oops sorry part of the link was gone it's all there, thanks a lot!
Jurgen
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“There is a voice that doesn’t use words. Listen.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐
On 26 July 2018 12:32 AM, Alain Veylit wrote:
> I think this is the one
Sorry your links create a "not found" error
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âThere is a voice that doesnât use words. Listen.â
JalÄl ad-DÄ«n Muhammad Rumi
âââââââ Original Message âââââââ
On 26 July 2018 12:32 AM, Alain Veylit wrote:
> I think this
All:
The Scottish Customs Tariffs of Oct 31, 1612 lists
"Luttes of Cullane with case" and
"Luttes of Venice with case".
Does anyone know what these terms Cullane and Venice mean?
There is also some information about strings: "catlingis" and
"manikins", and misc other
> Tonic, dominant, etc? When did this start?
“Tonic" and “dominant" are from Rameau’s 1722 Treatise on Harmony. I can’t
swear he invented the terms, but he’s the reason they’re used. Describing
music in harmonic terms is his legacy. The Treatise was published less than 20
years after
Hi All,
Can anyone recommend a Bergamasca (or whatever you want to call it with
a I-IV-V bass) in F, preferably early, preferably Italian?
Thanks,
Martin
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The Gianoncelli Bergamesca from 1650 for archlute is superb. I played
it last month for O'dette's master class.
Sterling
Sent from my Verizon, Samsung Galaxy smartphone
Original message
From: Martin Shepherd
Date: 7/25/18 3:31 AM (GMT-07:00)
To: Lute
Not quite Italian but extremely rewarding is the setting in Bésard.
http://gerbode.net/sources/Besard/thesaurus_harmonicus_1603/book_05/pdf/187_bergamasco.pdf
Am 25.07.2018 um 11:31 schrieb Martin Shepherd:
Hi All,
Can anyone recommend a Bergamasca (or whatever you want to call it with
a
Very interesting!
Could you or somebody else on this list provide the original?
thank you in advance!
Luca
On mer, 25 lug 2018 11:51:45 +0200
spiffys84121 wrote
The Gianoncelli Bergamesca from 1650 for archlute is superb. I played
it last month for O'dette's
As chordal music (as opposed to polyphonic) became more prevalent,
and many modes became history, how were chords named? G maj, A min,
...? Tonic, dominant, etc? When did this start?
Just curious.
Regards,
Leonard Williams
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The guitarists spring to mind with their alfabetto and chord diagrams:
Foscarini, Sanz, Pablo Minguet y Yrol etc.
G.
On Wed, Jul 25, 2018 at 2:54 PM, Leonard Williams
<[1]arc...@verizon.net> wrote:
As chordal music (as opposed to polyphonic) became more
prevalent,
Juan Carlos Amat's little book Guitarra Espanola y Vandola (?) was
published already in 1596 but the earliest surviving edition is from
1627.
[1]https://imslp.org/wiki/Guitarra_espa%C3%B1ola%2C_y_vandola_(Amat%2C_
Juan_Carlos)
--
References
1.
Interestingly, the compendium is for spanish guitar of 5 courses, 2
pages about the 4 couse guitar and then the same again in catalan, but
with improved diagrams. (The text says that the first version was made
in 1586 already!)
thank you very much!
Luca
On mer, 25 lug 2018 19:32:00 +0200 Alain
Veylit wrote
I think this is the one - famously used by Respighi in his Ancient Airs
and Dances
[1]http://fandango.musickshandmade.com/images/facsimiles/Italian/Gianon
celli/G_P8.jpg
I think this is the one - famously used by Respighi in his Ancient Airs
and Dances
[1]http://fandango.musickshandmade.com/images/facsimiles/Italian/Gianon
celli/G_P8.jpg
[2]http://fandango.musickshandmade.com/images/facsimiles/Italian/Gianon
celli/G_P9.jpg
On 07/25/2018
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