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Dear Lutenetters,
a costumer wrote to me and asked if my transcription of Bachs Cellosuites
could be played on a tiorbino. "Do you think your transcription is suitable
for a
> Il giorno 18 giu 2020, alle ore 11:16, Davide Rebuffa
> ha scritto:
>
> Dear all,
>
> The instrument in Cleveland could be a a very rare example of a 14-course
> small archlute
> (not a "liuto attiorbato" because it has single bourdons)
> or a 14-course tiorbino in G.
> The brand of
Dear Hive Mind,
Are there a surviving 17^th century tiorbinos? I poked in your
archives, but couldn't seem to find hints.
A tiorbino is mentioned on Steven Barber's and Sandi Harris's homepage
as "one of the best and most convincing surviving examples of a
tiorbino" (Hieber /
Hello all,
I was offered a Tiorbino, and I'm wondering what one can do with it
(except of playing Bellerofonte-Castaldi): Are there any proofs that it
was used for playing solo instead of a big theorbo or for playing
continuo?
And is there any literature about it apart from the article by
A question about tiobino. The Cleveland Tiorbino on Wayne's site shows
6 +8. The bases are single strung. What is the opinion of this set up?
If the basses are double should they be unison or octaves?
There was a question earlier of the thiness of the 'b' (3rd). If the
tension is
dear collective wisdom,
I am thinking of stringing my Colin Everette small archlute as a
tiorbino. As some of you might know, Colin built many renaissance
lutes on the tiorbino model, with 13 or 14 courses but was stringing
it as regular Renaissance tuning with the diapasons in the same
Hi all-
Many years ago I strung my attiorbato as a tiorbino and it worked quite
well. I only kept it that way for a while though as I wanted to try
other things. Anyway I was thinking of doing it again and I have a few
questions about tiorbinos. Were they always single strung or
I had a very pleasant evening on Saturday with my harpsichord-making friend,
Grant O'Brien, and his friends, including a short recital on one of his
harpsichords by Lucy Carolan, a first-rate player. Grant and I got to
talking about lute and harpsichord making in Italy, and he revealed a couple
of
