> Those who would even want to listen are fools.
Of course, those who wouldn't.
Am 07.02.2018 um 06:48 schrieb Tristan von Neumann:
I can't believe almost no one is excited about this discovery.
All those who *still* doubt me, listen to this epic Raga Yaman
accompanied by John Bull's Fantasy
I can't believe almost no one is excited about this discovery.
All those who *still* doubt me, listen to this epic Raga Yaman
accompanied by John Bull's Fantasy XII.
I did nothing but adjust the pitch and placement of the tracks.
https://soundcloud.com/tristan-von-neumann/fantasy-xii-raga-yaman
"We" are not sure, however, how would two obscure pieces from Flanders
change the course of a musical tradition of thousands of years...
There are plenty of such attempts at crossover in the 19th century
(Fantasy on Khambodian Music, Persian Melodies etc.), why not in the
early 17th.
And
Sweet! Thanks for the tip.
The Fantasy might be good on the lute, because it's mostly 2 voices.
The ambitus is admittedly very big.
Or you can try and do the Indian part to the harpsichord with an Oud.
Am 06.02.2018 um 11:06 schrieb David van Ooijen:
William Hamilton Bird was a British
Just a reminder :
Jacques Gaultier fled to England c. 1617 because he had murdered a noble man on
the Continent.
As early as 1618 he was imprisoned in the Tower of London for no clear reason...
He got away with it and managed to get appointed as one of Henriette-Marie's
musicians in 1625 and
William Hamilton Bird was a British cembalo player who lived and worked
in India in the 18th century. He published a book with Hindustani Airs
(Oriental Miscellany, 1789) set for cembalo. I arranged some of these
pieces for lute and played these in India last November.
David
NB: Jacques Gaultier was not a relative of Ennemond or Denis.
For pieces in Cherbury also listen to Jacob Lindberg's "Jacobean Lute
Music" BIS-2055 (2013)
G.
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