[LUTE] Re: dodecaphonic lute: Jelinek's Two-part Invention No 3

2010-10-16 Thread wikla
Beautiful! Thanks! Arto On Fri, 15 Oct 2010 22:50:14 +0100, Stuart Walsh s.wa...@ntlworld.com wrote: This is just a (maybe daft) little experimental curiosity - some serial music played as lute duo. But it's real music from 'Four Two-part Inventions' by Hanns Jelinek (1949). He says that

[LUTE] Re: dodecaphonic lute: Jelinek's Two-part Invention No 3 - to Howard

2010-10-16 Thread Andreass Schroth
Very beautifully composed and speakingly played! - to Howard: I always read your mails with great pleasure and admire their logic. But this time I can not follow You: The big advantage of 12-tone music is that nobody can tell.(i.e.octave transpositions, tempo changes etc.) If this is meant as

[LUTE] Re: dodecaphonic lute: Jelinek's Two-part Invention No 3

2010-10-15 Thread howard posner
On Oct 15, 2010, at 2:50 PM, Stuart Walsh wrote: The piece goes beyond the three octaves of a lute so I had to do some octave transposition. The big advantage of 12-tone music is that nobody can tell. The phrases are very clearly marked and I didn't do any Baroque guitar-style octave

[LUTE] Re: dodecaphonic lute: Jelinek's Two-part Invention No 3

2010-10-15 Thread Stuart Walsh
On 15/10/2010 23:05, howard posner wrote: On Oct 15, 2010, at 2:50 PM, Stuart Walsh wrote: The piece goes beyond the three octaves of a lute so I had to do some octave transposition. The big advantage of 12-tone music is that nobody can tell. The phrases are very clearly marked and I