From: Rob [EMAIL PROTECTED]
I'm only pulling your leg, Stewart, obviously, but I do have a serious
point
to make regarding time keeping and respecting composers' wishes.
Well, in that case we should level the same charges against Hoppy Smith,
who both keeps country time and alters the
] Re: Playing in time (olim Polish, anyone?)
On Feb 1, 2008, at 11:43 AM, Roman Turovsky wrote:
Well, in that case we should level the same charges against Hoppy
Smith, who both keeps country time and alters the performing
material.
RT
Yes, we should.
SAM
Has anyone, ever?
RT
Oh! Oh
On Feb 1, 2008, at 11:43 AM, Roman Turovsky wrote:
Well, in that case we should level the same charges against Hoppy
Smith, who both keeps country time and alters the performing
material.
RT
Yes, we should.
SAM
Has anyone, ever?
RT
Oh! Oh! Over here! I have! I have! Right on
And the Victor Meldrew Award for Music Criticism goes to Stewart McCoy!
For those who have never heard of Victor, the archetypal grumpy old man:
http://en.wikipedia.org/wiki/Victor_Meldrew
I'm only pulling your leg, Stewart, obviously, but I do have a serious point
to make regarding time keeping
I like these quotes.
..but do you think the occasional (and tasteful) spreading of chords
is a bad or non-HIP thing?
Andrew
On 30 Jan 2008, at 17:17, Stewart McCoy wrote:
In the last few years, Julian Bream has given master classes at
Lute Society
meetings in London. He stressed two
From: Rob [EMAIL PROTECTED]
I'm only pulling your leg, Stewart, obviously, but I do have a serious
point
to make regarding time keeping and respecting composers' wishes.
Well, in that case we should level the same charges against Hoppy Smith, who
both keeps country time and alters the
On Jan 31, 2008, at 4:39 AM, Andrew Gibbs wrote:
..but do you think the occasional (and tasteful) spreading of chords
is a bad or non-HIP thing?
No, not really. As long as it's not done to excess. Rolling too
many chords in a piece tends to muddy up the counterpoint and blur
the rhythm.
McCoy
Cc: Lute Net
Subject: [LUTE] Re: Playing in time (olim Polish, anyone?)
I like these quotes.
.but do you think the occasional (and tasteful) spreading of chords
is a bad or non-HIP thing?
Andrew
On 30 Jan 2008, at 17:17, Stewart McCoy wrote:
In the last few years, Julian Bream has
:[EMAIL PROTECTED]
Gesendet: Donnerstag, 31. Januar 2008 16:09
An: Andrew Gibbs
Cc: Stewart McCoy; Lute Net
Betreff: [LUTE] Re: Playing in time (olim Polish, anyone?)
On Jan 31, 2008, at 4:39 AM, Andrew Gibbs wrote:
..but do you think the occasional (and tasteful) spreading of chords
is a bad
On Jan 31, 2008, at 12:49 PM, wolfgang wiehe wrote:
Are these markings in historical tabulatures too? I do not remember i
saw one.
I was thinking of the French ornamentation markings: offhand the
only one I can think of without searching through the music is a
slanted line separating
Are these markings in historical tabulatures too? I do not remember i
saw one.
I was thinking of the French ornamentation markings: offhand the
only one I can think of without searching through the music is a
slanted line separating vertical tab letters, meaning to play them
separated.
But
On Jan 31, 2008, at 2:15 PM, Bernd Haegemann wrote:
But that are separe signs!
They don't mean rolling the chord.
If there are three notes written vertically I guess you could call
that a chord. What about that squiggly line drawn beside a chord to
indicate rolling it? Surely that must
On 2008-01-31, at 20:15, Bernd Haegemann wrote:
Are these markings in historical tabulatures too? I do not
remember i
saw one.
I was thinking of the French ornamentation markings: offhand the
only one I can think of without searching through the music is a
slanted line separating vertical
:40 AM
To: Stewart McCoy
Cc: Lute Net
Subject: [LUTE] Re: Playing in time (olim Polish, anyone?)
I like these quotes.
.but do you think the occasional (and tasteful) spreading of chords
is a bad or non-HIP thing?
Andrew
On 30 Jan 2008, at 17:17, Stewart McCoy wrote:
In the last few years
: =?ISO646-US?Q?Jaros=3Faw_Lipski?= [EMAIL PROTECTED]
Date: 2008/01/31 Thu AM 11:47:49 CST
To: 'Lute' lute@cs.dartmouth.edu
Subject: [LUTE] Re: Playing in time (olim Polish, anyone?)
Actually Bream is not old fashioned. This is rather modern attitude - a
need for steady rhythm and sharp accents
Dear Stewart:
I agree wholeheartedly. I recently bought a recording of a lutenist playing
some of the most demanding repertory from an important published source of lute
music. Donna and I listened to the recording in the car while on a road trip
and we really could not believe our ears.
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