subject: Re: [LUTE] Re: 4th course octave on 7c? CC: lute@cs.dartmouth.edu
Hi John,You should post more often. That was an interesting
comment. John Dowland complaining...imagine that! Seriously though, it is
interesting you are playing the Pesaro ms on a 7c
Date: Thu, 22 May 2008 19:49:13 +0100
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: [LUTE] Re: 4th course octave on 7c?
CC: lute@cs.dartmouth.edu
Hi John,
You should post more often. That was an interesting comment. John
Dowland complaining...imagine
: Thu, 22 May 2008 19:49:13 +0100
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: [LUTE] Re: 4th course octave on 7c?
CC: lute@cs.dartmouth.edu
Hi John,
You should post more often. That was an interesting comment. John
Dowland complaining...imagine that! Seriously though
Date: Thu, 22 May 2008 19:49:13 +0100
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: [LUTE] Re: 4th course octave on 7c?
CC: lute@cs.dartmouth.edu
Hi John,
You should post more often. That was an interesting comment.
John Dowland complaining...imagine that! Seriously though
: [LUTE] Re: 4th course octave on 7c?
CC: lute@cs.dartmouth.edu
Hi John,
You should post more often. That was an interesting comment. John Dowland
complaining...imagine that! Seriously though, it is interesting you are
playing the Pesaro ms on a 7c - or, on re-reading your comment, you
Rob
I think you are almost bound to be right. There must have been
overlap, (I seem to remember Martin giving arguments for the state of
affairs you are describing). Indeed, going in the opposite direction
(from 7c to 8 or 9c), I am using unisons on the 5th, on my 7c, while
according to
Long time reader, first time poster, with a 4th-course octave on my 7-course
this week:I think that the Pesaro ms. (possibly Segovia; definitely one of the
two) requires a 7th course. Being late 15th-century music, I'd imagine that
would imply a 4th-course octave on a 7-course. Also,
Hi John,
You should post more often. That was an interesting comment. John Dowland
complaining...imagine that! Seriously though, it is interesting you are
playing the Pesaro ms on a 7c - or, on re-reading your comment, you are
considering it. I like the octave on the fourth and lament its
