My short DHL story:
They sent the instrument, DHL messed up the paperwork.
I had to send the instrument BACK to Amsterdam, and then BACK to America.
Nice, huh? Three trips.
dt
At 06:15 AM 3/22/2011, you wrote:
Hello Kakinami,
Actually, I'm glad you sent this post because DHL is shipping
Wondering if anyone's shipped a big instrument lately, and has any
recommendations.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I have sold a couple of instruments on Wayne's list in the past year
and bought another, which was shipped to me from the UK. The onen from
the UK came DHL last December and there was a week when I am pretty
sure DHL did not have a clue where it was. I called several times a day
and
My experience was similar to Nancy's, but with UPS. They had no idea
about the status of the instrument, it got stuck in customs, and the
buyer got stuck with a huge tax bill for a bunch of things of which we
were never made aware. It also arrived with a small amount of damage to
a
I am a newbie lute player who had a Dan Larson lute shipped from Duluth,
MN to Madison, WI last spring -- via FedEx. It was one of the easier
shipping experiences I have ever lived through -- the lute was very well
packed, in excellent condition upon arrival, and my three cats have been
The good things about Fed Ex are their tracking system and insurance
policies. When I have applied for work visas for non-American
musicians Fed Ex has been great both in the US and in delivering
paperwork to other parts of the world. But nobody ever said they were
cheap.
Nancy
Non US-related.
I had a guitar shipped to me through UPS within Europe recently.
Supplier packed the instrument: Guitar in case. Bubble wrap (huge
specimen, like balloons). Sturdy box. Foam corners, serious
impact/shock absorbers. Another sturdy box. UPS rang the door when I
wasn't in and left a
A sensitive advice: avoid UPS at all cost. They have stolen an
instrument from me, and not payed for it to the date.
They were not only incompetent, but also rude and disrespectful (both,
USA and Spanish branchs)
The instrument was later seen on ebay for sale. No need to say more,
My theorbo, which I think is pretty much the same as Howard's, came (years ago)
from Germany via UPS. Things to be careful of:
* UPS, and probably the others, have size limitations - maximum on length +
width + height (or length + circumference, I forget which). The theorbo in its
box
If you look at FedEx's insurance policies (
http://www.fedex.com/us/service-guide/terms/express-ground/ )
you will see that..
6. Shipments (packages or freight) containing all or part of the following
items are limited to a maximum declared value of US$1,000:
Guitars and other musical
Hi Caius,
I absolutely agree with David - there is nothing better than a gut
strung theorbo and it's much easier to keep under control than a gut
strung lute. Also, unless you have an enormous instrument, the highest
strings will not be as thin as they get on a lute, so
Hello,
I would kindly suggest to all our customers not to confuse internal
chat of lute society with pretty private questions concerning customer
and company.
The statement What has happend with Aquilla? could cause false
allarms to guys and to our customers.
For this
Hello lutenists,
As I played theorbo really a lot this months, I started to wonder about
the sound of the strings. In this moment I use some Nylon and carbon in
the high registers and some copper on the basses and it sounds really
good but the basses sounds too long
On 19 December 2010 10:01, hera caius caiush2...@yahoo.com wrote:
As I played theorbo really a lot this months, I started to wonder about
..
Can anyone give me some ideas what kind of strings I can try (with
sound closer to gut),
Sorry to be stating the obvious, but have you thought
If the bass sounds too long, dampen the string.
Mersenne gives I think 20 seconds for the duration of the tone.
So you can time it and see :)
dt
At 01:01 AM 12/19/2010, you wrote:
Hello lutenists,
As I played theorbo really a lot this months, I started to wonder about
the sound
Catherinot
To: [2]Gary Digman ; [3]l...@cs.dartmouth.edu
Sent: Friday, November 19, 2010 12:55 AM
Subject: Re : [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
Do you think that six chords music is necesseraly worse than more
complex music? To stay in jazz world, Fats
...@sonic.net
A : lute@cs.dartmouth.edu
Envoye le : Mer 17 novembre 2010, 10h 00min 08s
Objet : [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
After the Modern Jazz Quartet retired, Milt Jackson was interviewed.
During
the interview he complained that some kid who only know six
Of David Tayler
Sent: Sunday, November 14, 2010 6:52 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
I think they should have a museum where all the
paintings have been digitized and had the colors
turned all the way up, ppl would love it.
dt
At 12:16
AM
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
It's even worse than you've all imagined. This guy is popular!
http://www.youtube.com/watch?v=VCage-_yz7A
http://www.youtube.com/watch?v=bCCE-oTwRfY
Frankly, I actually enjoyed the Kozena et al. performance. There's also
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
I think they should have a museum where all the
paintings have been digitized and had the colors
turned all the way up, ppl would love it.
dt
At 12:16 PM 11/12/2010, you wrote:
On 12 November 2010 20:29
] On
Behalf Of David Tayler
Sent: Sunday, November 14, 2010 6:52 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
I think they should have a museum where all the
paintings have been digitized and had the colors
turned all the way up, ppl would love
Vanitas vanitatum omnia vanitas
:)
To get on or off this list see list information at
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-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of David Tayler
Sent: Sunday, November 14, 2010 6:52 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
I think they should have a museum where
I agree with Wikla,
long live variety and strumming.
I was at the Kozena concert in Hamburg, and it was a great experience.
What I liked was, that the instrumentalists had their own pieces and
were not
hired mercenaries. And hey, whenever did people outside our
esoteric circle got to hear a
I think they should have a museum where all the
paintings have been digitized and had the colors
turned all the way up, ppl would love it.
dt
At 12:16 PM 11/12/2010, you wrote:
On 12 November 2010 20:29, Bruno Fournier br...@estavel.org wrote:
I personnally am getting tired of all this
And I heard the same singer perform Mahler live last year with the
Cleveland Orchestra. Quite versatile.
On Fri, Nov 12, 2010 at 3:16 PM, David van Ooijen
[1]davidvanooi...@gmail.com wrote:
On 12 November 2010 20:29, Bruno Fournier [2]br...@estavel.org wrote:
I personnally
And she does a fine job singing three Handel Italian Cantatas - with Les
Musiciens du Louvre - on an Archiv recording.
On Nov 13, 2010, at 5:23 PM, Daniel Shoskes wrote:
And I heard the same singer perform Mahler live last year with the
Cleveland Orchestra. Quite versatile.
On Fri,
@cs.dartmouth.edu
From: nedma...@aol.com
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
And she does a fine job singing three Handel Italian Cantatas - with
Les Musiciens du Louvre - on an Archiv recording.
On Nov 13, 2010, at 5:23 PM, Daniel Shoskes wrote
Yesterday we watched a very nice concert.
As it seems it also on youtube:
http://www.youtube.com/watch?v=Wk4j_WRqd68feature=related
then you can continue with the vids on the righ side of the page.
best wishes
Bernd
To get on or off this list see list information at
ok, in our concert there was a theorbo, played by Senor Baena.
On the video is a wooden box instead , for sure one of the devices with which
the CIA influence the weather.
B
- Original Message -
From: Bernd Haegemann b...@symbol4.de
To: lute@cs.dartmouth.edu
Sent: Friday, November
I personnally am getting tired of all this theatrical way of doing
baroque music, and the Latin american style of strumming used.A Don't
get me wrong, I love strumming, but I prefer to hear it in Latin
american music.
A
Bruno Cognyl-Fournier
A
On Fri, Nov 12, 2010
On 12 November 2010 20:29, Bruno Fournier br...@estavel.org wrote:
I personnally am getting tired of all this theatrical way of doing
baroque music, and the Latin american style of strumming used.A Don't
It's fashion, it'll pass. In the mean time we can enjoy it (and get
paid for doing it
that.
Monica
- Original Message -
From: Bernd Haegemann b...@symbol4.de
To: lute@cs.dartmouth.edu
Sent: Friday, November 12, 2010 7:00 PM
Subject: [LUTE] Kozena and guitars, theorbo, colascione etc..
Yesterday we watched a very nice concert.
As it seems it also on youtube:
http
- Original Message - From: Bernd Haegemann [2...@symbol4.de
To: [3]l...@cs.dartmouth.edu
Sent: Friday, November 12, 2010 7:00 PM
Subject: [LUTE] Kozena and guitars, theorbo, colascione etc..
Yesterday we watched a very nice concert.
As it seems it also on youtube:
[4
I personally would allow all the flowers blossom. Variety is the strength
of our music. And so it used to be. And so it is also in the music we hear
every day! I wouldn't like - perhaps even wouldn't tolerate - any
besserwisser to tell us the _one and only_ right way of doing anything
. (Btw:
On 12/11/2010 20:55, wikla wrote:
I personally would allow all the flowers blossom. Variety is the strength
of our music. And so it used to be.
Well.. maybe. Might those instruments have been used together for that
music at that time? If not, and if the musicians want to perform the
music in
On 11/01/2010 04:44 PM, Sam Chapman wrote:
Hi, perhaps a more interesting book is delair's treatise of 1690:
accompaniment on theorbo and harpsichord. I have a pdf of the english
version which is not longer available. Grenerin and fleury contain
several mistakes.
Taco
Dear Shaun
treatise (in which he talks about
harmony and accompaniment in general) or the Addition au traite
d'accompaniment from 1730 (which is much larger, and contains more
specific info about theorbo, lute and guitar)? If the latter, there is
an article by Kevin Mason: Franc,ois Campions Secret
Dear All,
Does anyone happen to know if there are English translations of the
following treatises and if they are available (either original or
translation) online?
Angelo Michele Bartolotti: Table pour apprendre facilement `a toucher
le theorbe sur la basse-continue (Paris,
Dear Luteplayers!
Are You looking for something special? For some years I've played a
14-course Theorbo.
Several photos here: http://www.luteonline.se/theorbo_for_sale_2010.htm
It has the body of the instrument in the Germanisches Museum in Nürnberg
(MIR 903) by Lepold Widhalm in 1755
Suggestions, anyone? Saizenay p. 306 is all I can come up with.
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
***
To get on or off this list see list information at
There is another, anonymous, on p. 308. Furthermore, there are two by de
Visee in Paris, Bibiliotheque National, R 1575, p. 93v and 94.
Mathias
David van Ooijen davidvanooi...@gmail.com schrieb:
Suggestions, anyone? Saizenay p. 306 is all I can come up with.
David
--
On Tue, Aug 3, 2010 at 5:08 PM, Mathias Rösel
mathias.roe...@t-online.de wrote:
There is another, anonymous, on p. 308. Furthermore, there are two by de
Visee in Paris, Bibiliotheque National, R 1575, p. 93v and 94.
Danke!
David
--
***
David van Ooijen
Thanks to all for sharing your thoughts and experiences, on- and
off-list. There's even a d-minor theorbo living just across the road,
it turned out! Interesting.
I have a follow-up question for continuo players.
How easy is it to play compound, complicated figures on a d-minor
theorbo
The definition of a lute player is an instrumentalist who's always one
instrument short. For me, the current missing instrument is a d-minor
theorbo.
What should be the specs? I know there a few of you playing such
beasts (Benjamin?).
I'm looking for enough chromatics in the bass to play Bach
of the d minor theorbo
came up. Stephen claims that there is a wide spread misconception about the
tuning. He says that it is not a baroque lute without the first course, but
rather a d-minor lute with the first string down the octave (reentrant).
The first six courses would therefore be:
f - d
A subject close to my heart!
Precisely as Burris explains - and as my own readings of Baron,
Mattheson, and Weiss would confirm - the d-minor theorbo did not have
a re-entrant top f'. I am not aware of any source that backs this up,
although of course absence of evidence is not evidence
theorbo, and
they do have a lutenist at the University, but no instrument. Is
there any similar service to the VDGS's that will rent instruments?
Best,
Jorge
Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
torr...@lafayette.edu
On Thu, Mar 18, 2010 at 2:09 PM, Miles Dempster
miles.demps...@globetrotter.net wrote:
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recorded a number of times. Ideally, I'd make
BWV 1007, 1008 and 1009
transcribed by Juan Carlos Rivera (also
These transcriptions are not for theorbo per se, but should be of use.
http://www.clivetitmuss.com/lutebooks.asp
Robert.
On Mar 18, 2010, at 6:59 AM, Graham Freeman wrote:
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recorded
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recorded a number of times. Ideally, I'd make my
own, but I'd like to see a good transcription of them first.
With thanks,
Graham Freeman
--
Dr. Graham Freeman
Ph. D
: [LUTE] Bach on Theorbo
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recorded a number of times. Ideally, I'd make my
own, but I'd like to see a good transcription of them first.
With thanks,
Graham Freeman
--
Dr. Graham
/bach_cello.htm
Val.
- Original Message -
From: Graham Freeman freeman.gra...@gmail.com
To: Lutelist lute@cs.dartmouth.edu
Sent: Thursday, March 18, 2010 12:59 PM
Subject: [LUTE] Bach on Theorbo
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites
of the Bach Cello Suites for
theorbo? They've been recorded a number of times. Ideally, I'd make
my
own, but I'd like to see a good transcription of them first.
With thanks,
Graham Freeman
--
Dr. Graham Freeman
Ph. D Musicology
University of Toronto
[1
I do that too, using a short strap connected to the button on the body
by the bridge. And a footstool. It's an absolute liberation: no more
weight on the shoulders.
P
On 11 March 2010 08:49, David van Ooijen [1]davidvanooi...@gmail.com
wrote:
On Thu, Mar 11, 2010 at 1:43
All,
Thank you very much for all of your assistance. I'm glad to hear that
I'm not alone with my hefty instrument.
As always, I'm grateful for the assistance of the community.
Best,
Graham Freeman
On Thu, Mar 11, 2010 at 3:33 AM, Peter Martin [1]peter.l...@gmail.com
wrote:
All,
I wonder if anyone can offer some helpful suggestions. I have a very
nice theorbo of medium size with which I'm very happy. The only problem
is that the neck extension is quite heavy, so much so that it
interferes with the balance of the instrument. This isn't a big problem
On Mar 10, 2010, at 4:43 PM, Graham Freeman wrote:
I wonder if anyone can offer some helpful suggestions. I have a very
nice theorbo of medium size with which I'm very happy. The only problem
is that the neck extension is quite heavy, so much so that it
interferes with the balance
are ever in California I hope you will feel free to drop by
and try out instruments here.
Best of luck,
dt
At 04:43 PM 3/10/2010, you wrote:
All,
I wonder if anyone can offer some helpful suggestions. I have a very
nice theorbo of medium size with which I'm very happy. The only problem
On Thu, Mar 11, 2010 at 1:43 AM, Graham Freeman
freeman.gra...@gmail.com wrote:
All,
I wonder if anyone can offer some helpful suggestions. I have a very
Drastic solution a friend of mine opted for:
1. remove the veneer/top layer/panles on back and/or front of the extension
2. drill holes
...@sbcglobal.net
To: [3]lute-cs.dartmouth.edu [4]l...@cs.dartmouth.edu
Sent: Saturday, March 06, 2010 7:03 PM
Subject: [LUTE] Re: Caccini's theorbo
I think the original article by Harwood, et al., is a pretty
thorough
study, it just draws the wrong conclusion from its own
For your perusal and delectation:
a Passacaglia in e-minor for theorbo -
http://torban.org/swv/passau992tiorba.pdf
Enjoy,
RT
http://www.polyhymnion.org/swv/ostinato/992/pass992sau.mp3
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
, but whether one
uses ths term or not it seems like a basic, practical solution.
The instrument is definetely louder than a theorbo, for reasons that
are somewhat puzzling, but loud it is.
I expected to corner the early 17th century market, but of course 99
percent of the clients have no idea
Also, for those who wish to use a theorbo or archlute, when you have
your instrument made, always ask the maker to build it so that it can
be 6+8, 7+7 or 8+6. This is very easy to do, and allows you to fret
the F sharp in any number of ways.
I have the archlute in that configuration
On Sat, Mar 6, 2010 at 8:59 PM, David Tayler vidan...@sbcglobal.net wrote:
I have a Caccini instrument which was made for me made for me which
is exactly as Chris describes, a large bodied bass lute. I opted for
seven courses, although eight or nine seemed like a good idea.
Same story here. I
I think the original article by Harwood, et al., is a pretty thorough
study, it just draws the wrong conclusion from its own research by
conflating theorbo and chitarrone. Conflating the terms is
understandable, because many of the terms were used interchangeably.
The big mistake they made
Thankfully we have Renato Meucci to have sorted out the HArwood mess.
RT
- Original Message -
From: David Tayler vidan...@sbcglobal.net
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Saturday, March 06, 2010 7:03 PM
Subject: [LUTE] Re: Caccini's theorbo
I think the original
Do we know anything about the instrument(s) Caccini played? His bass
lines sometimes need G as well as G#, (and I believe F as well as F#)
in one piece, which is impossible on a 'standard' (...) theorbo in a
with 6 strings/courses on the fingerboard. If Caccini were just
another composer, and I'd
David,
My guess is that is not what we would call a theorbo at all, but rather a
bass lute probably tuned theorbo-like. All the strings would therefore be on
one neck and those chromatic basses could be fingered. Whether the tuning was
in A, G or something else and whether one or both
Whenever I decide to play Caccini on 7-course lute or on my
(essentially French kind-of) theorbo, I ponder the matter of Caccini's
theorbo and things like the fingered g#. First, I really wish I could
justify the expense of a bass lute with theorbo tuning. It would make
me whole
-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of John Lenti
Sent: Friday, March 05, 2010 1:26 PM
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Re: Caccini's theorbo
Whenever I decide to play Caccini on 7-course lute or on my
(essentially French kind-of) theorbo, I ponder
on the lute these days (despite being well documented in early
sources)... Does she mention this technique?
rgds
Martyn
--- On Sun, 28/2/10, Martin Eastwell eastwe...@mac.com wrote:
From: Martin Eastwell eastwe...@mac.com
Subject: [LUTE] Theorbo arpeggiation
To: Lute
Hi!
Looking through Francesca Torelli's excellent theorbo tutor (published by Ut
Orpheus Edizioni), I was a little surprised by two of her recommendations
for right hand arpeggiation. She explains (p 23)the technique in which 4
note arpeggios, for example, are played p i m i, with the index
...@mac.com
wrote:
Hi!
Looking through Francesca Torelli's excellent theorbo tutor
(published by Ut
Orpheus Edizioni), I was a little surprised by two of her
recommendations
for right hand arpeggiation. She explains (p 23)the technique in
which 4
note arpeggios
Sorry-just noticed an error in my post (near the end)!
The result is that the melodic move Bb-A is reversed.
For Bb-A, please read C-B!
Unless, of course, you play a theorbo in G!
Martin
On 28/2/10 21:38, Martin Eastwell eastwe...@mac.com wrote:
Hi!
Looking through Francesca Torelli's
commonplace in 17th century French lute playing;
specialists can confirm or correct me on this one.
Perhaps getting a little OT from your specific theorbo concerns, I
think many of us who came to lutes in general from modern guitar have
a tendency to overuse the a finger, often to the detriment
of chords in one stroke, as on the lute, but HK allows for
no shortcuts.)
Chris
--- On Sun, 2/28/10, Martin Eastwell eastwe...@mac.com wrote:
From: Martin Eastwell eastwe...@mac.com
Subject: [LUTE] Theorbo arpeggiation
To: Lute Net lute@cs.dartmouth.edu
Date: Sunday, February 28, 2010, 4:38
Let me introduce my new theorbo made by Didier Jarny.
I got it on last sunday, and I'm really happy with it ;-)
Here it is :
http://www.youtube.com/watch?v=h-X_chDkDos
Val
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
2010/1/14 Sauvage Valéry sauvag...@orange.fr:
Let me introduce my new theorbo made by Didier Jarny.
I got it on last sunday, and I'm really happy with it ;-)
Congratulations with your new instrument!
And so brave to bring it to YouTube immediately ...
David
Thanks for the introduction - have you named him/her? A lovely
sounding instrument, but as Heifetz said to a listener who complimented
him on the sound of his instrument; (holding it to his ear) I don't
hear anything.
Ned
--
To get on or off this list see list information
Nice instrument! And unbelievable that you can manage with it only in a
couple of days!
Arto
On Thu, 14 Jan 2010 10:14:36 +0100, Sauvage Valéry sauvag...@orange.fr
wrote:
Let me introduce my new theorbo made by Didier Jarny.
I got it on last sunday, and I'm really happy with it ;-)
Here
Hi all,
Its that time again - time for eggnog, fruitcake, extended time with extended
family, desperate last minute trips to the mall... and of course, theorbo music!
Here are two clips of (just in time) seasonal theorbo offerings:
My arrangement of It Came Upon a Midnight Clear con variazione
, theorbo music!
Here are two clips of (just in time) seasonal theorbo offerings:
My arrangement of It Came Upon a Midnight Clear con variazione
http://www.youtube.com/watch?v=tDg56TnhdV4
Robert de Visee's setting of the French Noel, Je me suis leve par
un martinet
http://www.youtube.com/watch?v
Thanks and most impressive, Chris. While my ear has yet to be seduced
by the sound of the theorbo as it has been by the lute, your
arrangements and playing are wonderful. May all your strings resonant
with wonderful harmonies in the new year.
Ned
--
To get on or off
All:
After reviewing some lute iconography, it seems that the renaissance lute was
played by more men than women (especially inebriated-looking Dutch guys), but
it seems that the majority of theorbo players are women. Possible reasons?
*Women are just prettier to paint?
*My statistical
Dutch guys), but it seems that the majority of theorbo
players are women. Possible reasons?
*Women are just prettier to paint?
*My statistical sampling is biased?
*Theorbo was considered a 'woman's instrument' and not popular among
'real men'?
*Theorbo was popularly used by women
is
that theorbos are spectacular-looking things.
Years ago, a group I was with played what might loosely be called a
concert because that we thought we would be professionally
videotaped. Two thirds of the video turned out to consist of panning
around my theorbo with a near-pornographic intensity
On Mon, Oct 5, 2009 at 2:14 PM, theoj89...@aol.com wrote:
After reviewing some lute iconography, it seems that the renaissance lute was
played by more men than women (especially inebriated-looking Dutch guys), but
it seems that the majority of theorbo players are women. Possible reasons
Arto wrote: Yes, I do know this is an ad in vain..., no interest in the
List -- as usual.
Dear Arto,
Please do not assume that lack of response equals lack of interest or
appreciation. I, for one, greatly admire your work and have enjoyed your
videos over and over, and I am quite
Dear Stephen (and all),
thanks! I understand, and I think you are right.
I just had a little bit too much wine, and a temporary Net depression...
Now I am a little ashamed... And everything is ok again... :-)
All the best,
Arto
On Sat, 12 Sep 2009 09:59:23 -0500, Stephen Arndt
I wholeheartedly second Stephen's opinion.
All the best
Thomas
To get on or off this list see list information at
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Dear lutenists, especially the theorbo oriented of us,
my tiny research -- which still continues! -- of the theorbo solo arrs made
of Lully's songs and pieces, has really convinced me of the quality of the
music by Lully, and _also_ the quality of the theorbo players of his time!
Strongly
Congratulations on your research, Aro. I am impressed that - given
the challenges of the Renaissance lute - there are players that master
that and also go on to master (or at least play very well) the Baroque
lute and/or the Theorbo, and others of the family. Different tunings
On Wed, Aug 26, 2009 at 1:06 PM, Arto Wiklawi...@cs.helsinki.fi wrote:
that transcribing it to other medium would not make justice to the piece.
Thanks everybody for all the help.
I've told my theorbo-only friend to make his own arrangement, or buy a
baroque lute. Slightly off-topic, I must say
:
No.
- Original Message -
From: David van Ooijendavidvanooi...@gmail.com
Is there a theorbo version of the Tombeau de Comte de Logy?
Perhaps I could try to make one? Is there any modern notation version of
the d-minor lute tab? Or at least and of course the d-minor lute tab in the
net? If anyone
To the collected wisdom
Is there a theorbo version of the Tombeau de Comte de Logy?
David
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David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
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On Mon, 24 Aug 2009 16:50:32 -0400, Roman Turovsky
lu...@polyhymnion.org wrote:
No.
- Original Message -
From: David van Ooijen davidvanooi...@gmail.com
Is there a theorbo version of the Tombeau de Comte de Logy?
Perhaps I could try to make one? Is there any modern notation version
It is way too idiomatic.
RT
- Original Message -
From: wikla wi...@cs.helsinki.fi
To: baroque-lute@cs.dartmouth.edu
Sent: Monday, August 24, 2009 5:05 PM
Subject: [BAROQUE-LUTE] Re: Tombeau for Logy for Theorbo?
On Mon, 24 Aug 2009 16:50:32 -0400, Roman Turovsky
lu
No.
ed
At 11:02 AM 8/24/2009, David van Ooijen wrote:
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To the collected wisdom
Is there a theorbo version of the Tombeau de Comte de Logy?
David
Hello lute players,
I am searching for some music for renaissance viol and theorbo...
Can anyone point some sources on the net?
Or if somebody have some files to share I would be gratefull.
Many thanks.
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