Really. HOw hard is it to speel Kuper corretly?
Chris (haven't been drinking)
--- On Thu, 4/15/10, David Tayler vidan...@sbcglobal.net wrote:
Finally, years of research reveals
the correct speling of Copraio's name!
d
At 12:10 PM 4/15/2010, you wrote:
Hi Folks - I am forwarding
All,
A student of mine got his lute from Larry K Brown back in January. It was a
number of months later than initially promised, but even this late completion
date would be unlikely if he had died in 2007.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
This could be him. Don't confuse Larry K Brown with Larry D Brown in
Cincinnati. LDB is another former lute builder who has also given up lute
making in lieu of other things, although he's still playing early music in the
Cincy area.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
Howard,
General advice:
For the seller, PayPal.
For the buyer, beware.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 6/3/10, howard posner howardpos...@ca.rr.com wrote:
From: howard posner howardpos...@ca.rr.com
Subject: [LUTE] Instrument
easily cut through an ensemble.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 6/7/10, wikla wi...@cs.helsinki.fi wrote:
From: wikla wi...@cs.helsinki.fi
Subject: [LUTE] Re: And another question about nylguts (was: Carbon strings
instrument and playing needs. For me, he plays things a bit on the
safe side in regards to tension, but this might be just what is needed for your
lute.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 6/8/10, Samuel Jacques dei...@yahoo.com wrote
, precious... my precious... ;-)
Chris
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 6/10/10, Gary Digman magg...@sonic.net wrote:
From: Gary Digman magg...@sonic.net
Subject: [LUTE] Re: lute sighting
To: lute@cs.dartmouth.edu
Date: Thursday, June
at the tables around me applauded. I used that instrument for the next 3
hours. I think that gig still stands as my highest grossing in tips. Those
tips then went on to contribute to the purchase of a new instrument: a 19th
century guitar.
Chris
Christopher Wilke
Lutenist, Guitarist
transcriptions by de Visee
and Hurel as well as other pieces that demonstrate the style.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Fri, 6/11/10, wikla wi...@cs.helsinki.fi wrote:
From: wikla wi...@cs.helsinki.fi
Subject: [LUTE] Re: lute
of it someplace online (facsimile or modern edition),
that wold be just fine, too.
Thanks in advance!
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
Hello all,
Two folks have been kind enough to send the sinfonia already. Thank you
very much!
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
- $82.35
;-)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 6/22/10, Brad Walton gtung.wal...@utoronto.ca wrote:
From: Brad Walton gtung.wal...@utoronto.ca
Subject: [LUTE] books of bland tablature
To: lute@cs.dartmouth.edu
Date: Tuesday, June
to double courses.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Fri, 6/25/10, Herbert Ward wa...@physics.utexas.edu wrote:
From: Herbert Ward wa...@physics.utexas.edu
Subject: [LUTE] 11- versus 13-course baroque lute.
To: lute@cs.dartmouth.edu
I have a friend who uses nylgut strings. I've never tried it myself, but it
seems like it would be hard to get the knot tight enough. It would also be
expensive unless you used old ones.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get
David,
I agree with you that these are the quirks of the lute that one can get
used to. I might also add that when individual strings of a course are out of
tune, it usually sounds worse to the player than the listener. I've had
several experiences of doing concerts in which I thought I
--- On Sun, 7/18/10, David van Ooijen davidvanooi...@gmail.com wrote:
Gut doesn't need stretching, it's up to tension within
minutes.
..and then out of tune the rest of the time. With all due respect, I know you
and some other pros use gut, but the majority of concertizing professional
sound: one good mic, a pair of good ears, a
brain in your head and just a touch of reverb for seasoning.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Fri, 7/23/10, Ron Andrico praelu...@hotmail.com wrote:
From: Ron Andrico praelu...@hotmail.com
Peter,
--- On Sat, 8/14/10, Peter Nightingale n...@pobox.com wrote:
I play my lute regularly at a local restaurant, music from
before 1650
exclusively. The owners have been contacted by BMI
and were told that
they need a license.
Putting it generously, I would call this BMI claim
some sort of
music-playing feature. ;-)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 9/20/10, Daniel Winheld dwinh...@comcast.net wrote:
From: Daniel Winheld dwinh...@comcast.net
Subject: [LUTE] Re: Metronome
To: lute@cs.dartmouth.edu
Date
Gary,
--- On Sun, 10/17/10, Gary Digman magg...@sonic.net wrote:
That being said, I have to admit that I have attended lute
concerts given by some of the leading lights of the lute
world for audiences numbering in the hundreds where the lute
literally could not be heard at all past the
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 10/18/10, howard posner howardpos...@ca.rr.com wrote:
From: howard posner howardpos...@ca.rr.com
Subject: [LUTE] Re: Lute volume
To: Lute List lute@cs.dartmouth.edu
Date: Monday, October 18, 2010, 6:41 PM
Howard,
--- On Tue, 10/19/10, howard posner howardpos...@ca.rr.com wrote:
Howard,
Huh? Wait, that's me!
Yes, it is a custom to say the name of the person I'm addressing.
Alright, so next time I'll should ask
people if they did not hear me as a discrete component, but
rather as a
.
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 10/20/10, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: [LUTE] Re: Lute volume
To: Lute Net lute@cs.dartmouth.edu, Stewart McCoy lu...@tiscali.co.uk
for the 3-note arp. is to start on the TOP note and
descend to the bass: i-m-p.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 10/20/10, R. Mattes r...@mh-freiburg.de wrote:
From: R. Mattes r...@mh-freiburg.de
Subject: [LUTE] Re
interesting in the era, but there is still a
lot to be done.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Fri, 10/22/10, G. Crona kalei...@gmail.com wrote:
From: G. Crona kalei...@gmail.com
Subject: [BAROQUE-LUTE] Re: Galant definition
To: baroque-l
Danny,
Thanks and congrats! You are a real warrior of the lute. We're all
privileged to have you! (5 stars on the way...)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 10/26/10, Daniel Shoskes kidneykut...@gmail.com wrote:
From
. It makes a beautiful and
effective solo instrument.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 11/1/10, Jelma van Amersfoort jel...@gmail.com wrote:
From: Jelma van Amersfoort jel...@gmail.com
Subject: [LUTE] Re: OT: 19th C guitar
To: Suzanne
Ned,
--- On Sun, 11/7/10, Edward Mast nedma...@aol.com wrote:
As long as I sense any progress at all -
and that may not be daily, but rather like a plateau
learning process where a week can go by with no noticeable
improvement and then suddenly you notice that a passage in a
piece that
Monica,
--- On Thu, 11/11/10, Monica Hall mjlh...@tiscali.co.uk wrote:
In any case even a facsimile is not a substitute for seeing
the real thing.
Well, yes, for performers, it really is. I think most of us on this list are
looking at this from the perspective of a performer rather than
temple.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 11/11/10, David Tayler vidan...@sbcglobal.net wrote:
From: David Tayler vidan...@sbcglobal.net
Subject: [LUTE] Re: More digital facsimiles from the (public) libraries?
To: lute
I have a student who came to me with one of those Pakistani lutes that he
bought on eBay. I'd heard many horrible stories about these instruments, but I
have to say that for him it is not a bad instrument. It is certainly not the
most resonant lute, but neither is it overly heavy or
up
the interest with an inferior instrument? Still, who knows if the instrument
with name recognition hadn't come my way?
Chris
--- On Tue, 11/23/10, Margaret Munck meg.mu...@gmail.com wrote:
From: Margaret Munck meg.mu...@gmail.com
Subject: [LUTE] Re: EMS Lutes
To: Christopher Wilke
really distract from my
enjoyment of the music is if a performer is missing notes because they're
flipping their lutes around their necks or something.
No one owns this music, even less the way one chooses to look while playing it.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
What about hand/body gestures and facial expressions in baroque opera? ...or a
silent movie, for that matter. Very artificial, contrived and totally HIP.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sun, 12/5/10, wikla wi...@cs.helsinki.fi wrote
and Piccinini prefaces, but is it possible that
there are other sources using this cipher to represent a strum? Is there
something in HK's Libro primo d'arie? (I've seen the book, but don't have it.)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sun, 12/12
There are some late works that use the upper register quite a bit. I believe
Hagen somewhere calls for notes up to the 14th, but it's not often used. I
play mostly late 18th century music (and a lots of Hagen) with only 12 frets on
my lute. I've never needed the 14th.
Chris
Christopher
, not the words.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 1/6/11, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: [LUTE] Re: RV93 - which instrument?
To: lute-cs.dartmouth.edu lute
course as well. Has anyone else
run across anything? Maybe even an anonymous piece? Could be for renaissance
or baroque lute.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http
Franz,
Since you're doing this for your own enjoyment, you could always find tunes
in an alto register and sing falsetto. I'm not being cheeky; this was probably
done. Just how comfortable you'll feel exploring your stratosphere is another
matter.
Chris
Christopher Wilke
Lutenist
Howard,
--- On Wed, 2/9/11, howard posner howardpos...@ca.rr.com wrote:
I didn't try to extrapolate an overall mensur, or what an
ET fretting would be, because the picture doesn't show the
whole lute. But after the second fret the frets are
all 15 or 16 units apart, which would give a
-String-Guitar-Humidifier/dp/B0002GZSNQ
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sun, 3/6/11, Dan Smith dansmithgui...@yahoo.com wrote:
From: Dan Smith dansmithgui...@yahoo.com
Subject: [LUTE] Lute humidifiers
To: lute@cs.dartmouth.edu
Date
note that I could care less if he is a modern player moonlighting. If
you actually hear him, so much the better.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc
This is an interesting piece. I seem to remember that it actually expands to
60 parts in the Agnus dei. Lots of static harmony and chordal arpeggiation.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sat, 3/26/11, Edward Mast nedma...@aol.com
part, though ;-).
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
?
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 3/29/11, Martin Shepherd mar...@luteshop.co.uk wrote:
From: Martin Shepherd mar...@luteshop.co.uk
Subject: [LUTE] Re: a modern lute duet by Gilbert Isbin
To: Lute List lute@cs.dartmouth.edu
Date
Insensitive, please
let me know.) Sometimes they involve patterns to which my poor fingers are
totally unaccustomed, but if it works, can we say it is unidiomatic or
non-lute-like?
Chris
P.S. Should I have posted this to the baroque lute brazilian jazz list?
Christopher Wilke
Lutenist
in any number of
baroque ensembles, they call this sort of thing great continuo playing.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
- Original Message - From: Stuart Walsh s.wa...@ntlworld.com
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Friday
absolutely
no
doubt in my mind that the repeat was intended by Dowland.
I agree.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
Best wishes,
Denys
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu]
On Behalf
something
inappropriate or care if they did?
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 5/5/11, Gilbert Isbin gilbert.is...@telenet.be wrote:
From: Gilbert Isbin gilbert.is...@telenet.be
Subject: [LUTE] Re: New blog post
To: Ron Andrico
using gratuitous dissonance. In modern circles, however,
it has unfortunately become de rigueur to write this way if you want to be
taken seriously as a composer who is relevant. (i.e. getting performances
and being awarded grants, scholarships, faculty positions, etc.)
Chris
Christopher
Ned,
I think David also mentioned Bruce Haynes who writes from more of a HIP
insider's point of view. He discusses a lot of similar issues as Taruskin,
drawing his own conclusions. I'd recommend The End of Early Music.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
I'm doing this on a smaller instrument. I
find it very effective for strumming, which sounds, fittingly enough, like a
big guitar.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 6/1/11, Hilbert Jörg hilbert.jo...@t-online.de wrote:
From
with giant theorbos, (including, at one time,
myself) but I can't name anyone playing a Paduan theorbo. Is anyone even
making Paduan theorbos?
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Thu, 6/2/11, Hilbert Jörg hilbert.jo...@t-online.de wrote:
From
on
recognizing (equally tempered) intervals independent of key.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 6/14/11, Ed Durbrow edurb...@sea.plala.or.jp wrote:
From: Ed Durbrow edurb...@sea.plala.or.jp
Subject: [LUTE] Re: Ear training for lute
named Paul O'Dette. ;-)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
very soon.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 6/29/11, Gary Digman gcanudig...@email.com wrote:
From: Gary Digman gcanudig...@email.com
Subject: [LUTE] Complete Works of Marco D'all Aquila
To: lute@cs.dartmouth.edu
Date: Wednesday
Martyn,
Very simple answers. Composers expected money/food/lodging in exchange for
whatever music his (almost always his) patron desired. Audiences expected to
be pleased.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sat, 7/2/11, Martyn
Martyn,
--- On Sat, 7/2/11, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
The whole effort of historical musicology
for at least the past 50
years has been to determine, in so far as
the evidence exists and to
the best of our ability, what the earlier
composers (and thus
Mathias,
--- On Sat, 7/2/11, Mathias Roesel mathias.roe...@t-online.de wrote:
Audiences expected to be pleased.
I beg to differ.
What do you call a person who doesn't believe that people come to concerts to
enjoy themselves? A musician.
Chris
Christopher Wilke
Lutenist, Guitarist
--- On Mon, 7/4/11, Roman Turovsky r.turov...@gmail.com wrote:
From: Roman Turovsky r.turov...@gmail.com
Subject: [LUTE] Re: What's the point to 'historical sound'
To: lute@cs.dartmouth.edu, Christopher Wilke chriswi...@yahoo.com
Date: Monday, July 4, 2011, 6:19 AM
From: Christopher Wilke
Tom,
--- On Mon, 7/4/11, t...@heartistrymusic.com t...@heartistrymusic.com wrote:
What do you call a
person who doesn't believe that
people come to concerts to enjoy themselves?
A critic?
Tom
Also an acceptable answer. Musicologist too.
Chris
Christopher Wilke
Lutenist
Ed, Sterling, Roman,
Y'all are totally nuts. Hitting the right strings is difficult, but only a
bare beginning. The right hand must negotiate so many changes of position that
achieving consistent control over tone, articulation and phrasing on a baroque
lute is the work of a lifetime.
Chris
as his reference
point? Most of the solo theorbo pieces that also exist
in guitar versions are pitched down a 4th from the
guitar. This makes sense since the guitar with
re-entrant 5th course will have the 4th course as its lowest
pitch, so as to be really in d.
Chris
Christopher Wilke
Lutenist
Arthur,
Thanks for the link. There's some really interesting stuff there! I didn't
see a way to download files, though. Can one only view them?
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
-Original Message-
From: lute-...@cs.dartmouth.edu
it
impossible to read.
Does anyone have any solutions
to this?
Nancy
Thanks for the
link. There's some really interesting stuff there!
I didn't see a way to
download files, though. Can one only view
them?
Chris
Christopher Wilke
Lutenist, Guitarist
practically
nothing about cittern history, so this might not even be unusual.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 8/23/11, William Samson willsam...@yahoo.co.uk wrote:
From: William Samson willsam...@yahoo.co.uk
Subject: [LUTE] Re
Reminds me of the cover to this book:
http://www.amazon.com/Your-Accomplishments-Suspiciously-Hard-Verify/dp/1449401023
Chris
--- On Tue, 8/30/11, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: [LUTE] Re: long strings?
To:
the diapason notes will
require a different technique to get the same effect. It takes years of work
to make it sound natural.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 8/31/11, sterling price spiffys84...@yahoo.com wrote:
From: sterling
that
that person making the arrangement sometime in the 1700's was more of an expert
on baroque music than I.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
Not sure
about Jacob Lindberg, but I do
know that he used different tunings,
even
classical guitarists
might do this or that doesn't mean we can't or shouldn't do those things.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
://www.youtube.com/watch?v=TLWt9EjqFeA
La Polonoise, an allemande gay
http://www.youtube.com/watch?v=lX5aURi_pd8
Allemande, an allemande grave
http://www.youtube.com/watch?v=6lWon1JBXIc
Enjoy!
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list
in general and Hagen in particular sounds horrible coming
through laptop speakers. Real speakers are recommended!)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
in general and Hagen in particular sounds horrible coming
through laptop speakers. Real speakers are recommended!)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
placed in an atmosphere
of deliberate phoniness. It's like real life. To me, this is what makes this
repertoire so incredibly human.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 10/24/11, Rob MacKillop robmackil...@gmail.com wrote:
From
rawks out.
http://www.youtube.com/watch?v=GLk5MmzneJ8
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
not. But it still rawks out.
http://www.youtube.com/watch?v=GLk5MmzneJ8
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks,
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks,
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
the friend explained the she was very
embarrassed to have been robbed and told my wife not to tell anyone else she
was sending money.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 11/30/11, Mathias Rösel mathias.roe...@t-online.de wrote:
From: Mathias
to the difficulties involved, the lute
accompaniment is so idiomatically written that a large part of the artistic
effectiveness of the piece would be in danger of getting lost without
reproducing the tab as written on the page.
Chris
Christopher Wilke, D.M.A.
Lutenist, Guitarist and Composer
Congrats. Sounds great!
Chris
Dr. Christopher Wilke, D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 12/5/11, Roman Turovsky r.turov...@verizon.net wrote:
From: Roman Turovsky r.turov...@verizon.net
Subject: [LUTE] Re: RT on Dutch Radio!!!
To: lutenet lute
--- On Wed, 12/14/11, Daniel Winheld dwinh...@comcast.net wrote:
For players of theorbo or archlute, it has sometimes been
the other answer.
For early music ensemble directors engaging a theorbo player, it is only the
other answer.
Chris
Christopher Wilke, D.M.A.
Lutenist, Guitarist
Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
Arto
On Fri, 6 Jan 2012 22:45:37 +0100, Jean-Marie Poirier
jmpoiri...@wanadoo.fr wrote:
David, I made amends for that mistake of mine ! ;-(
There is another quotation from Mersenne I like very much
the periods. Where is the pining for the good,
warm tone of gut or the celebration at the new
brilliance of metal? And who on earth had the chops to play those angular
guitar parts (written in bass and treble clefs at sounding pitch) in Webern and
Schoenberg?
Chris
Christopher Wilke
Lutenist
life than the guitar?
Chris
Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sun, 1/8/12, Daniel Winheld dwinh...@comcast.net wrote:
From: Daniel Winheld dwinh...@comcast.net
Subject: [LUTE] Re: move to steel strings in 20th c Re: tuning fork at 433Hz
the considerable changes taking place in this element
during their lifetimes. I'm still curious as to why no one seems to have had
anything to say about this at the time.
I have a hunch that perhaps they didn't perceive the changes to be as
considerable as we do.
Chris
Christopher Wilke
through.
Relevant to the topic of this discussion: What does he have to say about the
relative merits and defects of gut vs. steel strings during the period of
transition?
Chris
Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list
of similar effects. The label that has been applied to them
is sonorist. Zbigniew Granat, my colleague at Nazareth College where I
teach, is an expert in the study of these composers.
Chris
Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off
of metal strings anywhere,
perhaps even a remark noting them as a new novelty?
Chris
Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Well, if you can't join 'em, just beat it.
CW
Dr. Christopher Wilke D.M.A.
Music Faculty
Nazareth College, Rochester, NY
State University of New York at Geneseo
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 3/12/12, Roman Turovsky r.turov
in
droves, it would seem so.
On Mar 14, 2012, at 8:29 AM, Christopher Wilke wrote:
Ned
Donatella,
In America the change in music came much earlier, in many
places
preceding the Second Vatican Council. The Catholic Church in
America
took great pride
:
From: Braig, Eugene brai...@osu.edu
Subject: [LUTE] Re: OT: Music in church
To: Edward Mast nedma...@aol.com, Christopher Wilke
chriswi...@yahoo.com
Cc: howardpos...@ca.rr.com howardpos...@ca.rr.com,
do...@tiscali.it do...@tiscali.it, Lute Dmth
(lute
@cs.dartmouth.edu
Date: Thursday, March 15, 2012, 10:54 AM
On Mar 15, 2012, at 5:56 AM, Christopher Wilke wrote:
Church officials apparently came to the conclusion that, although
people where willing to PAY to hear this music performed well, they
found it's use in the original context off
repertoire. It is hard to believe that
this music wouldn't have functioned as a (possibly subconscious)
cultural lingua franca in non-church items.
Chris
Dr. Christopher Wilke D.M.A.
Music Faculty
Nazareth College, Rochester, NY
State University of New York at Geneseo
Lutenist
Monica,
--- On Fri, 3/16/12, Monica Hall mjlh...@tiscali.co.uk wrote:
Sorry - I would question a lot of what you are saying. It depends
what
you mean by smaller Catholic churches. Most peasants lived in
small
scattered rural communites and the clergy who ministered
of being a marginalized figure. I for one don't
particularly enjoy playing for posterity or corpses.
I should mention that I'm an advocate of playing close to the
bridge and I wrestle with these issues myself.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
.).
5) Liberally slather La cathedrale engloutie reverb all over the
finished product.
6) Serve, relishing how your colleagues will compliment you on sounding
so natural it is even better than the real thing.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
Hera,
If I may be so bold, I might suggest playing closer to the bridge with
the thumb far out in front of the fingers as the treatises and
iconographic sources demonstrate. I feel that as pluckers in ensembles,
we have to get past the idea of always making a nice sound. (not that
Jeff,
I didn't find it in the Libro primo di Arie passagiette of 1612.
Perhaps it is in the Libro primo di villanelle of 1610. Does the song
have a realized theorbo part or alfabeto guitar chords? Is it a solo
song?
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist
Rainer,
Thanks for bringing it to our attention. Any way to download the
whole thing?
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 4/25/12, Rainer rads.bera_g...@t-online.de wrote:
From: Rainer rads.bera_g...@t
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