Do you folks using very low tension have a problem with string rattle?
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No.
But my brain is another issue...
Rob
2008/7/8 Ed Durbrow [EMAIL PROTECTED]:
Do you folks using very low tension have a problem with string rattle?
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--
Erm no - your brain is another tissue
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Ed Durbrow [EMAIL PROTECTED]
Cc: LuteNet list lute@cs.dartmouth.edu
Sent: Tuesday, July 08, 2008 4:19 PM
Subject: [LUTE] Re: very low pitch
No.
But my brain is another issue
Do you folks using very low tension have a problem with string
rattle? -Ed Durbrow
I don't - but it depends on a number of factors- How low is low?-
can be anywhere from 4 kg for a tight single treble to 2.2 in the
middle or bass. How close is the string spacing (assuming doubled
courses)?
David,
Not impressed. Black Sabbath was playing at 370
and below, way before anyone else back in the early
1970's. Most other hard rock/metal bands tune to at
least 415 or 392 - as they have been doing for a
couple of decades. Truly HIP. ;-)
Chris
--- David Tayler [EMAIL PROTECTED]
In France, from my experience, we tend to use A =404, aka the Peugeot pitch
;-) a lot for the early baroque repertoire.
Jean-Marie
=== 30-06-2008 17:41:50 ===
David,
Not impressed. Black Sabbath was playing at 370
and below, way before anyone else back in the early
1970's. Most
Mark
-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 30. Juni 2008 17:42
An: David Tayler; lute-cs.dartmouth.edu
Betreff: [LUTE] Re: very low pitch
David,
Not impressed. Black Sabbath was playing at 370
and below, way before anyone
Tony Iommi picked up the guitar as a teenager, after being
inspired by the
likes of Hank Marvin and The Shadows.
Just like Nigel North.
--
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I'm
2008/6/29 Nigel Solomon [EMAIL PROTECTED]:
I recently tuned my 72cm 13-course down to a tone below 415 (with strings
intended for 392, so half a tone lower than that) and it really came to
life. Could it be the lower tension strings (now around 3.5 on the top
course, basses around 2.5,
Oops.
I'm convinced that low tension is the way to go. I tune my 11c to 392. You
can hear it here: www.songoftherose.co.uk - click on baroque lute.
Rob
2008/6/29 Nigel Solomon [EMAIL PROTECTED]:
I recently tuned my 72cm 13-course down to a tone below 415 (with strings
intended for 392, so
Dear Nigel,
Big ditto.
I have a theory that we are all tuning our baroque lutes at too high a pitch
standard. If a 10c renaissance lute with 70-73cm string length would be
an E lute, *which is A=370*, why should a baroque lute with this string
length be tuned an *entire TONE* higher at 415?
Low tension, especially for lutes in the new tunings from the early 17thC has
been discussed fairly recently on this list (see archives). The preponderance
of evidence for the little finger close/on/behind the bridge at this time may
suggest a relatively low tension (so low, it can even be
Indeed - this is what I meant. I am not using *less* tension than at 415,
but rather I have a new set of strings that reproduce the same tension at a
lower pitch. That said, I think lower tensions in general work better for
the solo repertoire.
Incidentally, pitch as such isn't the crucial
My French ensemble performs often at 370, this includes specially
made keyboards, winds and strings, plus large lutes at 370, which can
be considered french pitch along with super low pitch of ~340.
Good evidence for both pitches from historical keyboard instruments,
but other pitches must have
Right on right on. Got the 68 tune'd to Eb and I still get lots of
colors. Just a different palette and intensity. Brings out different
stuff in the stories.
s
On Jun 29, 2008, at 12:10 PM, Daniel Winheld wrote:
Nice coincidence here. Back on the list in active mode (despite the
emailbox
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