From an old Chinese poem:
When the lute player strikes his string,
He injures the perfect music.
Gary Digman
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
Date: Wed, 22 Oct 2003 02:50:45 +0900
To: lute list
be preferred, as you
could then play to bigger audiences. Gambling is still the past time of the wealthy.
Wasn't Diana Spencer (Lady Di) on her way to or from a casino when she died in that
car accident? Just a thought.
Gary Digman
- Original
- Original Message -
From: Gary Digman [EMAIL PROTECTED]
Date: Tue, 28 Oct 2003 04:20:41 -0500
To: mike peterson [EMAIL PROTECTED]
Subject: upcoming lute performance
Dear Fellow Lute Enthusiasts;
I will be performing on 10c Renaissance Lute at a Christmas crafts faire on
Nov
, be ruled by the wise.
Enjoy.
Gary Digman
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, Ca. This
performance will include Sadie Luke, voice; Gary Digman 10c lute and viola da gamba;
Sarge Gerbode, 8c lute and archlute; Felicia McFall, baroque violin; and Vera
Yardumian, harpsichord. We are known as the Skyflower Consort. We will be playing
music by Josquin, Hume, Purcell, Terzi
,
Gary Digman
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liking of what we like over what we don't like. I like that.
All the Best,
Gary Digman
- Original Message -
From: [EMAIL PROTECTED]
Date: Thu, 11 Dec 2003 19:23:47 EST
To: [EMAIL PROTECTED]
Subject: Notation and quality
Dear lewters;
What's all this linguistics. I thought this was a lutelist. Can't
we go back to slinging insults at each other?
Happy Anniverary of the Buddha's
Enlightenment
Gary Digman
that I want to learn how to drive a garbage truck so I can make music.
Gary Digman
- Original Message -
From: Stewart McCoy
Date: Fri, 19 Dec 2003 12:41:10 -
To: Lute Net
Subject: Re: John Cage on Lute
Dear Michael,
It is possible that John Cage achieved
Dear Thomas;
Please define serious composer.
Gary Digman
- Original Message -
From: Thomas Schall
Date: 19 Dec 2003 17:36:47 +0100
To: Howard Posner
Subject: Re: John Cage on Lute
If I could
,
Gary
Digman
- Original Message -
From: Stewart McCoy
Date: Fri, 19 Dec 2003 22:25:30 -
To: Lute Net
Subject: John Cage on Lute
Dear Doctor Oakroot,
To say that someone is missing the point pre
Dear Ed;
Are we to infer that the minimum is the maximum for you, which,
of course(pun intended), means the maximum is the minimum for Roman.
Happy, and music filled, new year to all.
Gary Digman
- Original
instrumental preludes for
solo lute by Vallet. Performing will be Sadie Luke, Voice and Gary
Digman, Ten Course Renaissance Lute. The Concert will begin at 7:30
P.M. at:
The Chapel of the Roses
Spring Lake Village
.
Gary Digman
- Original Message -
From: arielabramovich
Date: Tue, 13 Jan 2004 10:15:17 +0100
To:
Subject: Regia Pietas
Dear all,
Does anyone have experience with the Nicolas Vallet's Psalms =
published in Regia Pietas?
I've got the facsimile edition
There are a few songs in Fuenllana's Orphenica Lyra for bass voice
and vihuela.
Gary Digman
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References
1. http://mail01.mail.com
I just noticed that Howard Mayer Brown's personal library of some 3500
volumes is for sale on [1]www.abebooks.com. Asking price is $125,000.
Would love to have that library. I have to go buy a lottery ticket.
Gary Digman
Daniel;
I would take the crumbs from that collection!
Gary Digman
- Original Message -
From: Daniel F Heiman
Date: Sat, 3 Apr 2004 09:07:02 -0600
To: [EMAIL PROTECTED]
Subject: Re: Howard Mayer Brown's
Mendocino Avenue, Santa Rosa, California. Admission is
$10 general, $5 students and seniors at the door. Performers include
Sadie Luke and Daniel Alva: voice; Gary Digman: 10 course renaissance
lute, baroque lute and bass viol; Sarge Gerbode: descant lute, 8
course renaissance
. The concert is entitled
Ami Souffre. If anyone would like further info, they can contact me
(GaryDigman)at [EMAIL PROTECTED] or by phone at
(707)869-2564. Thank you.
Gary
on fiddling while Rome burns, again.
Best to All,
Gary Digman
- Original Message -
From: Arto Wikla
Date: Thu, 6 May 2004 04:08:37 +0300 (EEST)
To: [EMAIL PROTECTED]
Subject: Re: Off topic, politics: there are limits!
I
Dear H. W,;
Close enough for bebop.
Gary Digman
- Original Message -
From: Herbert Ward
Date: Mon, 26 Apr 2004 11:08:36 -0500 (CDT)
To: [EMAIL PROTECTED]
Subject: Does 415's A = 440's Ab?
If I divide 440
a bathroom wall.
Let he or she who wishes to post post.
Best to All,
Gary Digman
- Original Message -
From: [EMAIL PROTECTED]
Date: Mon, 31 May 2004 06:49:44 EDT
To: [EMAIL PROTECTED
Dear Tom;
I don't open any emails on topics in which I am not interested.
If someone makes a statement and I disagree with it, I say so and
attempt to argue for my view. I don't tell them to be quiet and accuse
them of being rude. Arto has obviously been deeply
Dear Tom;
Nice talking to you.
All the Best,
Gary
- Original Message -
From: [EMAIL PROTECTED]
Date: Tue, 1 Jun 2004 05:45:20 EDT
To: [EMAIL PROTECTED]
Subject: Mute (off topic)
Dear Gary,
Dear Roman;
Am I in refined company? Oops.
Gary
- Original Message -
From: Roman Turovsky
Date: Mon, 31 May 2004 09:17:49 -0400
To: Gary Digman
Subject: Re: Mute (off topic)
Is there some manual or document
Dear Craig;
Or it could be a bunch of people who play lute who happen to be
talking about their politics, their love life and their grandchildren.
Gary
- Original Message -
From: Craig Robert Pierpont
Date:
Roman;
Not at all. I may be in the wrong bar. Let's see: chicken
wire protecting the stage. No, this is the place.
Gary
- Original Message -
From: Roman Turovsky
Date: Tue, 01 Jun 2004 08:11:03 -0400
To: Gary Digman
Dear Ed;
And so was Galileo himself a lutenist. Or so I've heard.
Gary
- Original Message -
From: Edward Martin
Date: Sat, 12 Jun 2004 19:15:49 -0500
To: ,
Subject: Re: R: Manuscript of Per Brahe -
Prickesong is the term used to refer to mensural notation as opposed
to tabulature.
Gary
- Original Message -
From: Roman Turovsky
Date: Thu, 17 Jun 2004 07:59:32 -0400
To: Lute net
Subject: Re: Free tablature pdf files
From the
Dear Bill;
The reasons Americans who disagree with the policies and/or
actions of a given American administraion express their disagreement
are as follows:
1. It's their right and
duty as patriotic Americans to do so.
,
Gary
- Original Message -
From: Eugene Braig
Date: Wed, 23 Jun 2004 11:34:14 -0400
To: [EMAIL PROTECTED]
Subject: re: who's zooming who? (READER ALERT: POLITICAL CONTENT)
At 08:06 PM 06/22/2004 -0500, Gary Digman wrote:
To those
Dear Stewart;
If, instead of thinking of this in 3, we were to think of it in
6, keeping the same pulse, that is, instead of one, two, three,
one, two, three, we count one, two, three, four, five, six;
how, if at all, does this differ from hemiola?
Gary
Dear Stewart, et. al;
I don't think I put my question right. My question is: why
wouldn't hemiola be one possible way of interpreting this?
Gary
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like His golden
locks. If they do, they completely miss the point.
Best wishes,
Stewart.
- Original Message -
From: Gary Digman
To: Stewart McCoy
Cc:
Sent: Saturday, June 26, 2004 12:27 PM
Subject: Re: My Sweetest Lesbia You Black Bright
Dear Rainer;
Wonderful site! Real treasures. Thank you. Please keep us informed.
All the Best,
Gary Digman
- Original Message -
From: Spring, aus dem
the previous masters of the
art. We must pay due respect and homage to the masters who have given us
this music, but. then, we must make the music our own if the tradition is to
be a living tradition.
Best to All,
Gary Digman
.
=
Gary Digman
--=20
--=20
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Dear Ed;
Very mysterious. That's Richard Civiol's site. I have it in my
favorites and have used it numerous times without a hitch. Hope this finds
you well and lutenizing.
Gary
- Original Message -
From: Edward Martin
Dear Roman;
Noam Chomsky is the biggest senile idiot that ever lived...? On
what have you based this diagnosis? Or is this just your way of saying you
disagree with his analysis? Such drama.
All the Best,
Gary Digman
- Original
Dear Roman;
Will do.
Gary
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Saturday, December 11, 2004 5:50 AM
Subject: Re: Renaissance america
It is too big and too sore a subject. It requires
Dear Ed;
First they taxed the beards and I didn't care because I didn't have
one.then they levied one on me.
Gary
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, December 12, 2004 5:18 PM
that arose from a performance
venue located in Berkeley, CA at 1750 Arch St. at which Joe performed. The
mouth is quicker than the mind.
Best Wishes,
Gary Digman
- Original Message -
From: Jon Murphy [EMAIL PROTECTED]
To: [EMAIL
Dear Arto;
I know there's some bad blood between you and Roman, but I, for one,
enjoy Roman's efforts to add to the lute repertoire. Please continue to keep
us informed, Roman.
All the Best,
Gary Digman
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: Roman Turovsky [EMAIL PROTECTED]
Sent: Friday, March 25, 2005 3:52 AM
Subject: Re: Arto Wikla Sarmaticae Antiquae Supernovae
Thank you Roman, I take that as a compliment!
Arto
Don't lose your vigilance.
RT
Puts
You guys are hurting my feelings.
Gary Digman
- Original Message -
From: Dr. Marion Ceruti [EMAIL PROTECTED]
To: Vance Wood [EMAIL PROTECTED]; lute list lute@cs.dartmouth.edu
Sent: Saturday, March 26, 2005 10:37 PM
Subject: Re: belly braces
Dear Vance
,
Gary Digman
- Original Message -
From: Donatella Galletti [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Tuesday, March 29, 2005 10:35 AM
Subject: Re: Re: Printing and Binding
So, more than a hundred visits in two days and just a single
comment...shall
I think
there.
All the Best,
Gary Digman
.
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Bach never wrote anything for lute???
Gary Digman
- Original Message -
From: Michael Thames [EMAIL PROTECTED]
To: lute net lute@cs.dartmouth.edu; Denys Stephens
[EMAIL PROTECTED]
Sent: Wednesday, March 30, 2005 6:32 PM
Subject: Re: memorization
Stephan
The only reason for doing anything is the love of doing it.
Gary Digman
- Original Message -
From: Michael Thames [EMAIL PROTECTED]
To: lute net lute@cs.dartmouth.edu; Denys Stephens
[EMAIL PROTECTED]; Roman Turovsky [EMAIL PROTECTED]
Sent
Well oiled, sure. Define competent. Apparently you do not consider anyone
with a page of music in front of them competent.
Gary Digman
- Original Message -
From: Michael Thames [EMAIL PROTECTED]
To: Lute net lute@cs.dartmouth.edu; Roman
To paraphrase William Count Basie, 'I do what I like to do. If I'm
competent, that's great. If not, I'm doing what I like to do.
Gary
- Original Message -
From: Michael Thames [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Thursday
You wouldn't sell 7 CDs at $15-$20 per CD. So a significant number of
people now enjoying Weiss and Barto would not be.
Gary
- Original Message -
From: Michael Thames [EMAIL PROTECTED]
To: lute net lute@cs.dartmouth.edu; Denys
]; lute list lute@cs.dartmouth.edu
Sent: Thursday, March 31, 2005 11:22 AM
Subject: Re: sketches of spain lute
Gary Digman is an expert in both lute and
jazz. He probably can tell you quite a bit about
this topic.
Best regards,
Marion
Sounds like this might be mutually exclusive of each other
- Original Message -
From: James A Stimson [EMAIL PROTECTED]
To: Michael Thames [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu; gary digman [EMAIL PROTECTED]
Sent: Friday, April 01, 2005 9:14 AM
Subject: Re: sketches of spain lute
Dear Michael, Gary and All:
I saw the Who in 1971
are the objective criteria
for judging a piece of music as unequivocally good. Just asserting that they
exist doesn't establish the case.
Gary
- Original Message -
From: [EMAIL PROTECTED]
To: Roman Turovsky [EMAIL PROTECTED]; gary digman
[EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; lute@cs.dartmouth.edu; Roman
Turovsky [EMAIL PROTECTED]
Sent: Saturday, April 02, 2005 8:47 AM
Subject: Re: sketches of spain lute
I am not a big jazz fan, but Strayhorn's Daydream is as great a piece
of
music as anything classical.
And having
Anything sounds good in the company of lovely ladies.
Gary
- Original Message -
From: Michael Thames [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu; gary digman [EMAIL PROTECTED]
Sent: Sunday, April 03, 2005 3:32 PM
Subject: Re: sketches
We could have some form of French tuning pegs such as exist on my 5 string
double bass. They combine a gear with a wooden peg under slight friction. I
like them so much on my bass that I've often wished I had them on my lutes,
baroque guitar and gamba also. Maybe we can get the ear of a luthier
are
still playing from a score. And, if you are playing from a score in front of
you, you still have to make decisions about phrasing and articulation and
dynamics and tone production. This whole discussion seems a little
nonsensical to me.
Gary Digman
,
Gary Digman
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by Thomas Ravenscroft (1603).
Performed by: Felicia McFall, baroqueviolin and treble
viola da gamba; Robin Easterbrook, treble and bass viola da
gamba; Gary Digman, liuto attiorbato, 10 course renaissance lute and
bass viola da gamba; Gael Reed, soprano voice; Daniel Alva,
tenor voice; Jim
Would someone please tell me what the hell is going on here? Something must
have gone down between Mr, Thames and Mr.Ness that I missed. The
Matanya/Roman battle was more entertaining because I understood what it was
about.
The Best to All,
Gary
lists? Do we have a list of all the lute pieces
arranged by Byrd for keyboard?
Notation may have its fascination, but I really would like to return
to Byrd.
Best wishes,
Stewart McCoy.
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Dear Stewart;
Regarding the situation you described of two viols playing:
__a__c__d___
and
__d__c__a___
-
it occurs to me that unless the timbres of the two
Dear Sal;
Slight correction: Los Maestros
Gary Digman
- Original Message -
From: Sal Salvaggio [EMAIL PROTECTED]
To: Howard Posner [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, August 02, 2005 4:32 AM
Subject: Re: Fw: Byrd
How 'bout
I seem to recall having read a quote attributed to Berlioz to the effect
that, There is no sound worse than the sound of fifty guitars playing the
same note at the same time. Was not Berlioz a guitarist?
Gary Digman
P.S: What's the definition of a minor second? Two
Diego Ortiz, Tratado de glossas sobre clausulas y otro generos de puntos en
la musica de violones 1553.
Sylvestro Ganassi, Regola Rubertina and Fontgara 1535.
Gary Digman
- Original Message -
From: Stephen Arndt [EMAIL PROTECTED]
To: lute
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Saturday, August 13, 2005 6:54 AM
Subject: Re: [LUTE] Belated Thanks
Stewart McCoy wrote:
.
It has often been observed that the addition of extra notes by
musicians, or extra
,
which is all I ask of a performer. I'll leave the demand for perfection in
execution to the nitpickers and naysayers.
Thanks for the memories.
All the Best,
Gary Digman
--
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- Original Message -
From: Taco Walstra [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]
Cc: lutelist lutelist lute@cs.dartmouth.edu
Sent: Sunday, August 21, 2005 2:30 AM
Subject: [LUTE] Re: Toyohiko Satoh CD
It's one CD and with the current dollar rate perhaps a bit steep.
A bit
Dear All;
It doesn't seem quite fair to me to continue to discuss Matanya and his
views on sundrie matters without allowing him the opportunity to respond and/or
defend those views.
Best to All,
Gary Digman
--
To get
,
Gary Digman
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu; gary digman [EMAIL PROTECTED]
Sent: Monday, August 29, 2005 5:54 AM
Subject: [LUTE] Re: Matanya Ophee and the lutelist
MO is not defending his views. He
Message -
From: Gernot Hilger [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Wednesday, August 31, 2005 2:14 AM
Subject: [LUTE] Re: fingering
Zitat von \Mathias Rösel\ [EMAIL PROTECTED]:
gary digman [EMAIL PROTECTED] schrieb:
Does anyone have any suggestions for fingering
. These are my
thoughts on the matter.
All the Best,
Gary
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu; gary digman [EMAIL PROTECTED]
Sent: Wednesday, August 31, 2005 4:17 AM
Subject: [LUTE] Re: Matanya Ophy ee and the lutelist
start your
: Gernot Hilger [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Wednesday, August 31, 2005 10:14 AM
Subject: [LUTE] Re: fingering
Zitat von \Mathias Rösel\ [EMAIL PROTECTED]:
gary digman [EMAIL PROTECTED] schrieb:
Does anyone have any suggestions for fingering the following
,
Gary Digman
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Thank you for the correction, Herbert.
Gary
- Original Message -
From: Herbert Ward [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, October 28, 2005 8:15 AM
Subject: [LUTE] Re: Gastric distress (gut)
We're the artists whose
aesthetic we are trying to
. Play on.
Gary
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Friday, October 28, 2005 8:03 AM
Subject: [LUTE] Re: Gastric distress (gut)
gary digman wrote:
It occurs to me there may be a touch of irony
My advice to New Boy would be to acquire the best qaulity lute he can
afford and begin. If funds are limited scour music stores that feature folk
instruments or sell instruments on consignment or used instruments. One of
my lutes is an Ian Harwood 7 course that I found in such a store on
Dear Eugene;
I think your summary contains at least one red herring. Since I am
the only person who used the word elitist, I'm assuming 1b was aimed at
me.
I did not say that anybody who tries to incorporate more or
different aspects of historical performance than I do is an
So Merton was drinking and whoring into the night in his hermitage? I'm
shocked!
Gary Digman
- Original Message -
From: Sandy Hackney [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Sent: Saturday, November 12, 2005 1:32 PM
Subject: [LUTE] Speaking of John Jacob
Daniels
before headding down to Boom Boom's Pleasure Palace.
All the Best,
Gary
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu; gary digman [EMAIL PROTECTED]
Sent: Sunday, November 13, 2005 4:29 AM
: Sandy Hackney [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; lutelist lute@cs.dartmouth.edu
Sent: Monday, November 14, 2005 3:34 AM
Subject: Re: [LUTE] Re: Speaking of John Jacob Niles
Actually Merton was a saint. He lived a very intensely focused life on
being holy for decades. As his
Dear Antonio;
Are these usages mutually exclusive? I am asking an historical
question, i.e., was the term vihuela actually used this way?
All the Best,
Gary
- Original Message -
From: Antonio Corona [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]
Cc: Lute Net lute
- Original Message -
From: Donatella Galletti [EMAIL PROTECTED]
To: lute lute@cs.dartmouth.edu
Sent: Friday, January 06, 2006 1:10 AM
Subject: [LUTE] Re: Music Therapy
and I also suspect my listening to classical music and playing
has an influence on the plants nearby, because they
Labor sympathizers?
Gary
- Original Message -
From: Stuart LeBlanc [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, January 05, 2006 6:00 PM
Subject: [LUTE] Re: exas Policeman Musician
Odessa, Texas... hmm... Put him on a staircase with some labor
sympathizers
and I'm
Dear Ed;
Did hearing H. Smith's Kaspsberger cause you to loiter in the area.
Maybe the City should rethink this. I'm not sure they really want gangs of
unruly lutenists hanging out downtown, panhandling for money to buy strings,
harassing passersby with their thumb in, thumb out rap. Word
that they should stick
to the written notes. How's that for an urban myth?
Gary
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; lutelist lute@cs.dartmouth.edu
Sent: Friday, January 06, 2006 4:56 AM
Subject: [LUTE] Re: Music Therapy
The effects of music
Isn't soliciting against the law?
Gary
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; lutelist lute@cs.dartmouth.edu
Sent: Saturday, January 07, 2006 6:35 AM
Subject: [LUTE] Re: Music Therapy
Yes, it had a paradoxical effect on me, as I
:00pm. Works by Krebs, Handel (Rod Hemphill, baroque flute,
Muftiah Martin, baroque violin, Beverly Kinnison, harpsichord and
Gary Digman, bass viola da gamba) and Marin Marais Gary Digman, bass
viola da gamba, Beverly Kinnison, harpsichord and Robin Easterbrook,
bass viola da gamba) plus
Dear Ed;
The first example is from Il Secondo Libro de Intavolatura di Liuto
( 1599 ) Gagliarda Prima. The second example is also Il Secondo
Fantasia de l'Autore.
Gary
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]; lute list lute
Thank you to those who responded to my Terzi question. I think Mathias had the
right answer to:
7___
2___
5___
3___
It should be:
___7___
___3___
___5___
___
___
___3___
I don't know why I didn't catch this earlier. Terzi is chock full so many
Dear Ed;
Oh, yeah? You talkin' to me? Are you talkin' to me?! All seriousness
aside, we've seen plenty of attitude on this site. Cf. some past flame
wars. So, let's not get too self-congratulatory. (Assuming you weren't
being ironic.)
Gary
- Original Message -
From: Edward Martin
I went to Amazon to purchase the Barto/Weiss CD and noticed that the
Barto/Hagen CD had gone from $6.98 to $39.98! What the hell is going on.
Not only can't I afford to go anywhere, I can't afford to stay home
either.
Best to
All,
Be careful what you wish for.
Gary
- Original Message -
From: Michal Gondko [EMAIL PROTECTED]
To: [LUTE] lute@cs.dartmouth.edu
Sent: Thursday, May 25, 2006 11:51 AM
Subject: [LUTE] Re: Sting.com news.news
Sting and Karamazov are working on a Dowland album:
I frequently pair Tarleton's (Tarlton's?) Willy with Lady Hunsdon's
Puffe in performance and let the audience come to their own conclusions
(no pum intended). . I once heard a famous gambist introduce his performance
of Tobias Hume's My Mistress Hath a Pretty Thinge by saying, The rudeness
of the
) as
Transatlantic Bench (A Merry Conceite).
Best wishes,
Stewart McCoy.
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Monday, May 29, 2006 10:30 AM
Subject: [LUTE] Re: Richard Tarletone / Dowland
I frequently pair Tarleton's
Dear Wayne;
Try www.lacg.net/facsimiles_page.htm .
Gary Digman
- Original Message -
From: Wayne Cripps [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, July 15, 2006 4:27 PM
Subject: [LUTE] Red ciphers (fwd)
To: lute@cs.dartmouth.edu
From: G. Crona [EMAIL
I wonder if lutenists of the 15th and early 16th centuries felt the
same about the introduction of the 7, 8 and 10 course instruments, not to
mention the theorbos, attorbiatos etc., as some of us seem to feel about the
liutos forte, ruby gambas, arch guitars, etc.
Also regarding Julian
Sorry, Stewart. I meant to send this to the lutelist, not you personally.
Gary
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: Stewart McCoy [EMAIL PROTECTED]
Sent: Saturday, July 29, 2006 2:43 AM
Subject: Re: [LUTE] Historical amplification
There is an English guitarist
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