suites for theorbo
Dear Stathis,
thank you for your information, of course, you're right.
All the best
Stefan
Dear Mr Lundgren,
my congratulations for your project! May I say that these are Suites
BWV1010-12?
Best regards
Stathis Skandalidis
No IV, BWV 1010 http://www.youtube.com
Dear everyone,
Im pleased to announce that some more music by François Couperin has been
intabulated for the theorbo and has been made available by Christoph Dalitz.
Christoph is an expert on arrangements and adaptations. His arrangementments
of Couperin's music are of intermediate difficulty
To: LuteNet lute@cs.dartmouth.edu
Sent: Sat, December 17, 2011 2:20:08 AM
Subject: [LUTE] New double-DVD with Bach on theorbo
Hello!
I've just uplouded the trailer for: J.S. Bach, Six Suites for
Violoncello
Solo performed by Melanie Poser, Dance, and me on theorbo.
[1]http
Hello!
I've just uplouded the trailer for: J.S. Bach, Six Suites for Violoncello
Solo performed by Melanie Poser, Dance, and me on theorbo.
http://www.youtube.com/watch?v=fN8lo7omlnYlist=UUCDcjDzUA6lgsOjGdmENzGwind
ex=1feature=plcp
Have a nice christmas time and all the best for 2012!
Stefan
Baroque sextet with hurdy-gurdy and (nicely audible) theorbo:
http://www.youtube.com/watch?v=uzmPNtpTiiQ
Regards,
Leonard Williams
_
[: :]
/ | | \
| | | |
(_==_)
!~¿
To get on or off this list see list information at
http
Many thanks to Bill Mathias!
Dennis
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The title page of Playford's Harmonia Sacra states that the thorough-bass
is for the Theorbo-Lute, Bass-Viol, Harpsichord or Organ.
Is this theorbo-lute an instrument such as described in Britannica: A
similar, smaller instrument, the theorbo-lute, or French lute, was a
modification
by women. Thomas Mace (1672) simply refers to this as the lute. He
also says a lot about the theorbo that was popular in England at the same time
and had stepped basses - This seems to have been smaller than the European ones
- he only mentions the top course having to be tuned down an octave to avoid
. On the
other hand, theorbo lute may just as well have signified the English theorbo
with its 1st course down one octave (but not the theorbo which Mace
describes).
Sad enough, only a handful of 12c lutes in their pristine states have
survived at all. So, we will never know where exactly the 12c lute
be...@interlog.com
Gesendet: Samstag, 15. Oktober 2011 17:02
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Re: theorbo interview
Whoops - here's an international website link. They podcast as well, I
believe.
http://www.cbc.ca/tapestry/
Quoting be...@interlog.com:
Hey, everyone - there's
Really nice :-)
I'll use it on my blog soon (properly citing the source, of course!)
Luca
howard posner on 23/10/11 02.09 wrote:
If your paper doesn't have 9 Chickweed Lane you can catch the October 21 strip
here:
[1]http://www.gocomics.com/9chickweedlane/2011/10/22
It isn't the
If your paper doesn't have 9 Chickweed Lane you can catch the October 21
strip here:
http://www.gocomics.com/9chickweedlane/2011/10/22
It isn't the first time the lute family has appeared in it.
To get on or off this list see list information at
I meant October 22, obviously.
On Oct 22, 2011, at 5:09 PM, howard posner wrote:
If your paper doesn't have 9 Chickweed Lane you can catch the October 21
strip here:
http://www.gocomics.com/9chickweedlane/2011/10/22
It isn't the first time the lute family has appeared in it.
To
, Satoh,
Flamenco and I'm sure I'm forgetting something. We'll bring three
lutes each. (His all synthetics/wire wounds/nails/no-tuning, mine
all-gut/no-nails/lots of tunign, for the string/technique nerds)
On Sunday Fred Jacobs will come to play theorbo in the same festival.
Here's the programme of all
Dear All,
Just a note to say that I'll be playing a recital Sunday next, 23
October, at the Cave du 38 rue de Rivoli as part of the Festival
Marin Marais. It is a nice (and new!) programme of de Visee and Weiss,
all played on two sumptuously gut-strung instruments. Hope to see some
Hey, everyone - there's an interview with me on Canadian radio -
CBC's Tapestry - about the phenomenon of picking up a new instrument
at (ahem) mid-life.
Here are the coordinates:
Sunday, Oct 23 @ 2:05 EST on CBC Radio One (99.1FM in Toronto)
I'll be playing theorbo, singing and playing
-life.
Here are the coordinates:
Sunday, Oct 23 @ 2:05 EST on CBC Radio One (99.1FM in Toronto)
I'll be playing theorbo, singing and playing Bach, Castaldi and my
own compositions.
The interview will be cached on the CBC website, so you can listen
to my inspirational meanderings any time
Hello lute folks,
There is a chaconne in g-major from the Saizenay ms and often
attributed to de Visee (and sometimes to le Moyne). There is a duet
version of this chaconne on Youtube.
Does anyone know whether the duet version of this chaconne has been
published and how one might
Brad,
Can you send the link to the duet on you tube?
At 11:09 AM 10/9/2011, gtung.wal...@utoronto.ca wrote:
Hello lute folks,
There is a chaconne in g-major from the Saizenay ms and often
attributed to de Visee (and sometimes to le Moyne). There is a duet
version of this chaconne on Youtube.
discussions on this topic before, but I don't
recall whether there was any agreement on whether or not the German theorboes
were single-strung.
There doesn't seem to be very much information available on the German
continuo theorbo. Does anyone know if these continuo theorboes were
single-strung
...@dolcesfogato.com
To: baroque-lute@cs.dartmouth.edu
Sent: Thursday, 1 September 2011, 4:30
Subject: [BAROQUE-LUTE] French Baroque Theorbo Performance Practice
Greetings,
I have been looking at the performance of Hurel by Christopher Wilke on
his CD and have a couple of questions:
1
Hi again,
Here's a translation of Nicholas Vallet's instructions from 1618. The
remarks about 'thumb inside' are amusing!
Bill
[1]http://a8.sphotos.ak.fbcdn.net/hphotos-ak-ash4/319298_1504144020063_
1728144395_730763_5570481_n.jpg
continuo theorbo. Does anyone know if these continuo
theorboes were single-strung?
David R
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
. by Wolfram Steude
and Hans-Günter Ottenberg (Schriften zur mitteldeutschen Musikgeschichte 11),
pp 65-88, André Burguete presents this theorbo by Tesler as having been
converted into the first German Theorbo in 1715 by Edlinger and having been the
personal instrument of Weiss. The discussion about
a thought?
2. What is a good reference for French Baroque performance
practice on Lute and/or Theorbo (preferably in English)? I hear lots of
ornamentation as well as additional notes in the CD performance and
would love to have some guidance on what is stylistically appropriate
recommendation of Stefan Lundgren's book.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 9/1/11, Mathias Rösel mathias.roe...@t-online.de wrote:
From: Mathias Rösel mathias.roe...@t-online.de
Subject: [BAROQUE-LUTE] Re: French Baroque Theorbo
mathias.roe...@t-online.de wrote:
From: Mathias Rösel mathias.roe...@t-online.de
Subject: [BAROQUE-LUTE] Re: French Baroque Theorbo Performance Practice
To: baroque-lute@cs.dartmouth.edu
Date: Thursday, September 1, 2011, 9:42 AM
The Lute Companion, a large
collection of 11c lute music compiled
that
is not
clear to me where it comes from. Anyone have a thought?
2. What is a good reference for French Baroque performance
practice on Lute and/or Theorbo (preferably in English)? I hear
lots of
ornamentation as well as additional notes
where it comes from. Anyone have a thought?
2. What is a good reference for French Baroque performance
practice on Lute and/or Theorbo (preferably in English)? I hear lots of
ornamentation as well as additional notes in the CD performance and
would love to have some guidance on what
Thank you all for helping me start to gain some understanding about the
bibliographic references for the de Visee theorbo document and how to
go about trying to get copies of them.
I guess my next question, as a person just starting with Theorbo, is
what solo theorbo sources I
@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Music for Theorbo.
Dear David,
perhaps you may find something interesting in my oldish page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/deVisee/
Arto
On Sat, 13 Aug 2011 13:30:43 -0700, David Smith d...@dolcesfogato.com
wrote:
Thank you all for helping me
--- On Thu, 11/8/11, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: Re: [BAROQUE-LUTE] Re: Lute Strings for theorbo
To: Lute Dmth lute@cs.dartmouth.edu, baroque Lutelist
baroque-l...@cs.dartmouth.edu, howard posner
a microfilm from BN Paris. I've also now copied my
recent email to the Baroque Lute list referencing R1575 to the Lute
List
MH
--- On Fri, 12/8/11, David Smith d...@dolcesfogato.com wrote:
From: David Smith d...@dolcesfogato.com
Subject: [LUTE] Re: Lute Strings for theorbo
Rebours' thematic catalogue of De Visee. This lists all the sources which
include music by De Visee with the correct library sigla. He has listed 6
manuscripts which inlcude theorbo versions and 6 which include lute
versions. There is some overlap between them. Only two of them are
dated
A bit more than that, no? Exact transpositions of the same pieces, I'd
say.
Perhaps we won't be able to tell which was first (as in Lessing's Ring
Parable), but it's pretty clear that one _was_ first and the others are
adaptations.
I have only been following this discussion in a desultary
Just out of interest, when N. North recorded his Piccinini CD some years
ago he recorded it on a K. Jacobsen theorbo. I was interested in
ordering the same instrument from Jacobsen and, if I remember correctly,
he told me the fingerboard string length was 86cm. North is far from a
giant
I have been obliged to transpose the pieces of music because the
compass of the guitar extends only to high D la re
[at the tenth
fret].
Did De Visee write that part about the tenth fret? That would be
strange since that would shurely be a 'd la sol' (note: no re here!).
Otherwise
On Fri, 12 Aug 2011 12:41:04 +0200, Andreas Schlegel wrote
Did De Visee write that part about the tenth fret? That would be
strange since that would shurely be a 'd la sol' (note: no re here!).
Otherwise high might refer to the guitar's lowest note, d (open
forth course), but that
Did De Visee write that part about the tenth fret?
J'ay esté obligé de transposer les pieces de musique acause de l'estendüe
de la Guitare qui va jusques an D. la. re. en haut, il ne faut pas oublier
une octave a la quatrième corde, elle y est tres necessaire.
at the tenth fret is my
Thank's for the quote - from wich print is this? (sorry, I'm away from
my disk with faksimiles).
1682 Livre de guittarre
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Thank's for the quote - from wich print is this? (sorry, I'm away from
my disk with faksimiles).
The quote is from Book 1 printed in 1682.
Not that would make Robert's intentions much clearer. Leaving out a
sol from the pitch name is possible (since it's redundant except,
every d la is a
Sorry for the delay, I had and have to busy in my profession. May I assure you
that these two theorbo mss. do exist. I have contacted the person who gave the
xeroxes to me some ten years ago. The shelf marks are okay, Paris Bibliotheque
National, but I'm not sure about the current whereabouts
NN simply is a gorgeous soloist.
Mathias
PS: My theorbo has 82 cm VSL, and it took a while until I got used to it, but
today I wouldn't say any more that 82 cm is large at all.
-Original-Nachricht-
Subject: [BAROQUE-LUTE] Lute strings for theorbo
Date: Fri, 12 Aug 2011 11:03:52
-
From: R. Mattes [mailto:r...@mh-freiburg.de]
Sent: Friday, August 12, 2011 12:42 AM
To: David Smith; 'Mathias Rösel'; lute@cs.dartmouth.edu
Subject: Re: [LUTE] Re: Lute Strings for theorbo
On Thu, 11 Aug 2011 20:57:08 -0700, David Smith wrote
Excuse me for what may be a stupid question but which
To: David Smith; 'Mathias Rösel'; lute@cs.dartmouth.edu
Subject: Re: [LUTE] Re: Lute Strings for theorbo
On Thu, 11 Aug 2011 20:57:08 -0700, David Smith wrote
Excuse me for what may be a stupid question but which manuscripts are
Paris BN 1575 and BN 25391? I have tried to search for these using
Hello Andreas,
Thank you for the information and the link. That helps me to understand
where the
On the BnF site I see the following when I search for De Visée theorbo
music. Does this correspond to either F-Pn Rés. 1106 or F-Pn Rés. 1820?
Type : musique imprimée et manuscrite, monographie
Subject: Re: [LUTE] Re: Lute Strings for theorbo
On Thu, 11 Aug 2011 20:57:08 -0700, David Smith wrote
Excuse me for what may be a stupid question but which manuscripts are
Paris BN 1575 and BN 25391? I have tried to search for these using
Google with no success. Where are they located, names
On 12 August 2011 19:19, Mathias Rösel mathias.roe...@t-online.de wrote:
Paris Ms. Fonds Conservatoire National Rés. 1106 has another marking on
it's
front page: R 1575 (41035)
David - one down, one to go
Thank you, David! I only have the xeroxes. The other one possibly is Paris
BN
NN simply is a gorgeous soloist.
Mathias
PS: My theorbo has 82 cm VSL, and it took a while until I got used to it, but
today I wouldn't say any more that 82 cm is large at all.
-Original-Nachricht-
Subject: [BAROQUE-LUTE] Lute strings for theorbo Date: Fri, 12 Aug 2011
11:03
. was page-numbered,
now dividing an allemande by LeMoine (p. 46-7 and p. 57). Perhaps
these data will do to identify the manuscript?
So, now that we seem to have traced down what manuscripts you are
refering to, would you mind to elaborate a bit about
Paris BN 1575 and BN 25391 are two theorbo mss
So, now that we seem to have traced down what manuscripts you are refering
to, would you mind to elaborate a bit about
Paris BN 1575 and BN 25391 are two theorbo mss. that abound with music
by de Visee. Some concordances with Saizenay, but both mss.
seem to be much earlier than 1699
now, that's 20-50 years of your dating (and that of the earliest De Visee
guitar
publication).
Yes. So what? Pls ask Gary R. Boye, the author of that page, for his
reasons.
I think Gary Boye has copied a lot of his information from RISM which isn't
very accurate. And he hasn't always
course an octave? The stress of the second course at such a short
string length (at , say, A 415) is well below breaking stress.
MH
--- On Wed, 10/8/11, David Smith d...@dolcesfogato.com wrote:
From: David Smith d...@dolcesfogato.com
Subject: [BAROQUE-LUTE] Lute Strings for theorbo
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: Re: [BAROQUE-LUTE] Re: Lute Strings for theorbo
To: Taco Walstra wals...@science.uva.nl
Date: Thursday, 11 August, 2011, 11:16
There are non-English sources which describe theorbos with only the
first course
Dear Taco,
Thank you for this: I hope you will not mind me continuing since this
matter of theorbo sizes still seems to be an area of misunderstanding.
Incidentally, I'd be interested to know what I said which is 'not very
logical' as you put it.
.
I raised the question
On Aug 11, 2011, at 6:04 AM, Martyn Hodgson wrote:
this
matter of theorbo sizes still seems to be an area of misunderstanding.
True, but we like you anyway.
BTW, I recently saw Toy Story 3 with my family, and heartily recommend it.
--
To get on or off this list see list information
Well, dear Howard, I think we know your own view from much earlier
exchanges. Is it that any size of theorbo would have had the top two
courses an octave down since there was a wide range of Church pitches
at the time? Thus somehow justifying modern theorboes in A with a
string
Howard,
--- On Thu, 8/11/11, howard posner howardpos...@ca.rr.com wrote:
BTW, I recently saw Toy Story 3 with my family, and
heartily recommend it.
--
I too saw Toy Story 3 and enjoyed it. There were no theorbos in the movie,
but if there were, only a fool would disagree that they would
in
the movie, but if there were, only a fool would disagree that they
would certainly have had only the top string reentrant or been
pitched in D. ;-)
Not even a toy theorbo (i.e. string length 80 cm)?
Cheers RalfD
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
with a range of string
lengths which Ray Nurse saw as representing related pitches as per viol
consorts - treble, alto, tenor and bass lutes. Though I'm not suggesting the
idea of a consort of theorbos playing together!
Is it realistic to think that the 70s theorbo found its way to France where
On 08/10/2011 07:54 PM, David van Ooijen wrote:
Hi, I've the same type of SS theorbo, but in a 7+7 setup. Indeed it's a
bit of searching for the right (5), 6 and 7th gutstringtype/diameter
with the relative short 76 cm. I'm using only a loaded gut on the G
(7th). This string behaves rather
On 08/11/2011 09:30 AM, Martyn Hodgson wrote:
Playing close to the bridge is a story in itself. It's not proved that
it was common practice on theorbo. It's logical however, but playing
with nails was perhaps also used, or both.
What you call historical practice... only lower the first course
, 2011 12:57 AM
To: Martyn Hodgson; lute net
Subject: [LUTE] Re: Lute Strings for theorbo
On 08/11/2011 09:30 AM, Martyn Hodgson wrote:
Playing close to the bridge is a story in itself. It's not proved that it
was common practice on theorbo. It's logical however, but playing with nails
was perhaps
Historical practice was tuning small theorbos in dm, although even this
is not
very certain (it's mostly based on a few examples, like the pieces by
visee which
exist in staff notation and theorbo tablature).
That's news to me, indeed. There is a theory that some theorbos were tuned
in D
Mathias,
--- On Thu, 8/11/11, Mathias Rösel mathias.roe...@t-online.de
wrote:
The theorbo pieces of de Visée's publication en
musique stand a 4th
higher than the correspondent tablature versions.
Can the transposition of a 4th en musique be because
deVisee was using his guitar pieces
On Thu, 11 Aug 2011 05:49:33 -0700 (PDT), Christopher Wilke wrote
Mathias,
--- On Thu, 8/11/11, Mathias Rösel mathias.roe...@t-online.de
wrote:
The theorbo pieces of de Visée's publication en
musique stand a 4th
higher than the correspondent tablature versions.
Can
On Thu, 11 Aug 2011 17:28:40 +0200, Mathias Rösel wrote
I was speaking of the Pieces de Theorbe et de Luth, Mises en Partition
Dessus et Basse, 1716 (facsimile Madrid, 1983). The guitar is not
mentioned.
I was speaking of the two printed guitar books from 1682 and 1686. No
theorbo mentioned
I was speaking of the Pieces de Theorbe et de Luth, Mises en
Partition Dessus et Basse, 1716 (facsimile Madrid, 1983). The guitar
is not mentioned.
I was speaking of the two printed guitar books from 1682 and 1686. No
theorbo
mentioned in those.
That being so, it was off-topic, wasn't
I would object to the idea that some
version is a rewrite of another version. I take all three version
(guitar/theorbo/score) as renderings of the same compositional idea.
A bit more than that, no? Exact transpositions of the same pieces, I'd say.
Perhaps we won't be able to tell which
[mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Mathias Rösel
Sent: Thursday, August 11, 2011 2:46 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Lute Strings for theorbo
I would object to the idea that some
version is a rewrite of another version. I take all three version
(guitar/theorbo/score
renaissance lute to theorbo. It is
teaching me all kinds of new things about left hand technique and how to use
my right hand thumb. It has been fun!
Regards
David
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of David van Ooijen
Sent: Wednesday
Greetings,
I have a Barber and Harris Lesser French Theorbo with 14 strings (7x1
and 7x1) with lengths of 760mm and 1400mm. The 7 diapasons are gut but
the other are carbon fiber and silver wrapped. I bought the instrument
used and would like to convert to all gut.
I have
David
I play a SS theorbo like yours: 76/140cm, build for me in 1988.
Current set-up is 6+8. First two strings re-entrant, tuned in a.
415/440 as required with the same set of strings. I've had all sorts
of tensions over the years, but this is what it is at the moment:
All-gut, obviously.
76cm
1
I have a great deal of experience with gut, but not theorbo. David
is very passionate about gut, as am I. I would trust his string
prescription, as he has had a great deal of experience with theorbos
with gut. I am sure he has fine tuned his stringing (pun intended).
ed
At 12:54 PM 8/10
On 07/29/2011 01:01 AM, Hector wrote:
Dear all,
A quick question. Any experience with the New Nylgut NNG and NGE as basses on a
85cm theorbo?
I'm just thinking of stinging the short neck all with Nylgut. Currently I have
Nylgut in the
a-e-b-g and d (from the top), and I just wonder
wishes,
Martin
On 29/07/2011 00:01, Hector wrote:
Dear all,
A quick question. Any experience with the New Nylgut NNG and NGE as basses on a
85cm theorbo? I'm just thinking of stinging the short neck all with Nylgut.
Currently I have Nylgut in the a-e-b-g and d (from the top), and I just wonder
Dear all,
A quick question. Any experience with the New Nylgut NNG and NGE as basses on a
85cm theorbo? I'm just thinking of stinging the short neck all with Nylgut.
Currently I have Nylgut in the a-e-b-g and d (from the top), and I just wonder
if the NGE will work for the A and G as well
Just as combining the registers of a harpsichord
produces a very different sound, so do double
strings on a theorbo. It is clear that this
quality sound was very much desired historically,
and in many ways is the opposite of modern practice in professional circles.
Well, there is a reason
://www.cs.dartmouth.edu/~wbc/lute/birula/luteXmartinXdeXwitteXback.JPG
http://www.cs.dartmouth.edu/~wbc/lute/birula/luteXmartinXdeXwitteXfront.JPG
http://www.cs.dartmouth.edu/~wbc/lute/birula/luteXmartinXdeXwitteXhead.JPG
---
Theorbo 76/151
Dear Colleagues,
We are selling two of our instruments
Baroque lute 69/74
Burkholzer model
spruce top, maple back
Martin de Witte 2010, The Hague Holland
price 4500Eur
---
Theorbo 76/151
after Matteo Sellas
spruce top yew back
Martin de
Dear Chris,
can it be, that the historical original to your old theorbo survived, because
it was so big? A luthier just told me some days ago, that we may just know the
more or less extravagant instruments of the old days, the representative ones
with ivory or impressing ornaments etc
Dear Gabor,
dar all,
thank you very much for many most interesting answers!
Let me just ask two more question:
1. Does somebody happen to be aware of a recording of an instrument, such as
Gabors (bigger theorbo with double choruses)?
2. Do you think, Kapsberger, Piccinini or Castaldi used
Dear All,
Very interesting thread. I have a very accurate reproduction of the
huge d-minor Schelle German theorbo from Nuernberg, and this
instrument has doubled courses on the petit jeu. I did briefly have
it set up some years ago in this way and it sounded like a lovely
continuo options tend to be single-strung theorbo or
double-strung archlute, and actual presence (needed in obligato parts
or when alone on a bass line) versus general luty noise to be mixed in
with the ensemble (default setting) are influenced by single/double
strung more than by size or type
Jorg,
I don't know whether my big theorbo was based on a historical model or not.
It was my first theorbo and I was just thrilled to have one. I finally
decided to get rid of it and buy a smaller one when I had a bad experience in a
performance. I made a page turn but the instrument
Dear collected wisdom,
as the old italian theorbos seemed to be quite huge and double stringed (for
1-6), I am not aware of anyone to play such an instrument in my neighborhood. I
recently had the possibility to test an instrument of about 90 cm, which was
amazing but single stringed. Does
Jorg,
I can only partially answer your question from experience. At one time I
owned a huge theorbo (single strung) with a 99cm string length. Now I have
thankfully gotten rid of the beast and play on a double strung toy with a
76cm fingerboard length. I usually use synthetic strings
Interesting to hear that someone plays a double string theorbo. I've
never heard or seen it. Does it sound louder or maybe with more
refinement than the single strung version? Does it have octaves on 5th
and 6th courses?
Could it be possible that the double course was used
A friend of mine plays a double-strung theorbo. I was not impressed
with it, as regards to volume or projection. Strumming was 'fun'
though.
David
On 1 June 2011 19:02, Bruno Correia bruno.l...@gmail.com wrote:
Interesting to hear that someone plays a double string theorbo. I've
never
Dear Jörg
Yes, I have a double stringed huge theorbo. It is a copy of Tieffenbrucker
RCM 26 in the Royal College of Music, London. I have it built a year ago
being inspired by Lynda Sayce's thought provoking articles on her homepage.
I wanted to hear how the originals might have sounded so
Dear Colleagues,
We are selling two of our instruments
Baroque lute 69/74
Burkholzer model
spruce top, maple back
Martin de Witte 2010, The Hague Holland
price 4500Eur
---
Theorbo 76/151
after Matteo Sellas
spruce top yew back
Martin de
Dear Colleagues
I am selling two of my instruments
Baroque Lute by Martin de Witte 2010
69/74 Burkholzer Model
Theorbo after Sellas 2006
76/151
Pictures avaliable on request
Best wishes, Anton Birula
www.luteduo.com
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On 28 April 2011 07:25, wi...@cs.helsinki.fi wrote:
Beautiful and effective!
Thanks David and Cassandra!
And thanks to the guy with the mobile phone. He filmed and uploaded it
without asking us (never noticed him in the concert). I came accross
the video on YouTube while looking for something
Beautiful and effective!
Thanks David and Cassandra!
Arto
On 28/04/11 00:53, David van Ooijen wrote:
For those of you who might be wondering if I do anything serious these
days, this is how I earn my living (actually, it was a fund raising
concert ...):
I introduce some pictures, Theorbo shipping using DHL.
Please refer my blog.
http://kakitoshilute.blogspot.com/2011/03/theorbo-shipping-using-dhl.html
Toshiaki Kakinami
E-mail : tk...@orchid.plala.or.jp
Blog : http
I have received my theorbo from Italy to Japan last month.
DHL was used.
There is no damage on my theorbo and a Kingham case.
Lute maker (sender) is Mr. Paolo Busato.
Toshiaki Kakinami
E-mail : tk...@orchid.plala.or.jp
Blog : http
Sorry, this is non U.S.-related.
Kakinami
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of T.Kakinami
Sent: Tuesday, March 22, 2011 9:48 PM
To: 'howard posner'; 'Lutelist'
Subject: [LUTE] Re: Theorbo shipping within the U.S
I have
: T.Kakinami tk...@orchid.plala.or.jp
To: howard posner howardpos...@ca.rr.com; Lutelist
lute@cs.dartmouth.edu
Sent: Tue, March 22, 2011 7:54:22 AM
Subject: [LUTE] Re: Theorbo shipping within the U.S
Sorry, this is non U.S.-related.
Kakinami
-Original Message-
From: [1
An interesting point is that the damage to my (now someone else's)
theorbo came not during shipping but during the customs inspection. The
case was an ultra-hardshell case by Jiri Bednar, but the damage to the
peg was most likely the result of customs officials taking it roughly
Secure the neck inside the case--in the event of a swift drop, that
will go. Most cases have too much play in the neck, they need to be
braces with foam or bubbles.
Check if it possible to reduce the sideways compression of the case.
You may be able to drill a tinyhole trought the flap that
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