Re: universal music data exchange format

2005-02-23 Thread Jon Murphy
Marion, I'll make one last try at what I was saying. I was not speaking of eliminating tabulature or staff notation - or any other way of passing music from one person to another. I'll have to be more boring than usual and mention that I spent a long time in data communication - and still have an

Re: universal music data exchange format

2005-02-23 Thread demery
Jon Murphy [EMAIL PROTECTED] said: So my suggestion was only that there be a uniform notation for transmission that all music software vendors would agree to so they could accept any other software's transmission. I agree that this would be highly desirable, but, as with all standards, there

Re: universal music data exchange format

2005-02-19 Thread KennethBeLute
In a message dated 2/18/2005 2:03:17 PM Eastern Standard Time, [EMAIL PROTECTED] writes: Just to set the record straight, my tab format was designed to be e-mailable. This was in the days when there was no internet (just a limited arpanet) and mail was sent from computer to computer via

Re: universal music data exchange format

2005-02-19 Thread Christopher Schaub
Yes, I agree that Wayne's format is very easy to use and perfect for tabbing lute music. Also very portable -- I haven't thought of using a PDA! Tab in general doesn't show when certain voices should start/stop and for that you need to have an understanding of historical counterpoint and the

Re: universal music data exchange format

2005-02-18 Thread Christopher Schaub
On a related note, I've had the idea (for a while now) to get the tab (Wayne's format) for an entire period or composer and run it through a parser which would look for patterns in the music. I'd be looking for things like the most common phrases (length could be variable) in Dowland's music. I've

Re: universal music data exchange format

2005-02-18 Thread Alain Veylit
XML would be much more efficient for that and many other purposes because of all the parsing tools that are being developed for that format, and because it is a structured format that is meant to do precisely that sort of manipulation. Wayne's format is meant to produce nice prints with his

Re: universal music data exchange format

2005-02-18 Thread Ed Durbrow
It's certainly an interesting idea. Programs have already been written that will write a piece of music in the style of certain composers. I've always thought that if you took out that little 6 note ornamental figure out of Bakfark fantasias there would be precious little left. :-) On a

Re: universal music data exchange format

2005-02-18 Thread Alain Veylit
Can anyone help translate from old Spanish the paragraph on the dedillo, on http://cbsr26.ucr.edu/~gls/images/facsimiles/Mudarra/Preface_2.jpg Thanks, Alain To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Re: universal music data exchange format

2005-02-17 Thread demery
Dr. Marion Ceruti [EMAIL PROTECTED] said: Tablature and staff notations record different things, tablature records finger positions; staff notation records pitch. One CAN translate either into the other, but, SHOULD one? +++Yes. This is why I like TablEdit so much. You input tab and

universal music data exchange format

2005-02-15 Thread demery
Jon Murphy [EMAIL PROTECTED] said: Speaking specifically of music the ideal would be a protocol that could transmit without regard to notation. The absolute notes themselves. would it? I wonder. Consider natural language for a moment. The several writing systems in use modernly and