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The two films under review are about people living at society’s margins and not the flashy superheroes you are used to seeing in summer blockbusters about space alien invasions or super-spies but both are two of the better films I have seen in months and a testament to the integrity of their respective creative teams. In a period of commercialism running rampant, symbolized most of all by the garish and murderous clown in the White House, “Elizabeth Blue” and “Thy Father’s Chair” are reminders that humanism is still alive in a dying empire, at least in the world of cinema.

full: https://louisproyect.org/2017/09/20/elizabeth-blue-thy-fathers-chair/
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