Beautiful! Thanks!
Arto
On Fri, 15 Oct 2010 22:50:14 +0100, Stuart Walsh s.wa...@ntlworld.com
wrote:
This is just a (maybe daft) little experimental curiosity - some
serial music played as lute duo. But it's real music from 'Four Two-part
Inventions' by Hanns Jelinek (1949). He says that
Very beautifully composed and speakingly played!
- to Howard:
I always read your mails with great pleasure and admire their logic.
But this time I can not follow You: The big advantage of 12-tone music
is that nobody can tell.(i.e.octave transpositions, tempo changes etc.)
If this is meant as
On Oct 15, 2010, at 2:50 PM, Stuart Walsh wrote:
The piece goes beyond the three octaves of a lute so I had to do some octave
transposition.
The big advantage of 12-tone music is that nobody can tell.
The phrases are very clearly marked and I didn't do any Baroque guitar-style
octave
On 15/10/2010 23:05, howard posner wrote:
On Oct 15, 2010, at 2:50 PM, Stuart Walsh wrote:
The piece goes beyond the three octaves of a lute so I had to do some octave
transposition.
The big advantage of 12-tone music is that nobody can tell.
The phrases are very clearly marked and I