Re: also Viola picture

2004-12-04 Thread Roger E. Blumberg
- Original Message - From: Roger E. Blumberg [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; Roger E. Blumberg [EMAIL PROTECTED] Sent: Thursday, December 02, 2004 10:28 PM Subject: Re: also Viola picture Hi Rosinfiorini; let me just clearify that the problem

Re: also Viola picture

2004-12-02 Thread Roger E. Blumberg
- Original Message - From: rosinfiorini [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday, December 01, 2004 7:59 PM Subject: also Viola picture actually, i made the image paler and enlarges and it becomes apparent that it is simply the way the bridge is drawn (its shadow) that

Re: also Viola picture

2004-12-02 Thread Roger E. Blumberg
- Original Message - From: Roger E. Blumberg [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Sent: Thursday, December 02, 2004 6:27 PM Subject: Re: also Viola picture - Original Message - From: rosinfiorini [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday

Re: also Viola picture

2004-12-02 Thread Roger E. Blumberg
- Original Message - From: Roger E. Blumberg [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Sent: Thursday, December 02, 2004 6:27 PM Subject: Re: also Viola picture - Original Message - From: rosinfiorini [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday

Re: also Viola picture

2004-12-01 Thread Roger E. Blumberg
- Original Message - From: rosinfiorini [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Wednesday, December 01, 2004 7:59 PM Subject: also Viola picture actually, i made the image paler and enlarges and it becomes apparent that it is simply the way the bridge is drawn (its shadow) that

Re: also....

2004-03-26 Thread Thomas Schall
No - not again! The story of this discovery has holes larger than loch ness ... it's more a could have been, if ... than it would be based on facts. Thomas Am Die, 2004-03-23 um 00.57 schrieb Roman Turovsky: Venere1613/Schelle1726 in Leipzig Musikinstrumenten-Museum, #3356 (85.5x108x121cm)

Re: also....

2004-03-23 Thread Tim Kuntz
[EMAIL PROTECTED] Sent: Monday, March 22, 2004 9:38 PM Subject: Re: also I'm just curious: why is it without the first string? Is it just that the chanterelle can't sustain that playing length? Yes, and to avoid re-entrant tunings. RT A large (80cm+) triple-swan-neck baroque lute sans

Re: also....

2004-03-23 Thread Roman Turovsky
- Original Message - From: Roman Turovsky [EMAIL PROTECTED] To: David Rastall [EMAIL PROTECTED] Cc: LUTE-LIST [EMAIL PROTECTED] Sent: Monday, March 22, 2004 9:38 PM Subject: Re: also I'm just curious: why is it without the first string? Is it just that the chanterelle can't sustain

Re: Re: also....

2004-03-23 Thread corun
Tim wrote: Now I'm confused. Didn't Stewart (and others) identify a theorbo as a lute with re-entrant tunings? So if one avoids re-entrant tunings, is it still a theorbo? I've just started reading Nigel North's continuo book and in the first chapter he lists several tunings for theorbo,

Re: also....

2004-03-23 Thread Roman Turovsky
Please note: I moved this thread to the Baroque-Lute List where this might profit from slightly different demographics. RT __ Roman M. Turovsky http://turovsky.org http://polyhymnion.org

Re: also....

2004-03-22 Thread Alain Veylit
What is a Weiss theorbo exactly? Alain At 01:41 PM 3/22/04, Roman Turovsky wrote: I have put another interesting photo, that of a triple-swan-neck lute from Deutsches Museum in München, on http://polyhymnion.org/swv/vita.html RT

Re: also....

2004-03-22 Thread Nancy Carlin
I'm not sure if this question will be answered, but the LSA is about to=20 send the next Journal to the printers and I'm told it will be all about the= =20 instruments Weiss used in his music. It's the 2nd of what will be a series= =20 of 4-5 Journals all about Weiss. Nancy Carlin Lute Society of

Re: also....

2004-03-22 Thread Roman Turovsky
A large (80cm+) triple-swan-neck baroque lute sans first string. It works VERY well for Bach cello suites. RT What is a Weiss theorbo exactly? Alain At 01:41 PM 3/22/04, Roman Turovsky wrote: I have put another interesting photo, that of a triple-swan-neck lute from Deutsches Museum in

Re: also....

2004-03-22 Thread Roman Turovsky
Venere1613/Schelle1726 in Leipzig Musikinstrumenten-Museum, #3356 (85.5x108x121cm) is suspected to be Weiss' own axe. RT __ Roman M. Turovsky http://turovsky.org http://polyhymnion.org A large (80cm+) triple-swan-neck baroque lute sans first string. It works VERY well for Bach cello

Re: also....

2004-03-22 Thread David Rastall
I'm just curious: why is it without the first string? Is it just that the chanterelle can't sustain that playing length? David Rastall On Monday, March 22, 2004, at 06:39 PM, Roman Turovsky wrote: A large (80cm+) triple-swan-neck baroque lute sans first string. It works VERY well for Bach

Re: also....

2004-03-22 Thread Roman Turovsky
I'm just curious: why is it without the first string? Is it just that the chanterelle can't sustain that playing length? Yes, and to avoid re-entrant tunings. RT A large (80cm+) triple-swan-neck baroque lute sans first string. It works VERY well for Bach cello suites. RT What is a Weiss

Re: also....

2004-03-22 Thread Daniel F Heiman
Alain, et al. Speaking of Weiß lutes, the National Music Museum has just posted very nice studies of two of their most recently-purchased lutes: one a 13-course apparently made by Thomas Edlinger (who made some of Weiß' instruments), and the other an earlier Italian instrument modified into a

Re: also....

2004-03-22 Thread Jerzy ZAK
Roman, You are completly unreachable to me at both your known addresses. Will you please ask both the @verizon.net and @att.net if one can ever communicate with you from @poczta.wp.pl. I wouldn't like to bother this forum with such problems any more, so lets find answer on both sides... To