Then it would appear I've played a part in the confusion as well. I
hadn't understood that Ed hadn't heard it. My apologies. Sean
On Sat, Aug 25, 2018 at 5:37 AM Edward Martin
<[1]edvihuel...@gmail.com> wrote:
Dear ones,
I was asked to provide the answer to the list,
> On Aug 27, 2018, at 11:31 PM, Martyn Hodgson
> wrote:
>
> do you really mean to say that a prospective purchaser
> shouldn't try and find out something of what a recording is like before
> shelling out any cash
No
To get on or off this list see list information at
: Monday, 27 August 2018, 19:43
Subject: [LUTE] Re: Nigel's Francesco vol 2
Maybe it's time to be reminded that nobody has said the vihuela can't
be distinguished from the lute in this recording. Ed asked which cuts
were on vihuela and which were on lute precisely because he HADN'T
wrote:
__
From: Sean Smith <[2]lutesm...@gmail.com>
To: lute <[3]lute@cs.dartmouth.edu>
Sent: Sunday, 26 August 2018, 12:41
Subject: [LUTE] Re: Nigel's Francesco vol 2
Dear Sean
Don`t worry, Don Quijote de la Ma
l.com>; lutelist Net
<[6]lute@cs.dartmouth.edu>
> Sent: Monday, 27 August 2018, 8:24
>Subject: [LUTE] Re: Nigel's Francesco vol 2
>My knowledge of instrument making is limited but lute and
vihuela
>construction are somewhat different. Obvi
ourse, it may be that NN had his viola belly constructed like a
> lute ..
> MH
> __
>
> From: SW
> To: Martyn Hodgson ; Sean Smith
> ; lutelist Net
> Sent: Monday, 27 August 2018, 8:24
be that NN had his viola belly constructed like a
lute ..
MH
__
From: SW
To: Martyn Hodgson ; Sean Smith
; lutelist Net
Sent: Monday, 27 August 2018, 8:24
Subject: [LUTE] Re: Nigel's Francesco vol 2
My
__
From: Sean Smith
To: lute
Sent: Sunday, 26 August 2018, 18:41
Subject: [LUTE] Re: Nigel's Francesco vol 2
If we cannot hear the differences between the two instruments from a
recorded performance, what conclusions should we draw? Is the
difference
a viola da mano 'should' sound like a lute and make the
necessary adjustments
MH
__
From: Sean Smith
To: lute
Sent: Sunday, 26 August 2018, 18:41
Subject: [LUTE] Re: Nigel's Francesco vol 2
If we cannot hear
Fair enough.
On Sun, Aug 26, 2018 at 11:20 AM howard posner
<[1]howardpos...@ca.rr.com> wrote:
> On Aug 26, 2018, at 10:38 AM, Sean Smith <[2]lutesm...@gmail.com>
wrote:
>
> If we cannot hear the differences between the two instruments
from a
>
I have not heard this recording; from what I heard, the Vihuela is a small one
tuned in a. If this is the case, and his lute is g, one ought to be able to
distinguish between the two.
Sent from my iPhone
> On Aug 26, 2018, at 1:21 PM, howard posner wrote:
>
>
>> On Aug 26, 2018, at 10:38
__
From: Sean Smith
To: lute
Sent: Sunday, 26 August 2018, 12:41
Subject: [LUTE] Re: Nigel's Francesco vol 2
Dear Sean
Don`t worry, Don Quijote de la Mancha couldn't hear a difference
either, back
> On Aug 26, 2018, at 10:38 AM, Sean Smith wrote:
>
> If we cannot hear the differences between the two instruments from a
> recorded performance, what conclusions should we draw? Is the
> difference more apparent when we are in the same room? Should we
> suspect they have been mixed
If we cannot hear the differences between the two instruments from a
recorded performance, what conclusions should we draw? Is the
difference more apparent when we are in the same room? Should we
suspect they have been mixed (deliberately? inadvertently?) to make
them more similar?
Thank you, Edward.
On Sat, Aug 25, 2018 at 8:36 AM, Edward Martin
<[1]edvihuel...@gmail.com> wrote:
Dear ones,
I was asked to provide the answer to the list, so here it is:
Nigel plays on both kinds of instrument: approximately 2/3 of the
pieces on lute;
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