At our local lute salon I heard Susan King playing both pieces by
Gallot, and contemporary pieces, which I believe were composed for her
by an Australian composer, or composers.
Personally, I am very interested in sound texture, which draws me as
much to French baroque music, particularly on gut strung lutes, as to
much contemporary music. A few years ago I was very impressed by a
Korean performance of the Bourgeois Gentilhomme here in Paris, in
Korean with the music of Lulli played on historic instruments (but
these were Korean instruments). I was not the only one to revel in the
sweet and sour of a well known text and music shifted into a new (for
me) sound world.
Regards
Anthony
[1]Sent from Yahoo Mail for iPhone
Le vendredi, décembre 22, 2017, 9:05 PM, David van Ooijen
<davidvanooi...@gmail.com> a écrit :
On 22 December 2017 at 20:13, Ron Andrico
<[1][2]praelu...@hotmail.com>
wrote:
>>
new music for the lute is not
taught in conservatories
<<
It was part of my conservatory training.
David
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