ok, it's from Bavaria, but still... ;-)
14.2.2008
19:05 - 20:00
Bayern 4
Aufs Lautenwerk
Andreas Martin, Theorbe
Johann Jakob Froberger: Suite a-moll,
Johann Sebastian Bach: Suite g-moll,
BWV 995; Präludium, Fuge und Allegro Es-dur,
BWV 998; Suite c-moll, BWV 997
Aufnahme vom 19. Dezember 2007
Having done some repair work, I have seen many strange types of abuse to lutes.
The biggest group of abusers are transitioning guitarists. Furthermore, they
have never been the first owner of the instrument or in contact with the
luthier who made it. From what I have seen, repairs are seldom
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting myself to half an hour in
When I click this tinyurl, the page opens. On top of the page there is a box
which have the text: 'theorbo grove 1910', and a click button with text:
'search for works' (in finnish though). After clicking the button I get a list
of entries. After clicking the first box I scroll down the page,
Jean-Marie,
That is VERY beautiful. I must get hold of this interesting manuscript. And
your playing is first-class. I loved it!
Rob
On 12/02/2008, Jean-Marie Poirier [EMAIL PROTECTED] wrote:
There is a beautiful one too, for Charles de Gallot (1669) in the de
Gallot guitar manuscript from
Does anyone know where this engraving of Hautman is taken from?
http://www.vanedwards.co.uk/spencer/html/Page%20413.html
Thanks.
Shaun
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Sony makes many good things, but not mikes :)
One oft overlooked source of noise is the video camera. If it is a
tape based recorder,
remove the tape and record to a hard drive or to a laptop using the
freeware HDVSPLIT.
Windows moviemaker is easy to use for direct capture as well if you
re
I have the pdf of the original document and it says nothing about its
source. Thanks.
On 13/02/2008, at 7:59 AM, Gernot Hilger wrote:
Most like from Early Music magazine, which is probably what you
already know. I do not have this 1976 magazine, thus I have no idea
what the original
Most like from Early Music magazine, which is probably what you
already know. I do not have this 1976 magazine, thus I have no idea
what the original source might have been.
See also:
http://www.unh.edu/music/Icon/iltifs.htm
It might be worthwhile asking DvE.
g
On 12.02.2008, at 23:49,
Yeah, I'm a sucker for drones. Thanks for that, Arto. Very enjoyable.
Rob
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Rob MacKillop wrote:
'Mesmeric' ...hmm...possibly. I don't know the Campion piece Monica
mentioned, but the de Visee piece is certainly very beautiful. I'm quite
scared of playing it as it is so hard to get right, physically and
otherwise. I'll give it a try, Eugene. Can't promise a 'mesmeric'
There is a beautiful one too, for Charles de Gallot (1669) in the de Gallot
guitar manuscript from the Bodleian Library, Oxford UK. You can hear it played
by Thierry Meunier on the website of our ensemble Le Trésor d'Orphée :
http://tresordorphee.free.fr/thm.htm
Best,
Jean-Marie
===
Very enjoyable, Rob.
Do you think (Baroque) guitar tombeaux (if that's the plural) have the
same mesmeric effect as the lute ones?
There is a beautiful one in Campion dedicated to M. de Maltot who apparently
passed on to Campion the Rule of octaves.
Monica
Stuart
This one is very
At 05:54 AM 2/12/2008, Rob MacKillop wrote:
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day,
Rob MacKillop wrote:
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting
Well, Timo, I suspect Finland must be one of Google's pet countries... ;-)
Here, in France, I have the same problem as many others on the list : I get a
map of the world with little red flags and the comment : Places mentioned in
the text in French though but, that's all. No theorbo and no
I saw these 2 being interviewed and singing a couple songs on TV and
thought it was great.
Nancy Carlin
At 09:16 PM 2/11/2008, David Rastall wrote:
Okay so we occasionally get off topic, here in luteland.
Well, this is so far off-topic as to be practically off-shore, and I
hope you'll bear
I coul read the articles, and I'm in Finland.
Timo
Lähettäjä: Peter Martin [mailto:[EMAIL PROTECTED]
Lähetetty: ti 12.2.2008 18:16
Vastaanottaja: Lute list
Aihe: [LUTE] Re: Signor Tiorba
Still no luck. I think the problem is that I'm not in the US, like the
because then you have the book on your own
computer. (If you have the space: it's nearly 49megs.)
The book is volume V of the 1911 Grove's, which contains T-Z and
the appendix. The entries on Vivaldi and Telemann say much about the
19th century attitude toward the 18th century.
[EMAIL PROTECTED] wrote:
Dear lutenists,
when transforming some old videocam tapes to dvd's, I happened to find
my practising for a recorging project already in 1992. Oh my hair was
dark then... ;-)
Anyhow the pieces are just direct takes... And the lute I play is model
Andreas Berr, Vienna,
You've passed all the tests, Stewart! Well done ;-)
Rob
On 12/02/2008, Stewart McCoy [EMAIL PROTECTED] wrote:
Test 1 Baroque Lute List
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Here's the tiny
http://tinyurl.com/3xcgqz
When I use this url (the same happens with the long version)
I only get a map, showing Orte in diesem Buch (locations in this book).
:-))
??
B.
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Dear lutenists,
when transforming some old videocam tapes to dvd's, I happened to find
my practising for a recorging project already in 1992. Oh my hair was
dark then... ;-)
Anyhow the pieces are just direct takes... And the lute I play is model
Andreas Berr, Vienna, 1699, made by Stephen
Still no luck. I think the problem is that I'm not in the US, like the
others who've reported they can't see the book. Google operates a
'conservative' copyright policy for us.
http://books.google.com/support/bin/answer.py?answer=44666ctx=sibling
Rats.
P
On 12/02/2008, Ray Brohinsky
Thanks for this, Rob - I'm glad to see you're back to playing, and
playing so well.
I didn't know this piece, so it's a real treat to hear it like this.
The lute sounds as though it has developed, even in a couple of months.
Best wishes,
Martin
Rob MacKillop wrote:
I'd like to thank all
Very beautiful piece and excellent interpretation too ! This instrument and you
sound great.
Thanks for this fine mp3, Rob, and very best wishes for a total and fast
recovery.
Jean-Marie
=== 12-02-2008 11:54:02 ===
This one is very moving, and I hope
you enjoy listening to it. I
Hi Mark,
I prefer the sound of gut strings, but I am very dissatisfied with the
current state of bass fundamentals and their tuning with their octave
neighbours. In short, I got really fed up with playing out of tune.
Experimenting with bass courses is an expensive pastime. Mimmo's new bass
Dear Rob,
Thanks fort the Mp3, enjoyed listening to that.
I see that you have changed your stringing, would be interesting to know the
background to that.
All the best
Mark
-Ursprüngliche Nachricht-
Von: Rob MacKillop [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 12. Februar 2008
I have no problem with it either, on mozilla.
It is not uncommon to have plugins that block content, like no-script.
If so, you need to allow Google.com to see the content, and may have
to allow Google-analytics.com as well.
If you have java and javascript blocked, this may also have an effect
Rob,
Lutenists the world over breathed a sigh of relief upon learning that you
have recovered from your injury and are making music again.
You latest recording is breathtakingly beautiful.
After reading on your website what recorder and microphone you use, I got
the same, but with the Sony
No. The Edirol is a self-standing recording device. I record upstairs, and
my computer is downstairs.
P.S. I've been meaning to comment on your lovely piece La belle cecille
but just haven't gotten around to it yet. I shall soon. I hope you got lots
of positive feedback on it.
-
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting myself to half an hour in
Does anyone else tune down the chanterelle after playing or tie
pieces on to broken strings and re-use them? If so, how long does
it extend the life of the string?
I do this all the time with lower non treble courses that break above the nut.
I even use thick non stretchy thread or even
Roman,
Forgive me for waiting so long to respond to your posting. If I understand
correctly, you have taken a traditional Belgian song and arranged it for
Baroque lute. Although I am not familiar with the original, I find your
version very pleasing, quite melodic with an underlying chord
It depends on how salvageable the string is. If it broke in the pegbox
area and is a good treble, I have no shame in getting further use out of it.
I am noticing much longer life lately in gut trebles for my baroque lutes
(11 and 13 course), because I tune them lower than usual.
ed
At
Rob wrote:
Thanks for the kind comments, Stephen. I thought you were being sarcastic
at first!
Not at all. I meant what I said quite sincerely. Having had similar problems
myself, I have often wondered whether I shall someday be forced to stop
playing lute. If I do have to stop, it is a loss
Test 1 Baroque Lute List
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I hope the original went to Rob with photo
Le 12 fevr. 08 =E0 17:00, Anthony Hind a ecrit :
Rob
Oh dear, that is exactly what I did. It happened for your very
first recording, I seem to remember. I wonder what migh be causing
this. Probably a Mac issue
However clicking on the link works
0
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Thanks for the kind comments, Stephen. I thought you were being sarcastic at
first!
I guess I'm just lucky in getting a recording set up which works for me. It
worked on my old Dell PC and on my Sony Vaio. Sorry it doesn't work for
everyone.
I couldn't buy the Nero wave Editor independent of the
Rob
I seem to be the only one who can't see it. I am on Mac and Firefox
Isi it on the page with De Visée etc?
Regards
Anthony
Le 12 févr. 08 à 12:16, Mathias Rösel a écrit :
Rob MacKillop [EMAIL PROTECTED] schrieb:
It seemed to bring out the best in them. This one is very moving,
and
Hi Jaroslaw,
I have a cheap microphone, a stereo condenser by Sony, the *Sony ECM-MS907*.
You can get them for around 50 UKpounds. It's the same as Martin Shepherd's.
We also both use Nero Wave Editor which I use for chopping the ends off the
files and adding reverb- this time I only added a
Rob MacKillop [EMAIL PROTECTED] schrieb:
Good question, Mathias. I don't have a worked-out answer. As I said, I
consider it a 'work in progress' recording. A lot of French baroque lute
music seems to me to be less about a long arching melody than a sequence of
sighing moments set up over an
Good question, Mathias. I don't have a worked-out answer. As I said, I
consider it a 'work in progress' recording. A lot of French baroque lute
music seems to me to be less about a long arching melody than a sequence of
sighing moments set up over an almost formulaic chord sequence. I guess I'm
Dear Rob.
What a wonderful interpretation and recording! Bravo!
Regards, Mark Houghton
-Original Message-
From: Rob MacKillop [mailto:[EMAIL PROTECTED]
Sent: 12 February 2008 10:54
To: Baroque-Lute
Subject: [BAROQUE-LUTE] Tombeau de du But
I'd like to thank all those people who have
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